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Many Gods

Chapter 20: (Benares)
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This collection of poetry explores themes of spirituality, nature, and the human experience through a diverse range of cultural lenses. Each poem reflects on the relationship between the divine and the earthly, often drawing inspiration from Eastern philosophies and landscapes. The verses convey a sense of longing, introspection, and the search for meaning amidst the complexities of life. Through vivid imagery and emotive language, the work invites readers to contemplate their own beliefs and the interconnectedness of existence, while also celebrating the beauty of the natural world.

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Title: Many Gods

Author: Cale Young Rice

Release date: October 10, 2009 [eBook #30225]
Most recently updated: October 24, 2024

Language: English

Credits: Produced by David Garcia, Josephine Paolucci and the Online
Distributed Proofreading Team at https://www.pgdp.net. (This
file was produced from images generously made available
by The Kentuckiana Digital Library.)

*** START OF THE PROJECT GUTENBERG EBOOK MANY GODS ***

MANY GODS

OTHER BOOKS BY CALE YOUNG RICE

Nirvana Days
Yolanda of Cyprus
Plays and Lyrics
A Night in Avignon
Charles di Tocca
David


MANY GODS

BY

CALE YOUNG RICE

NEW YORK
DOUBLEDAY, PAGE & COMPANY
MCMX


ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION
INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN

COPYRIGHT, 1910, BY DOUBLEDAY, PAGE & COMPANY
PUBLISHED, FEBRUARY, 1910


TO

FINIS KING FARR

AN OLD

AND DEAR COMRADE


CONTENTS

PAGE

"All's Well" 3

The Proselyte Recants 6

Love in Japan 10

Maple Leaves on Miyajima 13

Typhoon 15

Penang 17

When the Wind is Low 20

The Pagoda Slave 22

The Ships of the Sea 25

Kinchinjunga 26

The Barren Woman 29

By the Taj Mahal 32

Love's Cynic 35

In a Tropical Garden 42

The Wind's Word 46

The Shrine of Shrines 47

From a Felucca 48

The Egyptian Wakes 49

The Imam's Parable 50

Songs of a Sea-farer 52

A Song of the Sects 54

The City 57

Via Amorosa 58

Dusk at Hiroshima 60

The Wanderer 61

In a Shinto Temple Garden 64

Far Fujiyama 65

On Miyajima Mountain 66

Old Age 68

On the Yang-tse-kiang 69

The Sea-armies 71

The Christian in Exile 73

The Parsee Woman 75

Shah Jehan To Mumtaz Mahal 77

Princess Jehanara 79

A Cinghalese Love Lament 80

On the Arabian Gulf 83

The Ramessid 84

Immortal Foes 85

The Conscript 87

Navis Ignota 89

The Cross of the Sepulchre 91

The Nun 92

Alpine Chant 94

The Man of Might 96

In Time of Awe 97

Sunrise in Utah 99

Consolation 100

Waves 102

Vis Ultima 104

Meredith 106


MANY GODS


"ALL'S WELL"

I
The illimitable leaping of the sea,
The mouthing of his madness to the moon,
The seething of his endless sorcery,
His prophecy no power can attune,
Swept over me as, on the sounding prow
Of a great ship that steered into the stars,
I stood and felt the awe upon my brow
Of death and destiny and all that mars.
II
The wind that blew from Cassiopeia cast
Wanly upon my ear a rune that rung;
The sailor in his eyrie on the mast
Sang an "All's well," that to the spirit clung
Like a lost voice from some aërial realm
Where ships sail on forever to no shore,
Where Time gives Immortality the helm,
And fades like a far phantom from life's door.
III
"And is all well, O Thou Unweariable
Launcher of worlds upon bewildered space,"
Rose in me, "All? or did thy hand grow dull
Building this world that bears a piteous race?
O was it launched too soon or launched too late?
Or can it be a derelict that drifts
Beyond thy ken toward some reef of Fate
On which Oblivion's sand forever shifts?"
IV
The sea grew softer as I questioned—calm
With mystery that like an answer moved,
And from infinity there fell a balm,
The old peace that God is, tho all unproved.
The old faith that tho gulfs sidereal stun
The soul, and knowledge drown within their deep,
There is no world that wanders, no not one
Of all the millions, that He does not keep.

