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Madrid: an historical description and handbook of the Spanish capital

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This historical handbook offers a comprehensive account of Madrid's origins, growth, and civic character, combining chronological narrative with practical guidance for visitors. It examines the city's geographic setting and climate, urban development, notable public buildings, bridges, museums, royal palaces, and artistic and literary associations, and considers surrounding landscape and transport links that shaped its modern role. Historical anecdotes and architectural description are balanced with observations on daily life and municipal improvements, and the text is accompanied by numerous illustrations that clarify sites and details for readers.

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Title: Madrid: an historical description and handbook of the Spanish capital

Author: Albert Frederick Calvert

Release date: August 23, 2020 [eBook #63020]
Most recently updated: October 18, 2024

Language: English

Credits: Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
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Contents.

List of Illustrations
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(etext transcriber's note)

THE SPANISH SERIES

MADRID

THE SPANISH SERIES

Edited by ALBERT F. CALVERT

Goya
Toledo
Madrid
Seville
Murillo
Cordova
El Greco
Velazquez
Cervantes
The Prado
The Escorial
Royal Palaces of Spain
Spanish Arms and Armour
Granada and the Alhambra
Leon, Burgos, and Salamanca
Valladolid, Oviedo, Segovia, Zamora, Avila, and Zaragoza
 
In preparation
 
Galicia
Sculpture in Spain
Cities of Andalucia
Murcia and Valencia
Tapestries of the Royal Palace
Catalonia and Balearic Islands
Santander, Vizcaya, and Navarre

 

MADRID

AN HISTORICAL DESCRIP
TION AND HANDBOOK OF
THE     SPANISH   CAPITAL,
BY   ALBERT F.   CALVERT,
WITH 453 ILLUSTRATIONS



LONDON: JOHN LANE, THE BODLEY HEAD
NEW YORK: JOHN LANE COMPANY MCMIX

TURNBULL AND SPEARS, PRINTERS, EDINBURGH.

PREFACE

Madrid is but a nursling among the cities of Spain. Marius Fulvius laid siege to Toledo nearly two centuries before the birth of Christ, and it is not until a thousand years later that we find the first historical mention of Madrid. London, under the title of Augusta, was one of the most important towns of Britain more than five hundred years before Don Ramiro II. of Leon razed Majerit, as it was then called, in 939. This is the first authoritative reference we have to Madrid. In 1540, Charles V. abandoned the time-honoured capitals of Valladolid, Seville, Zaragoza, and Toledo, to nurse his gout in the brisk, rarefied air of Madrid. In 1560 the city was declared “the only Court” by Philip II., and styled “Imperial y Coronada, muy noble y muy leal”; Ferdinand VII., in 1814, added the words “y muy heroica.”

Despite the flattering and dignified official epithets that have been bestowed upon it, Madrid possesses many natural features which militate against its popularity as a residential centre; but, despite its isolated and elevated position and the treacherousness of its climate, the city has not deserved the strictures that have been passed upon it by captious and prejudiced critics. For Madrid is a city of broad thoroughfares, magnificent public buildings, and handsome houses; and, since it has been rescued from its geographical remoteness by being made the centre of the Spanish railway system, it has become one of the most accessible and prosperous capitals of Europe.

In devoting a volume to an historical and descriptive account of Madrid, I am not only fulfilling a duty which could not be neglected in any serious attempt to make this Spanish Series useful and comprehensive, but I am also inspired with a hope of being able to dissipate many of the erroneous and defamatory impressions that are current with regard to the Spanish capital. I have approached the task from the standpoint of a resident writing for visitors to the city, and if my notes are biassed in favour of my subject, I can only say that I have a sincere liking and admiration for the city, and I have spoken of its people as I have found them. The Spanish metropolis is modern; it is imbued with the principles of modern progress; and while one never ceases to rejoice in the unfaltering, unchanging adherence to an immemorial past, characteristic of Toledo, one may feel an interest, equally keen and appreciative, in the spirit of new Spain which is to be found in Madrid.

Not the least pleasant part of an author’s privilege in penning a preface is the opportunity it affords him of acknowledging the assistance and courtesy he has received in the accomplishment of his task. To Mr W. Gallichan my thanks are due for assistance received in the compilation, and I am also grateful to Señor Don J. Lacoste and Messrs Hauser y Menet for their kindness in permitting me to reproduce many of the illustrations that adorn this little book.

