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Mamba's daughters

Chapter 2: AUTHOR’S NOTE
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About This Book

An elderly waterfront woman named Mamba engineers her entrance into an aristocratic Charleston household as a domestic servant, initiating episodes that illuminate the city's racial and social divisions. The narrative contrasts the ambitions and constraints of Black domestic workers and marginalized laborers with the Wentworth family's efforts to retain gentility, emphasizing loyalty, social maneuvering, and spiritual values. Regional detail and scenes—ranging from household ritual to industrial settings such as a phosphate mining camp—are synthesized into character-driven vignettes that probe identity, power, and the costs of social aspiration in a Southern urban community.

AUTHOR’S NOTE

Because I believe that regional literature, even though it be avowedly fictional, should be unequivocal in its identification with its locale, I have not hesitated in this novel to apply the correct names to the city, streets, and outlying districts of which I write. Lest this course should lead the reader into confusing the narrative with either history or biography, I desire to stress the fact that the work is purely imaginative and is concerned only with certain social and spiritual values existing in Charleston and its environs. For the purposes of the novel the material has been subjected to an intense synthesis. Thus the phosphate mining camp stands not merely as an exposition of an isolated industry, but as a focal point for the drawing together of a number of mental attitudes and incidents typical of the industrial black belt. With the exception of allusions to people whose correct names are used, and who will be readily recognized, the characters who appear in the book are fictional creations and are not intended as representations of actual characters either living or dead.

Du Bose Heyward.

Charleston, South Carolina,
    October, 1928.