These are all dreams and fancies—untrue, not because they are too strange and wonderful, but because they are not strange and wonderful enough: for more wonderful sure than any fairy tale it is, that Madam How should make a rich and pleasant land by the brute force of ice.
And were there any men and women in that old age of ice? That is a long story, and a dark one too; we will talk of it next time.
CHAPTER VI—THE TRUE FAIRY TALE
You asked if there were men in England when the country was covered with ice and snow. Look at this, and judge for yourself.
What is it? a piece of old mortar? Yes. But mortar which was made Madam How herself, and not by any man. And what is in it? A piece of flint and some bits of bone. But look at that piece of flint. It is narrow, thin, sharp-edged: quite different in shape from any bit of flint which you or I ever saw among the hundreds of thousands of broken bits of gravel which we tread on here all day long; and here are some more bits like it, which came from the same place—all very much the same shape, like rough knives or razor blades; and here is a core of flint, the remaining part of a large flint, from which, as you may see, blades like those have been split off. Those flakes of flint, my child, were split off by men; even your young eyes ought to be able to see that. And here are other pieces of flint—pear-shaped, but flattened, sharp at one end and left rounded at the other, which look like spear-heads, or arrow-heads, or pointed axes, or pointed hatchets—even your young eyes can see that these must have been made by man. And they are, I may tell you, just like the tools of flint, or of obsidian, which is volcanic glass, and which savages use still where they have not iron. There is a great obsidian knife, you know, in a house in this very parish, which came from Mexico; and your eye can tell you how like it is to these flint ones. But these flint tools are very old. If you crack a fresh flint, you will see that its surface is gray, and somewhat rough, so that it sticks to your tongue. These tools are smooth and shiny: and the edges of some of them are a little rubbed from being washed about in gravel; while the iron in the gravel has stained them reddish, which it would take hundreds and perhaps thousands of years to do. There are little rough markings, too, upon some of them, which, if you look at through a magnifying glass, are iron, crystallised into the shape of little sea-weeds and trees—another sign that they are very very old. And what is more, near the place where these flint flakes come from there are no flints in the ground for hundreds of miles; so that men must have brought them there ages and ages since. And to tell you plainly, these are scrapers such as the Esquimaux in North America still use to scrape the flesh off bones, and to clean the insides of skins.
But did these people (savages perhaps) live when the country was icy cold? Look at the bits of bone. They have been split, you see, lengthways; that, I suppose, was to suck the marrow out of them, as savages do still. But to what animal do the bones belong? That is the question, and one which I could not have answered you, if wiser men than I am could not have told me.
They are the bones of reindeer—such reindeer as are now found only in Lapland and the half-frozen parts of North America, close to the Arctic circle, where they have six months day and six months night. You have read of Laplanders, and how they drive reindeer in their sledges, and live upon reindeer milk; and you have read of Esquimaux, who hunt seals and walrus, and live in houses of ice, lighted by lamps fed with the same blubber on which they feed themselves. I need not tell you about them.
Now comes the question—Whence did these flints and bones come? They came out of a cave in Dordogne, in the heart of sunny France,—far away to the south, where it is hotter every summer than it was here even this summer, from among woods of box and evergreen oak, and vineyards of rich red wine. In that warm land once lived savages, who hunted amid ice and snow the reindeer, and with the reindeer animals stranger still.
And now I will tell you a fairy tale: to make you understand it at all I must put it in the shape of a tale. I call it a fairy tale, because it is so strange; indeed I think I ought to call it the fairy tale of all fairy tales, for by the time we get to the end of it I think it will explain to you how our forefathers got to believe in fairies, and trolls, and elves, and scratlings, and all strange little people who were said to haunt the mountains and the caves.
Well, once upon a time, so long ago that no man can tell when, the land was so much higher, that between England and Ireland, and, what is more, between England and Norway, was firm dry land. The country then must have looked—at least we know it looked so in Norfolk—very like what our moors look like here. There were forests of Scotch fir, and of spruce too, which is not wild in England now, though you may see plenty in every plantation. There were oaks and alders, yews and sloes, just as there are in our woods now. There was buck-bean in the bogs, as there is in Larmer’s and Heath pond; and white and yellow water-lilies, horn-wort, and pond-weeds, just as there are now in our ponds. There were wild horses, wild deer, and wild oxen, those last of an enormous size. There were little yellow roe-deer, which will not surprise you, for there are hundreds and thousands in Scotland to this day; and, as you know, they will thrive well enough in our woods now. There were beavers too: but that must not surprise you, for there were beavers in South Wales long after the Norman Conquest, and there are beavers still in the mountain glens of the south-east of France. There were honest little water-rats too, who I dare say sat up on their hind legs like monkeys, nibbling the water-lily pods, thousands of years ago, as they do in our ponds now. Well, so far we have come to nothing strange: but now begins the fairy tale. Mixed with all these animals, there wandered about great herds of elephants and rhinoceroses; not smooth-skinned, mind, but covered with hair and wool, like those which are still found sticking out of the everlasting ice cliffs, at the mouth of the Lena and other Siberian rivers, with the flesh, and skin, and hair so fresh upon them, that the wild wolves tear it off, and snarl and growl over the carcase of monsters who were frozen up thousands of years ago. And with them, stranger still, were great hippopotamuses; who came, perhaps, northward in summer time along the sea-shore and down the rivers, having spread hither all the way from Africa; for in those days, you must understand, Sicily, and Italy, and Malta—look at your map—were joined to the coast of Africa: and so it may be was the rock of Gibraltar itself; and over the sea where the Straits of Gibraltar now flow was firm dry land, over which hyænas and leopards, elephants and rhinoceroses ranged into Spain; for their bones are found at this day in the Gibraltar caves. And this is the first chapter of my fairy tale.
Now while all this was going on, and perhaps before this began, the climate was getting colder year by year—we do not know how; and, what is more, the land was sinking; and it sank so deep that at last nothing was left out of the water but the tops of the mountains in Ireland, and Scotland, and Wales. It sank so deep that it left beds of shells belonging to the Arctic regions nearly two thousand feet high upon the mountain side. And so
“It grew wondrous cold,
And ice mast-high came floating by,
As green as emerald.”
But there were no masts then to measure the icebergs by, nor any ship nor human being there. All we know is that the icebergs brought with them vast quantities of mud, which sank to the bottom, and covered up that pleasant old forest-land in what is called boulder-clay; clay full of bits of broken rock, and of blocks of stone so enormous, that nothing but an iceberg could have carried them. So all the animals were drowned or driven away, and nothing was left alive perhaps, except a few little hardy plants which clung about cracks and gullies in the mountain tops; and whose descendants live there still. That was a dreadful time; the worst, perhaps, of all the age of Ice; and so ends the second chapter of my fairy tale.