A. F. C.

 

 

CONTENTS

 PAGE
I.General Impressions of Madrid1
II.History of the City18
III.The Court and Society in Madrid32
IV.Art in Madrid47
V.Literature and the Drama60
VI.Churches and Public Buildings72
VII.Alcalá de Henares128
VIII.The Bull-Fight136
IX.The Art of the Bull-Fighter145
X.Café Life of the Madrileños166

 

 

ILLUSTRATIONS

TITLE PLATE
Plan of Madrid1
Arms of Madrid2
General view of Madrid3
View of Madrid from the Teja4
General view of Madrid5
View of Madrid from San Isidro6
The Fountain of Cybele and Calle de Alcalá 7
The Northern Railway Station and Royal Palace8
Puerta del Sol9
Puerta del Sol10
Calle de Alcalá11
Calle de Alcalá12
Calle de Alcalá13
Calle de Alcalá14
Carrera de San Jerónimo15
Calle de Alcalá16
Calle de Sevilla17
Calle de Alcalá18
Plaza de Castelar19
Calle de Toledo20
In old Madrid21
Paseo de Recoletos22
Paseo de Recoletos23
Paseo de Recoletos24
Paseo de Recoletos25
Calle de Alcalá and Statue of Aguirre26
Paseo de la Castellana27
Plaza de Isabel II.28
Plaza de Oriente29
Plaza Mayor30
Plaza Mayor31
Plaza Mayor and Statue of Philip III.32
Calle de Serrano33
Calle de la Princesa on Good Friday34
Entrance to the Park of Alfonso XIII.35
Casa de Campo. The Lake36
Toledo Bridge37
Toledo Bridge38
Toledo Bridge39
Segovia Bridge40
Entrance to the Retiro41
Entrance to the Retiro42
Principal Entrance to the Retiro43
Retiro. The Parterre44
Retiro. The Lake45
Retiro. The Crystal Palace46
Retiro. Arab Pavilion47
Retiro. Arab Temple48
Gate of Alcalá49
Gate of Hierro50
Gate of Toledo51
Chamber of Deputies52
The Cortes. Two bronze lions in front of the Palace53
Interior of the Chamber of Deputies54
Interior of the Chamber of Deputies55
Reception Room at the Chamber of Deputies. Decorated by Don A. Mélida56
Reception Room at the Chamber of Deputies. Decorated by Don A. Mélida57
Façade of the Hospital. Calle Fuencarral58
La Latina59
Portal of the Hospital of the Conception or “La Latina” in the Calle de Toledo60
Staircase of La Latina61
Portal and Staircase of the Hospital de la Latina62
Arabian Palace of the Prado63
Arabian Palace of the Prado64
Lujanes Tower65
The Aguirre School66
The Spanish Theatre67
The Royal Theatre68
The Treasury Office in the Calle de Alcalá69
Palace of the Marqués de Portugalete70
Palace of the Marqués de Linares71
The Bank of Spain72
The War Office73
Southern façade of the Museum and the Statue of Murillo74
The Prado Gallery. North façade75
The Prado Gallery76
The New Exchange77
The Town Hall78
The Northern Railway Station79
Círculo de Contribuyentes80
The Senate House81
Hispano-American Bank82
The Spanish Academy83
The Atocha Station84
National Library85
The National Library and Museum86
National Library. Detail of the façade87
National Library and Museum. East façade88
National Library. Sphinx89
The Equitable Buildings in the Calle de Alcalá90
Statue of María Cristina and Museum of Reproductions91
Interior of the New Exchange92
The Home Office93
Astronomical Observatory94
The Exchange95
The War Office96
The Town Hall97
Ministerio de Fomento98
Hermitage of San Isidro99
Refuge of Our Lady of Mercy100
Church of San Francisco el Grande101
San Francisco el Grande. General view from the Choir102
San Francisco el Grande. The Concession of the Jubilee of the Porciúncula103
San Francisco el Grande. Left side of the Cupola104
Crypt in the Almudena Cathedral105
The Cathedral. Partial view of the Crypt106
Church of Las Calatravas107
Las Calatravas108
Church of El Buen Suceso109
General view of the Church El Buen Suceso110
Church of San José111
Church of San Isidro el Real112
Interior of the Church of San Isidro113
Church of La Virgen del Puerto114
Church of Las Salesas. The Suffering Christ115
Church of San Cayetano116
Altar-piece in the Bishop’s Chapel117
Door in the Bishop’s Chapel118
The Bishop’s Chapel. Left side of the door119
The Bishop’s Chapel. Right side of the door120
