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Mardi, and a voyage thither, Vol. 2 (of 2) cover

Mardi, and a voyage thither, Vol. 2 (of 2)

Chapter 56: CHAPTER LII. The Charming Yoomy Sings
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About This Book

The narrative follows a seafaring party exploring an imaginative archipelago, landing on islands governed by enigmatic rites and rulers. Episodic wanderings combine vivid travel scenes, visits to temples and antiquaries, and a succession of tales, parables, and debates. Companions recount nursery stories, cite ancient authors, and argue about religion, governance, and human destiny, while mysterious landmarks—an inaccessible peak, sacred morais, and subterranean catacombs—trigger philosophical digressions. The work shifts between satire, allegory, and lyrical description to probe belief, power, artistic tradition, and the limits of knowledge through wandering conversation and changing landscapes.

CHAPTER LII.
The Charming Yoomy Sings

The morrow came; and three abreast, with snorting prows, we raced along; our mat-sails panting to the breeze. All present partook of the life of the air; and unanimously Yoomy was called upon for a song. The canoes were passing a long, white reef, sparkling with shells, like a jeweler’s case: and thus Yoomy sang in the same old strain as of yore; beginning aloud, where he had left off in his soul:—

        Her sweet, sweet mouth!
    The peach-pearl shell:—
Red edged its lips,
    That softly swell,
Just oped to speak,
With blushing cheek,
    That fisherman
With lonely spear
    On the reef ken,
And lift to ear
Its voice to hear,—
    Soft sighing South!
Like this, like this,—
The rosy kiss!—
    That maiden’s mouth.
A shell! a shell!
A vocal shell!
    Song-dreaming,
In its inmost dell!

Her bosom! Two buds half blown, they tell;
A little valley between perfuming;
            That roves away,
            Deserting the day,—
    The day of her eyes illuming;—
That roves away, o’er slope and fell,
Till a soft, soft meadow becomes the dell.

Thus far, old Mohi had been wriggling about in his seat, twitching his beard, and at every couplet looking up expectantly, as if he desired the company to think, that he was counting upon that line as the last; But now, starting to his feet, he exclaimed, “Hold, minstrel! thy muse’s drapery is becoming disordered: no more!”

“Then no more it shall be,” said Yoomy, “But you have lost a glorious sequel.”