THE PROSELYTE RECANTS

(In Japan)

Where the fair golden idols
Sit in darkness and in silence
While the temple drum beats solemnly and slow;
Where the tall cryptomerias
Sway in worship round about
And the rain that is falling whispers low;
I can hear strange voices
Of the dead and forgotten,
On the dimly rising incense I can see
The lives I have lived,
And my lives unbegotten,
Namu Amida Butsu pity me!
I was born this karma
Of a mother in Chuzenji,
Where Nantai-zan looks down into the lake;
Where the white-thronged pilgrims
Climb to altars in the clouds
And behold the holy eastern dawn awake.
It was there I wandered
Till a priest of the Christians
With the crucifix he wore compelled my gaze.
In grief I had grown,
So upon its grief I pondered.
Namu Amida Butsu, keep my days!
It was wrong, he told me,
To pray Jiso for my children,
And Binzuru for healing of my ills.
And our gods so many
Were conceived, he said, in sin,
From Lord Shaka to the least upon the hills.
In despair I listened
For my heart beat hopeless,
Not a temple of my land had helped me live.
But alas that day
When I let my soul be christened!
Namu Amida Butsu, O forgive!
For the Christ they gave me
As the only Law and Lotus,
As the only way to Light that will not wane,
May perchance have power
For the people of the West,
But to me he seemed the servitor of pain.
For in pain he perished
As one born to passion:
In some other life no doubt his sin was great,
Tho they told me no,
Those who followed him and cherished.
Namu Amida Butsu, such is fate.
So again to idols
Of the Buddha who is boundless,
While the temple drum is beating thro the rain,
I have turned from treason
Into Meditation's truth,
From the strife the Western god regards as gain.
And if now I'm dying
As the voices tell me,
To the lives that I must live I'll meekly go;
Till my long grief ends
In Nirvana, and my sighing.
Namu Amida Butsu, be it so!

LOVE IN JAPAN

I
Dragon-fly lighting
On the temple-bell,
Whose soul do you hear
On the Day of the Dead?
The soul of my lover?
Ah me, the plighting
Between two hearts
That were never wed!
Dragon-fly, quickly,
The priest is coming!
Oh, the boom
Of the bitter bell!
Now you are gone
And my tears fall thickly.
How of Heaven
Do the gods make Hell!
II
The sêmi is silent
(Autumn rains!)
The wind-bells tinkle
(How chill it is!)
The quick lights come
On the shoji-panes.
Come, O Baku,
Eater of dreams!
The maple darkens
(Pale grow I!)
The near night shivers
(The temple fades.)
Haunting love
Will not cease to cry!
Come, O Baku,
Eater of dreams!
The wild mists gather
(Ah, my tears!)
The pane-lights vanish
(For some there is rest.)
But for me—
The remembered years!
Come, O Baku,
Eater of dreams!

MAPLE LEAVES ON MIYAJIMA

The summer has come,
The summer has gone,
And the maple leaves lift fairy hands
That ripple upon the winds of dawn
Where the dim pagoda stands.
They ripple and beckon yearningly
To their sister fairies over the sea,
But help comes not,
So they fall and flee
From Autumn over the sands.
And down the mountain
And into the tide,
Some are blown where the sampans glide,
And some are strewn by the temple's side,
And some by the torii.
But Autumn ever
Pursues them till,
As ever before,
She has her will,
And leaves them desolate, dead and still,
Ravished afar and wide;
Leaves them desolate; crying shrill,
"No beauty shall abide!"