The Bishop’s Chapel. Upper part of the door121
The Bishop’s Chapel. Sepulchre of the Bishop of Plasencia122
The Bishop’s Chapel. Sepulchre of Don Francesco de Vargas123
The Bishop’s Chapel. Sepulchre of Doña Inés de Carvajal124
Parish Church of St Andrew. Sepulchre of San Isidro, Patron Saint of Madrid125
Interior of the Church of San Jerónimo. From a picture in the Prado of the Prince of the Asturias (Ferdinand VII.) taking the Oath of Allegiance in 1789126
View of the interior of the Church of San Jerónimo127
San Antonio de la Florida128
Church of San Antonio de la Florida129
Interior of the Church of San Antonio de la Florida130
Fresco in San Antonio de la Florida, by Goya131
Fresco in San Antonio de la Florida, by Goya132
Fresco in San Antonio de la Florida, by Goya133
Fresco in San Antonio de la Florida, by Goya134
Group of Angels in San Antonio de la Florida, by Goya135
Group of Angels in San Antonio de la Florida, by Goya136
Interior of the Church of San Antonio de la Florida137
San Antonio de la Florida. Painting in the principal Chapel, by Goya138
San Antonio de la Florida. Paintings on the centres of the intrados of the Choir and principal Chapel Arches, by Goya139
San Antonio de la Florida. Paintings on the springings of the intrados of the principal Chapel Arches, by Goya140
San Antonio de la Florida. Paintings on the springings of the intrados of the Choir Arches, by Goya141
San Antonio de la Florida. Paintings on the intrados of the Chapel Arch, left side, by Goya142
San Antonio de la Florida. Paintings on the intrados of the Chapel Arch, right side, by Goya143
San Antonio de la Florida. Triangles formed by the Dome adjoining the principal Chapel, by Goya144
San Antonio de la Florida. Triangles formed by the Dome adjoining the Choir, by Goya145
San Antonio de la Florida. Paintings at the left sides of the windows of the Dome, by Goya146
San Antonio de la Florida. Paintings at the right sides of the windows of the Dome, by Goya147
San Antonio de la Florida. First group on the Cupola to the left of the centre, by Goya148
San Antonio de la Florida. Second group on the Cupola to the left of the centre, by Goya149
San Antonio de la Florida. Centre of the composition on the Cupola facing the entrance, by Goya150
San Antonio de la Florida. First group on the Cupola to the right of the centre, by Goya151
San Antonio de la Florida. Second group on the Cupola to the right of the centre, by Goya152
The Prado153
The Prado154
The Prado Gallery155
The Prado. The Velazquez Gallery156
Madrid Picture Gallery. Lower plan157
Madrid Picture Gallery. Chief plan158
Scene in the Life of Santo Domingo de Guzman, by Pedro Berruguete. Prado159
Ecce Homo, by Luis de Morales. Prado160
The Baptism of Christ, by Navarrete. Prado161
Portrait of Don Carlos, son of Philip II., by Alonso Sánchez Coello. Prado162
The Infantas Isabel Clara Eugenia and Catalina Micaela, daughters of Philip II., by Alonso Sánchez Coello. Prado163
Jacob receiving the Blessing of his father Isaac, by Ribera. Prado164
Vision of St Peter the Apostle to St Peter Nolasco, by Zurbaran. Prado165
Los Borrachos, by Velazquez. Prado166
The Forge of Vulcan, by Velazquez. Prado167
The Surrender of Breda, by Velazquez. Prado168
Philip IV., by Velazquez. Prado169
Queen Isabel of Bourbon, by Velazquez. Prado170
Don Baltasar Carlos, by Velazquez. Prado171
Philip IV. in Hunting Costume, by Velazquez. Prado172
Don Baltasar Carlos in Hunting Costume, by Velazquez. Prado173
Duke of Olivares, by Velazquez. Prado174
Æsop, by Velazquez. Prado175
St Antony Abbot visiting St Paul, by Velazquez. Prado176
Las Hilanderas, by Velazquez. Prado177
Las Meninas, by Velazquez. Prado178
Our Lady of the Immaculate Conception, by Murillo. Prado179
El Tiñoso: St Elizabeth of Hungary tending the sick in her Hospital, by Murillo. Prado180
Father Cabanillas, by Murillo. Prado181
