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Love Conquers All

Chapter 31: ACT 2
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About This Book

A varied collection of comic essays and sketches that lampoon domestic routines, leisure pursuits, and literary pretensions. Contents include mock correspondences and household vignettes, satirical how-to pieces on watching sports, gardening, and games, playful opera and literary synopses, and short humorous items on animals, business, and public affairs. The voice mixes deadpan observation, absurd exaggeration, and parody to turn everyday situations into unexpected punch lines. Illustrated plates sporadically accompany the pieces, reinforcing the light, conversational pacing and the writer's taste for deflating solemnity through slyly contrived misunderstandings.

VIII—HOW TO BE A SPECTATOR AT SPRING PLANTING

The danger in watching gardening, as in watching many other sports, is that you may be drawn into it yourself. This you must fight against. Your sinecure standing depends on a rigid abstinence from any of the work itself. Once you stoop over to hold one end of a string for a groaning planter, once you lift one shovelful of earth or toss out one stone, you become a worker and a worker is an abomination in the eyes of the true garden watcher.

A fence is, therefore, a great help. You may take up your position on the other side of the fence from the garden and lean heavily against it smoking a pipe, or you may even sit on it. Anything so long as you are out of helping distance and yet near enough so that the worker will be within easy range of your voice. You ought to be able to point a great deal, also.

There is much to be watched during the early stages of garden-preparation. Nothing is so satisfying [pg 042]as to lean ruminatingly against a fence and observe the slow, rhythmic swing of the digger's back or hear the repeated scraping of the shovel-edge against some buried rock. It sometimes is a help to the digger to sing a chanty, just to give him the beat. And then sometimes it is not. He will tell you in case he doesn't need it.

There is always a great deal for the watcher to do in the nature of comment on the soil. This is especially true if it is a new garden or has never been cultivated before by the present owner. The idea is to keep the owner from becoming too sanguine over the prospects.

"That soil looks pretty clayey," is a good thing to say. (It is hard to say, clearly, too. You had better practise it before trying it out on the gardener).

"I don't think that you'll have much luck with potatoes in that kind of earth," is another helpful approach. It is even better to go at it the other way, finding out first what the owner expects to plant. It may be that he isn't going to plant any potatoes, and then there you are, stuck with a perfectly dandy prediction which has no bearing on the case. It is time enough to pull it after he has told you that he expects to plant peas, beans, beets, corn. Then you can interrupt him and say: "Corn?" incredulously. [pg 043]"You don't expect to get any corn in that soil do you? Don't you know that corn requires a large percentage of bi-carbonate of soda in the soil, and I don't think, from the looks, that there is an ounce of soda bi-carb. in your whole plot. Even if the corn does come up, it will be so tough you can't eat it."

Then you can laugh, and call out to a neighbor, or even to the man's wife: "Hey, what do you know? Steve here thinks he's going to get some corn up in this soil!"

The watcher will find plenty to do when the time comes to pick the stones out of the freshly turned-over earth. It is his work to get upon a high place where he can survey the whole garden and detect the more obvious rocks.

"Here is a big fella over here, Steve," he may say. Or: "Just run your rake a little over in that corner. I'll bet you'll find a nest of them there."

"Plymouth Rock" is a funny thing to call any particularly offensive boulder, and is sure to get a laugh, especially if you kid the digger good-naturedly about being a Pilgrim and landing on it. He may even give it to you to keep.

Just as a matter of convenience for the worker, watchers have sometimes gone to the trouble of keeping count of the number of stones thrown out. [pg 044]This is done by shouting out the count after each stone has been tossed. It makes a sort of game of the thing, and in this spirit the digger may be urged on to make a record.

"That's forty-eight, old man! Come on now, make her fifty. Attaboy, forty-nine! Only one more to go. We-want-fifty-we-want-fifty-we-want fifty."

And not only stones will be found, but queer objects which have got themselves buried in the ground during the winter-months and have become metamorphosed, so they are half way between one thing and another. As the digger holds one of these objets dirt gingerly between his thumb and forefinger the watcher has plenty of opportunity to shout out:

"You'd better save that. It may come in handy some day. What is it, Eddie? Your old beard?"

And funny cracks like that.

Here is where it is going to be difficult to keep to your resolution about not helping. After the digging, and stoning, and turning-over has been done, and the ground is all nice and soft and loamy, the idea of running a rake softly over the susceptible surface and leaving a beautiful even design in its wake, is almost too tempting to be withstood.

"Atta boy, forty-nine: Only one more to go!"

The worker himself will do all that he can to [pg 045]make it hard for you. He will rake with evident delight, much longer than is necessary, back and forth, across and back, cocking his head and surveying the pattern and fixing it up along the edges with a care which is nothing short of insulting considering the fact that the whole thing has got to be mussed up again when the planting begins.

