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Manual of Library Cataloguing

Chapter 14: FOOTNOTES
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About This Book

A practical handbook that sets out principles and procedures for compiling and printing library catalogues. It explains the dictionary-catalogue form and gives rules for establishing principal (author) entries, corporate and editorial entries, and subject, title, and series entries, including the use of repetition dashes and indexing of contents. Separate chapters treat the classified catalogue, alphabetization and arrangement, and technical considerations for printing. Appendices supply useful reference material such as common book-related abbreviations, tables of book sizes, lists of pseudonyms with real names, methods for correcting proofs, and suggested subject-headings, with examples throughout to promote clear, consistent practice.

Dumas, Alexandre.

Dumas, Alexandre, fils.

It is sometimes recommended to place distinctions of this nature with the surname, as

Johnson senior, Thomas.

Johnson junior, Thomas.

but this is not a very happy form.

Names of a person in different forms must not be alphabetised under those forms, but one selected and all concentrated under it, as it would be foolish to have separate entries under say Shakspere, Shakespeare, Shakspear, Shakspeare, though the variety in the name can be shown in the different entries under the form adopted.

114.—It has already been shown that different editions of the same work are to be arranged in order of publication as far as possible, and that editions in the language of the original are placed before translations, and complete works before parts or selections. These would in turn be followed by works upon the author as subject, i.e., biographical and critical, when there is no occasion to repeat his name as a subject-heading, as the repeat dash may be omitted to show that he is not the author of a book upon himself, a mistake that is not likely to be made by the dullest person if the name of the author of the book upon the author in question leads off, thus

Lamb, Charles. The essays of Elia.

⸻ Mrs. Leicester’s school.

Ainger, A. Charles Lamb.

Martin, B. E. In the footprints of Lamb.

This order of arrangement may be tabulated in full in this way:—

1st. Complete works in the original (by date of publication).

2nd. Complete works in translation (by date of publication).

3rd. Semi-complete works (i.e. more than a single work).

4th. Single works, arranged alphabetically by titles, first in the original, and then translations of each immediately following.

5th. Works where the author is a joint-author.

6th. Works when he is only editor or compiler.

7th. References from the person as author.

8th. Works relating to him, alphabetically by authors.

9th. References from the person as subject.

As already stated in section 52, names with prefixes are taken as part of the name, and arranged accordingly. If the prefix is abbreviated as M’, or Mc, or St., it is placed in order as if spelled out Mac or Saint. This does not imply that the name must be so altered in the catalogue, and refers to the order only. Names like Müller should be arranged as Muller, taking care that other entries are not under Mueller, but this is a matter that can be best dealt with according to the circumstances of the case, as, for instance, Goethe should be so alphabetised, and not as Göthe. Diphthongs are alphabetised as separate letters.

115.—Abbreviated words in title-entries are also treated as if given in full, and consequently “Dr. Thorne” and “Mr. Isaacs” do not come immediately before “Drab” and “Mud,” but with “Doctor” and “Mister” respectively. It need hardly be said that “Mrs. Bligh” or any other Mrs. is not alphabetised in either the abbreviated or colloquial form, but as “Mistress,” and therefore does not come between “Mozley” and “Muddock.” Other abbreviated words are arranged upon the same plan. “Fo’c’s’le yarns” appearing as “Forecastle,” though the exception to this rule is found in other elisions contained in such entries, as

’Twas in Trafalgar’s Bay.

’Tween snow and fire.

Who was Philip?

Who’s to blame?

which are alphabetised as here shown, and not under “It,” “between,” or “Who is.”

Compound words, whether divided by a hyphen or printed as one word, are arranged to follow the single word, after this fashion:

Book for the hammock.

Book of nonsense.

Bookbinding.

Book-buying.

Book-keeping.

Book-plates.

Books.

New South Wales.

New Testament.

New Zealand.

Newcastle.

Newfoundland.

Newgate.

When numerals lead off in a title-entry they are alphabetised as if written or printed in words; thus

£1,000,000 bank-note, The.

97th Regiment, History of the.

£200 reward.

are put in order as, “One million,” “Ninety-seventh,” and “Two hundred” respectively.