The Child Jesus as Shepherd, by Murillo. Prado182
Detail of Plate 179, by Murillo. Prado183
The Vision of St Bernard, by Murillo. Prado184
The Virgin of the Rosary, by Murillo. Prado185
The Child St John, by Murillo. Prado186
The Children, Jesus and St John, known by the name of “Los Niños de la Concha,” by Murillo. Prado187
The Holy Family and the Bird, by Murillo. Prado188
Head of the Holy Shepherd (fragment), by Murillo Prado189
La Porciúncula (the Vision of St Francis), by Murillo. Prado190
The Martyrdom of St Andrew the Apostle at Patras, by Murillo. Prado191
The Dream of the Roman Senator and his wife, which produced the Church of St Maria Maggiore at Rome, by Murillo192
The Roman Senator and his wife telling their dream to Pope Liberius, by Murillo193
The Annunciation, by El Greco. Prado194
The Holy Family, by El Greco. Prado195
The Crucifixion, by El Greco. Prado196
The dead Christ in the arms of God the Father, by El Greco. Prado197
Charles IV., by Goya. Prado198
Queen Maria Luisa, by Goya. Prado199
The nude Maja, by Goya. Prado200
The draped Maja, by Goya. Prado201
The Family of Charles IV., by Goya. Prado202
Goya at the age of 80, by V. López. Prado203
Jesus and Mary Magdalene, by Correggio. Prado204
The Holy Family and the Lamb, by Rafael. Prado205
A Cardinal, by Rafael. Prado206
Madonna and Child, with St Bridget and St Hulpus, by Titian. Prado207
The Crown of Thorns, by Domingo Tiepolo. Prado208
Portrait of Albrecht Dürer, by himself. Prado209
Queen Artemisia, by Rembrandt. Prado210
Village Fête, by Teniers. Prado211
Gallery of the Archduke Leopold in Brussels, by Teniers. Prado212
The Three Graces, by Rubens. Prado213
The Holy Family, by Rubens. Prado214
Van Dyck and Count Bristol, by Van Dyck. Prado215
The Last Supper, by Juan de Juanes. Prado216
The Catholic Sovereigns adoring the Virgin, by Juan de Borgoña. Prado217
A Gothic King, by Alonso Cano. Prado218
The Water from the Rock, by Juan de las Roelas, El Clérigo. Prado219
A Soul in Pain, by Ribalta. Prado220
Portrait of Philip II., by Pantoja de la Cruz. Prado221
Portrait of Pedro Berruguete. 15th century. Collection of Don José de Lázaro Galdeano222
Architecture, Painting, and Sculpture, by G. Suñol. Allegoric group intended for the façade of the Prado223
The Emperor Charles V. Prado Museum224
The Empress Isabel of Portugal, wife of Charles V. The Prado225
A Satyr and children dancing. The Prado226
Marble relief. Life-size figures. The Prado227
Marble relief. Bacchantes. Life-size figures. The Prado228
Bronze heads. The Prado229
Tapestry. The Baptist taking leave of his parents to devote himself to penitence230
Tapestry. The Virgin enthroned, Gideon showing the lamb’s skin, and other scenes231
Effigy of St Ferdinand, King of Spain. Chapel Royal232
(1 to 5) Crowns and votive crosses of Guarrazar. (6) Remains of St Ferdinand’s robe. (7) Moorish spurs of St Ferdinand. Royal Armoury233
C 1. Spanish man-at-arms, 15th century. Royal Armoury234
C 4. Spanish crossbowman, 15th century. Royal Armoury235
C 2. Spanish halberdier, 15th century. Royal Armoury236
Mace-bearer of the 16th century with surcoat displaying the Arms of Castile and Leon237
A 26. Tilting harness of Charles V. Royal Armoury238
A 112. Armour presented to Charles V. by the Duke of Mantua. Royal Armoury239
Armour of Charles V. made by Desiderio Colman. (1849 Catalogue.) Royal Armoury 240
A 231. Armour made for Prince Philip (II.) by Wolf of Landshut (1550). Royal Armoury241
Armour of Charles V., Augsburg or Nuremberg make. (1849 Catalogue.) Royal Armoury242
A 37. Tilting harness of Charles V. made by Desiderio Colman, Helmschmied. Royal Armoury243
A 65. Tilting harness of Charles V. Royal Armoury244
A 149. Armour of Charles V. (1541). Royal Armoury245
A 243. Equestrian armour of Philip II. made by Sigmund Wolf of Landshut. Royal Armoury246
Armour of King Philip II. Royal Armoury247
