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Luca Signorelli

Chapter 45: TRANSCRIBERS' NOTES
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About This Book

A concise biography and critical study traces the artist's training, stylistic development, and major commissions, grouping works into earliest, middle, and late periods. It offers close analyses of painting technique, composition, and recurring themes, with extended attention to the Orvieto fresco cycle, altarpieces, and surviving drawings. Chapters consider workshop practice, pupils, and influence, supported by documentary evidence. Illustrations, a catalogue of works, a chronological table, and a bibliography accompany the narrative, enabling readers to follow the visual evolution and methods that the author attributes to the subject's oeuvre and legacy.

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TRANSCRIBERS' NOTES

General: Corrections to punctuation have not been individually noted.

Page xii: Erratum applied to text.

Page xiii: GUIDÀ corrected to GUIDA. RELLA corrected to NELLA.

Page 64: "By the which he roused" amended to "By means of this he roused".

Page 72: Duplicate a removed from "In that on the left a a man".

Page 94: ninteen corrected to nineteen.

Page 102: Campagnia standardised to Compagnia.

Page 108: Pietá corrected to Pietà.

Page 135: Unicode character X2183 (Roman Numeral Reversed One Hundred) is not supported in all fonts.

Page 138: PSPICVE without tilde as in original, probably intended as an abbreviation for PERSPICUE. FIGVRADṼ as in original, perhaps a misspelling of FIGURANDUM. ATFRGO as in original perhaps intended A TERGO. CVPIDVSQ (Cupidusque?) and VTRIVSQ (Utriusque?) as in original without overlining.