About This Book
A series of essays ranges across literary criticism, personal reminiscence, and moral reflection, opening with close readings—for example the treatment of the knocking scene in Macbeth—to show how sensory impressions shape emotion. Other pieces treat murder as an aesthetic subject, offer biographical sketches such as an account of Joan of Arc, provide vivid reportage of stagecoach travel, and meditate on sudden death and the social rites of dining. The voice combines analytical observation, anecdote, ironic humor, and philosophical digression, with ornate prose that repeatedly returns to first-person reflection and the workings of taste.
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