Armour of Philip II., engraved with the Royal Arms of England. Royal Armoury248
A 290. Armour of King Sebastian of Portugal. Royal Armoury249
A 290. Armour of King Sebastian, back plate (details). Royal Armoury250
A 291. Armour of Philip III. made by Lucio Picinino of Milan. Royal Armoury251
Armour made at Pamplona for the Duke of Savoy (1620). Royal Armoury 252
Half armour of Philip IV. Royal Armoury253
Milanese brigantine which belonged to Charles V. Royal Armoury254
B 1. Boy’s half armour made in Italy for the Infante, afterwards Philip III. Royal Armoury255
D 1. Boy’s half armour made for the Infante, afterwards Philip III. (Second view.) Royal Armoury256
B 4. Half armour presented to the Infante, afterwards Philip III., by the Duke of Terranova. Royal Armoury257
B 18. Boy’s half armour made for the Infante Fernando, son of Philip III. Royal Armoury258
Half armour belonging to Prince Philip, afterwards Philip IV. Royal Armoury259
A 434. Gorget. Subject: The Siege of Ostend, 1601. Royal Armoury260
A 434. Gorget of Philip II. Subject: The Battle of Nieuport. Royal Armoury261
Helmet of Philip II. made at Augsburg in 1549. Royal Armoury262
A 243. Helmet of Philip II. made by Wolf of Landshut in 1554. Royal Armoury263
A 290. Burgonet of King Sebastian of Portugal. Royal Armoury264
A 292. Burgonet made for Philip III. by Lucio Picinino. Royal Armoury265
A 350. Helmet for the Duke of Savoy (side view). Royal Armoury266
D 3. Burgonet of Charles V. designed by Giulio Romano. Royal Armoury267
M 5. Helmet of Francis I. of France, taken at the Battle of Pavia. Royal Armoury268
1511. Satin and velvet turban found in the palace of Mustafa Bey of Oran, in 1722.—1533. Steel turban of Ali Pasha, Turkish admiral at Lepanto. Royal Armoury269
D 63. The “Plus Ultra” shield designed by Giulio Romano. Royal Armoury270
D 10. Shield, early 17th century. Design: Warriors in Combat. Royal Armoury270
D 69. Italian shield, 16th century. Design: The Triumph of Love. Royal Armoury271
D 68. Shield of Augsburg make, 16th century. Royal Armoury271
D 79. Shield presented to Philip III. by the Duke of Savoy in 1603. Royal Armoury272
D 86. Moorish leather shield, end of 15th century. Royal Armoury273
M 6. Shield and sword of Francis I. of France, taken at the battle of Pavia. Design: The Gallic Cock attacking a warrior and putting him to flight. Royal Armoury274
A 242. Pommel and cantle of saddle of Philip II. Royal Armoury275
A 291. Cantle-plates of saddle made by Lucio Picinino. Royal Armoury276
Turkish saddle given to Charles III. Royal Armoury277
Trophy formed of several pieces of armour of Philip II. Royal Armoury278
Armour of a greyhound. Royal Armoury279
1987, 1992. Spanish arquebuses, end of 16th century.—1955. Petronel, 16th century.—1961. Spanish arquebus, with octagonal barrel inlaid with mother of pearl and ivory, 16th century.—1972, 1977, 1946. Keys or cranks to cock the arquebuses. Royal Armoury280
Double breech-loading cannon, in bronze, used in Spain at the end of the 15th century. Royal Armoury281
Sedan chair of Philip V. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury282
Sedan chair of Ferdinand VI. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury283
Sedan chair of Charles IV. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury284
Sedan chair of Philip V. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury285
Sedan chair of Charles III. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury286
Campaign litter of the Emperor Charles V. Royal Armoury287
Carriage given by Napoleon I. to Charles IV. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury288
The Crown coach (from the coach-houses of the Royal Palace, Madrid). Royal Armoury289
General view of the interior of the old Armoury290
General view of the interior of the old Armoury291
General view of the interior of the old Armoury292