116.—It is necessary to repeat the instructions to ignore the articles “A,” “An” and “The” in alphabetical arrangement, when they lead in a title or are transposed for alphabetical purposes, but not otherwise. In the middle of a title they must be reckoned with, and therefore “Under a strange mask” comes before “Under Drake’s flag,” and “Mr. and Mrs. Faulconbridge” before “Mr. Baker’s money.” The possessive is to be treated as spelled, and so “Miners and their works” comes before “Miner’s right, The,” and “Boys’ and Girls’ Book of Games” comes between “Boys’ adventures” and “Boys and I.”

Sometimes entries upon quite different subjects, which are spelled alike are, in the work of sorting, inadvertently amalgamated under a single heading, and so books like “The Great Seals of England” by Wyon; “Seals of the British Seas” by Southwell; and “Catalogue of seals in the British Museum” by Birch, are brought together to the confusion of the naturalist or the antiquarian. Fortunately there are not many such subjects, or the rule-of-thumb mechanical cataloguer would oftener create laughter than he now does.

Occasionally it will be found advisable to ignore the alphabetical order of the titles of the books under an author’s name, as in the case where a number of books with varying titles are intended to be read in a particular order when it is of more advantage to so arrange them than to adhere to the alphabetical order. A note should be added, stating that the arrangement is according to sequence.


CHAPTER XIV.
PRINTING.

117.—The slips being sorted into alphabetical order if a dictionary catalogue, or into classes and divisions if a classified catalogue, are to be laid down on sheets of paper to send to the printer. These sheets of paper should be thin, tough, and uniform in size, but the colour and quality is of little importance and brown or cheap printing paper will do. The slips are first prepared by cutting away any part of the entry not to be printed, as the author’s name from the second and subsequent entries under his name, and in the same way cutting off the subject-heading from those slips where there are more entries than one under the subject. This is better than laying all down, and then afterwards marking out what is not to be printed. The sheets of paper should be first pasted all over, the slips laid upon them in order, usually in two columns, and then all pressed over. A little marginal space should be left for the insertion of additional entries.

If the entries are written upon cards, and it is wished to avoid the work of laying them down on sheets of paper, the names and headings not to be printed should be scored through, and the cards strung together in batches of a hundred or so by means of the hole usually perforated in them, numbering them through from beginning to end for order and safety. If the “copy” consists of the printed pages of a former catalogue with new additions to be inserted, the page should first be laid down on the sheet and the new entries below, these being numbered consecutively on each sheet separately with a corresponding number marked upon the page at the exact place where the new entry goes. Should there be a comparatively large number of such insertions, it is a much safer plan and fairer to the printer to cut up the printed page and place the additional entries in their correct order before laying them down on the sheet of paper.

118.—The sheets as they are got ready must be consecutively numbered throughout with a bold figure on the right hand top corner, and before sending them to the printer they should be finally looked through for revision. This is the most convenient time for marking the “copy,” for variations in type. The marking is usually as follows:

For CAPITALS underline three times in black ink.

For Small Capitals underline twice in black ink.

For Italics underline once in black ink.

For Clarendon or other heavy type underline as above in red.

For smaller type than the body of the catalogue mark the portions down the margin in red and black, or red and blue.

Before the catalogue can be sent to be printed, its form must be decided upon as to the size of pages, quality and colour of paper, the types to be used, and the style of binding, and these being settled, a specification must be prepared to guide the printer in his work, or to obtain tenders upon if the work of printing is open to competition, as is most usual with all work done for public bodies. Personal preferences govern many matters in connection with the “get up” of a catalogue, though in most instances there is a limit imposed by the necessity for economy in cost of printing, just as there so often is for economy of compilation. The styles ordinarily adopted in the catalogues of the lending departments of the rate-supported libraries may be referred to.