If you feel that you can no longer stand it without offering to assist, get down from the fence and go into your own house and up to your own room. There pray for strength. By the time you come down, the owner of the garden ought to have stopped raking and got started on the planting.

Here the watcher's task is almost entirely advisory. And, for the first part of the planting, he should lie low and say nothing. Wait until the planter has got his rows marked out and has wobbled along on his knees pressing the seeds into perhaps half the length of his first row. Then say:

"Hey there, Charlie! You've got those rows going the wrong way."

Charlie will say no he hasn't. Then he will ask what you mean the wrong way.

"Why, you poor cod, you've got them running north and south. They ought to go east and west. The sun rises over there, doesn't it?" (Charlie will attempt to deny this, but you must go right on.) [pg 046]"And it comes on up behind that tree and over my roof and sets over there, doesn't it?" (By this time, Charlie will be crying with rage.) "Well, just as soon as your beans get up an inch or two they are going to cast a shadow right down the whole row and only those in front will ever get any sun. You can't grow things without sun, you know."

If Charlie takes you seriously and starts in to rearrange his rows in the other direction, you might perhaps get down off the fence and go in the house. You have done enough. If he doesn't take you seriously, you surely had better go in.[pg 047]


IX—THE MANHATTADOR

Announcements have been made of a bull-fight to be held in Madison Square Garden, New York, in which only the more humane features of the Spanish institution are to be retained. The bull will not be killed, or even hurt, and horses will not be used as bait.

If a bull-fight must be held, this is of course the way to hold it, but what features are to be substituted for the playful gorings and stabbings of the Madrid system? Something must be done to enrage the bull, otherwise he will just sulk in a corner or walk out on the whole affair. Following is a suggestion for the program of events:

1. Grand parade around the ring, headed by a brass-band and the mayor in matador's costume. Invitations to march in this parade will be issued to every one in the bull-fighting set with the exception of the bull, who will be ignored. This will make him pretty sore to start with.

2. After the marchers have been seated, the bull will be led into the ring. An organized cheering [pg 048]section among the spectators will immediately start jeering him, whistling, and calling "Take off those horns, we know you!"

3. The picadors will now enter, bearing pikes with ticklers on the ends. These will be brushed across the bull's nose as the picadors rush past him on noisy motor-cycles. The noise of the motor-cycles is counted on to irritate the bull quite as much as the ticklers, as he will probably be trying to sleep at the time.

4. Enter the bandilleros, carrying various ornate articles of girls' clothing (daisy-hat with blue ribbons, pink sash, lace jabot, etc.) which will, one by one, be hung on the bull when he isn't looking. In order to accomplish this, one of the bandilleros will engage the animal in conversation while another sneaks up behind him with the frippery. When he is quite trimmed, the bandilleros will withdraw to behind a shelter and call him: "Lizzie!"

5. By this time, the bull will be almost crying he will be so sore. This is the moment for the entrance of the intrepid matador. The matador will wear an outing cap with a cutaway and Jaeger vest, and the animal will become so infuriated by this inexcusable mésalliance of garments that he will charge madly at his antagonist. The matador, who will be equipped with boxing-gloves, will feint with [pg 049]his left and pull the daisy-hat down over the bull's eyes with his right, immediately afterward stepping quickly to one side. The bull, blinded by the daisies, will not know where to go next and soon will laughingly admit that the joke has been on him. He will then allow the matador to jump on his back and ride around the ring, making good-natured attempts to unseat his rider.[pg 050]


X—WHAT TO DO WHILE THE FAMILY IS AWAY

Somewhere or other the legend has sprung up that, as soon as the family goes away for the summer, Daddy brushes the hair over his bald spot, ties up his shoes, and goes out on a whirlwind trip through the hellish districts of town. The funny papers are responsible for this, just as they are responsible for the idea that all millionaires are fat and that Negroes are inordinately fond of watermelons.

I will not deny that for just about four minutes after the train has left, bearing Mother, Sister, Junior, Ingabog and the mechanical walrus on their way to Anybunkport, Daddy is suffused with a certain queer feeling of being eleven years old and down-town alone for the first time with fifteen cents to spend on anything he wants. The city seems to spread itself out before him just ablaze with lights and his feet rise lightly from the ground as if attached to toy balloons. I do not deny that his first move is to straighten his tie.[pg 051]

But five minutes would be a generous allowance for the duration of this foot-loose elation. As he leaves the station he suddenly becomes aware of the fact that no one else has heard about his being fancy-free. Everyone seems to be going somewhere in a very important manner. A great many people, oddly enough seem to be going home. Ordinarily he would be going home, too. But there would not be much sense in going home now, without—. But come, come, this is no way to feel! Buck up, man! How about a wild oat or two?

