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Margaret Dashwood

Chapter 20: CHAPTER XVIII
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About This Book

The youngest of the Dashwood sisters matures from adolescence into young adulthood while acting primarily as a calm, attentive observer of her family’s domestic and romantic shifts. Living at Barton Cottage, she watches her elder sisters and their acquaintances navigate attachments, misunderstandings, and social expectations, learning through small acts and overheard conversations. Encounters with neighbors and relatives—affable hosts, a reserved suitor, a steady friend, and a meddling older woman—shape her view of love, kindness, and the burdens of generosity. The narrative emphasizes quiet growth, social interplay, and the everyday teasing and trials that accompany coming of age within a closely connected community.

CHAPTER XVIII

Elinor seated herself on a bench under a tree with Mary Whitaker, who was seeking her society with the enthusiasm of the very young for an elder whose notice is coveted. Elinor enjoyed the admiration, and could gratify her sense of right by leading the conversation on lines likely to be helpful in the development of Mary’s mind. It was not in Elinor’s nature to enjoy anything fully unless she could perceive in it some vestige of a duty; here duty and pleasure were combined.

The rest of the party were pacing up and down the avenue behind them in twos and threes, and scraps of their conversation were wafted to Elinor’s ears and mingled with Mary’s artless admiration in her mind.

“A capital fellow, Willoughby! He has got a dull little wife with a fortune. I suppose one makes up for the other, but in my opinion he was better off without either. When you marry, Miss Isabella, take care you get a fine young man, and a little fortune too, and ask me over to dance at your wedding. An old fellow like me——”

Sir John’s voice grew fainter, and Elinor’s attention was recalled by the eager questioning of Mary as to the relative merits of Gainsborough and Sir Thomas Lawrence’s portraits, a subject on which Elinor’s opinion must be conclusive, as she drew very pretty pencil sketches herself and had been to London. Another pair was approaching.

“There’s a table up School with all sorts of fellow’s names cut on it—deep too. I mean to cut mine before I leave if I get a chance. I found my grandfather’s name, and two of my uncles’. Did you cut your name anywhere at Canterbury, Mr. Atherton——?”

“That’s Harry,” said Mary. “He is always talking about Westminster. I do think it is rather hard that he should go to London twice a year and I, who am older, have never been there. Do not you think so, Mrs. Ferrars? He says I should not like to be at Westminster at all, but I think it must be better than to be always in the country. Do not you think so, Mrs. Ferrars?”

Miss Steele’s voice could now be heard from far away, and her complaints made Elinor smile, and Mary redden with vexation on her behalf.

“My sister, Lucy, married Mr. Robert Ferrars, so Mrs. Ferrars and me are almost sisters; but then she is so cold and distant I do not like to claim it, and indeed I am not sure that Lucy would wish it, for the family thought it a very bad match for Mr. Edward, and they all look down on his wife, so of course Lucy does too, as she is one of them. Mrs. Ferrars, his mother, cannot forgive Mr. Edward for making the marriage; for all that she is so fond of Lucy, so it’s not that she is unkind and proud. But then Lucy has a way with her and I am sure will take any trouble to get herself liked, and it’s that makes the difference, Miss Penelope, you may be sure; for I always will say Lucy is very nice when she isn’t being cross, and I miss her very much, for she always knew what suited me better than I do myself. Sisters are——”

Neither Elinor nor Mary wished to hear more, and were satisfied that the misdeeds of sisters should be lamented out of ear-shot. Mary’s questions began again, and Elinor was delighting in talking of her favourite painters when she stopped in surprise on hearing the voices of the next party.

Willoughby, Margaret and Walter Carey were approaching. She could hear Willoughby’s pleasant tones recounting some theatrical experience of his own, Walter’s eager voice questioning him, submitting to his judgment, consulting him, and Margaret’s low laughter and interested comments. Every one making much of Willoughby, reinstating him, admiring him! Elinor remembered that she herself had not repulsed him on the night of Marianne’s illness; but then he had been anxious, distraught, miserable. Common humanity demanded that she should bear with him! Now, when he was at ease, self-satisfied, arrogant, it was not to be endured that Margaret should help him in maintaining this good opinion of himself.

The conversation had begun at the other end of the avenue by Willoughby taking Walter’s arm as he strolled with Margaret under the trees.

“I hear you have had a friend of mine in the neighbourhood—a naval officer—Commander Pennington. Did you see him, Carey?”

Walter denied all knowledge of Commander Pennington, and Margaret did not claim any.

“He was at Grice’s farm for about a week, and I was at Allenham all the while, which makes it all the more annoying. However, I hear he left word with Mrs. Grice that he would be back in October at the latest; so I shall contrive to be here then, if I can get Mrs. Smith to think she cannot do without me.”

“How do you know him?” asked Walter, to Margaret’s relief. She feared she might put the question herself if Walter failed in curiosity.

“I met him in London playing cards at my club first, and sometimes since, and once at Lord Courtland’s private theatre. We were not acting, either of us. Merely members of the audience, and prodigiously bored at that. They did ‘Five Hours at Brighton,’ and it would not have surprised me to hear that it was ten times as long. Pennington and I got into a quiet corner where we could sit down and talk of something else. Before all things private theatricals should not be too long! Your choice of a play is a capital one, Carey. Indeed you are much to be congratulated on play and players.”

From thence the conversation had drifted on to the point when Elinor could hear them talking and laughing, and for the moment forgot Mary Whitaker and her thirst for improvement in her anger against Willoughby, and his desire for reconcilement.

Fortunately a move indoors for tea broke up the various parties, and after tea no time could be wasted in talking when there was all the business of dressing for the ball to be attended to. Mary and Henry Whitaker were to stay the night, and their rooms were available as dressing-rooms for the rest of the party, the ladies running in and out of Mary’s room and that of the Miss Careys for ribbons and hair-pins, shoe-ties and perfume; while the gentlemen brushed and combed, talked and laughed in Henry’s room as much as in Walter’s, and made him very happy in playing host to all these grown-up males to the extent at least of lending them his brushes and having their coats laid on his bed.

Downstairs there was consternation. The musicians had not arrived. There was to be a fiddle and a cornet, and neither was come. Lady Carey’s desperation was pitiable. Her round, happy face was ill-suited to such looks of woe, and Sir Francis, meeting her on the stairs, was disturbed out of his usual detachment. He was made acquainted with the cause of her distress, and, with that spark of genius in mundane affairs which is sometimes shown by those who spend their lives aloof from them, he suggested that Miss Fairfield could play very nicely and no doubt knew some pretty dance music.

Lady Carey’s relief was in proportion to her former despair. She hurried along to the school-room door with the speed of one of her own children, and there found Miss Fairfield practising her harp all alone. A few minutes sufficed to make known to her the trouble she was called upon to allay, and being, as Miss Penelope had said, a very good sort of girl, she was ready to put on her prettiest gown and take her subordinate but all-important part in the enjoyment of the evening.