119.—The most economical and commonest form is royal octavo in size, printed with two columns on the page in brevier type, with the subject-headings in a heavier type, and notes and list of contents in nonpareil. Sometimes the authors’ names in the principal entry are printed in capitals and small capitals, and this serves very well for distinctive purposes. Occasionally a catalogue is seen in which the subject-headings are in capitals and the authors’ names printed in heavier type, with the result that the authors are too prominent and the subjects not prominent enough. If the authors’ names in all entries are printed in blacker type and the shelf or other finding numbers as well, the appearance is greatly marred, the page having a spotted look most unrestful to the eye, and the purpose for which the heavy type is adopted is defeated. Altogether it will be found that the heavier type to be effective must be used sparingly, and as subject-headings are much less numerous than authors’ names, the most dignified and satisfactory page is obtained by the use of heavier type for the headings rather than for the authors’ names. While this refers mainly to the dictionary catalogue, it is also the best style to adopt for the classified catalogue. All type used should be as plain as possible, either old or modern-faced, without fancy letters, and the heavier type should be similar in style and size to that used in the body of the catalogue. When two sizes of type are used for distinctive purposes, it is customary to pass over a size in order that the distinction may be clearer, thus if the body type were long primer, the contents and notes should be set in brevier and not bourgeois, and nonpareil should be used with brevier, and not minion. The following specimens of types will be found useful, especially as it shows the line space occupied by each size:

SIZES OF TYPE.

120.—Another style of catalogue often seen is demy octavo in size, printed across the page in long primer with “Clarendon” or “De Vinne” subject-headings and brevier notes and contents. This is a very effective form for a class-list or for the first catalogue of a new library, as it has the advantage of giving an imposing appearance to the catalogue, no matter how poor the collection of books is. Of course it is much easier to read and altogether gives a better page, but it adds considerably to the bulk and cost of the catalogue, besides giving the printer more “fat,” as the white or unprinted portions of the page are called. This style is preferable for the reference library, where the size of the catalogue is unimportant, as it has not to be carried about.

There are variations from these sizes and types ranging from a super royal octavo and crown quarto down to duodecimo, with type from small pica to nonpareil. The number of copies in the edition depends upon the number or probable number of purchasers of the catalogue during a given term of years, local circumstances alone deciding in this matter.

121.—Before sending out a specification for printing estimates, it is a safer, more satisfactory, and fairer plan to all concerned to have a specimen page set up, containing in it all the types to be used in something near their proportionate quantities. The cost of such a page is trifling, but the librarian then knows precisely what he is asking for and what to expect, and the printer better understands what he is tending for. All other points it is thought are included in the following illustrative specification, which is not taken from that of any particular library, but embodies concisely what are considered to be the best features of several specifications.

Corporation of Lambwell.

Specification for Printing the Public Library Catalogue.

The Committee of the Free Public Library invite tenders for printing a catalogue of their Lending Library upon the following conditions:

Edition and Size.—The edition to consist of three thousand copies, royal octavo in size (say 9¼ × 6 when bound).

Paper.—To be at least 30lbs. to the ream, of good finish, white, uniform in tint throughout.

Type and Setting.—Old-style brevier, with occasional small capitals, italics, and clarendon or antique, with nonpareil for notes and contents, and the proper accented letters in foreign languages. To be set solid, two columns to the page, seventy lines to the column, each fifteen ems wide, with double division rules between. Turnover lines to be indented two ems, the repeat dash to be a one em rule, the class-letter and number to stand clear four ems, the nonpareil indent to be two ems. Spaces between the end of the book-entry and the class-letter to be filled with leaders. The type must not be worn or broken, and must be free from wrong founts.

Machining.—The sheets to be well worked in perfect register, with good ink, and afterwards rolled or pressed.

Time.—From the first receipt of copy, the work to be proceeded with at not less than two sheets of sixteen pages each per week until completed, or in default thereof the printer to pay a sum of two pounds per week as damages.

Proofs.—Two copies of proof in galley and two copies of a revise in page to be furnished for reading and correction. The Librarian to have the right to demand a revise in galley and such revises in page as he shall deem necessary. No sheet to be sent to press until ordered by the endorsement of the Librarian thereon.

Additions and corrections.—The Librarian to have the right to insert additional matter in galley but not in page. No charge to be allowed for author’s corrections unless pointed out and priced at the time they are made.

Number of pages.[4]—The number of pages is estimated to be 250 more or less, but the number is not guaranteed.

Covers.—Three thousand covers to be printed upon coloured paper, of an approved tint, not less than 34lbs. to the ream (royal). The front of this cover to be printed with the title of the catalogue.