Royal Academy of History. Exterior of the triptych-reliquary from the stone monastery in Aragon293
Royal Academy of History. Part of the triptych-reliquary from the stone monastery in Aragon294
Royal Academy of History. Paintings on the exterior of the triptych-reliquary from the stone monastery in Aragon295
Statue of Philip III. in the Plaza Mayor296
Statue of Philip IV. in the Plaza de Oriente297
Statue of Espartero the Peace-maker298
Statue of General Concha, Marqués del Duero299
Statue of Velazquez300
Statue of Murillo301
Retiro. Statue of Goya302
Statue of Cervantes303
Cervantes304
Statue of Calderón de la Barca. (The work of J. Figueras)305
Isabel the Catholic. Bronze group in the Castellana. (The work of Oms) 306
Monument to the memory of Columbus in the Paseo de Recoletos307
Monument to the memory of Columbus in the Paseo de Recoletos308
Monument to the memory of Columbus in the Paseo de Recoletos309
Monument to the memory of Columbus in the Paseo de Recoletos310
Monument to the memory of Columbus in the Paseo de Recoletos311
Monument to commemorate the 2nd of May312
Fountain of Neptune in the Prado313
The Fountain of Cybele314
The Prado, with the Fountain of the Four Seasons315
The Royal Palace from the Casa de Campo316
Royal Palace. The changing of the Guard (Halberdiers)317
The Palace318
The Palace from the Plaza de Oriente319
The Royal Palace320
Façade of Palace321
Palace and Plaza de la Armeria322
The Queen Mother leaving the Palace323
Principal Staircase324
Detail of Throne Room325
General view of Throne Room326
The Throne327
Room of Charles III.328
The Queen’s Room329
Room of Mirrors330
Gasparini Room of Charles III.331
Hall of Columns332
The Wedding. The King and Queen leaving the church and entering the Royal coach333
A Battle of Flowers334
His Majesty the King of Spain335
H.M. Queen Victoria of Spain336
The King and Queen of Spain337
H.M. Queen Victoria338
Her Majesty the Queen Mother339
Don Carlos of Bourbon340
Medal struck in honour of the Royal Marriage341
A Lady with a Mantilla342
Mantillas343
An out-door Pelota Court, with six players, three against three344
A Pelota Court344
A Tartaña345
The Harvest Cart345
Sketches in Spain346
Sketches in Spain347
A Dancer348
An Orange Seller348
The Counsellor of the village349
Full list of lottery results349
Bull-fighters at the tavern350
A Spanish girl350
View of the Monastery of the Escorial351
View of the Monastery (east side)352
The Colonnade of the Monastery353
Upper Cloister of the Monastery354
Lower Cloister of the Monastery355
The Evangelists’ Court356
Principal Staircase of the Monastery357
Interior of the Church358
Panteon of the Kings359
Panteon of the Infantes360
Chapter Room. (Monastery)361
Sacristy. (Monastery)362
Altar-piece of the Santa Forma, painted by Claudio Coello. (Sacristy of the Monastery)363
Retablo of the High Altar. (Basilica of the Monastery)364
Left side of the High Altar: Interment of the Emperor Charles V.365
The Tabernacle in the Escorial Church366
Choir Stalls. (Basilica of the Monastery)367
Library of the Monastery368
Apollo and Mercury, by Peregrino Tibaldi. (Fresco on the arch of the Escorial Library)369
Reception Hall. (Palace)370
Hall of Ambassadors. (Palace)371
Dining-Hall. (Palace)372
Pompeian Hall. (Palace)373
“Casa del Principe” or Lower Lodge374
Coffee-Room. (Casa del Principe)375
The Last Supper, by Titian. (The Escorial)376
The Holy Family, by Rafael. (Casa del Principe at the Escorial)377
St Maurice and other Martyrs, by El Greco. (Chapter Hall of the Escorial)378
The Dream of Philip II., by El Greco. (Chapter Hall of the Escorial)379
Country Dance, by Goya. (Tapestry in the Dining Hall of the Palace)380
The Washerwomen, by Goya. (Tapestry in the Escorial Palace)381
The China Merchant, by Goya. (Tapestry in the Escorial Palace)382
The Grape-Sellers, by Goya. (Tapestry in the Escorial Palace)383
Children picking Fruit, by Goya. (Tapestry in the Escorial Palace)384