Around at the club the doorman says that Mr. McNartly hasn't been in all afternoon and that Mr. Freem was in at about four-thirty but went out again with a bag. There is no one in the lounge whom he ever saw before. A lot of new members must have been taken in at the last meeting. The club is running down fast. He calls up Eddie Mastayer's office but he has gone for the day. Oh, well, someone will probably come in for dinner. He hasn't eaten dinner at the club for a long time and there will be just time for a swim before settling down to a nice piece of salmon steak.

All the new members seem to be congregated now in the pool and they look him over as if he were a fresh-air child being given a day's outing. He becomes [pg 052]self-conscious and slips on the marble floor, falling and hurting his shin quite badly. Who the hell are these people anyway? And where is the old bunch? He emerges from the locker room much hotter than he was before and in addition, boiling with rage.

Dinner is one of the most depressing rituals he has ever gone through with. Even the waiters seem unfamiliar. Once he even gets up and goes out to the front of the building to see if he hasn't got into the wrong club-house by mistake. Pretty soon a terrible person whose name is either Riegle or Ropple comes and sits down with him, offering as his share of the conversation the dogmatic announcement that it has been hotter today than it was yesterday. This is denied with some feeling, although it is known to be true. Dessert is dispensed with for the sake of getting away from Riegle or Ropple or whatever his name is.

Then the first gay evening looms up ahead. What to do? There is nothing to prevent his drawing all the money out of the bank and tearing the town wide open from the City Hall to the Soldier's Monument. There is nothing to prevent his formally introducing himself to some nice blonde and watching her get the meat out of a lobster-claw. There is nothing to prevent his hiring some bootlegger [pg 053]to anoint him with synthetic gin until he glows like a fire-fly and imagines that he has just been elected Mayor on a Free Ice-Cream ticket. Absolutely nothing stands in his way, except a dispairing vision of crêpe letters before his eyes reading:"—And For What?"

He ends up by going to the movies where he falls asleep. Rather than go home to the empty house he stays at the club. In the morning he is at the office at a quarter to seven.

Now there ought to be several things that a man could do at home to relieve the tedium of his existence while the family is away. Once you get accustomed to the sound of your footsteps on the floors and reach a state of self-control where you don't break down and sob every time you run into a toy which has been left standing around, there are lots of ways of keeping yourself amused in an empty house.

You can set the victrola going and dance. You may never have had an opportunity to get off by yourself and practice those new steps without someone's coming suddenly into the room and making you look foolish. (That's one big advantage about being absolutely alone in a house. You can't look foolish, no matter what you do. You may be foolish, but no one except you and your God knows [pg 054]about it and God probably has a great deal too much to do to go around telling people how foolish you were). So roll back the rugs and put on "Kalua" and, holding out one arm in as fancy a manner as you wish, slip the other daintily about the waist of an imaginary partner and step out. You'd be surprised to see how graceful you are. Pretty soon you will get confidence to try a few tricks. A very nice one is to stop in the middle of a step, point the left toe delicately twice in time to the music, dip, and whirl. It makes no difference if you fall on the whirl. Who cares? And when you are through dancing you can go out to the faucet and get yourself a drink—provided the water hasn't been turned off.

Lots of fun may also be had by going out into the kitchen and making things with whatever is left in the pantry. There will probably be plenty of salt and nutmegs, with boxes of cooking soda, tapioca, corn-starch and maybe, if you are lucky, an old bottle of olives. Get out a cook-book and choose something that looks nice in the picture. In place of the ingredients which you do not have, substitute those which you do, thus: nutmegs for eggs, tapioca for truffles, corn-starch and water for milk, and so forth and so forth. Then go in and set the table according to the instructions in the [pg 055]cook-book for a Washington's Birthday party, light the candles, and with one of them set fire to the house.

There is probably a night-train for Anybunkport which you can catch while the place is still burning.

* * * * *

To those male readers whose families are away for the summer:

Tear the above story out along dotted line and mail it to the folks, writing in pencil across the top "This guy has struck it about right." Then drop around tonight at seven-thirty to Eddie's apartment. Joe Reddish, John Liftwich, Harry Thibault and three others will be there and the limit will be fifty cents. Game will absolutely break up at one-thirty. No fooling. One-thirty and not a minute longer.[pg 056]


XI—"ROLL YOUR OWN"

Inside Points on Building and Maintaining a Private Tennis Court

Now that the Great War is practically over, until the next one begins there isn't very much that you can do with that large plot of ground which used to be your war-garden. It is too small for a running-track and too large for nasturtiums. Obviously, the only thing left is a tennis-court.

One really ought to have a tennis-court of one's own. Those at the Club are always so full that on Saturdays and Sundays the people waiting to play look like the gallery at a Davis Cup match, and even when you do get located you have two sets of balls to chase, yours and those of the people in the next court.