Binding.—The whole edition to be bound in good straw boards of suitable thickness, strongly sewn with thread, with cloth strip backs, the covers pasted on the sides and cut flush. Fourteen days will be allowed for binding beyond the time when the last sheet is sent to press.

Delivery.—The catalogues when completed, to be tied in brown paper parcels of fifty each, and delivered to the Public Library, High Street, Lambwell.

Tender.—The tender is to be at per page for brevier type and for nonpareil type respectively, the price to include all charges for press corrections, covers, binding, and delivery.

Other conditions.—The work is to be carried out to the entire satisfaction of the Librarian, and if he is dissatisfied with its execution he shall have power to stop the work and refer the matter to the Library Committee, whose decision shall be final and binding.

The Committee will require the firm whose tender is accepted to enter into a contract to execute the work in accordance with this specification and its conditions.

When completed, the work to be measured up and charges allowed according to the quantity of brevier and nonpareil used, and payment made within three months afterwards.

The Committee do not bind themselves to accept the lowest or any tender.

Tenders, with samples of the paper to be used, to be sent in sealed envelopes endorsed “Catalogue,” to the undersigned on or before the 20th day of November, 1898.

John E. Burkett, Librarian.

122.—The printer and price having been fixed a supply of “copy” is sent and in due time proofs in “galley,” i.e. in long columns before the matter is “broken up” into pages, are received. The first proofs will not comprise the title-page, preface, and other preliminary pages, which are invariably printed last though first in order when the work is completed, and therefore the copy for this part of the catalogue need not be sent to the printer until the work is nearing its completion. The manuscript or other “copy” will be returned with the proofs and should be carefully and clearly read aloud by some qualified person to the cataloguer, who will correct the proofs by marking the corrections on the margin. When the proofs in hand have been so read over, it is advisable for the cataloguer to again read them carefully through apart from the copy before returning to the printer, as it is a much simpler matter to correct in galley than in page. At this point any additions to be inserted must be given, as they cannot be added to proofs in page without very great trouble, entailing the upsetting of work done, and consequently delay. The proofs after being fully corrected, will be returned by the printer with a clean proof (or “revise” as a proof after correction is termed) in page when all the corrections marked on the galley must be compared with the entries or the revise, to see that they have been properly attended to. At this time the headings, catch words, and numbering of the pages must be checked, and when the entries under a subject-heading have been divided by the end of a page or column the repeated headings upon the next column or page must be carefully examined. When books under an author’s name are so divided, his name should be repeated in the same way at the top of the next column or page.

These being attended to, the whole sheet should again be read through before finally sending it to press, and even with the care already expended, it is remarkable how many mistakes will then be discovered for the first time. If the corrections in page are somewhat numerous, or if any doubt exists as to their receiving proper attention, or a particular correction is one of some moment, it is as well to have another “pull” of the sheet when corrected, and make quite certain before marking it to “go to press.”

123.—In correcting proofs there are other mistakes to look for besides the misspelling, misplacing, or omission of words. It is of the utmost importance that the numbers or other marks whereby the books are asked for or found should be as correct as possible, as mistakes of this kind lead to vexation both on the part of the readers and officials. Attention is also required to the proper dividing of words in turning over lines, the use of letters of the right fount of type as others get sorted in, and if not changed mar the look of the page when printed, the removal of broken letters, the correct guage for indents and parts “standing clear,” the removal of quadrats or space pieces, so that they do not stand up in evidence on the printed page, and other items of this nature. The column of catalogue matter given in Appendix D has most of the errors usually made upon it with the signs used in correcting it, and is accompanied by explanations of them. The corrections are to be marked in the margins as shown in the specimen, and not upon the printed matter, else they will be overlooked. The same page as corrected is given.

If after due attention to all these details the cataloguer is enabled to produce a work free from blemish of compilation or printing he may heartily congratulate himself, though the public who use the library having such a catalogue will even then not fully appreciate the care and anxiety expended on it, and will soon after prove this by asking when “a new one will be out.”


FOOTNOTES

[1] Darwinism and other essays, by John Fiske. (Macmillan, 1879.)

[2] Decimal classification and relative index, by Melvil Dewey, 15th ed. Boston, 1894.

