WeRead Powered by ReaderPub
Masterpieces of the masters of fiction cover

Masterpieces of the masters of fiction

Chapter 8: MANON LESCAUT THE ABBÉ PRÉVOST
Open in WeRead

Explore more books like this:

About This Book

An essayistic survey in which the author revisits roughly forty canonical prose works, choosing one representative story from each and reading them in rapid succession to form a comparative perspective. He explains selection criteria—excluding living authors and verse fiction—arranges entries chronologically, and gives concise critical sketches that summarize plots, note thematic features and stylistic qualities, and weigh merits and faults. Prefatory remarks outline the method and purpose, while each chapter offers a compact appreciation intended to show how time affects initial impressions.

MANON LESCAUT
THE ABBÉ PRÉVOST

What is the subtle charm of “Manon Lescaut” which has given it the place of a classic in French fiction, and which causes it to be read at the present time with the same delight as when it was written? It does not sparkle with wit, nor is it filled with wisdom. The heroine is far from being an estimable character, and the poor hero, the Chevalier des Grieux, is admirable only in one thing—in his constant and self-sacrificing devotion to the unworthy object of his passion.

He meets her in the courtyard of an inn at Passy. It is a case of love at first sight. They flee from the inn together, and Manon becomes his mistress. The youth is ardent but inexperienced, while the girl, though no older in years, is far maturer, more subtle and self-asserting. It is not many weeks before she forsakes him for a more advantageous connection. For a long time he is in despair at her faithlessness. At last he enters upon a regular life, and becomes a student in a theological seminary. On the day of his graduation she comes to him again. In a moment all his good resolutions are flung to the winds and he falls at once under her influence. They live for a time upon the money she has acquired from a more opulent lover, but it is stolen, and he betakes himself to the gambler’s expedients to restore their shattered fortunes. She leads him into evil courses, and many are the tricks they play upon her other admirers. Twice they are thrown into prison, and on the last occasion, to gratify the revenge of a defrauded and disappointed suitor, Manon is sent with a chain gang to the French settlement at New Orleans. Her lover goes with her, and after they are established in their distant abode they decide to invoke the aid of the church upon their union and to become man and wife. But the governor of the province has other views for Manon, and desires to marry her to his nephew. A duel follows, and the Chevalier des Grieux is forced to flee. Manon accompanies him to the wilderness, but, unable to endure the fatigues and perils of such a life, she expires in the arms of her lover.

This sounds like rather poor material for a novel, yet so charmingly and simply is the story told, so deep and so natural is the Chevalier’s passion, that he invests his wayward mistress in our eyes with the same charms that he sees in her himself, until we pardon the infidelities of the beautiful creature almost as readily as he.