TYPHOON

(At Hong-kong)

I was weary and slept on the Peak;
The air clung close like a shroud,
And ever the blue-fly's buzz in my ear
Hung haunting and hot and loud;
I awoke and the sky was dun
With awe and a dread that soon
Went shuddering thro my heart, for I knew
That it meant typhoon! typhoon!
In the harbour below, far down,
The junks like fowl in a flock
Were tossing in wingless terror, or fled
Fluttering in from the shock.
The city, a breathless bend
Of roofs, by the water strewn,
Lay silent and waiting, yet there was none
Within it but said typhoon!
Then it came, like a million winds
Gone mad immeasurably,
A torrid and tortuous tempest stung
By rape of the fair South Sea.
And it swept like a scud escaped
From craters of sun or moon,
And struck as no power of Heaven could,
Or of Hell—typhoon! typhoon!
And the junks were smitten and torn,
The drowning struggled and cried,
Or, dashed on the granite walls of the sea,
In succourless hundreds died.
Till I shut the sight from my eyes
And prayed for my soul to swoon:
If ever I see God's face, let it
Be guiltless of that typhoon!

PENANG

I want to go back to Singapore
And ship along the Straits,
To a bungalow I know beside Penang;
Where cocoanut palms along the shore
Are waving, and the gates
Of Peace shut Sorrow out forevermore.
I want to go back and hear the surf
Come beating in at night,
Like the washing of eternity over the dead.
I want to see dawn fare up and day
Go down in golden light;
I want to go back to Penang! I want to go back!
I want to go back to Singapore
And up along the Straits
To the bungalow that waits me by the tide.
Where the Tamil and Malay tell their lore
At evening—and the fates
Have set no soothless canker at life's core.
I want to go back and mend my heart
Beneath the tropic moon,
While the tamarind-tree is whispering thoughts of sleep.
I want to believe that Earth again
With Heaven is in tune.
I want to go back to Penang! I want to go back!
I want to go back to Singapore
And ship along the Straits
To the bungalow I left upon the strand.
Where the foam of the world grows faint before
It enters, and abates
In meaning as I hear the palm-wind pour.
I want to go back and end my days
Some evening when the Cross
On the southern sky hangs heavily far and sad.
I want to remember when I die
That life elsewhere was loss.
I want to go back to Penang! I want to go back!

WHEN THE WIND IS LOW

(To A. H. R.)

When the wind is low, and the sea is soft,
And the far heat-lightning plays
On the rim of the West where dark clouds nest
On a darker bank of haze;
When I lean o'er the rail with you that I love
And gaze to my heart's content;
I know that the heavens are there above—
But you are my firmament.
When the phosphor-stars are thrown from the bow
And the watch climbs up the shroud;
When the dim mast dips as the vessel slips
Thro the foam that seethes aloud;
I know that the years of our life are few,
And fain as a bird to flee,
That time is as brief as a drop of dew—
But you are Eternity.

THE PAGODA SLAVE

(At Shwe Dagohn, in old Rangoon)

All night long the pagoda slave
Hears the wind-bells high in the air
Tinkle with low sweet tongue and grave
In praise of Lord Gautama.
All night long where the lone spire sends
Its golden height to the starry light
He hears their tune
And watches the moon
And fears he shall never reach Nirvana.
Round and round by a hundred shrines
Glittering at the great Shwe's base
Falls the sound of his feet mid lines
Droned from the sacred Wisdom.
Round and round where the idols gaze
So pitiless on his pained distress
He passes on,
Pale-eyed and wan—
A pariah like the dogs behind him.
Oh, what sin in a life begot
Thousands of lives ago did he sin
That he is now by all forgot,
Even by Lord Gautama?
Oh, what sin, that the lowest shun
His very name as a thing of shame—
A sound to taint
The winds that faint
From the high bells that hear it uttered!
Midnight comes and the hours of morn,
Tapers die and the flowers all
From the most fêted altars: lorn
And desolate is their odour.
Midnight goes, but he watches still
By each cold spire the moon sets fire,
By every palm
Whose silvery calm
Pillar and jewelled porch pray under.
Is it dawn that is breaking?... No,
Only a star that falls in the sea,
Only a wind-bell's louder flow
Of praise to Lord Gautama.
Faithless dawn! with illusive feet
It comes too late to ease his fate.
He sinks asleep
A helpless heap,
Tho for it he may never reach Nirvana.