The first thing is to decide among yourselves just what kind of court it is to be. There are three kinds: grass, clay, and corn-meal. In Maine, gravel courts are also very popular. Father will usually hold out for a grass court because it gives [pg 057]a slower bounce to the ball and Father isn't so quick on the bounce as he used to be. All Mother insists on is plenty of headroom. Junior and Myrtis will want a clay one because you can dance on a clay one in the evening. The court as finished will be a combination grass and dirt, with a little golden-rod late in August.

A little study will be necessary before laying out the court. I mean you can't just go out and mark a court by guess-work. You must first learn what the dimensions are supposed to be and get as near to them as is humanly possible. Whereas there might be a slight margin for error in some measurements, it is absolutely essential that both sides are the same length, otherwise you might end up by lobbing back to yourself if you got very excited.

The worst place to get the dope on how to arrange a tennis-court is in the Encyclopædia Britannica. The article on TENNIS was evidently written by the Archbishop of Canterbury. It begins by explaining that in America tennis is called "court tennis." The only answer to that is, "You're a cock-eyed liar!" The whole article is like this.

The name "tennis," it says, probably comes from the French "Tenez!" meaning "Take it! Play!" More likely, in my opinion, it is derived from the [pg 058]Polish "Tinith!" meaning "Go on, that was not outside!"

During the Fourteenth Century the game was played by the highest people in France. Louis X died from a chill contracted after playing. Charles V was devoted to it, although he tried in vain to stop it as a pastime for the lower classes (the origin of the country-club); Charles VI watched it being played from the room where he was confined during his attack of insanity and Du Guesclin amused himself with it during the siege of Dinan. And, although it doesn't say so in the Encyclopædia, Robert C. Benchley, after playing for the first time in the season of 1922, was so lame under the right shoulder-blade that he couldn't lift a glass to his mouth.

This fascinating historical survey of tennis goes on to say that in the reign of Henri IV the game was so popular that it was said that "there were more tennis-players in Paris than drunkards in England." The drunkards of England were so upset by this boast that they immediately started a drive for membership with the slogan, "Five thousand more drunkards by April 15, and to Hell with France!" One thing led to another until war was declared.

The net does not appear until the 17th century. [pg 059]Up until that time a rope, either fringed or tasseled, was stretched across the court. This probably had to be abandoned because it was so easy to crawl under it and chase your opponent. There might also have been ample opportunity for the person playing at the net or at the "rope," to catch the eye of the player directly opposite by waving his racquet high in the air and then to kick him under the rope, knocking him for a loop while the ball was being put into play in his territory. You have to watch these Frenchmen every minute.

The Encyclopedia Britannica gives fifteen lines to "Tennis in America." It says that "few tennis courts existed in America before 1880, but that now there are courts in Boston, New York, Chicago, Tuxedo and Lakewood and several other places." Everyone try hard to think now just where those other places are!

Which reminds us that one of them is going to be in your side yard where the garden used to be. After you have got the dimensions from the Encyclopædia, call up a professional tennis-court maker and get him to do the job for you. Just tell him that you want "a tennis-court."

Once it is built the fun begins. According to the arrangement, each member of the family is to have certain hours during which it belongs to them and [pg 060]no one else. Thus the children can play before breakfast and after breakfast until the sun gets around so that the west court is shady. Then Daddy and Mother and sprightly friends may take it over. Later in the afternoon the children have it again, and if there is any light left after dinner Daddy can take a whirl at the ball.

What actually will happen is this: Right after breakfast Roger Beeman, who lives across the street and who is home for the summer with a couple of college friends who are just dandy looking, will come over and ask if they may use the court until someone wants it. They will let Myrtis play with them and perhaps Myrtis' girl-chum from Westover. They will play five sets, running into scores like 19-17, and at lunch time will make plans for a ride into the country for the afternoon. Daddy will stick around in the offing all dressed up in his tennis-clothes waiting to play with Uncle Ted, but somehow or other every time he approaches the court the young people will be in the middle of a set.

For three hours there is a great deal of screaming.

After lunch, Lillian Nieman, who lives three houses down the street, will come up and ask if she may bring her cousin (just on from the West) to play a set until someone wants the court. Lillian's cousin has never played tennis before but she has done a lot of croquet and thinks she ought to pick [pg 061]tennis up rather easily. For three hours there is a great deal of screaming, with Lillian and her cousin hitting the ball an aggregate of eleven times, while Daddy patters up and down the side-lines, all dressed up in white, practising shots against the netting.

Finally, the girls will ask him to play with them, and he will thank them and say that he has to go in the house now as he is all perspiration and is afraid of catching cold.