Now for my third chapter. “When things come to the worst,” says the proverb, “they commonly mend;” and so did this poor frozen and drowned land of England and France and Germany, though it mended very slowly. The land began to rise out of the sea once more, and rose till it was perhaps as high as it had been at first, and hundreds of feet higher than it is now: but still it was very cold, covered, in Scotland at least, with one great sea of ice and glaciers descending down into the sea, as I said when I spoke to you about the Ice-Plough. But as the land rose, and grew warmer too, while it rose, the wild beasts who had been driven out by the great drowning came gradually back again. As the bottom of the old icy sea turned into dry land, and got covered with grasses, and weeds, and shrubs once more, elephants, rhinoceroses, hippopotamuses, oxen—sometimes the same species, sometimes slightly different ones—returned to France, and then to England (for there was no British Channel then to stop them); and with them came other strange animals, especially the great Irish elk, as he is called, as large as the largest horse, with horns sometimes ten feet across. A pair of those horns with the skull you have seen yourself, and can judge what a noble animal he must have been. Enormous bears came too, and hyænas, and a tiger or lion (I cannot say which), as large as the largest Bengal tiger now to be seen in India.
And in those days—we cannot, of course, exactly say when—there came—first I suppose into the south and east of France, and then gradually onward into England and Scotland and Ireland—creatures without any hair to keep them warm, or scales to defend them, without horns or tusks to fight with, or teeth to worry and bite; the weakest you would have thought of the beasts, and yet stronger than all the animals, because they were Men, with reasonable souls. Whence they came we cannot tell, nor why; perhaps from mere hunting after food, and love of wandering and being independent and alone. Perhaps they came into that icy land for fear of stronger and cleverer people than themselves; for we have no proof, my child, none at all, that they were the first men that trod this earth. But be that as it may, they came; and so cunning were these savage men, and so brave likewise, though they had no iron among them, only flint and sharpened bones, yet they contrived to kill and eat the mammoths, and the giant oxen, and the wild horses, and the reindeer, and to hold their own against the hyænas, and tigers, and bears, simply because they had wits, and the dumb animals had none. And that is the strangest part to me of all my fairy tale. For what a man’s wits are, and why he has them, and therefore is able to invent and to improve, while even the cleverest ape has none, and therefore can invent and improve nothing, and therefore cannot better himself, but must remain from father to son, and father to son again, a stupid, pitiful, ridiculous ape, while men can go on civilising themselves, and growing richer and more comfortable, wiser and happier, year by year—how that comes to pass, I say, is to me a wonder and a prodigy and a miracle, stranger than all the most fantastic marvels you ever read in fairy tales.
You may find the flint weapons which these old savages used buried in many a gravel-pit up and down France and the south of England; but you will find none here, for the gravel here was made (I am told) at the beginning of the ice-time, before the north of England sunk into the sea, and therefore long, long before men came into this land. But most of their remains are found in caves which water has eaten out of the limestone rocks, like that famous cave of Kent’s Hole at Torquay. In it, and in many another cave, lie the bones of animals which the savages ate, and cracked to get the marrow out of them, mixed up with their flint-weapons and bone harpoons, and sometimes with burnt ashes and with round stones, used perhaps to heat water, as savages do now, all baked together into a hard paste or breccia by the lime. These are in the water, and are often covered with a floor of stalagmite which has dripped from the roof above and hardened into stone. Of these caves and their beautiful wonders I must tell you another day. We must keep now to our fairy tale. But in these caves, no doubt, the savages lived; for not only have weapons been found in them, but actually drawings scratched (I suppose with flint) on bone or mammoth ivory—drawings of elk, and bull, and horse, and ibex—and one, which was found in France, of the great mammoth himself, the woolly elephant, with a mane on his shoulders like a lion’s mane. So you see that one of the earliest fancies of this strange creature, called man, was to draw, as you and your schoolfellows love to draw, and copy what you see, you know not why. Remember that. You like to draw; but why you like it neither you nor any man can tell. It is one of the mysteries of human nature; and that poor savage clothed in skins, dirty it may be, and more ignorant than you (happily) can conceive, when he sat scratching on ivory in the cave the figures of the animals he hunted, was proving thereby that he had the same wonderful and mysterious human nature as you—that he was the kinsman of every painter and sculptor who ever felt it a delight and duty to copy the beautiful works of God.
Sometimes, again, especially in Denmark, these savages have left behind upon the shore mounds of dirt, which are called there “kjökken-möddings”—“kitchen-middens” as they would say in Scotland, “kitchen-dirtheaps” as we should say here down South—and a very good name for them that is; for they are made up of the shells of oysters, cockles, mussels, and periwinkles, and other shore-shells besides, on which those poor creatures fed; and mingled with them are broken bones of beasts, and fishes, and birds, and flint knives, and axes, and sling stones; and here and there hearths, on which they have cooked their meals in some rough way. And that is nearly all we know about them; but this we know from the size of certain of the shells, and from other reasons which you would not understand, that these mounds were made an enormous time ago, when the water of the Baltic Sea was far more salt than it is now.
But what has all this to do with my fairy tale? This:—
Suppose that these people, after all, had been fairies?
I am in earnest. Of course, I do not mean that these folk could make themselves invisible, or that they had any supernatural powers—any more, at least, than you and I have—or that they were anything but savages; but this I do think, that out of old stories of these savages grew up the stories of fairies, elves, and trolls, and scratlings, and cluricaunes, and ogres, of which you have read so many.
When stronger and bolder people, like the Irish, and the Highlanders of Scotland, and the Gauls of France, came northward with their bronze and iron weapons; and still more, when our own forefathers, the Germans and the Norsemen, came, these poor little savages with their flint arrows and axes, were no match for them, and had to run away northward, or to be all killed out; for people were fierce and cruel in those old times, and looked on every one of a different race from themselves as a natural enemy. They had not learnt—alas! too many have not learned it yet—that all men are brothers for the sake of Jesus Christ our Lord. So these poor savages were driven out, till none were left, save the little Lapps up in the north of Norway, where they live to this day.
But stories of them, and of how they dwelt in caves, and had strange customs, and used poisoned weapons, and how the elf-bolts (as their flint arrow-heads are still called) belonged to them, lingered on, and were told round the fire on winter nights and added to, and played with half in fun, till a hundred legends sprang up about them, which used once to be believed by grown-up folk, but which now only amuse children. And because some of these savages were very short, as the Lapps and Esquimaux are now, the story grew of their being so small that they could make themselves invisible; and because others of them were (but probably only a few) very tall and terrible, the story grew that there were giants in that old world, like that famous Gogmagog, whom Brutus and his Britons met (so old fables tell), when they landed first at Plymouth, and fought him, and threw him over the cliff. Ogres, too—of whom you read in fairy tales—I am afraid that there were such people once, even here in Europe; strong and terrible savages, who ate human beings. Of course, the legends and tales about them became ridiculous and exaggerated as they passed from mouth to mouth over the Christmas fire, in the days when no one could read or write. But that the tales began by being true any one may well believe who knows how many cannibal savages there are in the world even now. I think that, if ever there was an ogre in the world, he must have been very like a certain person who lived, or was buried, in a cave in the Neanderthal, between Elberfeld and Dusseldorf, on the Lower Rhine. The skull and bones which were found there (and which are very famous now among scientific men) belonged to a personage whom I should have been very sorry to meet, and still more to let you meet, in the wild forest; to a savage of enormous strength of limb (and I suppose of jaw) likewise
“like an ape,
With forehead villainous low,”
who could have eaten you if he would; and (I fear) also would have eaten you if he could. Such savages may have lingered (I believe, from the old ballads and romances, that they did linger) for a long time in lonely forests and mountain caves, till they were all killed out by warriors who wore mail-armour and carried steel sword, and battle-axe, and lance.
But had these people any religion?