THE SHIPS OF THE SEA

Into port when the sun was setting
Rode the ship that bore my love,
Over the breakers wildly fretting,
Under the skies that shone above.
Down to the beach I ran to meet him;
He would come as he had said:
And he came—in a sailor's coffin,
Dead!...
O the ships of the sea! the women
They from all hope but Heaven part!
The tide has nothing now to tell me,
The breakers only break my heart!

KINCHINJUNGA

(Which is the next highest of mountains)

I
O white Priest of Eternity, around
Whose lofty summit veiling clouds arise
Of the earth's immemorial sacrifice
To Brahma in whose breath all lives and dies;
O Hierarch enrobed in timeless snows,
First-born of Asia whose maternal throes
Seem changed now to a million human woes,
Holy thou art and still! Be so, nor sound
One sigh of all the mystery in thee found.
II
For in this world too much is overclear,
Immortal Ministrant to many lands,
From whose ice-altars flow to fainting sands
Rivers that each libation poured expands.
Too much is known, O Ganges-giving sire;
Thy people fathom life and find it dire,
Thy people fathom death, and, in it, fire
To live again, tho in Illusion's sphere,
Behold concealed as Grief is in a tear.
III
Wherefore continue, still enshrined, thy rites,
Tho dark Thibet, that dread ascetic, falls
In strange austerity, whose trance appals,
Before thee, and a suppliant on thee calls.
Continue still thy silence high and sure,
That something beyond fleeting may endure—
Something that shall forevermore allure
Imagination on to mystic flights
Wherein alone no wing of Evil lights.
IV
Yea, wrap thy awful gulfs and acolytes
Of lifted granite round with reachless snows.
Stand for Eternity while pilgrim rows
Of all the nations envy thy repose.
Ensheath thy swart sublimities, unscaled.
Be that alone on earth which has not failed.
Be that which never yet has yearned or ailed,
But since primeval Power upreared thy heights
Has stood above all deaths and all delights.
V
And tho thy loftier Brother shall be King,
High-priest be thou to Brahma unrevealed,
While thy white sanctity forever sealed
In icy silence leaves desire congealed.
In ghostly ministrations to the sun,
And to the mendicant stars and the moon-nun,
Be holy still, till East to West has run,
And till no sacrificial suffering
On any shrine is left to tell life's sting.

THE BARREN WOMAN

(Benares)

At the burning-ghat, O Kali,
Mother divine and dread,
See, I am waiting with open lips
Over the newly dead.
I am childless and barren; pity
And let me catch the soul
Of him who here on the kindled bier
Pays to Existence toll.
See, by his guileless body
I cook the bread and eat.
Give me the soul he does not need
Now, for conception sweet.
Hear, or my lord and husband
Shall send me from his door
And take to his side a fairer bride
Whose breast shall be less poor.
Oft I have sought thy temples,
By Ganges now I seek,
Where ashes of all the dead are strewn,
And is my prayer not meek?
The ghats and the shrines and the people
That bathe in the holy Stream
Have heard my cry, O goddess high,
Shall I not have my dream?
The women of Oudh and Jaipur
Look on my face with scorn.
Children about their garments cling,
To me shall none be born?
The death-fires quiver faster,
O hasten, goddess, a sign,
That from this doom into my womb
Thy pledge has passed, divine.
Woe! there is naught but ashes,
Now, and the weepers go.
Lone on the ghat they leave me, lone,
With but the River's flow.
Kali, I ask not jewels
Nor justice, beauty nor shrift,
But for the lowest woman's right,
A child—tho I die of the gift!