After dinner there is dancing on the court by the young people. Anyway, Daddy is getting pretty old for tennis.[pg 062]


XII—DO INSECTS THINK?

In a recent book entitled, "The Psychic Life of Insects," Professor Bouvier says that we must be careful not to credit the little winged fellows with intelligence when they behave in what seems like an intelligent manner. They may be only reacting. I would like to confront the Professor with an instance of reasoning power on the part of an insect which can not be explained away in any such manner.

During the summer of 1899, while I was at work on my treatise "Do Larvae Laugh," we kept a female wasp at our cottage in the Adirondacks. It really was more like a child of our own than a wasp, except that it looked more like a wasp than a child of our own. That was one of the ways we told the difference.

It was still a young wasp when we got it (thirteen or fourteen years old) and for some time we could not get it to eat or drink, it was so shy. Since it was a, female, we decided to call it Miriam, but soon the children's nickname for it—"Pudge"—became [pg 063]a fixture, and "Pudge" it was from that time on.

One evening I had been working late in my laboratory fooling round with some gin and other chemicals, and in leaving the room I tripped over a nine of diamonds which someone had left lying on the floor and knocked over my card catalogue containing the names and addresses of all the larvae worth knowing in North America. The cards went everywhere.

I was too tired to stop to pick them up that night, and went sobbing to bed, just as mad as I could be. As I went, however, I noticed the wasp flying about in circles over the scattered cards. "Maybe Pudge will pick them up," I said half-laughingly to myself, never thinking for one moment that such would be the case.

When I came down the next morning Pudge was still asleep over in her box, evidently tired out. And well she might have been. For there on the floor lay the cards scattered all about just as I had left them the night before. The faithful little insect had buzzed about all night trying to come to some decision about picking them up and arranging them in the catalogue-box, and then, figuring out for herself that, as she knew practically nothing about larvae of any sort except wasp-larvae, she [pg 064]would probably make more of a mess of rearranging them than as if she left them on the floor for me to fix. It was just too much for her to tackle, and, discouraged, she went over and lay down in her box, where she cried herself to sleep.

If this is not an answer to Professor Bouvier's statement that insects have no reasoning power, I do not know what is.[pg 065]


XIII—THE SCORE IN THE STANDS

The opening week of the baseball season brought out few surprises. The line-up in the grandstands was practically the same as when the season closed last Fall, most of the fans busying themselves before the first game started by picking old 1921 seat checks and October peanut crumbs out of the pockets of their light-weight overcoats.

Old-timers on the two teams recognized the familiar faces in the bleachers and were quick to give them a welcoming cheer. The game by innings as it was conducted by the spectators is as follows:

FIRST INNING: Scanlon, sitting in the first-base bleachers, yelled to Ruth to lead off with a homer. Thibbets sharpened his pencil. Liebman and O'Rourke, in the south stand, engaged in a bitter controversy over Peckingpaugh's last-season batting average. NO RUNS.

SECOND INNING: Scanlon yelled to Bodie to to whang out a double. Turtelot said that Bodie couldn't do it. Scanlon said "Oh, is that so?" Turtelot said "Yes, that's so and whad' yer know [pg 066]about that?" Bodie whanged out a double and Scanlon's collar came undone and he lost his derby. Stevens announced that this made Bodie's batting average 1000 for the season so far. Joslin laughed.

THIRD INNING: Thibbets sharpened his pencil. Zinnzer yelled to Mays to watch out for a fast one. Steinway yelled to Mays to watch out for a slow one. Mays fanned. O'Rourke called out and asked Brazill how all the little brazil-nuts were. Levy turned to O'Rourke and said he'd brazil-nut him. O'Rourke said "Eah? When do you start doing it?" Levy said: "Right now." O'Rourke said: "All right, come on. I'm waiting." Levy said: "Eah?" O'Rourke said: "Well, why don't you come, you big haddock?" Levy said he'd wait for O'Rourke outside where there weren't any ladies. NO RUNS.

FOURTH INNING: Scanlon called out to Ruth to knock a homer, Thibbets sharpened his pencil. Scanlon yelled: "Atta-boy, Babe, whad' I tell yer!" when Ruth got a single.

FIFTH INNING: Mrs. Whitebait asked Mr. Whitebait how you marked a home-run on the score-card. Mr. Whitebait said: "Why do you have to know? No one has knocked a home-run." Mrs. Whitebait said that Babe Ruth ran home in [pg 067]the last inning. "Yes, I know," said Mr. Whitebait, "but it wasn't a home-run." Mrs. W. asked him with some asperity just why it wasn't a home-run, if a man ran home, especially if it was Babe Ruth. Mr. W. said: "I'll tell you later. I want to watch the game." Mrs. Whitebait began to cry a little. Mr. Whitebait groaned and snatched the card away from her and marked a home-run for Ruth in the fourth inning.