The Kite, by Goya. (Tapestry in the Escorial Palace)385
A Smoker, by Teniers. (Casa del Principe at the Escorial)386
The Story of the Passion. Diptych, in ivory, of the 13th century. (From the Camarín of St Theresa)387
Egyptian Bronzes. Amon-Ra and Isis. (National Archæological Museum)388
Egyptian Bronzes. Osiris and Osor-Api. (National Archæological Museum)389
Alcalá de Henares. Paseo de Cervantes390
Alcalá de Henares. General Central Archives391
Alcalá de Henares. General Central Archives392
Alcalá de Henares. Façade of the Archives393
Court of the Alcalá de Henares. General Central Archives394
Alcalá de Henares. Chapel of the “Oidor.” Actual state of the north wall395
Alcalá de Henares. Actual state of the south wall396
Alcalá de Henares. Chapel of the “Oidor.” Actual state of the frieze round the north wall397
Alcalá de Henares. The University398
Alcalá de Henares. Façade of the University399
Alcalá de Henares. Longitudinal section of the Chapel of San Ildefonso in the University400
Alcalá de Henares. Details of the façade of the University401
Alcalá de Henares. Details of the façade of the University402
Alcalá de Henares. Paseo de la Estación403
Alcalá de Henares. Moorish Palace404
Alcalá de Henares. Interior of the Cathedral405
Alcalá de Henares. Interior of the Cathedral406
Alcalá de Henares. The Cathedral. Nave407
Alcalá de Henares. Sepulchre of Don Alonso Carrillo, Archbishop of Toledo408
Alcalá de Henares. Sepulchre of Cardinal Francisco Ximénez de Cisneros409
Alcalá de Henares. Sepulchre of the Archbishop of Toledo, Don Alfonso Carrillo de Acuña410
Alcalá de Henares. Details of the Sepulchre of Cardinal Francisco Ximénez de Cisneros411
Alcalá de Henares. Chapel of Santiago in the Church of Santa María412
Alcalá de Henares. Chapel of Santiago in the Church of Santa María413
Alcalá de Henares. Staircase in the Archbishop’s Palace414
Alcalá de Henares. Details of the Western Court and Entrance Court, Archbishop’s Palace415
Alcalá de Henares. Longitudinal section and details of the Archbishop’s Palace416
Alcalá de Henares. Frontispiece of a book called “Vita Cristi Cartuxano” 417
Muñoza bulls, the property of the Duke of Veragua, by Joaquín Díez418
Testing a “Becerro,” or young bull, at Tablada, near Seville, by Joaquín Díez419
Selecting bulls from the herd of the Duke of Veragua at “La Muñoza,” by Joaquín Díez420
The Toilet of the Toreador before the Bull-fight, by V. Esquivel421
Before the Bull-fight, by B. Ferrandiz422
Toreadors preparing to enter the Arena, by J. Agrasot423
Entertaining the Bull-fighter, by Alarcón424
“Here comes the Bull!” by P. Francés. National Exhibition of Beaux-Arts, 1887425
“The Uninvited Guest,” by E. Mélida 426
Head of a Bull, by Joaquín Díez427
Principal façade of the New Plaza de Toros428
Principal Entrance to the New Plaza de Toros429
Interior of the New Plaza de Toros430
Bull-fight. Entrance of the “Cuadrilla”431
Bull-fight. A Picador inciting the bull432
Bull-fight. The Picador433
Bull-fight. The Picador434
Bull-fight. A “Quite”435
Bull-fight. A “Quite” of El Gallo436
Bull-fight. Lagartijo after a “Recorte”437
Bull-fight. The Banderillas438
Bull-fight. Frascuelo irritating the bull with a cloak before killing him439
Bull-fight. Lagartijo irritating the bull with a cloak before killing him440
Bull-fight. The bull being dragged out of the Arena441
Ladies at the bull-fight442
The Procession443
Entrance of the bull443
The Picador444
At close quarters444
A turn with his back to the bull445
Fixing the Banderillas445
The Matador446
The final stroke446
Bull-fight. Leap over the bull’s neck447
Bull-fight. Leap with the pole448
Bull-fight. Banderillas449
Toreador wounded during a bull-fight, by Lizcano450
Guerrita. Banderillero451
Antonio Fuentes451
Luis Mazzantini and Cuadrilla452
Bull-fight. Last moments of a Toreador after being attacked in the Arena, by R. Novas453