My dear child, we cannot know, and need not know. But we know this—that God beholds all the heathen. He fashions the hearts of them, and understandeth all their works. And we know also that He is just and good. These poor folks were, I doubt not, happy enough in their way; and we are bound to believe (for we have no proof against it), that most of them were honest and harmless enough likewise. Of course, ogres and cannibals, and cruel and brutal persons (if there were any among them), deserved punishment—and punishment, I do not doubt, they got. But, of course, again, none of them knew things which you know; but for that very reason they were not bound to do many things which you are bound to do. For those to whom little is given, of them shall little be required. What their religion was like, or whether they had any religion at all, we cannot tell. But this we can tell, that known unto God are all His works from the creation of the world; and that His mercy is over all His works, and He hateth nothing that He has made. These men and women, whatever they were, were God’s work; and therefore we may comfort ourselves with the certainty that, whether or not they knew God, God knew them.
And so ends my fairy tale.
But is it not a wonderful tale? More wonderful, if you will think over it, than any story invented by man. But so it always is. “Truth,” wise men tell us, “is stranger than fiction.” Even a child like you will see that it must be so, if you will but recollect who makes fiction, and who makes facts.
Man makes fiction: he invents stories, pretty enough, fantastical enough. But out of what does he make them up? Out of a few things in this great world which he has seen, and heard, and felt, just as he makes up his dreams. But who makes truth? Who makes facts? Who, but God?
Then truth is as much larger than fiction, as God is greater than man; as much larger as the whole universe is larger than the little corner of it that any man, even the greatest poet or philosopher, can see; and as much grander, and as much more beautiful, and as much more strange. For one is the whole, and the other is one, a few tiny scraps of the whole. The one is the work of God; the other is the work of man. Be sure that no man can ever fancy anything strange, unexpected, and curious, without finding if he had eyes to see, a hundred things around his feet more strange, more unexpected, more curious, actually ready-made already by God. You are fond of fairy tales, because they are fanciful, and like your dreams. My dear child, as your eyes open to the true fairy tale which Madam How can tell you all day long, nursery stories will seem to you poor and dull. All those feelings in you which your nursery tales call out,—imagination, wonder, awe, pity, and I trust too, hope and love—will be called out, I believe, by the Tale of all Tales, the true “Märchen allen Märchen,” so much more fully and strongly and purely, that you will feel that novels and story-books are scarcely worth your reading, as long as you can read the great green book, of which every bud is a letter, and every tree a page.
Wonder if you will. You cannot wonder too much. That you might wonder all your life long, God put you into this wondrous world, and gave you that faculty of wonder which he has not given to the brutes; which is at once the mother of sound science, and a pledge of immortality in a world more wondrous even than this. But wonder at the right thing, not at the wrong; at the real miracles and prodigies, not at the sham. Wonder not at the world of man. Waste not your admiration, interest, hope on it, its pretty toys, gay fashions, fine clothes, tawdry luxuries, silly amusements. Wonder at the works of God. You will not, perhaps, take my advice yet. The world of man looks so pretty, that you will needs have your peep at it, and stare into its shop windows; and if you can, go to a few of its stage plays, and dance at a few of its balls. Ah—well—After a wild dream comes an uneasy wakening; and after too many sweet things, comes a sick headache. And one morning you will awake, I trust and pray, from the world of man to the world of God, and wonder where wonder is due, and worship where worship is due. You will awake like a child who has been at a pantomime over night, staring at the “fairy halls,” which are all paint and canvas; and the “dazzling splendours,” which are gas and oil; and the “magic transformations,” which are done with ropes and pulleys; and the “brilliant elves,” who are poor little children out of the next foul alley; and the harlequin and clown, who through all their fun are thinking wearily over the old debts which they must pay, and the hungry mouths at home which they must feed: and so, having thought it all wondrously glorious, and quite a fairy land, slips tired and stupid into bed, and wakes next morning to see the pure light shining in through the delicate frost-lace on the window-pane, and looks out over fields of virgin snow, and watches the rosy dawn and cloudless blue, and the great sun rising to the music of cawing rooks and piping stares, and says, “This is the true wonder. This is the true glory. The theatre last night was the fairy land of man; but this is the fairy land of God.”
CHAPTER VII—THE CHALK-CARTS
What do you want to know about next? More about the caves in which the old savages lived,—how they were made, and how the curious things inside them got there, and so forth.
Well, we will talk about that in good time: but now—What is that coming down the hill?
Oh, only some chalk-carts.
Only some chalk-carts? It seems to me that these chalk-carts are the very things we want; that if we follow them far enough—I do not mean with our feet along the public road, but with our thoughts along a road which, I am sorry to say, the public do not yet know much about—we shall come to a cave, and understand how a cave is made. Meanwhile, do not be in a hurry to say, “Only a chalk-cart,” or only a mouse, or only a dead leaf. Chalk-carts, like mice, and dead leaves, and most other matters in the universe are very curious and odd things in the eyes of wise and reasonable people. Whenever I hear young men saying “only” this and “only” that, I begin to suspect them of belonging, not to the noble army of sages—much less to the most noble army of martyrs,—but to the ignoble army of noodles, who think nothing interesting or important but dinners, and balls, and races, and back-biting their neighbours; and I should be sorry to see you enlisting in that regiment when you grow up. But think—are not chalk-carts very odd and curious things? I think they are. To my mind, it is a curious question how men ever thought of inventing wheels; and, again, when they first thought of it. It is a curious question, too, how men ever found out that they could make horses work for them, and so began to tame them, instead of eating them, and a curious question (which I think we shall never get answered) when the first horse-tamer lived, and in what country. And a very curious, and, to me, a beautiful sight it is, to see those two noble horses obeying that little boy, whom they could kill with a single kick.
But, beside all this, there is a question, which ought to be a curious one to you (for I suspect you cannot answer it)—Why does the farmer take the trouble to send his cart and horses eight miles and more, to draw in chalk from Odiham chalk-pit?
Oh, he is going to put it on the land, of course. They are chalking the bit at the top of the next field, where the copse was grubbed.
But what good will he do by putting chalk on it? Chalk is not rich and fertile, like manure, it is altogether poor, barren stuff: you know that, or ought to know it. Recollect the chalk cuttings and banks on the railway between Basingstoke and Winchester—how utterly barren they are. Though they have been open these thirty years, not a blade of grass, hardly a bit of moss, has grown on them, or will grow, perhaps, for centuries.
Come, let us find out something about the chalk before we talk about the caves. The chalk is here, and the caves are not; and “Learn from the thing that lies nearest you” is as good a rule as “Do the duty which lies nearest you.” Let us come into the grubbed bit, and ask the farmer—there he is in his gig.
Well, old friend, and how are you? Here is a little boy who wants to know why you are putting chalk on your field.
Does he then? If he ever tries to farm round here, he will have to learn for his first rule—No chalk, no wheat.
But why?
Why, is more than I can tell, young squire. But if you want to see how it comes about, look here at this freshly-grubbed land—how sour it is. You can see that by the colour of it—some black, some red, some green, some yellow, all full of sour iron, which will let nothing grow. After the chalk has been on it a year or two, those colours will have all gone out of it; and it will turn to a nice wholesome brown, like the rest of the field; and then you will know that the land is sweet, and fit for any crop. Now do you mind what I tell you, and then I’ll tell you something more. We put on the chalk because, beside sweetening the land, it will hold water. You see, the land about here, though it is often very wet from springs, is sandy and hungry; and when we drain the bottom water out of it, the top water (that is, the rain) is apt to run through it too fast: and then it dries and burns up; and we get no plant of wheat, nor of turnips either. So we put on chalk to hold water, and keep the ground moist.