SIXTH INNING: Thurston called out to Hasty not to let them fool him. Wicker said that where Hasty got fooled in the first place was when he let them tell him he could play baseball. Unknown man said that he was "too Hasty," and laughed very hard. Thurston said that Hasty was a better pitcher than Mays, when he was in form. Unknown man said "Eah?" and laughed very hard again. Wicker asked how many times in seven years Hasty was in form and Thurston replied: "Often enough for you." Unknown man said that what Hasty needed was some hasty-pudding, and laughed so hard that his friend had to take him out.

Thibbets sharpened his pencil.

SEVENTH INNING: Libby called "Everybody up!" as if he had just originated the idea, and seemed proudly pleased when everyone stood up. Taussig threw money to the boy for a bag of [pg 068]peanuts who tossed the bag to Levy who kept it. Taussig to boy to Levy.

Scanlon yelled to Ruth to come through with a homer. Ruth knocked a single and Scanlon yelled "Atta-boy, Babe! All-er way 'round! All-er way round, Babe!" Mrs. Whitebait asked Mr. Whitebait which were the Clevelands. Mr. Whitebait said very quietly that the Clevelands weren't playing to-day, just New York and Philadelphia and that only two teams could play the game at the same time, that perhaps next year they would have it so that Cleveland and Philadelphia could both play New York at once but the rules would have to be changed first. Mrs. Whitebait said that he didn't have to be so nasty about is. Mr. W. said My God, who's being nasty? Mrs. W. said that the only reason she came up with him anyway to see the Giants play was because then she knew that he wasn't off with a lot of bootleggers. Mr. W. said that it wasn't the Giants but the Yankees that she was watching and where did she get that bootlegger stuff. Mrs. W. said never mind where she got it. NO RUNS.

EIGHTH INNING: Thibbets sharpened his pencil. Litner got up and went home. Scanlon yelled to Ruth to end up the game with a homer. Ruth singled. Scanlon yelled "Atta-Babe!" and went home.[pg 069]

NINTH INNING: Stevens began figuring up the players' batting averages for the season thus far. Wicker called over to Thurston and asked him how Mr. Hasty was now. Thurston said "That's all right how he is." Mrs. Whitebait said that she intended to go to her sister's for dinner and that Mr. Whitebait could do as he liked. Mr. Whitebait told her to bet that he would do just that. Thibbets broke his pencil.

Score: New York 11. Philadelphia 1.[pg 070]


XIV—MID-WINTER SPORTS

These are melancholy days for the newspaper sporting-writers. The complaints are all in from old grads of Miami who feel that there weren't enough Miami men on the All-American football team, and it is too early to begin writing about the baseball training camps. Once in a while some lady swimmer goes around a tank three hundred times, or the holder of the Class B squash championship "meets all-comers in court tilt," but aside from that, the sporting world is buried with the nuts for the winter.

Since sporting-writers must live, why not introduce a few items of general interest into their columns, accounts of the numerous contests of speed and endurance which take place during the winter months in the homes of our citizenry? For instance:

An interesting exhibition of endurance was given by Martin W. Lasbert at his home last evening when he covered the distance between the cold-water tap in his bath-room to the bedside of his young daughter, Mertice, eighteen times in three hours, this being the number of her demands for water to drink. When interviewed after the eighteenth lap, Mr. Lasbert said: "I wouldn't do it another time, not if the child were parching." Shortly after that he made his nineteenth trip.

As was exclusively predicted in these columns yesterday and in accordance with all the dope, Chester H. Flerlie suffered his sixtieth consecutive defeat last evening at the hands of the American Radiator Company, the builders of his furnace. With all respect for Mr. Flerlie's pluck in attempting, night after night, to dislodge clinkers caught in the grate, it must be admitted, even by his host of friends, that he might much better be engaged in some gainful occupation. The grate tackled by the doughty challenger last night was one of the fine-tooth comb variety (the "Non-Sifto" No. [pg 072]114863), in which the clinker is caught by a patent clutch and held securely until the wrecking-crew arrives. At the end of the bout Mr. Flerlie was led away to his dressing room, suffering from lacerated hands and internal injuries. "I'm through," was his only comment.

This morning's winners in the Lymedale commuters' contest for seats on the shady side of the car on the 8:28 were L.Y. Irman, Sydney M. Gissith, John F. Nothman and Louis Leque. All the other seats were won by commuters from Loose Valley, the next station above Lymedale. In trying to scramble up the car-steps in advance of lady passengers, Merton Steef had his right shin badly skinned and hit his jaw on the bottom step. Time was not called while his injuries were being looked after.

He was further aided by the breaks of the game.

