WeRead Powered by ReaderPub
Miss Lulu Bett cover

Miss Lulu Bett

Chapter 11: Scene iii
Open in WeRead

About This Book

Credits: The Online Distributed Proofreading Team at https: //www. pgdp. net (This file was produced from images generously made available by The Internet Archive) was awarded by Columbia University in June, 1921, the prize of $1, 000 established by Joseph Pulitzer for “The American original play, performed in New York, which shall best represent the educational value and power of the stage in raising the standard of good morals, good taste and good manners. ”

But no really nice woman—

Ina

Dwightie—what did you say in the letter?

Dwight

What did I say? I said, I said: “Dear Brother, I take it that the first wife story was devised to relieve you of a distasteful situation. Kindly confirm. Family well as usual. Business fair.” Covers it, don’t it?

Ina

Oh, Dwightie—how complete that is.

Dwight

I’m pretty good at writing brief concise letters—that say the whole thing, eh?

Ina

I’ve often noticed that….

Dwight

My precious pussy…. Oh, how unlike Lulu you are!

[Right. Di and Bobby appear, walking very slowly and very near.]

[Dwight rises, holds out his arms.]

Ina

Poor dear foolish Lulu! oh, Dwight—what if it was Di in Lulu’s place?

Dwight

Such a thing couldn’t happen to Di. Di was born with ladylike feelings.

[They enter the house. Ina extinguishes a lamp. Dwight turns down the hall gas. Pause. Di and Bobby come to the veranda.]

Di

Bobby dear! You don’t kiss me as if you really wanted to kiss me to-night….

DARKNESS

The same. Evening, a week later. Stage flooded with moonlight, house lighted. At the piano, just inside the window, Lulu and Cornish are finishing a song together, Lulu accompanying.

How sweet the happy evening’s close,
’Tis the hour of sweet repose—
Good-night.
The summer wind has sunk to rest,
The moon serenely bright
Unfolds her calm and gentle ray,
Softly now she seems to say,
Good-night.

[As they sing, Di slips into the house, unseen.]

Cornish

Why, Miss Lulu, you’re quite a musician.

Lulu

Oh, no. I’ve never played in front of anybody—

[They come to the porch.]

I don’t know what Ina and Dwight would say if they heard me.

Cornish

What a pretty dress that is, Miss Lulu!

Lulu

I made this from one of Ina’s old ones since she’s been gone. I don’t know what Ina and Dwight are going to say about this dress, made like this, when they get home.

Cornish

When are they coming back?

Lulu

Any time now. They’ve been gone most a week. Do you know I never had but one compliment before that wasn’t for my cooking.

Cornish

You haven’t!

Lulu

He told me I done up my hair nice. That was after I took notice how the ladies in Savannah, Georgia, done up theirs.

Cornish

I guess you can do most anything you set your hand to, Miss Lulu: Look after Miss Di and sing and play and cook—

Lulu

Yes, cook. But I can’t earn anything. I’d like to earn something.

Cornish

You would! Why, you have it fine here, I thought.

Lulu

Oh, fine, yes. Dwight gives me what I have. And I do their work.

Cornish

I see. I never thought of that….

[Pause.]

Lulu

You’re wondering why I didn’t stay with him!

Cornish

Oh, no.

Lulu

Yes you are! The whole town’s wondering. They’re all talking about me.

Cornish

Well, Miss Lulu, you know it don’t make any difference to your friends what people say.

Lulu

But they don’t know the truth. You see, he had another wife.

Cornish

Lord sakes!

Lulu

Dwight thinks it isn’t true. He thinks—he didn’t have another wife…. You see, Dwight thinks he didn’t want me.

Cornish

But—your husband—I mean, why doesn’t he write to Mr. Deacon and tell him the truth—

Lulu

He has written. The letter’s in there on the piano.

Cornish

What’d he say?

Lulu

Dwight doesn’t like me to touch his mail. I’ll have to wait till he comes back.

Cornish

Lord sakes! … You—you—you’re too nice a girl to get a deal like this. Darned if you aren’t.

Lulu

Oh, no.

Cornish

Yes you are, too! And there ain’t a thing I can do.

Lulu

It’s a good deal to have somebody to talk to….

Cornish

Sure it is.

