THE PRINCIPAL WORKS OF MANTEGNA.
Bergamo.
Lochis-Carrara Gallery.
Madonna and Child.
Portrait of man in red dress (Francesco Gonzaga?).
Berlin.
Museum.
Portrait of an Ecclesiastic. (Matteo Bossi, Abbot of Fiesole.)
Madonna and Child. (Painted about 1464.)
Presentation in the Temple. (Painted about 1464.)
Copenhagen.
Museum.
Man of Sorrow supported by Angels. (Andreas Mantinea. Painted about 1489.)
Dresden.
Gallery.
Holy Family (formerly in the possession of Sir Charles Eastlake).
Florence.
Uffizi.
Madonna and Child, in a rocky landscape. (Painted in 1488-90.)
Adoration of the Magi; Presentation; and Ascension. (A triptych, painted about 1464.)
Frankfort.
Städel.
St. Mark (doubtful.)
Glasgow.
Hamilton Collection.
Woman carrying a basin. (Painted about 1470.)
Woman drinking. (Painted about 1470.)
Hampton Court.
The Triumphs of Julius Cæsar, 1492. (Nine cartoons.)
La Motta.
Scarpa Collection.
St. Sebastian.
London.
National Gallery.
The Virgin and Child enthroned; St. John the Baptist and the Magdalen. With the annexed signature (C.P.F. = Civis Patavinus fecit.)
The Triumph of Scipio (in monochrome: painted in 1505).
Madrid.
Museum.
Death of the Virgin (formerly in the collection of Charles I.; painted about 1470).
Mantua.
Castello [frescoes in the Camera degli Sposi, 1470-74].
Lodovico Gonzaga and Barbara of Brandenburg surrounded by their family and Court (on the walls).
Lodovico meeting his son, Cardinal Francesco, on his return from Rome (on the walls).
Scenes from the fables of Hercules, Orpheus, Apollo, &c.; Medallions of Cæsars, Cupids, and other figures (in monochrome, on the ceiling).
Milan.
Brera.
St. Luke and other saints (altar-piece in twelve parts: painted for Santa Giustina, Padua, in 1454).
The dead Christ bewailed by the Maries.
Casa Trivulzi.
Virgin and Child in glory, with SS. John the Baptist, Romualdo, and Jerome, a bishop and three angels. A Mantinia p. an. gracie, 1497, 15 Augusti.
Munich.
Pinakothek.
Madonna enthroned with Saints.
Naples.
Museum.
St. Euphemia, Opus Andreæ Mantegnæ, MCCCCLIII.
Padua.
Church of the Eremitani.
St. James baptizing Hermogenes.
St. James before Herod.
St. James blessing a convert on his way to execution.
Martyrdom of St. James.
Martyrdom of St. Christopher.
Burial of St. Christopher. Six frescoes, 1453-1459.
Basilica of Sant’ Antonio.
St. Bernardino and St. Anthony, 1452 (fresco in a lunette over the portal).
Paris.
Louvre.
The Crucifixion (part of the predella of the altar-piece of San Zeno in Verona).
Madonna della Vittoria (painted in 1495-96 for Santa Maria della Vittoria, Mantua).
Parnassus.
Wisdom victorious over the Vices (from Isabella Gonzaga’s “Grotto”).
Parma.
Pinacoteca.
Copies in oil of the frescoes in the church of the Eremitani at Padua (doubtful).
Tours.
Museum.
Christ on the Mount of Olives (part of the predella of the altar-piece of San Zeno in Verona).
The Ascension (part of the predella of the altar-piece of San Zeno in Verona).
Turin.
Gallery.
Madonna and five saints.
Venice.
Academy.
St. George. (Painted about 1464).
Verona.
San Zeno.
Madonna and eight Saints. (Painted about 1459; altar-piece: the predella, a copy of which is in San Zeno, is part in the Louvre and part in the Tours Museum.)
Vienna.
Belvedere.
St. Sebastian. (Painted about 1464.)
Studies for the Triumphs of Julius Cæsar (doubtful).