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Misrepresentative Men

Chapter 66: [74]
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About This Book

A collection of short, comic poems that lampoon and caricature well-known historical and cultural figures in a breezy, tongue-in-cheek voice. Each piece compresses a witty, exaggerated portrait into a few stanzas, skewering public reputations and private foibles through irony, mock-biography, and absurd detail. Subjects range across politicians, philosophers, literary personae and biblical archetypes, with recurring jokes about vanity, pretension, and the gap between appearance and reality. Playful illustrations accompany many poems, reinforcing the satirical tone. A brief foreword and postlude frame the sequence and underline the author's irreverent approach to popular biography and humorous critique.

"But Charlotte Corday came along,
Intent to right her country's wrong.
"

 

But Charlotte Corday came along,
A Norman noble's nobler daughter,
Intent to Right her Country's Wrong,
And put an end to ceaseless slaughter;
In Marat she descried a victim,—
So bought a knife and promptly pricked him!

Poor Marat, who (as was his wont)
Was planning further Revolutions,
The while he washed, exclaimed, "Oh, don't!
"You're interrupting my ablutions!
"I can't escape; it isn't fair!
"A sponge is all I have to wear!"

But Charlotte firmly answered "Bosh!"
(How could she so forget good breeding?)
"While you sit there and calmly wash,
The noblest hearts in France are bleeding!"
Then jabbed him in those vital places
Where ordinary men wear braces!

So perished Marat. In his way
To prove a lesson, apt and scathing,
From which young people of to-day
May learn the dangers of mixed bathing,
And shun the thankless operation
Of sponging on a rich relation.
 
MORAL
 
Ye democrats, who plan and plot
Schemes to decapitate your betters,
Remember that a bath is not
The proper place for writing letters;
Nor one which Providence intends
For interviews with lady-friends.


Ananias

WHEN Golf was in its childhood still,
And not the sport that now it is;
When no-one knew of Bunker Hill,
Or spoke of Boston tee-parties;
One man there was who played the game,
And Ananias was his name.

But little else of him we know,
Save that his grasp of facts was slack,
And yet, as circumstances show,
He was a golfomaniac,
And thus biographers relate
The story of his tragic fate:—

He occupied his final scene,
(In golfing parlance so 'tis said),
In "practising upon the green,"
And, after a "bad lie," "lay dead;"
Then came Sapphira,—she, poor soul,
After a worse "lie," "halved the hole."


Nero

THE portrait that I seek to paint
Is of no ordinary hero,
No customary plaster saint,—
For nothing of the sort was Nero.
(He was an Emperor, but then
He had his faults like other men.)

And first, (a foolish thing to do),
He turned his hand to matricide,
And straight his agéd mother slew,
The poor old lady promptly died!
('Tis surely wrong to kill one's mother,
Since one can hardly get another.)

He was a hearty feeder too,
And onto his digestion thrust
All kinds of fatty foods, and grew
Robust—with accent on the Bust.
("Sweets are"—I quote from memory—
"The Uses of Obesity!")

He married twice; two ladies fair
Agreed in turn to be his wife,
To board his slender barque and share
His fate upon the stream of Life.
(Forgive me if I mention this
As being true Canoebial bliss!)

His talent on the violin
He was for ever proud of showing;
The tone that he produced was thin,
Nor could one loudly praise his "bowing;"
But persons whom he played before
Were almost sure to ask for more.

For he decreed that any who
Did not encore him or applaud,
Should be beheaded, cut in two,
Hanged, flayed alive, and sent abroad.
(So it was natural that they
Who "came to cough remained to pray.")

He felt no sympathy for those
Who had not lots to drink and eat,
Who wore unfashionable clothes,
And strove to make the two ends meet;
(They drew no tears, "the short and sim-
Ple flannels of the Poor," from him.)

To Christians he was far from kind,
They met with his disapprobation;
The choicest tortures he designed
For folks of their denomination.
(And all Historians insist
That he was no philanthropist.)

To lamp-posts he would oft attach
A Jew, immersed in paraffine,
Apply a patent safety match,
And smile as he surveyed the scene.
('Twas possible in Rome at night
To read a book by Israelight.)

And when occurred the famous fire,
Of which some say he was the starter,
He roused the Corporation's ire
By playing Braga's "Serenata";
('Tis said that, when he changed to Handel,
The "play was hardly worth the scandal."[A])

He crowned his long career at last
By one supreme and final action,
Which, after such a lurid past,
Gave universal satisfaction;
And not one poor relation cried
When he committed suicide.


Aftword

THE feast is ended! (As we've seen.)
'Tis time the vacant board to quit.
By "vacant bored" I do not mean
My host of readers, not a bit!
For they, the mentally élite,
Are stimulated and replete.

The fare that I provide is light,
But don't, I pray, look down upon it!
Such verse is just as hard to write
As any sentimental sonnet.
It looks a simple task, maybe,—
Well—try your hand at it, and see!

Don't fancy too that I dispense
With study, or eschew research;
Sufficient books of reference
I have, to fill the highest church.
I've no dislike of work, I swear,—
It's doing it that I can't bear!

Abuse or praise me, as you choose,
There is no limit to my patience;
My verse the London Daily News
Once styled "Mephitic exhalations"!
I lived that down,—(don't ask me how,)—
And nothing really hurts me now.

For while my stricken soul survived,
With wounded pride and dulled ambition,
My humble book of verses thrived
And quite outgrew the old edition!
So now I have exhaled some more,—
Mephitically, as before!


Postlude

THE book is finished! With a sigh,
My pen upon the desk I lay;
The weary task is o'er, and I
Am off upon a holiday,
To Paris, lovely Paris, where
I have a little ventr'-à-terre.[B]

And tho' my verses may be weak,
And call for your severest strictures,
The illustrations are unique,—
I really never saw such pictures!
(At times, in my unthinking way,
I almost hope I never may.)

 


Footnotes:

 

[A]   Note. "Lors, dit-on, quand il jouait Handel
  Le jeu ne valait pas la chandelle."

 

[B]  Publisher's Reader—"Pied-a-terre"?        
 Author—Shut up!