[3] Manual of library classification and shelf arrangement, by James D. Brown. (Library Supply Co.) 1898. (pp. 105-160).

[4] Even a careful estimate made from the “copy” is liable to turn out wrong when the work is in type and the tendency is to overstate the number of pages, when the printer is within his rights, according to trade usages, in claiming for profit upon the full number of pages upon which his estimate was based, therefore it is better to have a saving clause as well as to leave a safe margin on the lesser side when calculating the number of pages.


APPENDIX A.

List of words or phrases occurring in connection with books, with the abbreviations of them used in cataloguing. When an alternative abbreviation is given, that placed first is recommended.

Authors, Editors, and Titles.
Editor, Edited ed.
Herausgegeben hrsg. herausg.
Translator, Translated transl. tr.
Traduit, Tradotto trad.
Compiler, Compiled comp.
Illustrator illus.
Introduction, Introductory intro.
Anonym, Anonymous anon.
Pseudonym, Pseudonymous pseud.
Born b.
Died d.
Society Soc. (In names of societies, as Camden Soc.)
Thus (sic). Inserted sometimes to emphasize peculiarity of spelling or phrase.
Volumes and Collations.
Volume, Volumes v.
Band bd.
Part, Parts Pt., pts.
Number, Numbers No., nos.
Series ser.
New series n.s.
Pamphlet, Pamphlets pamph.
Pages pp.
Leaves ll.
Folios ff.
Illustrated, Illustrations illus., ill., il.
Coloured col.
Portrait, Portraits port., ports.
Frontispiece front., frontis.
Plate, Plates pl., pls.
Large paper l.p.
Advertisements advts.
No title-page n.t.p.
Title-page wanting t.p.w.
Imprint.
No date n. d., N.D., s.a. (i.e., sine anno.)
No place n.p.
No place or date s.a. et l.
Various dates v.d.
About (Circa, followed by a date) c.
Printed, Printer pr.
Published, Publisher pub.
Manuscript, Manuscripts MS., MSS.
Reprint repr.
Specimen abbreviations for places of publication (only) Lon., Dub., Edin., Oxf., Camb., L’pool, M’chester, B’ham, N. York.
Edition ed.
Binding.
Cloth cl.
Morocco mor.
Calf cf.
Half hf.
Bound bd.
Binding bdg.
Gilt edges g.e.
Sizes of Books.
Sextodecimo 16o., 16mo., S
Duodecimo 12o., 12mo., duo., D.
Octavo 8o., 8vo., O.
Quarto 4o., 4to., Q.
Folio fo., fol., F.
Small sm.
Large la.
Super sup.
Atlas atl.
Imperial imp.
Royal roy.
Demy dy.
Crown cr.
Oblong obl.

APPENDIX B.

Library Association of the United Kingdom.

Committee on Size-notation.

TABLE OF SIZES OF BOOKS.

Notation. Height
in
Inches.
Width. Leaves to
Signature.
Wire line in laid
or hand made
Papers.
Folio.
Atlas fᵒ (1) Circa 30 } ⅔ to ¾ { In twos, fours, sixes and eights. Perpendicular
La. fᵒ or { Imp. fᵒ (5) 21½-23
Roy. fᵒ (5) 18½-21
Fᵒ (2) 13½-18
Sm. fᵒ (3, 4) 8½-13
Quarto.
La. 4ᵒ or { Imp. 4ᵒ (5) 13½-16 } ⅘ { In fours, sixes and eights. Horizontal
Roy. 4ᵒ (5) 11½-13
4ᵒ (2) 9½-11
Sm. 4ᵒ (3) 7½-9
Octavo et infra.
La. 8ᵒ or { Imp. 8ᵒ (5) 10½-11 } ⅔ to ¾ { In eights, and som’t’mes fours. Perpendicular
Roy. 8ᵒ (5) 9½-10
8ᵒ (2) 8-9 In eights Perpendicular
Sm. 8ᵒ (3) 6½-7½ In eights Perpendicular
12ᵒ In sixes and twelves Horizontal
16ᵒ (6) } 5½-6 { ⅔ to ⅘ In eights & sixteens Horizontal & Perpendicular
18ᵒ ⅔ to ¾ In sixes, twelves and eighteens Horizontal
24ᵒ } 4-5 { In sixes and twelves Perpendicular
32ᵒ In eights and sixteens Perpendicular
48ᵒ or mᵒ (7) under 4

1. Including “elephant,” “columbia,” &c.

2. Including “medium,” “demy” and “crown.”

3. Including “copy,” “post,” “foolscap” and “pot.”

4. Of preceding centuries.

5. Of this century.

6. Including sq. 16ᵒ, and all books of this size, in eights.

7. Including 48ᵒ, 64ᵒ, &c. “Minimo” for the smallest books.


APPENDIX C.