But how can these lumps of chalk hold water? They are not made like cups.
No: but they are made like sponges, which serves our turn better still. Just take up that lump, young squire, and you’ll see water enough in it, or rather looking out of it, and staring you in the face.
Why! one side of the lump is all over thick ice.
So it is. All that water was inside the chalk last night, till it froze. And then it came squeezing out of the holes in the chalk in strings, as you may see it if you break the ice across. Now you may judge for yourself how much water a load of chalk will hold, even on a dry summer’s day. And now, if you’ll excuse me, sir, I must be off to market.
Was it all true that the farmer said?
Quite true, I believe. He is not a scientific man—that is, he does not know the chemical causes of all these things; but his knowledge is sound and useful, because it comes from long experience. He and his forefathers, perhaps for a thousand years and more, have been farming this country, reading Madam How’s books with very keen eyes, experimenting and watching, very carefully and rationally; making mistakes often, and failing and losing their crops and their money; but learning from their mistakes, till their empiric knowledge, as it is called, helps them to grow sometimes quite as good crops as if they had learned agricultural chemistry.
What he meant by the chalk sweetening the land you would not understand yet, and I can hardly tell you; for chemists are not yet agreed how it happens. But he was right; and right, too, what he told you about the water inside the chalk, which is more important to us just now; for, if we follow it out, we shall surely come to a cave at last.
So now for the water in the chalk. You can see now why the chalk-downs at Winchester are always green, even in the hottest summer: because Madam How has put under them her great chalk sponge. The winter rains soak into it; and the summer heat draws that rain out of it again as invisible steam, coming up from below, to keep the roots of the turf cool and moist under the blazing sun.
You love that short turf well. You love to run and race over the Downs with your butterfly-net and hunt “chalk-hill blues,” and “marbled whites,” and “spotted burnets,” till you are hot and tired; and then to sit down and look at the quiet little old city below, with the long cathedral roof, and the tower of St. Cross, and the gray old walls and buildings shrouded by noble trees, all embosomed among the soft rounded lines of the chalk-hills; and then you begin to feel very thirsty, and cry, “Oh, if there were but springs and brooks in the Downs, as there are at home!” But all the hollows are as dry as the hill tops. There is not a brook, or the mark of a watercourse, in one of them. You are like the Ancient Mariner in the poem, with
“Water, water, every where,
Nor any drop to drink.”
To get that you must go down and down, hundreds of feet, to the green meadows through which silver Itchen glides toward the sea. There you stand upon the bridge, and watch the trout in water so crystal-clear that you see every weed and pebble as if you looked through air. If ever there was pure water, you think, that is pure. Is it so? Drink some. Wash your hands in it and try—You feel that the water is rough, hard (as they call it), quite different from the water at home, which feels as soft as velvet. What makes it so hard?
Because it is full of invisible chalk. In every gallon of that water there are, perhaps, fifteen grains of solid chalk, which was once inside the heart of the hills above. Day and night, year after year, the chalk goes down to the sea; and if there were such creatures as water-fairies—if it were true, as the old Greeks and Romans thought, that rivers were living things, with a Nymph who dwelt in each of them, and was its goddess or its queen—then, if your ears were opened to hear her, the Nymph of Itchen might say to you—
So child, you think that I do nothing but, as your sister says when she sings Mr. Tennyson’s beautiful song,
“I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.”
Yes. I do that: and I love, as the Nymphs loved of old, men who have eyes to see my beauty, and ears to discern my song, and to fit their own song to it, and tell how
“‘I wind about, and in and out,
With here a blossom sailing,
And here and there a lusty trout,
And here and there a grayling,“‘And here and there a foamy flake
Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel,“‘And draw them all along, and flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.’”
Yes. That is all true: but if that were all, I should not be let to flow on for ever, in a world where Lady Why rules, and Madam How obeys. I only exist (like everything else, from the sun in heaven to the gnat which dances in his beam) on condition of working, whether we wish it or not, whether we know it or not. I am not an idle stream, only fit to chatter to those who bathe or fish in my waters, or even to give poets beautiful fancies about me. You little guess the work I do. For I am one of the daughters of Madam How, and, like her, work night and day, we know not why, though Lady Why must know. So day by day, and night by night, while you are sleeping (for I never sleep), I carry, delicate and soft as I am, a burden which giants could not bear: and yet I am never tired. Every drop of rain which the south-west wind brings from the West Indian seas gives me fresh life and strength to bear my burden; and it has need to do so; for every drop of rain lays a fresh burden on me. Every root and weed which grows in every field; every dead leaf which falls in the highwoods of many a parish, from the Grange and Woodmancote round to Farleigh and Preston, and so to Brighton and the Alresford downs;—ay, every atom of manure which the farmers put on the land—foul enough then, but pure enough before it touches me—each of these, giving off a tiny atom of what men call carbonic acid, melts a tiny grain of chalk, and helps to send it down through the solid hill by one of the million pores and veins which at once feed and burden my springs. Ages on ages I have worked on thus, carrying the chalk into the sea. And ages on ages, it may be, I shall work on yet; till I have done my work at last, and levelled the high downs into a flat sea-shore, with beds of flint gravel rattling in the shallow waves.
She might tell you that; and when she had told you, you would surely think of the clumsy chalk-cart rumbling down the hill, and then of the graceful stream, bearing silently its invisible load of chalk; and see how much more delicate and beautiful, as well as vast and wonderful, Madam How’s work is than that of man.
But if you asked the nymph why she worked on for ever, she could not tell you. For like the Nymphs of old, and the Hamadryads who lived, in trees, and Undine, and the little Sea-maiden, she would have no soul; no reason; no power to say why.
It is for you, who are a reasonable being, to guess why: or at least listen to me if I guess for you, and say, perhaps—I can only say perhaps—that chalk may be going to make layers of rich marl in the sea between England and France; and those marl-beds may be upheaved and grow into dry land, and be ploughed, and sowed, and reaped by a wiser race of men, in a better-ordered world than this: or the chalk may have even a nobler destiny before it. That may happen to it, which has happened already to many a grain of lime. It may be carried thousands of miles away to help in building up a coral reef (what that is I must tell you afterwards). That coral reef may harden into limestone beds. Those beds may be covered up, pressed, and, it may be, heated, till they crystallise into white marble: and out of it fairer statues be carved, and grander temples built, than the world has ever yet seen.
And if that is not the reason why the chalk is being sent into the sea, then there is another reason, and probably a far better one. For, as I told you at first, Lady Why’s intentions are far wiser and better than our fancies; and she—like Him whom she obeys—is able to do exceeding abundantly, beyond all that we can ask or think.
But you will say now that we have followed the chalk-cart a long way, without coming to the cave.
You are wrong. We have come to the very mouth of the cave. All we have to do is to say—not “Open Sesame,” like Ali Baba in the tale of the Forty Thieves—but some word or two which Madam Why will teach us, and forthwith a hill will open, and we shall walk in, and behold rivers and cascades underground, stalactite pillars and stalagmite statues, and all the wonders of the grottoes of Adelsberg, Antiparos, or Kentucky.