Lulu

… Cora Waters. Cora Waters, of San Diego, California. And she never heard of me.

Cornish

No. She never did, did she? Ain’t life the darn—

[Enter Mrs. Bett.]

Mrs. Bett

I got Monona into bed. And it’s no fool of a job neither.

Lulu

Did you, mother? Come and sit down.

Mrs. Bett

Yes. She went to bed with a full set of doll dishes…. Ain’t it nice with the folks all gone? … I don’t hear any more playin’ and singin’. It sounded real good.

Lulu

We sung all I knew how to play, mama.

Mrs. Bett

I use’ to play on the melodeon.

Cornish

Well, well, well.

Mrs. Bett

That was when I was first married. We had a little log house in a clearing in York State. I was seventeen—and he was nineteen. While he was chopping I use’ to sit on a log with my sewing. Jenny was born in that house. I was alone at the time. I was alone with her when she died, too. She was sixteen—little bits of hands she had—

[Yawns. Rises, wanders toward door.]

Can’t we have some more playin’ and singin’?

Lulu

After a little while, mama—dear.

Mrs. Bett

It went kind of nice—that last tune you sung.

[Hums the air. Enters house.]

Cornish

I must be going along too, Miss Lulu.

Lulu

I can’t think why Di doesn’t come. She ought not to be out like this without telling me—

[Mrs. Bett appears beside the piano, lifts and examines the letters lying there.]

Cornish

Well, don’t you mind on my account. I’ve enjoyed every minute I’ve been here.

Lulu

Mother! Those are Dwight’s letters—don’t you touch them.

Mrs. Bett

I ain’t hurting them or him neither.

[Disappears, the letters in her hand.]

Cornish

Good-night, Miss Lulu. If there was anything I could do at any time you’d let me know, wouldn’t you?

Lulu

Oh, thank you.

Cornish

I’ve had an awful nice time, singing, and listening to you talk—well of course—I mean the supper was just fine! And so was the music.

Lulu

Oh, no.

[Mrs. Bett appears at the door with a letter.]

Mrs. Bett

Lulie. I guess you didn’t notice. This one’s from Ninian.

Lulu

Mother—

Mrs. Bett

I opened it—why of course I did. It’s from Ninian.

[Holds out unfolded letter and an old newspaper clipping.]

The paper’s awful old—years back, looks like. See. Says “Corie Waters, music hall singer—married last night to Ninian Deacon”—Say, Lulie, that must be her.

Lulu

Yes, that’s her. That’s her—Cora Waters…. Oh, then he was married to her just like he said!

Cornish

Oh, Miss Lulu! I’m so sorry!

Lulu

No, no. Because he wanted me! He didn’t say that just to get rid of me!

Cornish

Oh, that way…. I see….

Lulu

I’m so thankful it wasn’t that.

Mrs. Bett

Then everything’s all right onct more. Ain’t that nice!

Lulu

I’m so thankful it wasn’t that.

Cornish

Yes, I can understand that. Well, I—I guess I ought to be going now, Miss Lulu…. Why, it is Miss Lulu Bett, isn’t it?

Lulu

[Abstractedly, with the paper.]

Yes—yes—good-night, Mr. Cornish. Good-night.

Cornish

Good-night, Miss Lulu…. I wonder if you would let me tell you something.

Lulu

Why—

Cornish

I guess I don’t amount to much. I’ll never be a lawyer. I’m no good at business and everything I say sounds wrong to me. And yet I do believe I do know enough not to bully a woman—not to make her unhappy, maybe even—I could make her a little happy. Miss Lulu, I hate to see you looking and talking so sad. Do you think we could possibly arrange—

Lulu

Oh!

Cornish

I guess maybe you’ve heard something about a little something I’m supposed to inherit. Well, I got it. Of course, it’s only five hundred dollars. We could get that little Warden house and furnish up the parlor with pianos—that is, if you could ever think of marrying me.

Lulu

Don’t say that—don’t say that!

Mrs. Bett

Better take him, Lulie. A girl ought to take any young man that will propose in front of her mother!

Cornish

Of course if you loved him very much then I’d ought not to be talking this way to you.