Before an enthusiastic and notable gathering, young Lester J. Dimmik, age three, put to rout his younger brother, Carl Withney Dimmik, Jr., age two, in their matutinal contest to see which can dispose of his Wheatena first. In the early stages of the match, it began to look as if the bantamweight would win in a walk, owing to his trick of throwing spoonfuls of the breakfast food over his shoulder [pg 073]and under the tray of his high-chair. The referees soon put a stop to this, however, and specified that the Wheatena must be placed in the mouth. This cramped Dimmick Junior's form and it soon became impossible for him to locate his mouth at all. At this point, young Lester took the lead, which he maintained until he crossed the line an easy winner. As a reward he was relieved of the necessity of eating another dish of Wheatena.


XV—READING THE FUNNIES ALOUD

One of the minor enjoyable features of having children is the necessity of reading aloud to them the colored comic sections in the Sunday papers.

And no matter how good your intentions may have been at first to keep the things out of the house (the comic sections, not the children) sooner or later there comes a Sunday when you find that your little boy has, in some underground fashion, learned of the raucous existence of Simon Simp or the Breakback Babies, and is demanding the current installment with a fervor which will not be denied.

Sunday morning in our house has now become a time for low subterfuge on the part of Doris and me in our attempts to be somewhere else when Junior appears dragging the "funnies" (a loathsome term in itself) to be read to him. I make believe that the furnace looks as if it might fall apart at any minute if it is not watched closely, and Doris calls from upstairs that she may be some time over the weekly accounts.[pg 075]

But sooner or later Junior ferrets one of us out and presents himself beaming. "Now will you read me the 'funnies'?" is the dread sentence which opens the siege. It then becomes a rather ill-natured contest between Doris and me to see which can pick the more bearable pages to read, leaving the interminable ones, containing great balloons pregnant with words, for the other.

I usually find that Doris has read the Briggs page to Junior before I get downstairs, the Briggs page (and possibly the drawings of Voight's Lester De Pester) being the only department that an adult mind can dwell on and keep its self-respect. "Now I will read you Briggs," says Doris with the air of an indulgent parent, but settling down with great relish to the task, "and Daddy will read you the others."

Having been stuck for over a year with "the others" I have now reached a stage where I utilize a sort of second sight in the reading whereby the words are seen and pronounced without ever registering on my brain at all. And, as I sit with Junior impassive on my lap (just why children should so frantically seek to have the "funnies" read to them is a mystery, for they never by any chance seem to derive the slightest emotional pleasure from the recital but sit in stony silence as if they rather [pg 076]disapproved of the whole thing after all) I have evolved a system which enables me to carry on a little constructive thinking while reading aloud, thereby keeping the time from being entirely wasted. Heaven knows we get little enough opportunity to sit down and think things out in this busy work-a-day world, so that this little period of mental freedom is in the nature of a godsend. Thus:

What Is Being Read Aloud

"Here he says 'Gee but this is tough luck a new automobile an' no place to go' and the dog is saying 'It aint so tough at that'. Then here in the next picture the old man says: Percy ain't in my class as a chauffeur, he ain't as fearless as me' and this one is saying 'Hello there, that looks like the old tin Lizzie that I gave to the General last year I guess I'll take a peek and see what's up' 'Well what are you doing hanging around here, what do you think this is a hotel?' 'Say where do you get that stuff you ain't no justice of the peace you know' 'Wow! Let me out let me out, I say' 'I'll show you biff biff wham zowie!' etc. etc."

Concurrent Thinking

"Here I am in the thirties and it is high time that I made something of myself. Is my job as good as I deserve? By studying nights I might fit myself for a better position in the foreign exchange department, but that would mean an outlay of money. Furthermore, is it, on the whole, wise to attempt to hurry the workings of Fate? Is not perhaps the determinist right who says that what we are and what we ever can be is already written in the books, that we can not alter the workings of Destiny one iota? This theory is, of course, tenable, but, on the whole, it seems to me that if I were to take the matter into my own hands, etc. etc."

And then, when the last pot of boiling water has been upset over the last grandfather's back, and Junior has slid down from your lap as near satisfied [pg 077]as he ever will be, you have ten or fifteen minutes of constructive thinking behind you, which, if practiced every Sunday, will make you President of the company within a few years.[pg 078]


XVI—OPERA SYNOPSES

Some Sample Outlines of Grand Opera Plots For Home Study.

I—DIE MEISTER-GENOSSENSCHAFT

Scene: The Forests of Germany.

Time: Antiquity.