Some modern pseudonyms with the real names, including ladies with names changed by marriage.

Pseudonym. Real Name.
A.L.O.E. Charlotte M. Tucker.
Acheta Domestica L. M. Budgen
Adams, Mrs. Leith Mrs. R. S. de Courcy Laffan
Adeler, Max Charles H. Clark
Ainslie, Noel Edith Lister
Alexander, Mrs. Annie E. Hector
Alien Mrs. L. A. Baker
Allen, F. M. Edmund Downey
Amateur Angler, The Edward Marston
Amyand, Arthur Andrew Haggard
Andom, R. Alfred W. Barrett
Anstey, F. Thos. Anstey Guthrie
Argles, Mrs. Mrs. Hungerford
Audley, John Mrs. E. M. Davy
Aunt Judy Mrs. Margaret Gatty
B., A. K. H. A. K. H. Boyd
B., E. V. Eleanor V. Boyle
Barker, Lady Lady Broome
Basil Richard Ashe King
Bede, Cuthbert Edward Bradley
Bell, Nancy Mrs. Arthur Bell
Belloc, Marie A. Mrs. Lowndes
Bickerdyke, John C. H. Cook
Billings, Josh Henry W. Shaw
Bird, Isabella L. Mrs. I. L. Bishop
Blackburne, E. Owens Elizabeth Casey
Boldrewood, Rolf Thos. A. Browne
Braddon, M. E. Mrs. Maxwell
Breitmann, Hans Charles G. Leland
Brenda Mrs. Castle Smith
Buckley, Arabella B. Mrs. Fisher
Caballero, Fernan Cecilia B. de. F. Arrom
Cambridge, Ada Mrs. G. F. Cross
Carmen Sylva Elizabeth, Queen of Roumania
Carroll, Lewis Charles L. Dodgson
Cavendish Henry Jones
Cellarius Thos. W. Fowle
Champfleury Jules F. F. Husson-Fleury
Chester, Norley Emily Underdown
Cleeve, Lucas Mrs. Kingscote
Collingwood, Harry Wm. J. C. Lancaster
Colmore, George Mrs. Gertrude C. Dunn
Connor, Marie Marie C. Leighton
Conway, Derwent Henry D. Inglis
Conway, Hugh F. J. Fargus
Coolidge, Susan Sarah C. Woolsey
Cooper, Rev. Wm. M. James G. Bertram
Craddock, C. E. Mary N. Murfree
Crawley, Captain G. F. Pardon
Cromarty, Deas Mrs. R. A. Watson
Dale, Darley Francesca M. Steele
Dall, Guillaume Madame Jules Lebaudy
D’Anvers, N. Mrs. Arthur Bell
Dean, Mrs. Andrew Mrs. Alfred Sidgwick
Donovan, Dick J. E. Muddock
Dowie, Ménie M. Mrs. Henry Norman
Duncan, Sara J. Mrs. Everard Cotes
Egerton, George Mrs. Clairmonte
Eha Edward H. Aitken
Eliot, George Mary Ann Evans (afterwards Mrs. Cross)
Elbon, Barbara Leonora B. Halsted
Elizabeth, Charlotte Charlotte E. Tonna
Ellis, Luke J. Page Hopps
Fane, Violet Lady Philip Currie
Farningham, Marianne Mary A. Hearne
Fin Bec W. B. Jerrold
Fleming, George Julia C. Fletcher
France, Anatole Anatole François Thibault
Francis, M. E. Mrs. M. Blundell
Free Lance, A F. H. Perry Coste
G. G. — Harper
Garrett, Edward Isabella F. Mayo
Gaunt, Mary Mrs. Miller
Gerard, Dorothea Mdme. Longard de Longgarde
Gerard, Emily Mdme. de Lazowski
Gift, Theo. Theodora Boulger
Grand, Sarah Mrs. M’Fall
Gray, Maxwell M. G. Tuttiett
Grier, Sydney C. Hilda Gregg
Gréville, Henry Alice M. C. Durand
Grove, Lilly Mrs. J. G. Frazer
Gubbins, Nathaniel Edward Spencer
Gyp La comtesse de Martel de Janville
Haliburton, Hugh J. L. Robertson