Lulu

You see Ninian was the first person who was ever kind to me. Nobody ever wanted me, nobody ever even thought of me. Then he came. It might have been somebody else. It might have been you. But it happened to be Ninian and I do love him.

Cornish

I see. I guess you’ll forgive me for what I said.

Lulu

Of course.

Cornish

Miss Lulu, if that five hundred could be of any use to you, I wish you’d take it.

Lulu

Oh, thank you, thank you, I couldn’t.

Cornish

Well, I guess I’ll be stepping along. If you should want me, I’m always there. I guess you know that.

[Exit.]

Mrs. Bett

Better burn that up. I wouldn’t have it round.

Lulu

But mother! Mother dear, try to understand. This means that Ninian told the truth. He wasn’t just trying to get rid of me.

Mrs. Bett

Did he want you to stay with him?

Lulu

I don’t know. But I think he did. Anyway, now I know the truth about him.

Mrs. Bett

Well, I wouldn’t want anybody else to know. Here, let me have it and burn it up.

Lulu

Mama, mama! Aren’t you glad for me that now I can prove Ninian wasn’t just making up a story so I’d go away?

Mrs. Bett

[Clearly and beautifully.]

Oh, Lulu! My little girl! Is that what they said about you? Mother knows it wasn’t like that. Mother knows he loved you…. How still it is here! Where’s Inie?

Lulu

They’ve gone away, you know….

Mrs. Bett

Well, I guess I’ll step over to Grandma Gates’s a spell. See how her rheumatism is. I’ll be back before long—I’ll be back….

[Exit. For a moment Lulu breaks down and sobs. Rises to lay Dwight’s letter through the window on piano. Slight sound. She listens. Enter Di from house. She is carrying a traveling bag.]

Lulu

Di! Why Di! What does this mean? Where were you going? Why, mama won’t like your carrying her nice new satchel….

Di

Aunt Lulu—the idea. What right have you to interfere with me like this?

Lulu

Di, you must explain to me what this means…. Di, where can you be going with a satchel this time of the night? Di Deacon, are you running away with somebody?

Di

You have no right to ask me questions, Aunt Lulu.

Lulu

Di, you’re going off with Bobby Larkin. Aren’t you? Aren’t you?

Di

If I am it’s entirely our own affair.

Lulu

Why, Di. If you and Bobby want to be married why not let us get you up a nice wedding here at home—

Di

Aunt Lulu, you’re a funny person to be telling me what to do.

Lulu

I love you just as much as if I was married happy, in a home.

Di

Well, you aren’t. And I’m going to do just as I think best. Bobby and I are the ones most concerned in this, Aunt Lulu.

Lulu

But—but getting married is for your whole life!

Di

Yours wasn’t.

Lulu

Di, my dear little girl, you must wait at least till mama and papa get home.

Di

That’s likely. They say I’m not to be married till I’m twenty-one.

Lulu

Well, but how young that is.

Di

It is to you. It isn’t young to me, remember, Aunt Lulu.

Lulu

But this is wrong—it is wrong!

Di

There’s nothing wrong about getting married if you stay married.

Lulu

Well, then it can’t be wrong to let your mother and father know.

Di

It isn’t. But they’d treat me wrong. Mama’d cry and say I was disgracing her. And papa—first he’d scold me and then he’d joke me about it. He’d joke me about it every day for weeks, every morning at breakfast, every night here on the porch—he’d joke me.

Lulu

Why, Di! Do you feel that way, too?

Di

You don’t know what it is to be laughed at or paid no attention to, everything you say.

Lulu

Don’t I? Don’t I? Is that why you’re going?

Di

Well, it’s one reason.

Lulu

But Di, do you love Bobby Larkin?

Di

Well…. I could love almost anybody real nice that was nice to me.

Lulu

Di … Di….

Di

It’s true.

[Bobby enters.]

You ought to know that…. You did it. Mama said so.

Lulu

Don’t you think that I don’t know….

Di

Oh, Bobby, she’s trying to stop us! But she can’t do it—I’ve told her so—

Bobby

She don’t have to stop us. We’re stopped.

Di

What do you mean?

Bobby

We’re minors.

Di

Well, gracious—you didn’t have to tell them that.

Bobby

No. They knew I was.

Di

But, silly. Why didn’t you tell them you’re not.