Cast

Strudel, God of Rain

Basso

Schmalz, God of Slight Drizzle

Tenor

Immerglück, Goddess of the Six Primary Colors

Soprano

Ludwig Das Eiweiss, the Knight of the Iron Duck

Baritone

The Woodpecker

Soprano

Argument

The basis of "Die Meister-Genossenschaft" is an old legend of Germany which tells how the Whale got his Stomach.[pg 079]

ACT I

The Rhine at Low Tide Just Below Weldschnoffen.—Immerglück has grown weary of always sitting on the same rock with the same fishes swimming by every day, and sends for Schwül to suggest something to do. Schwül asks her how she would like to have pass before her all the wonders of the world fashioned by the hand of man. She says, rotten. He then suggests that Ringblattz, son of Pflucht, be made to appear before her and fight a mortal combat with the Iron Duck. This pleases Immerglück and she summons to her the four dwarfs: Hot Water, Cold Water, Cool, and Cloudy. She bids them bring Ringblattz to her. They refuse, because Pflucht has at one time rescued them from being buried alive by acorns, and, in a rage, Immerglück strikes them all dead with a thunderbolt.

ACT 3

The Forest Before the Iron Duck's Bureau Drawer.—Merglitz, who has up till this time held his peace, now descends from a balloon and demands the release of Betty. It has been the will of Wotan that Merglitz and Betty should meet on earth and hate each other like poison, but Zweiback, the druggist of the gods, has disobeyed and concocted a love-potion which has rendered the young couple very unpleasant company. Wotan, enraged, destroys them with a protracted heat spell.

Encouraged by this sudden turn of affairs, Immerglück comes to earth in a boat drawn by four white [pg 081]Holsteins, and, seated alone on a rock, remembers aloud to herself the days when she was a girl. Pilgrims from Augenblick, on their way to worship at the shrine of Schmürr, hear the sound of reminiscence coming from the rock and stop in their march to sing a hymn of praise for the drying up of the crops. They do not recognize Immerglück, as she has her hair done differently, and think that she is a beggar girl selling pencils.

In the meantime, Ragel, the papercutter of the gods, has fashioned himself a sword on the forge of Schmalz, and has called the weapon "Assistance-in-Emergency." Armed with "Assistance-in-Emergency" he comes to earth, determined to slay the Iron Duck and carry off the beautiful Irma.

But Frimsel overhears the plan and has a drink brewed which is given to Ragel in a golden goblet and which, when drunk, makes him forget his past and causes him to believe that he is Schnorr, the God of Fun. While laboring under this spell, Ragel has a funeral pyre built on the summit of a high mountain and, after lighting it, climbs on top of it with a mandolin which he plays until he is consumed.

Immerglück never marries.[pg 082]


II—IL MINNESTRONE

(PEASANT LOVE)

Scene: Venice and Old Point Comfort.

Time: Early 16th Century.

Cast

Alfonso, Duke of Minnestrone

Baritone

Partola, a Peasant Girl

Soprano

Cleanso Young Noblemen of Venice.

Tenor

Turino Young Noblemen of Venice.

Tenor

Bombo Young Noblemen of Venice.

Basso

Ludovico Assassins in the service of Cafeteria Rusticana

Basso

Astolfo Assassins in the service of Cafeteria Rusticana

Methodist

Townspeople, Cabbies and Sparrows

Argument

"Il Minnestrone" is an allegory of the two sides of a man's nature (good and bad), ending at last in an awfully comical mess with everyone dead.

ACT 2

Banquet Hall in Gorgio's Palace.—Lilliano has not forgotten Breda, her old nurse, in spite of her troubles, and determines to avenge herself for the many insults she received in her youth by poisoning her (Breda). She therefore invites the old nurse to a banquet and poisons her. Presently a knock is heard. It is Ugolfo. He has come to carry away the body of Michelo and to leave an extra quart of pasteurized. Lilliano tells him that she no longer loves him, at which he goes away, dragging his feet sulkily.


III—LUCY DE LIMA

Scene: Wales.

Time: 1700 (Greenwich).

Cast

William Wont, Lord of Glennnn

Basso

Lucy Wagstaff, his daughter

Soprano

Bertram, her lover

Tenor

Lord Roger, friend of Bertram.

Soprano

Irma, attendant to Lucy

Basso

Friends, Retainers and Members of the local Lodge of Elks.

Argument

"Lucy de Lima," is founded on the well-known story by Boccaccio of the same name and address.[pg 085]

ACT I

Gypsy Camp Near Waterbury.—The gypsies, led by Edith, go singing through the camp on the way to the fair. Following them comes Despard, the gypsy leader, carrying Ethel, whom he has just kidnapped from her father, who had previously just kidnapped her from her mother. Despard places Ethel on the ground and tells Mona, the old hag, to watch over her. Mona nurses a secret grudge against Despard for having once cut off her leg and decides to change Ethel for Nettie, another kidnapped child. Ethel pleads with Mona to let her stay with Despard, for she has fallen in love with him on the ride over. But Mona is obdurate.