Am I joking? Yes, and yet no; for you know that when I joke I am usually most in earnest. At least, I am now.
But there are no caves in chalk?
No, not that I ever heard of. There are, though, in limestone, which is only a harder kind of chalk. Madam How could turn this chalk into hard limestone, I believe, even now; and in more ways than one: but in ways which would not be very comfortable or profitable for us Southern folk who live on it. I am afraid that—what between squeezing and heating—she would flatten us all out into phosphatic fossils, about an inch thick; and turn Winchester city into a “breccia” which would puzzle geologists a hundred thousand years hence. So we will hope that she will leave our chalk downs for the Itchen to wash gently away, while we talk about caves, and how Madam How scoops them out by water underground, just in the same way, only more roughly, as she melts the chalk.
Suppose, then, that these hills, instead of being soft, spongy chalk, were all hard limestone marble, like that of which the font in the church is made. Then the rainwater, instead of sinking through the chalk as now, would run over the ground down-hill, and if it came to a crack (a fault, as it is called) it would run down between the rock; and as it ran it would eat that hole wider and wider year by year, and make a swallow-hole—such as you may see in plenty if you ever go up Whernside, or any of the high hills in Yorkshire—unfathomable pits in the green turf, in which you may hear the water tinkling and trickling far, far underground.
And now, before we go a step farther, you may understand, why the bones of animals are so often found in limestone caves. Down such swallow-holes how many beasts must fall: either in hurry and fright, when hunted by lions and bears and such cruel beasts; or more often still in time of snow, when the holes are covered with drift; or, again, if they died on the open hill-sides, their bones might be washed in, in floods, along with mud and stones, and buried with them in the cave below; and beside that, lions and bears and hyænas might live in the caves below, as we know they did in some caves, and drag in bones through the caves’ mouths; or, again, savages might live in that cave, and bring in animals to eat, like the wild beasts; and so those bones might be mixed up, as we know they were, with things which the savages had left behind—like flint tools or beads; and then the whole would be hardened, by the dripping of the limestone water, into a paste of breccia just like this in my drawer. But the bones of the savages themselves you would seldom or never find mixed in it—unless some one had fallen in by accident from above. And why? (For there is a Why? to that question: and not merely a How?) Simply because they were men; and because God has put into the hearts of all men, even of the lowest savages, some sort of reverence for those who are gone; and has taught them to bury, or in some other way take care of, their bones.
But how is the swallow-hole sure to end in a cave?
Because it cannot help making a cave for itself if it has time.
Think: and you will see that it must be so. For that water must run somewhere; and so it eats its way out between the beds of the rock, making underground galleries, and at last caves and lofty halls. For it always eats, remember, at the bottom of its channel, leaving the roof alone. So it eats, and eats, more in some places and less in others, according as the stone is harder or softer, and according to the different direction of the rock-beds (what we call their dip and strike); till at last it makes one of those wonderful caverns about which you are so fond of reading—such a cave as there actually is in the rocks of the mountain of Whernside, fed by the swallow-holes around the mountain-top; a cave hundreds of yards long, with halls, and lakes, and waterfalls, and curtains and festoons of stalactite which have dripped from the roof, and pillars of stalagmite which have been built up on the floor below. These stalactites (those tell me who have seen them) are among the most beautiful of all Madam How’s work; sometimes like branches of roses or of grapes; sometimes like statues; sometimes like delicate curtains, and I know not what other beautiful shapes. I have never seen them, I am sorry to say, and therefore I cannot describe them. But they are all made in the same way; just in the same way as those little straight stalactites which you may have seen hanging, like icicles, in vaulted cellars, or under the arches of a bridge. The water melts more lime than it can carry, and drops some of it again, making fresh limestone grain by grain as it drips from the roof above; and fresh limestone again where it splashes on the floor below: till if it dripped long enough, the stalactite hanging from above would meet the stalagmite rising from below, and join in one straight round white graceful shaft, which would seem (but only seem) to support the roof of the cave. And out of that cave—though not always out of the mouth of it—will run a stream of water, which seems to you clear as crystal, though it is actually, like the Itchen at Winchester, full of lime; so full of lime, that it makes beds of fresh limestone, which are called travertine—which you may see in Italy, and Greece, and Asia Minor: or perhaps it petrifies, as you call it, the weeds in its bed, like that dropping-well at Knaresborough, of which you have often seen a picture. And the cause is this: the water is so full of lime, that it is forced to throw away some of it upon everything it touches, and so incrusts with stone—though it does not turn to stone—almost anything you put in it. You have seen, or ought to have seen, petrified moss and birds’ nests and such things from Knaresborough Well: and now you know a little, though only a very little, of how the pretty toys are made.
Now if you can imagine for yourself (though I suppose a little boy cannot) the amount of lime which one of these subterranean rivers would carry away, gnawing underground centuries after centuries, day and night, summer and winter, then you will not be surprised at the enormous size of caverns which may be seen in different parts of the world—but always, I believe, in limestone rock. You would not be surprised (though you would admire them) at the caverns of Adelsberg, in Carniola (in the south of Austria, near the top of the Adriatic), which runs, I believe, for miles in length; and in the lakes of which, in darkness from its birth until its death, lives that strange beast, the Proteus a sort of long newt which never comes to perfection—I suppose for want of the genial sunlight which makes all things grow. But he is blind; and more, he keeps all his life the same feathery gills which newts have when they are babies, and which we have so often looked at through the microscope, to see the blood-globules run round and round inside. You would not wonder, either, at the Czirknitz Lake, near the same place, which at certain times of the year vanishes suddenly through chasms under water, sucking the fish down with it; and after a certain time boils suddenly up again from the depths, bringing back with it the fish, who have been swimming comfortably all the time in a subterranean lake; and bringing back, too (and, extraordinary as this story is, there is good reason to believe it true), live wild ducks who went down small and unfledged, and come back full-grown and fat, with water-weeds and small fish in their stomachs, showing they have had plenty to feed on underground. But—and this is the strangest part of the story, if true—they come up unfledged just as they went down, and are moreover blind from having been so long in darkness. After a while, however, folks say their eyes get right, their feathers grow, and they fly away like other birds.
Neither would you be surprised (if you recollect that Madam How is a very old lady indeed, and that some of her work is very old likewise) at that Mammoth Cave in Kentucky, the largest cave in the known world, through which you may walk nearly ten miles on end, and in which a hundred miles of gallery have been explored already, and yet no end found to the cave. In it (the guides will tell you) there are “226 avenues, 47 domes, 8 cataracts, 23 pits, and several rivers;” and if that fact is not very interesting to you (as it certainly is not to me) I will tell you something which ought to interest you: that this cave is so immensely old that various kinds of little animals, who have settled themselves in the outer parts of it, have had time to change their shape, and to become quite blind; so that blind fathers and mothers have blind children, generation after generation.
There are blind rats there, with large shining eyes which cannot see—blind landcrabs, who have the foot-stalks of their eyes (you may see them in any crab) still left; but the eyes which should be on the top of them are gone. There are blind fish, too, in the cave, and blind insects; for, if they have no use for their eyes in the dark, why should Madam How take the trouble to finish them off?