Hall, Eliza Calvert Lina Calvert Obenchain
Hamst, Olphar Ralph Thomas
Hayes, Henry Mrs. E. O. Kirk
Hertz-Garten, Theodor Mrs. de Mattos
Hieover, Harry Charles Bindley
Hobbes, John Oliver Mrs. Pearl M. T. Craigie
Hoffman, Professor A. J. Lewis
Holdsworth, Annie Mrs. E. Lee Hamilton
Hope, Andrée Mrs. Harvey
Hope, Anthony Anthony H. Hawkins
Hope, Ascott R. Robt. H. Moncreiff
Ingoldsby, Thomas Richard H. Barham
Iota Mrs. Mannington Caffyn
Iron, Ralph Mrs. O. Cronwright-Schreiner
James, Croake James Paterson
Janus Johann J. I. von Döllinger
K., O. Mdme. Olga Novikoff (née Kireft)
Keith, Leslie Mrs. G. L. Keith Johnston
Kipling, Alice Mrs. Fleming
L., L. E. Letitia E. MacLean (née Landon)
Laffan, May Mrs. W. N. Hartley
Larwood, Jacob L. R. Sadler
Law, John Miss M. E. Harkness
Leander, Richard R. Volkmann
Lee, Holme Harriet Parr
Lee, Vernon Violet Paget
Legrand, Martin James Rice
Lennox Lennox Pierson
Loti, Pierre Louis M. J. Viaud
Lyall, Edna Ada E. Bayly
Maartens, Maarten J. M. W. van der Poorten Schwartz
Maclaren, Ian John M. Watson
Malet, Lucas Mrs. M. St. L. Harrison (née Kingsley)
Manning, Anne Mrs. A. M. Rathbone
Markham, Mrs. Mrs. Eliz. Penrose
Marlitt. E. Henriette F. C. E. John
Marlowe, Charles Harriet Jay
Marryat, Florence Mrs. F. Lean
Marvell, Ik. Donald G. Mitchell
Mathers, Helen Mrs. H. Reeve
Meade, L. T. Mrs. Toulmin Smith
Meredith, Owen Earl Lytton
Merriman, Henry Seton H. S. Scott
Miller, Joaquin C. H. Miller
Montbard, G. Charles A. Loyes
Morice, Chas. Morice Gerard
Morris, May Mrs. Sparling
Mulholland, Rosa Lady Gilbert
Nesbit, E. Edith Bland
Nimrod C. J. Apperley
Nordau, Max M. S. Südfeld
North, Christopher Prof. John Wilson
North, Pleydell Mrs. Egerton Eastwick
Nye, Bill E. W. Nye
Old Boomerang J. R. Houlding
Oldcastle, John Wilfred Meynell
Oliver, Pen Sir Henry Thompson
Optic, Oliver Wm. T. Adams
O’Rell, Max. Paul Blouët
Otis, James J. O. Kaler
Ouida Louise de la Ramée
Owen, J. A. Mrs. Owen Visger
Page, H. A. Alex H. Japp
Pansy Isabella M. Alden
Parallax Samuel B. Robotham
Parley, Peter Wm. Martin
Paston, George Miss E. M. Symonds
Pattison, Mrs. Mark Lady E. F. S. Dilke
Paull, M. A. Mrs. John Ripley
Percy, Sholto and Reuben Joseph C. Robertson and Thomas Byerley
Phelps, Eliz. S. Mrs. H. D. Ward
Plain Woman, A Miss Ingham
Prevost, Francis H. F. P. Battersby
Pritchard, Martin J. Mrs. Augustus Moore
Prout, Father F. Mahony
Q. A. T. Quiller Couch
Raimond, C. E. Elisabeth Robins
Rapier A. E. T. Watson
Ridley, Mrs. Edward Lady Alice Ridley
Rita Mrs. W. Desmond Humphreys
Rives, Amélie Mrs. A. R. Chandlers
Robert (“A City Waiter”) John T. Bedford
Robins, G. M. Mrs. L. Baillie Reynolds
Robinson, A. Mary F. Mde. A. M. F. Darmesteter
Rogers, Halliday Miss Reid
Rutherford, Mark W. Hale White
St. Aubyn, Alan Frances Marshall