BY THE TAJ MAHAL

Under the Indian stars,
Mumtaz Mahal, I am sitting,
Watching them wind their silent way
Over your wistful Tomb;
Watching the crescent prow
Of the moon among them flitting,
Fair as the shallop that bore your soul
To Paradise's Room.
Under the Indian stars,
With palm and peepul about me,
With dome and kiosk and minaret
Mounting against the sky,
I seem to see your face
In all the fairness without me;
In all the sadness that fills my heart
To hear your lover's cry.
Under the Indian stars
I look for your Jasmine Tower,
Along the River whose barren bed
Lies gray beneath the moon.
And thro its magic doors
You seem like a spirit flower,
Wandering back from Allah's bourne
To seek for some lost boon.
Under the Indian stars
I see you softly moving,
Among your jewel-lit maidens there,
A sweet and ghostly queen,
And the scent of attar flung
In your marble font seems proving
That passion never can die from love,
If truly love has been.
Under the Indian stars
He comes, "the Shadow of Allah,"
Jehan, the lord of Magnificence,
The liege who holds your heart.
The silver doors swing back
And alone with him you hallow
The amorous night—whose moon has made
Such visions in me start.
Under the Indian stars—
But the end of all is moaning!
I hear his dying breath that from
Your Tomb shall never die.
For every jasper flower
He set in its dream seems loaning
To Beauty a grief, Mumtaz Mahal,
And unto Fate a sigh.

LOVE'S CYNIC

I
O you poets, ever pretending
Love is immortal, pipe the truth!
Empty your books of lies, the ending
Of no passion can be—Youth.
"Heaven," you breathe, "will join the broken?"
Come, was the Infinite e'er wed,
That He must evermore be thinking
Of your wedding bed?
II
Pipe the truth! tho it clip the glamour
Out of your rhymes and rip your dream.
Do you believe words can enamour
Death and dry up Lethe's stream?
Death? it is but a Sponge that passes,
One the Appeaseless e'er will squeeze
Back into Lethe's flood—whose lasting
Is eternities.
III
"False!" cry you, "and an unbeseeming
Blasphemy!"—Well, look around.
Is it not only in blaspheming
Truth is ever to be found?
Whether it be, one thing I ask you,
Lovers and poets, tell, I pray,
Was there ever a love-oath ended
Ere the Judgment Day?
IV
"O," you answer, "ill is in all things."
But in an ancient lie what's good?
Is it not better just to call things
What they are—not what we would?
When you are clinging to your mistress,
Love has the face of Eternity.
Cling to her then, but know that Wanting
Fools the best that be.
V
"Yet her brows and her eyes that murmur
All the music," you say, "of God!"
Press her lips but a little firmer—
You will feel that they are—sod.
"But there is living soul beyond them,
And it is love's till all things end?"
Children alone build Paradises
With but pence to spend.
VI
"Ai-ho now! that is like the cynic,"
Pitying runs your poet-smile,
"He has sat at the Devil's clinic
With some dead love up the while."
Dead or alive are one with passions,
Under the potent knife of Truth
They will be seen composed of craving—
And a little ruth.
VII
"Then the world on a lie is living?"
Many a lie has filled its maw!
"Better illusion tho than giving
Faith to a fatal loveless Law?"
There is a certain Socratean
Saying that swine of their ditch are sure;
Yet do they prove by their contentment
That it will endure?
VIII
Clasp her close! But the truth is in you,
Tho you have rhymed and rammed it down,
Hid it with honey-words that win you
Wreaths that you know bedeck the clown.
Kings they will call you and uplifters
Of your kind? Lord save the mark,
That we are still for fire dependent
On so false a spark.
IX
And so fond! for you hold immortal
What has been born a day or two!
"But it was destined?" Ay, your portal
Only has God to heed—and you!
He with his thrice three million thirsting
Worlds in the throes of death and life
Surely has time to spare for choosing
Your behooven wife!
X
By my faith, there is not a creature
Mad as a poet, pants the breeze!
Give him a mistress and he'll preach her
As creation's Masterpiece.
Let him but lean for half an hour
Over her lips and he will swear
That he would dive thro death unfathomed
To regain her there.
XI
And believe that his oath is able!
That there is not in all the sea
Water enough to quench the fable
Of his soul's intensity.
Yet there was never a rose that blossomed
And endured beyond its day.
There was never a fire enkindled
But the great Cold had its way.
XII
"Pessimist," is your mortal answer,
"Wait till the love-wind pierces you!"
Wait? I have been the veriest dancer
To it, and, dupe still, would do
Truth to the death—shall I confess it?—
For but a moment on one breast.
Wherefore I add—and Adam bless it!—
Who loves once is like the rest.

IN A TROPICAL GARDEN

(Peradeniya, Ceylon)