One more cave I must tell you of, to show you how old some caves must be, and then I must stop; and that is the cave of Caripé, in Venezuela, which is the most northerly part of South America. There, in the face of a limestone cliff, crested with enormous flowering trees, and festooned with those lovely creepers of which you have seen a few small ones in hothouses, there opens an arch as big as the west front of Winchester Cathedral, and runs straight in like a cathedral nave for more than 1400 feet. Out of it runs a stream; and along the banks of that stream, as far as the sunlight strikes in, grow wild bananas, and palms, and lords and ladies (as you call them), which are not, like ours, one foot, but many feet high. Beyond that the cave goes on, with subterranean streams, cascades, and halls, no man yet knows how far. A friend of mine last year went in farther, I believe, than any one yet has gone; but, instead of taking Indian torches made of bark and resin, or even torches made of Spanish wax, such as a brave bishop of those parts used once when he went in farther than any one before him, he took with him some of that beautiful magnesium light which you have seen often here at home. And in one place, when he lighted up the magnesium, he found himself in a hall full 300 feet high—higher far, that is, than the dome of St. Paul’s—and a very solemn thought it was to him, he said, that he had seen what no other human being ever had seen; and that no ray of light had ever struck on that stupendous roof in all the ages since the making of the world. But if he found out something which he did not expect, he was disappointed in something which he did expect. For the Indians warned him of a hole in the floor which (they told him) was an unfathomable abyss. And lo and behold, when he turned the magnesium light upon it, the said abyss was just about eight feet deep. But it is no wonder that the poor Indians with their little smoky torches should make such mistakes; no wonder, too, that they should be afraid to enter far into those gloomy vaults; that they should believe that the souls of their ancestors live in that dark cave; and that they should say that when they die they will go to the Guacharos, as they call the birds that fly with doleful screams out of the cave to feed at night, and in again at daylight, to roost and sleep.
Now, it is these very Guacharo birds which are to me the most wonderful part of the story. The Indians kill and eat them for their fat, although they believe they have to do with evil spirits. But scientific men who have studied these birds will tell you that they are more wonderful than if all the Indians’ fancies about them were true. They are great birds, more than three feet across the wings, somewhat like owls, somewhat like cuckoos, somewhat like goatsuckers; but, on the whole, unlike anything in the world but themselves; and instead of feeding on moths or mice, they feed upon hard dry fruits, which they pick off the trees after the set of sun. And wise men will tell you, that in making such a bird as that, and giving it that peculiar way of life, and settling it in that cavern, and a few more caverns in that part of the world, and therefore in making the caverns ready for them to live in, Madam How must have taken ages and ages, more than you can imagine or count.
But that is among the harder lessons which come in the latter part of Madam How’s book. Children need not learn them yet; and they can never learn them, unless they master her alphabet, and her short and easy lessons for beginners, some of which I am trying to teach you now.
But I have just recollected that we are a couple of very stupid fellows. We have been talking all this time about chalk and limestone, and have forgotten to settle what they are, and how they were made. We must think of that next time. It will not do for us (at least if we mean to be scientific men) to use terms without defining them; in plain English, to talk about—we don’t know what.
CHAPTER VIII—MADAM HOW’S TWO GRANDSONS
You want to know, then, what chalk is? I suppose you mean what chalk is made of?
Yes. That is it.
That we can only help by calling in the help of a very great giant whose name is Analysis.
A giant?
Yes. And before we call for him I will tell you a very curious story about him and his younger brother, which is every word of it true.
Once upon a time, certainly as long ago as the first man, or perhaps the first rational being of any kind, was created, Madam How had two grandsons. The elder is called Analysis, and the younger Synthesis. As for who their father and mother were, there have been so many disputes on that question that I think children may leave it alone for the present. For my part, I believe that they are both, like St. Patrick, “gentlemen, and come of decent people;” and I have a great respect and affection for them both, as long as each keeps in his own place and minds his own business.
Now you must understand that, as soon as these two baby giants were born, Lady Why, who sets everything to do that work for which it is exactly fitted, set both of them their work. Analysis was to take to pieces everything he found, and find out how it was made. Synthesis was to put the pieces together again, and make something fresh out of them. In a word, Analysis was to teach men Science; and Synthesis to teach them Art.
But because Analysis was the elder, Madam How commanded Synthesis never to put the pieces together till Analysis had taken them completely apart. And, my child, if Synthesis had obeyed that rule of his good old grandmother’s, the world would have been far happier, wealthier, wiser, and better than it is now.
But Synthesis would not. He grew up a very noble boy. He could carve, he could paint, he could build, he could make music, and write poems: but he was full of conceit and haste. Whenever his elder brother tried to do a little patient work in taking things to pieces, Synthesis snatched the work out of his hands before it was a quarter done, and began putting it together again to suit his own fancy, and, of course, put it together wrong. Then he went on to bully his elder brother, and locked him up in prison, and starved him, till for many hundred years poor Analysis never grew at all, but remained dwarfed, and stupid, and all but blind for want of light; while Synthesis, and all the hasty conceited people who followed him, grew stout and strong and tyrannous, and overspread the whole world, and ruled it at their will. But the fault of all the work of Synthesis was just this: that it would not work. His watches would not keep time, his soldiers would not fight, his ships would not sail, his houses would not keep the rain out. So every time he failed in his work he had to go to poor Analysis in his dungeon, and bully him into taking a thing or two to pieces, and giving him a few sound facts out of them, just to go on with till he came to grief again, boasting in the meantime that he and not Analysis had found out the facts. And at last he grew so conceited that he fancied he knew all that Madam How could teach him, or Lady Why either, and that he understood all things in heaven and earth; while it was not the real heaven and earth that he was thinking of, but a sham heaven and a sham earth, which he had built up out of his guesses and his own fancies.
And the more Synthesis waxed in pride, and the more he trampled upon his poor brother, the more reckless he grew, and the more willing to deceive himself. If his real flowers would not grow, he cut out paper flowers, and painted them and said that they would do just as well as natural ones. If his dolls would not work, he put strings and wires behind them to make them nod their heads and open their eyes, and then persuaded other people, and perhaps half-persuaded himself, that they were alive. If the hand of his weather-glass went down, he nailed it up to insure a fine day, and tortured, burnt, or murdered every one who said it did not keep up of itself. And many other foolish and wicked things he did, which little boys need not hear of yet.
But at last his punishment came, according to the laws of his grandmother, Madam How, which are like the laws of the Medes and Persians, and alter not, as you and all mankind will sooner or later find; for he grew so rich and powerful that he grew careless and lazy, and thought about nothing but eating and drinking, till people began to despise him more and more. And one day he left the dungeon of Analysis so ill guarded, that Analysis got out and ran away. Great was the hue and cry after him; and terribly would he have been punished had he been caught. But, lo and behold, folks had grown so disgusted with Synthesis that they began to take the part of Analysis. Poor men hid him in their cottages, and scholars in their studies. And when war arose about him,—and terrible wars did arise,—good kings, wise statesmen, gallant soldiers, spent their treasure and their lives in fighting for him. All honest folk welcomed him, because he was honest; and all wise folk used him, for, instead of being a conceited tyrant like Synthesis, he showed himself the most faithful, diligent, humble of servants, ready to do every man’s work, and answer every man’s questions. And among them all he got so well fed that he grew very shortly into the giant that he ought to have been all along; and was, and will be for many a year to come, perfectly able to take care of himself.