Saint-Patrice James H. Hickey
Saintine, X. B. de Joseph H. Boniface
Sand, George Mde. A. L. A. Dudevant
Scalpel, Æsculapius Edward Berdoe
Scott, Leader Lucy E. Baxter
Seafield, Frank Alex. H. Grant
Séguin, L. G. L. G. Strahan
Setoun, Gabriel Thos. N. Hepburn
Sharp, Luke Robert Barr
Shirley Sir John Skelton
Sigerson, Dora Mrs. Clement Shorter
Sketchley, Arthur Geo. Rose
Slick, Sam T. C. Haliburton
Son of the Marshes, A Denham Jordan
Son of the Soil, A J. S. Fletcher
Spinner, Alice Mrs. Fraser
Stendhal, M. de Marie Henri Beyle
Stepniak, S. S. M. Kravchinsky
Stonehenge John H. Walsh
Strathesk, John John Tod
Stretton, Hesba Hannah Smith
Stuart, Esmé Miss Leroy
Swan, Annie S. Mrs. Burnett Smith
Tasma Madam J. Couvreur
Thanet, Octave Alice French
Thomas, Annie Mrs. Pender Cudlip
Thorne, Whyte Richard Whiteing
Tomson, Graham R. Rosamund M. Watson
Travers, Graham Margt. G. Todd
Turner, Ethel Mrs. H. R. Curlewis
Twain, Mark Samuel L. Clemens
Tynan, Katharine Mrs. H. A. Hinkson
Tytler, Sarah Henrietta Keddie
Uncle Remus Joel C. Harris
Vivaria, Kassandra Mrs. M. Heinemann
Walker, Patricius Wm. Allingham
Wallis, A. S. C. Miss Opzoomer
Wanderer E. H. d’Avigdor
Ward, Artemus Chas. F. Browne
Warden, Florence Mrs. Florence James
Waters Wm. Russell
Webb, Mrs. Mrs. Webb Peploe
Wells, Charles J. H. L. Howard
Werner, E. Elisabeth Bürstenbinder
Wetherell, Eliz. Susan Warner
Wharton, Grace and Philip John C. and Katharine Thomson
Whitby, Beatrice Mrs. Philip Hicks
Wiggin, Kate D. Mrs. J. C. Rigg
Wilcox, E. G. Mrs. Egerton Allen
Winchester, M. E. M. E. Whatham
Winter, John Strange Mrs. H. E. V. Stannard
Worboise, Emma J. Mrs. E. Guyton
Yorke, Curtis Mrs. S. Richmond Lee
Z. Z. Louis Zangwill
Zack Gwendoline Keats

APPENDIX D.

Explanations of some of the Marks used in Correcting Proof.

Delete; to remove a letter or word not wanted.
l.c. Lower case; to be a small letter, and not a capital.
cap. Capital; to be a capital letter, and not a small.
w.f. Wrong fount; the letter is not the same type as the rest.
trs. Transpose; to alter the position of a line or word.
Marks a broken letter.
Space to be inserted.
A hyphen to be inserted.
A dash to be inserted.
A full stop to be inserted.
To join a word which it is not intended to divide.
A quadrat, or some other piece not wanted, to be made not to print.
Indent. To set back the line to the place marked.
Gauge. To bring up an indented line to the place marked.
or To straighten a line which has been wrongly leaded perpendicularly or has something making the line crooked horizontally.
Marks a letter which has been turned upside down or otherwise.
Stet. A word marked through by mistake and to be retained is underlined with dots ......... and “stet” written in the margin.

Specimen Page showing Marked Proof.