As for poor Synthesis, he really has fallen so low in these days, that one cannot but pity him. He now goes about humbly after his brother, feeding on any scraps that are thrown to him, and is snubbed and rapped over the knuckles, and told one minute to hold his tongue and mind his own business, and the next that he has no business at all to mind, till he has got into such a poor way that some folks fancy he will die, and are actually digging his grave already, and composing his epitaph. But they are trying to wear the bear’s skin before the bear is killed; for Synthesis is not dead, nor anything like it; and he will rise up again some day, to make good friends with his brother Analysis, and by his help do nobler and more beautiful work than he has ever yet done in the world.
So now Analysis has got the upper hand; so much so that he is in danger of being spoilt by too much prosperity, as his brother was before him; in which case he too will have his fall; and a great deal of good it will do him. And that is the end of my story, and a true story it is.
Now you must remember, whenever you have to do with him, that Analysis, like fire, is a very good servant, but a very bad master. For, having got his freedom only of late years or so, he is, like young men when they come suddenly to be their own masters, apt to be conceited, and to fancy that he knows everything, when really he knows nothing, and can never know anything, but only knows about things, which is a very different matter. Indeed, nowadays he pretends that he can teach his old grandmother, Madam How, not only how to suck eggs, but to make eggs into the bargain; while the good old lady just laughs at him kindly, and lets him run on, because she knows he will grow wiser in time, and learn humility by his mistakes and failures, as I hope you will from yours.
However, Analysis is a very clever young giant, and can do wonderful work as long as he meddles only with dead things, like this bit of lime. He can take it to pieces, and tell you of what things it is made, or seems to be made; and take them to pieces again, and tell you what each of them is made of; and so on, till he gets conceited, and fancies that he can find out some one Thing of all things (which he calls matter), of which all other things are made; and some Way of all ways (which he calls force), by which all things are made: but when he boasts in that way, old Madam How smiles, and says, “My child, before you can say that, you must remember a hundred things which you are forgetting, and learn a hundred thousand things which you do not know;” and then she just puts her hand over his eyes, and Master Analysis begins groping in the dark, and talking the saddest nonsense. So beware of him, and keep him in his own place, and to his own work, or he will flatter you, and get the mastery of you, and persuade you that he can teach you a thousand things of which he knows no more than he does why a duck’s egg never hatches into a chicken. And remember, if Master Analysis ever grows saucy and conceited with you, just ask him that last riddle, and you will shut him up at once.
And why?
Because Analysis can only explain to you a little about dead things, like stones—inorganic things as they are called. Living things—organisms, as they are called—he cannot explain to you at all. When he meddles with them, he always ends like the man who killed his goose to get the golden eggs. He has to kill his goose, or his flower, or his insect, before he can analyse it; and then it is not a goose, but only the corpse of a goose; not a flower, but only the dead stuff of the flower.
And therefore he will never do anything but fail, when he tries to find out the life in things. How can he, when he has to take the life out of them first? He could not even find out how a plum-pudding is made by merely analysing it. He might part the sugar, and the flour, and the suet; he might even (for he is very clever, and very patient too, the more honour to him) take every atom of sugar out of the flour with which it had got mixed, and every atom of brown colour which had got out of the plums and currants into the body of the pudding, and then, for aught I know, put the colouring matter back again into the plums and currants; and then, for aught I know, turn the boiled pudding into a raw one again,—for he is a great conjurer, as Madam How’s grandson is bound to be: but yet he would never find out how the pudding was made, unless some one told him the great secret which the sailors in the old story forgot—that the cook boiled it in a cloth.
This is Analysis’s weak point—don’t let it be yours—that in all his calculations he is apt to forget the cloth, and indeed the cook likewise. No doubt he can analyse the matter of things: but he will keep forgetting that he cannot analyse their form.
Do I mean their shape?
No, my child; no. I mean something which makes the shape of things, and the matter of them likewise, but which folks have lost sight of nowadays, and do not seem likely to get sight of again for a few hundred years. So I suppose that you need not trouble your head about it, but may just follow the fashions as long as they last.
About this piece of lime, however, Analysis can tell us a great deal. And we may trust what he says, and believe that he understands what he says.
Why?
Think now. If you took your watch to pieces, you would probably spoil it for ever; you would have perhaps broken, and certainly mislaid, some of the bits; and not even a watchmaker could put it together again. You would have analysed the watch wrongly. But if a watchmaker took it to pieces then any other watchmaker could put it together again to go as well as ever, because they both understand the works, how they fit into each other, and what the use and the power of each is. Its being put together again rightly would be a proof that it had been taken to pieces rightly.
And so with Master Analysis. If he can take a thing to pieces so that his brother Synthesis can put it together again, you may be sure that he has done his work rightly.
Now he can take a bit of chalk to pieces, so that it shall become several different things, none of which is chalk, or like chalk at all. And then his brother Synthesis can put them together again, so that they shall become chalk, as they were before. He can do that very nearly, but not quite. There is, in every average piece of chalk, something which he cannot make into chalk again when he has once unmade it.
What that is I will show you presently; and a wonderful tale hangs thereby. But first we will let Analysis tell us what chalk is made of, as far as he knows.
He will say—Chalk is carbonate of lime.
But what is carbonate of lime made of?
Lime and carbonic acid.
And what is lime?
The oxide of a certain metal, called calcium.
What do you mean?
That quicklime is a certain metal mixed with oxygen gas; and slacked lime is the same, mixed with water.
So lime is a metal. What is a metal? Nobody knows.
And what is oxygen gas? Nobody knows.
Well, Analysis, stops short very soon. He does not seem to know much about the matter.
Nay, nay, you are wrong there. It is just “about the matter” that he does know, and knows a great deal, and very accurately; what he does not know is the matter itself. He will tell you wonderful things about oxygen gas—how the air is full of it, the water full of it, every living thing full of it; how it changes hard bright steel into soft, foul rust; how a candle cannot burn without it, or you live without it. But what it is he knows not.
Will he ever know?
That is Lady Why’s concern, and not ours. Meanwhile he has a right to find out if he can. But what do you want to ask him next?
What? Oh! What carbonic acid is. He can tell you that. Carbon and oxygen gas.
But what is carbon?
Nobody knows.
Why, here is this stupid Analysis at fault again.
Nay, nay, again. Be patient with him. If he cannot tell you what carbon is, he can tell you what is carbon, which is well worth knowing. He will tell you, for instance, that every time you breathe or speak, what comes out of your mouth is carbonic acid; and that, if your breath comes on a bit of slacked lime, it will begin to turn it back into the chalk from which it was made; and that, if your breath comes on the leaves of a growing plant, that leaf will take the carbon out of it, and turn it into wood. And surely that is worth knowing,—that you may be helping to make chalk, or to make wood, every time you breathe.
Well; that is very curious.
But now, ask him, What is carbon? And he will tell you, that many things are carbon. A diamond is carbon; and so is blacklead; and so is charcoal and coke, and coal in part, and wood in part.
What? Does Analysis say that a diamond and charcoal are the same thing?
Yes.
Then his way of taking things to pieces must be a very clumsy one, if he can find out no difference between diamond and charcoal.
Well, perhaps it is: but you must remember that, though he is very old—as old as the first man who ever lived—he has only been at school for the last three hundred years or so. And remember, too, that he is not like you, who have some one else to teach you. He has had to teach himself, and find out for himself, and make his own tools, and work in the dark besides. And I think it is very much to his credit that he ever found out that diamond and charcoal were the same things. You would never have found it out for yourself, you will agree.
No: but how did he do it?
He taught a very famous chemist, Lavoisier, about ninety years ago, how to burn a diamond in oxygen—and a very difficult trick that is; and Lavoisier found that the diamond when burnt turned almost entirely into carbonic acid and water, as blacklead and charcoal do; and more, that each of them turned into the same quantity of carbonic acid, And so he knew, as surely as man can know anything, that all these things, however different to our eyes and fingers, are really made of the same thing,—pure carbon.
But what makes them look and feel so different?
That Analysis does not know yet. Perhaps he will find out some day; for he is very patient, and very diligent, as you ought to be. Meanwhile, be content with him: remember that though he cannot see through a milestone yet, he can see farther into one than his neighbours. Indeed his neighbours cannot see into a milestone at all, but only see the outside of it, and know things only by rote, like parrots, without understanding what they mean and how they are made.
So now remember that chalk is carbonate of lime, and that it is made up of three things, calcium, oxygen, and carbon; and that therefore its mark is CaCO(3), in Analysis’s language, which I hope you will be able to read some day.
But how is it that Analysis and Synthesis cannot take all this chalk to pieces, and put it together again?
Look here; what is that in the chalk?
Oh! a shepherd’s crown, such as we often find in the gravel, only fresh and white.
Well; you know what that was once. I have often told you:—a live sea-egg, covered with prickles, which crawls at the bottom of the sea.
Well, I am sure that Master Synthesis could not put that together again: and equally sure that Master Analysis might spend ages in taking it to pieces, before he found out how it was made. And—we are lucky to-day, for this lower chalk to the south has very few fossils in it—here is something else which is not mere carbonate of lime. Look at it.
A little cockle, something like a wrinkled hazel-nut.
No; that is no cockle. Madam How invented that ages and ages before she thought of cockles, and the animal which lived inside that shell was as different from a cockle-animal as a sparrow is from a dog. That is a Terebratula, a gentleman of a very ancient and worn-out family. He and his kin swarmed in the old seas, even as far back as the time when the rocks of the Welsh mountains were soft mud; as you will know when you read that great book of Sir Roderick Murchison’s, Siluria. But as the ages rolled on, they got fewer and fewer, these Terebratulæ; and now there are hardly any of them left; only six or seven sorts are left about these islands, which cling to stones in deep water; and the first time I dredged two of them out of Loch Fyne, I looked at them with awe, as on relics from another world, which had lasted on through unnumbered ages and changes, such as one’s fancy could not grasp.
But you will agree that, if Master Analysis took that shell to pieces, Master Synthesis would not be likely to put it together again; much less to put it together in the right way, in which Madam How made it.
And what was that?
By making a living animal, which went on growing, that is, making itself; and making, as it grew, its shell to live in. Synthesis has not found out yet the first step towards doing that; and, as I believe, he never will.
But there would be no harm in his trying?
Of course not. Let everybody try to do everything they fancy. Even if they fail, they will have learnt at least that they cannot do it.
But now—and this is a secret which you would never find out for yourself, at least without the help of a microscope—the greater part of this lump of chalk is made up of things which neither Analysis can perfectly take to pieces, nor Synthesis put together again. It is made of dead organisms, that is, things which have been made by living creatures. If you washed and brushed that chalk into powder, you would find it full of little things like the Dentalina in this drawing, and many other curious forms. I will show you some under the microscope one day.
They are the shells of animals called Foraminifera, because the shells of some of them are full of holes, through which they put out tiny arms. So small they are and so many, that there may be, it is said, forty thousand of them in a bit of chalk an inch every way. In numbers past counting, some whole, some broken, some ground to the finest powder, they make up vast masses of England, which are now chalk downs; and in some foreign countries they make up whole mountains. Part of the building stone of the Great Pyramid in Egypt is composed, I am told, entirely of them.
And how did they get into the chalk?
Ah! How indeed? Let us think. The chalk must have been laid down at the bottom of a sea, because there are sea-shells in it. Besides, we find little atomies exactly like these alive now in many seas; and therefore it is fair to suppose these lived in the sea also.
Besides, they were not washed into the chalk by any sudden flood. The water in which they settled must have been quite still, or these little delicate creatures would have been ground into powder—or rather into paste. Therefore learned men soon made up their minds that these things were laid down at the bottom of a deep sea, so deep that neither wind, nor tide, nor currents could stir the everlasting calm.
Ah! it is worth thinking over, for it shows how shrewd a giant Analysis is, and how fast he works in these days, now that he has got free and well fed;—worth thinking over, I say, how our notions about these little atomies have changed during the last forty years.
We used to find them sometimes washed up among the sea-sand on the wild Atlantic coast; and we were taught, in the days when old Dr. Turton was writing his book on British shells at Bideford, to call them Nautili, because their shells were like Nautilus shells. Men did not know then that the animal which lives in them is no more like a Nautilus animal than it is like a cow.
For a Nautilus, you must know, is made like a cuttlefish, with eyes, and strong jaws for biting, and arms round them; and has a heart, and gills, and a stomach; and is altogether a very well-made beast, and, I suspect, a terrible tyrant to little fish and sea-slugs, just as the cuttlefish is. But the creatures which live in these little shells are about the least finished of Madam How’s works. They have neither mouth nor stomach, eyes nor limbs. They are mere live bags full of jelly, which can take almost any shape they like, and thrust out arms—or what serve for arms—through the holes in their shells, and then contract them into themselves again, as this Globigerina does. What they feed on, how they grow, how they make their exquisitely-formed shells, whether, indeed, they are, strictly speaking, animals or vegetables, Analysis has not yet found out. But when you come to read about them, you will find that they, in their own way, are just as wonderful and mysterious as a butterfly or a rose; and just as necessary, likewise, to Madam How’s work; for out of them, as I told you, she makes whole sheets of down, whole ranges of hills.
No one knew anything, I believe, about them, save that two or three kinds of them were found in chalk, till a famous Frenchman, called D’Orbigny, just thirty years ago, told the world how he had found many beautiful fresh kinds; and, more strange still, that some of these kinds were still alive at the bottom of the Adriatic, and of the harbour of Alexandria, in Egypt.
Then in 1841 a gentleman named Edward Forbes,—now with God—whose name will be for ever dear to all who love science, and honour genius and virtue,—found in the Ægean Sea “a bed of chalk,” he said, “full of Foraminifera, and shells of Pteropods,” forming at the bottom of the sea.
And what are Pteropods?
What you might call sea-moths (though they are not really moths), which swim about on the surface of the water, while the right-whales suck them in tens of thousands into the great whalebone net which fringes their jaws. Here are drawings of them. 1. Limacina (on which the whales feed); and 2. Hyalea, a lovely little thing in a glass shell, which lives in the Mediterranean.
But since then strange discoveries have been made, especially by the naval officers who surveyed the bottom of the great Atlantic Ocean before laying down the electric cable between Ireland and America. And this is what they found: