MISS PAT AT SCHOOL

BY

PEMBERTON GINTHER

FRONTISPIECE BY THE AUTHOR

PHILADELPHIA
THE JOHN C. WINSTON COMPANY
PUBLISHERS

Copyright, 1915, by
THE JOHN C. WINSTON COMPANY.

TO NANCY

CONTENTS

Miss Pat at School

CHAPTER I

THE TWO NEW STUDENTS

"Isn't it jolly—to be here in a real Academy of Fine Arts, just like all the famous artists when they were young and unknown? Doesn't it make you feel all excited and quivery, Norn?" asked Patricia, as she fitted her key into the narrow gray locker with an air of huge enjoyment. "I don't see how you can look so cool. You are as calm and refrigerated as a piece of the North Pole."

Elinor smiled and her shining eyes traveled down the wide dim corridor with its rows of battered gray lockers, past the confusion of chairs and easels that clustered around the big screen of the composition room, straight into the farthest nook of the great bare work rooms beyond, where an array of heroic-sized white casts loomed conspicuous in the cold north light above the clutter of easels, stools and drawing-boards that encompassed the silent, intent workers.

"I'm not half so calm as I look, Miss Pat," she said, seriously. "I'm more excited than I ever was in my life. It's too deep to come to the surface, I guess. I haven't any words for it."

Patricia nodded approval.

"That's your 'sensitive, artistic temperament,' as Mrs. Hand calls it. It must be awfully trying, though, not to be able to babble when you're pleased. It's such a relief to get it out of your system. I'd simply burst if I tried to keep quiet when I felt excited."

Elinor smiled absently, and then burst out fervently, "Isn't it all gloriously workmanlike—the bare walls and smudged doors and the painty smell, too? It's so serious. Outside, the people regard a picture as a mere luxury, but in here, here," she said, exultantly, "it is absolutely the necessary thing in life."

Patricia shut her door with a snap and turned to her sister with a glowing face, sweeping her stray tendrils back with an eager gesture.

"I know it!" she cried. "It makes even me feel as though I could turn off masterpieces instanter. Merely to look at those lumps of clay in the modeling room made me simply ache to get my hands into them. I was enchanted the moment I came in here with you this morning, never dreaming that I should be so lucky as to be one of the illustrious band myself. You're a perfect duck, Norn, to let me tag along after you here."

"You might as well do that as anything else," said Elinor, rather absently. "The best of it is that we shall be together. It will be such fun to see how we each get along."

"'We!'" echoed Patricia. "You mean how you get along. I shan't count at all. I may have to give up when I actually get at it." Then with a swift change of spirit she added: "All the same, if I couldn't do better than some of those smudgy celebrities in the modeling room were doing, I'd feel pretty sorry for myself. Such forlorn, lop-sided caricatures of human beings I never saw. I don't see how they can do them."

Elinor's soft laugh rippled out. "It's clear that you haven't tried to do it, or you'd see how easy it is to make caricatures instead of portraits," she said. "I didn't think they were so very bad."

"I'd be ashamed to have anyone see them if I'd done them," declared Patricia, unconvinced. "They seemed quite cocky over them, poor idiots. I hope some of them do better than that, or I shan't learn much."

"It would be wonderful if you did make a success of it," said Elinor, beginning to put her newly acquired implements into her locker. "How surprised Bruce will be that you are studying here, too."

"Don't tell him, for the world!" cried Patricia, her brow wrinkling at the thought of that noted artist's surprise. "I shouldn't have dared to take the course if he was ever to see anything I did! I'm only going into it for fun, and I shouldn't have dreamed of doing it if it hadn't been the cheapest course in the whole school. You know I shouldn't have, Elinor dear, so please don't tell."

Elinor gave her a reassuring squeeze. "Don't be afraid, Miss Pat. I won't give away your dark secrets to anyone till you want me to. You'll tell David, won't you?"

Patricia pondered a moment. "I don't believe I'll tell anyone until I see what I can do," she decided. "I'd love to surprise Francis Edward David Carson Kendall, otherwise known as Frad, but I'll wait till I know whether it is to be the sort of surprise he'd welcome before I spring it on him. He wouldn't appreciate a hideous fizzle, like some of those we saw, and I'd hate to inflict a newly discovered twin brother with anything of that sort myself."

"I don't believe Fra—David would be very critical; he's so good natured," said Elinor. "Isn't it hard to get used to him as our brother, after knowing him as David Carson for a whole summer? I can't ever feel sure of what is his right name now. We knew him as David Carson for so long, and now that he wants to be called by his real name, I simply get more twisted all the time."

"That's why I call him Frad," said Patricia, with a twinkle. "Combines the whole and is entirely original, and so suited to his situation. I don't think he ought to drop all the Carson name, particularly while we're all living comfortably on the Carson money. It seems sort of ungrateful to me."

"But you know Mrs. Carson always wanted him to take his own name if he ever found it," said Elinor, closing her locker and dropping the key into her bag.

"Well, he's dear with any name, and I'm glad Judy discovered him when she did, money or no money," said Patricia seriously. "He was so disappointed when Madam Blitz said my voice needed another year to grow in, that I'm awfully glad I've hit on something to do that will fill in the time, and keep me learning. That's really the great thing, isn't it, after all?"

As she spoke a gong sounded from beyond the closed door of a nearby class room; there was sound of movement and subdued voices, then the door swung grudgingly and a number of students of various ages with smudged hands and soiled aprons came straggling out into the dim corridor, laden with canvases and drawings to be stowed in the long line of lockers that stretched on either side of the hallway.

Elinor looked at them with a little quick sigh of excited envy.

"They are all so used to it," she said, with a note of humility in her sweet voice. "They make me feel so green!"

"Poof! You needn't care," said Patricia, breezily. "If Bruce Haydon says you can draw, you shouldn't mind a lot of sloppy students. Wait till you've been here a month—you'll be rearing your crest as high as any."

Elinor shook her head. "To tell the truth, Miss Pat dear, I almost wish Bruce hadn't gotten me into the life and portrait classes without the regular term in the antique rooms. I shouldn't feel half so shivery about going in there and drawing from those big casts, for I know they are all more or less beginners there."

"Stuff!" protested Patricia stoutly. "You know you've been simply crazy to get here. Why spoil it all by squibbling? I think it's perfectly gorgeous. I'm wild to begin myself, and I'm about as green as any old shamrock. Besides, it's a mighty poor way to show your gratitude to Bruce for putting you right slap into the highest classes without slaving your life out for years, perhaps. I'll tell him——"

"Indeed, you'll do no such thing!" cried Elinor, the color rushing to her cheeks and her authority as eldest sister asserting itself promptly. "I don't intend that Bruce shall hear a word until I've had my first good criticism."

Patricia smiled to herself at the effect of her ruse. "All right. I'll be good," she promised. "Now, to come down to earth again—where are we going to feed? I wish we could find the lunch room. It would be such fun to look our future classmates over while we browse."

"I think it's in the basement," said Elinor dubiously, "but I don't believe we can buy things there. We'd have to go out, anyway, I'm afraid."

A blue-aproned girl who had been packing her materials in an adjoining locker turned civilly.

"Are you speaking about the lunch room?" she asked in a pleasant contralto voice. "I can show you where it is, but you'll have to bring your lunch with you. There are gas stoves to cook on in the back room, and tables and chairs in the front one, if you're not too late to get a place."

Elinor thanked her cordially, while Patricia almost dislocated her neck trying to get a glimpse of the big canvas that protruded from the locker while still keeping far enough behind Elinor for her curiosity to pass unnoticed.

"It is down a little iron stairway behind that screen," said the girl, tucking a paper parcel into the capacious pocket of her blue jean paint dress, "and it's only for girls. The men have one on the other side of the building. Come down as soon as you can, for it's fearfully crowded later on."

Patricia watched her disappear behind the big screen of the composition room, and then she turned excitedly to Elinor.

"Isn't she nice?" she asked admiringly. "She's so cock-sure of herself and so calm about it. I like the way her eyebrows meet over her haughty nose, and that superior kink in her nice, crinkly lips. I know she's going to be worth while when we know her."

"For goodness' sake, don't be jumping into admirations wholesale, Miss Pat, darling," said Elinor, gently pulling Patricia's arm through hers as they passed into the narrow entrance to the dressing room. "Don't rush at it so, ducky. You can't know the right people at once, and it saves a lot of bother not to get too familiar with the wrong ones."

"Just as you say, Miss Solomon," rippled Patricia, too happy to be depressed by anything. "I'll be as frigid as you like, and if any of these frivolous young things try to scrape an acquaintance with me, I'll snub them good and hard."

She lowered her voice as two newcomers entered—one a slender, faded young woman with near-sighted pale eyes, and the other a blond girl with a dazzling skin and glorious shimmering hair wound around a shapely head. Both were in aprons, but the younger wore a dull green that set off her fair beauty to perfection, while the checked gingham of the other proclaimed a hopelessly downright taste.

Patricia, at the mirror, paused in the act of pinning on her hat, her eyes riveted on the vision in dull green.

"Isn't she lovely?" she demanded in a thrilling whisper of Elinor, who had slipped into her things and was already at the door.

The girl unmistakably caught the words, for she turned a brilliant, measuring, half-approving look on her while she slowly began to divest herself of the alluring green apron. She was so evidently used to admiration that her smooth cheek showed no change of color, though the panic red of swift confusion flamed on Patricia's bright face.

Pinning on her hat hastily, she fled after Elinor, feeling that she must seem most inexperienced and childish in the eyes of this fascinating creature who at once had eclipsed all previous claimants to her admiration.

"I wonder if she is in the modeling class?" she said as she caught up with Elinor in the composition room. "I don't suppose there's any such luck as that. She looks too clean——"

Elinor interrupted her with a little shake. "You hopeless little goose," she said, in laughing despair. "You've just promised me not to, and here you are it, hammer and tongs, under my very eyes."

"My word!" cried Patricia indignantly. "You don't mean I'm not to look at anyone! I can't even express a little tame approval without your accusing me of grabbing a new soul mate. You can't say she isn't simply ravishing, and just because she's alive instead of being a picture or statue or some such made-up thing, you want me to turn up my nose at her. I must say you are getting to be awfully extreme, Elinor Kendall. You'll want me to wear a muzzle next."

Elinor gave her a loving look, and Patricia, appropriating a corner of her big muff, gave her hand a surreptitious squeeze.

"I wish I could kiss you, you old angel," she said, irrelevantly. "Let's lay in our pemmican, and hustle back for a seat in the parquet circle. I'm dying to look them over and see who's who and what's what before I make any more breaks."

CHAPTER II

GETTING ACQUAINTED

"Why, it's like a laundry," exclaimed Patricia in disappointment as she looked about her. The low-ceiled whitewashed apartment into which they had descended from the winding iron stair was sepulchrally bare and empty in the flicker of its noisy gas jets, the rusty gas stoves at its farther end emphasizing its general air of desolation.

Elinor glanced beyond, through the low doorway to the next room.

"Suppose we do without hot things today?" she proposed. "The tables look pretty full in there. We mightn't get a place if we delay too long."

"Suits me to a gnat's heel," declared Patricia eagerly. "Food is a secondary article, anyway, when it comes to character study. I'm not so keen on cookery since I sighted this tasteful apartment."

She followed Elinor into the larger room where a feeble daylight, filtering in through heavily grated basement windows, struggled with the flaring gas jets, and the odor of cocoa and bread and butter mingled with sachet and the fumes of turpentine and paint.

Elinor made her way over the mottled stone floor with as easy a grace as though it were a flowery turf, but Patricia, not so well schooled in concealing her feelings, made a wry mouth.

"If this is where the celebrities eat, I don't wonder they're smudgy," she said in an undertone, as they seated themselves at the last vacant table and spread their purchases on its discolored surface. "This doesn't strike me as being very appetizing."

"It's clean, anyway, Miss Pat," said Elinor, whose practiced eyes had been busy. "It looks soiled because the table-tops are old marble and the floor is mottled cement, but it is really clean, though I can't honestly say it is attractive on first sight."

"One gets used to anything in time," said Patricia airily. "You remember how Sally Lukes missed the doing of those five weekly washes after Johnny got prosperous enough to keep her in comfort. I reckon we'll be just like that after a while—can't eat without smudges on the table and paint-splotches on the dining-room walls."

Her eyes strayed about, resting on one group after another till they lighted with sudden interest.

"There she is," she said ardently. "You can't deny, Elinor, that she's terribly good to look at. Why, the very way she manipulates that frilly napkin reconciles me to my food. I declare I'm twice as hungry as I was before."

The girl certainly did make a charming and refreshing picture in her pretty gown, and with a dainty lunch covering the objectionable table. Opposite to her sat the drab young woman, silently eating while she read hurriedly from a technical magazine. The contrast between the two was so great that it made Elinor wonder.

"She must be unselfish and agreeable," she said, forgetting her momentary prejudice, "particularly when the other doesn't seem to appreciate her society very highly. I fancy that one isn't very diverting. I wonder why they are such chums."

"Relatives, perhaps," hazarded Patricia, reveling in Elinor's conversion. "I hope we get to know her soon, don't you, Norn? She must be awfully popular. See how they all turn when she passes. I'm sorry she's going, though, for I could simply feast my eyes on her for hours."

Their new acquaintance of the corridor stopped at their table as she, too, made her way out.

"I am going into the portrait class when I go up," she said, her dark-fringed eyes smiling frankly down on Elinor. "They tell me you are going to take your first plunge this afternoon. I'll be glad to show you about if you need any chaperoning."

Elinor's eyes met hers gratefully. "I'll be so glad to have you tell me what I should do," she said with relief and instant friendliness in her soft voice. "I'm just a beginner, you know. I've never been in a class in my life and I'm rather scared about it."

The lips that Patricia had designated as "nice and crinkly" widened in a bright smile that held no hint of hauteur.

"I'll be about in the corridor when you come up," she promised. "You don't need to feel that way about it. It's the simplest thing in the world—after you once get settled. You're in great luck to get into life and head classes without ever having gone to school before. I fancy you are a very special brand of genius to have such privileges."

Elinor blushed and shook her head.

"I studied with Bruce Haydon last summer," she said. "He got me in here."

"O—oh," responded the girl, her face suddenly alight. "That is splendid. You know he's the most severe critic we have, but we all adore his work." Then she added as an afterthought: "He's tremendously popular with the men. He studied here, you know."

Patricia opened her eyes wide. "Why, Bruce is the most amiable sort," she protested. "He'll simply eat out of your hand up at home. I didn't know he ever criticized here," she ended, rather suspiciously.

Elinor's new friend smiled good-naturedly. "He only drops in once in a while," she said. "He was here pretty often last month, but he hadn't been here before that for nearly four years, they said. He's abroad now, isn't he?"

Elinor told her that Bruce was in Italy, getting his studies for the Français Society's panel of early Italian history.

"It must be jolly to know him out of the limelight," said the girl, seriously. "The girls were so crazy over him here that there wasn't a chance for a rational word with him, unless one were a man. He simply evaporated when he saw an apron."

Patricia laughed. "He's not so retiring in private," she declared, gayly. "He was one of our happy family for three months last summer and we never noticed any shyness; did we, Norn?"

Elinor reared her head with dignity. "He was very kind and friendly to us," she explained to their companion, "because he had been very much devoted to my aunt, who left us the house where we now live. He had no mother and Aunt Louise was very fond of him."

"Well, you're awfully in luck, however it is," replied the girl. "I'll see you in about fifteen minutes," and she nodded as she moved off, her dark hair gleaming in the mingled lights as she carried her small fine head proudly on her slender neck.

Patricia was about to make a comment when she suddenly turned and came back to them.

"I forgot to tell you my name," she said, holding out a strong, slender hand. "I am Margaret Howes, and I know you are Elinor Kendall, for I saw it on your locker. I don't know your sister's name—she is your sister, isn't she?"

Patricia was introduced, and Margaret Howes, with promises to meet them later, went off finally, and Patricia and Elinor set to work to dispose of their neglected lunch, enjoying their own comments on the assembled groups more than they did the cakes and fruit.

"Just look at that mournful creature." Patricia motioned with her eyebrows to the opposite side of the room, where a large, stout young woman in somber cloak and wide-plumed hat was eating her way through a chocolate éclair with just such an air of tragic and settled melancholy as one sometimes sees in a child whose grief is momentarily its most cherished possession.

"Isn't she the limit?" said Patricia in disdain. "She oughtn't to eat frivolous things like éclairs. I wonder at her lack of judgment."

"She isn't in mourning," said Elinor, making a discovery. "I wonder who she is. She's impressive enough to be the president of the board, and Bruce says that's the most important person in the place."

"She's rather too collap-y for my taste," volunteered Patricia, gathering up the remains of their repast. "I like the looks of lots of the others far better than hers. Let's ask Miss Margaret Howes about her. No doubt she can tell us what is her secret trouble."

They followed the general exodus upstairs, feeling more and more at home with every step.

"Isn't it funny how familiar that antique room looks?" said Patricia with enjoyment. "I feel quite like an old residenter already. By the time my clay comes I'll have the sensations of the oldest inhabitant."

Elinor was breathing fast as she swept the corridor with anxious glance.

"I hope Miss Howes doesn't forget," she said apprehensively. "I'd so much rather go into the class with her."

A girl sauntered past them as they loitered before their lockers.

"Looking for anyone?" she asked briskly, and hardly waiting for the answer, she raised her voice and called through the door of the next room:

"Hello, Howes! Here's someone looking for you!"

Patricia expected Margaret Howes as she emerged to show some surprise or annoyance at this summary mode of speech, but she was as serene and unconscious as ever.

"I'm busy, Griffin," she began, and then broke off as she saw the girls. "Oh, here you are," she said to Elinor. "I was looking for you in the modeling room."

The newcomer raised her pale eyebrows. "Absent-minded as ever, I see, Howes," she said with a whimsical sort of fondness in her peculiar voice. "Better run off to the head class before you forget where you're due."

She watched Margaret Howes and Elinor till they turned into the screened entrance to the portrait room; then she turned to Patricia with easy friendliness.

"You're fresh meat, aren't you?" she asked with a grin that widened her full mouth to a line. "When'd you come?"

Patricia gave her the brief outlines of her enrolment, and she nodded approvingly.

"Good stuff in the modeling room," she commented briskly. "But don't let old Bottle Green bulldoze you into thinking it's a deaf and dumb asylum or the vestibule to the morgue or any such sequestered spot. She's deadly dull, you know, and she almost faints if you whisper while the model is posing. She's monitor and I will say she enjoys the job."

"What does she do?" asked Patricia, delighted with the ease and candor of this speech. She felt sure this rickety, loose-jointed, pale-colored young woman was going to be worth while.

"As monitor, you mean?" responded the other, opening a locker near by and beginning to assemble her implements from a jumble of all sorts of odds and ends with which the locker was overflowing. "As merely monitor she sees that the models are posed, gets the numbers ready for us to draw when there is a new model, sees to it that we don't riot too loudly through the pose, takes any complaints we may have to make, to the powers above. But as guardian angel of the class, she soars far above our low conception of duty and propriety. Phew! Wait till you see her at it." Here her speech was lost while she delved head first into the welter.

Patricia occupied herself getting her tools from the convenient shelf on her own locker, hoping that the talk was not to end there.

Griffin emerged as suddenly as she had disappeared. "But it's the men that spoil her," she went on as though no interruption had occurred. "They're polite to her because she's so everlastingly gloomy. Same sort of politeness they'd show to a hearse, you know—respectful but not companionable."

Patricia gave an exclamation. "I believe I've seen her!" she cried. "She wears a long cloak and a hat with a big black plume, doesn't she? We noticed her at lunch and wondered what was the matter with her."

"Just a case of permanent glooms, if you ask me," replied Griffin airily. "She loves melancholy, though she is an awfully good sort, too. She gets on my nerves, though, she's so brittle."

Patricia puckered her brow inquiringly.

"Breaks a bone every time anyone looks hard at her," explained the other, shoving the protruding conglomeration of her locker inside and snapping the door quickly on it. "She's more bones than the average, and she breaks them regularly every time she learns the name of a new one. I think she oughtn't to be allowed in the dissecting room for any consideration. She's just out of splints now for a right arm fracture, and, believe me, she worked all the time with her left."

"How could she?" wondered Patricia, feeling awed by this devotion to art.

"She couldn't," grinned Griffin. "That's the point. She's so taken up with her pose as suffering martyr that she overlooks a trifle like good work. Heavens, there's the gong! I've kept you here gassing when I know you're crazy to get to work. Come along in, and I'll help you set up your stand before the model poses again."

Patricia followed her into the big, clay-soiled, dusty room, clutching her new smooth wooden tools with nervous fingers.

On the large revolving model stand in the center sat a dark, slender Russian-looking young man, indifferent to the group that with their tall-wheeled stands were circled about him. He sat with his narrow blue eyes sleepily fixed on the wall, regardless alike of the sturdy smocked men and slender boys in full blue-paint jackets, as of the equally silent and clayey girls and women that scrutinized him with earnestly squinting eyelids. The only creature in the room that seemed to evoke the slightest responsive flicker of intelligence was the black-robed, gray-aproned, redundant figure of the monitor.

Patricia's stand, with its heavy curved iron head-piece and some lengths of copper and lead wire, was waiting for her in the clay room, and together they wheeled it into the modeling room, where the gloomy Miss Green scanned them with kind but somber eyes, plainly regarding their entrance as an interruption.

"You've got to make butterflies of the wire-loops, you know, to hold the clay up, or it'll slump down off the iron headpiece soon as you get your head set up," explained her instructor in an agreeable tone. "It's easier to set up a head than a figure, I can tell you——"

"Miss Griffin!" came the dreary voice of the monitor, as with a fat and dimpled finger she pointed solemnly to the sign on the door, "No TALKING."

Griffin grinned amiably at the reproving finger. "Only the necessary instructions to a novice, Green dear," she protested smoothly. "I'm saving you the trouble of showing her how. You really ought to thank me instead of holding me up to scorn."

Miss Green, with a kindly glance at Patricia, puckered up her lips in the circle that only fat, soft-fleshed people can accomplish and laid the impartial finger on them as a sign that no more words were to be wasted, and the class, temporarily attentive to the newcomers, became absorbed again.

A heavy-shouldered dark man, whose workmanlike appearance was heightened by the torn and spotted linen apron he wore, came quietly over to Patricia, and, taking the wire from Miss Griffin's thin, nervous hands, silently and swiftly finished the work she had begun, while she, with a nod of acquiescence, went to her own stand and began to thump lumps of clay into shape about her own iron head-piece.

Patricia accepted the help as silently as it was offered, and when he brought her clay and, still mute, showed her how to block the rough clay into a semblance of a human head, she smiled at him with ready gratitude, not daring more for fear of the omnipotent Miss Green.

"How do you like it now?" asked Griffin, as the gong released them for the rest, and they slipped out in the corridor to look for Elinor.

"Perfectly fine and dandy!" cried Patricia, glowing. "My word, but that Miss Green is severe! I never heard such silence as in that room. Why, an ordinary schoolroom is a perfect Babel compared to it."

"You'll get used to old Bottle Green, all right," said Griffin reassuringly. "Her bark is a whole lot worse than her bite. She's a trump at heart, though she is awful fool on the outside."

Elinor was waiting for them, and Patricia could see that she was in a state of great agitation. She hurried to her, while her companion dropped behind to exchange notes with one of the men from the composition room.

"What is it, Norn? Didn't you get along all right?" she asked breathlessly.

Elinor dropped on a stool and raised her face to her sister, and Patricia was surprised to see that her eyes were shining with joy instead of tears.

"Oh, Miss Pat!" she cried in an ecstasy. "I've made good, and I can write to Bruce and tell him!"

"What, already?" exclaimed Patricia rapturously. "You duck! Tell me all about it instantly."

She swept Elinor off the stool, away from the crowded dressing room, and at last found a deserted corner behind a big cast.

"Now," she demanded, "tell me all about it, or I'll simply die of ingrowing curiosity."

Elinor rippled and dimpled in a surprisingly sparkling fashion as she recounted her experience in the portrait room, and Patricia, while she listened, marveled at the change in her placid sister.

"And so," concluded Elinor, "when I had just gotten ready to come out to see you, some more of them came over and looked at it. And one of them said, 'Dorset's right. It's a pace-maker all correct,' and then they brought some other men, and I left."

Patricia, greatly excited, patted her hard on the shoulder. "I told you you'd be a winner," she crowed. "I guess Bruce knew what he was talking about."

Elinor's face clouded. "But I have only started the outline," she confessed. "And I'm awfully weak on putting in the tones. I'm afraid I'll make a fizzle of it."

"See here," said Patricia, facing her severely. "I'm tired of your deceptive timidity. Just let someone else say you can't do it, and you'd feel mighty mad about it, but you're willing to scare me out of my feeble senses by croaking."

Elinor jumped up laughing, and hugged her. "I'll be as conceited as you like, if you'll stop scolding," she promised, gayly. "It doesn't look well to be too much under the thumb of a younger sister, even if she is a promising sculptor. By the way, how are you getting on? I hear that Miss Griffin is a wonderful worker. Did you see anything of her work?"

Patricia gave her a brief outline of the class and its chief characters, as far as she had observed, dwelling on Miss Green with great satisfaction.

"I know she's going to be a treat," she declared. "I hope she keeps whole for a while at least, until I get better acquainted."

"And do you know," she went on, "that the model is a Russian refugee, and he tried to kill himself because he was so homesick. He's just out of the hospital, and he has a great red scar across his breast. Isn't it exciting to be among such different sort of people? We've always been so sort of tabbified."

"We've had enough ups and downs, I am sure," said Elinor vaguely. It was evident that her mind was not on either their varied past nor even the fascinating present, but was busy with a future of progress and achievement.

"Wake up, old lady," cried Patricia. "There's the gong, and we must fly."

Patricia toiled all that afternoon with the ardor of ignorance and hope. The others looked at her with occasional interest, but otherwise paid little attention to her. In the rests she went out to visit Elinor, or Elinor came in to watch her progress. Her head fairly swam with the delightful novelty of this new and quick-flowing life. When the last gong rang she heard it with regret.

"It's better than I ever dreamed," she said to the amiable Griffin as she was showing her how to put the wet cloths about her work. "It's not half so hard as I thought it would be, either."

"Wait till Saturday, when old Jonesy lights on you," warned her new friend. "You won't find life so lightsome when his eagle eye discovers you."

"Pooh, I shan't mind how criss-cross he is," declared Patricia valiantly. "I'm only the rankest greenhorn, anyway. He can't expect me to be a Rodin."

She washed her tools in the grimy tanks of the clay room, more in love with it every minute, and when she joined Elinor at their lockers, she was fairly bursting with enthusiasm.

"It's simply heavenly, and I don't know how we got along without it!" she cried, rapturously. "It makes me wild to think of the months we've wasted this fall."

Elinor laughed her low ripple. "We didn't find Francis Edward David till the middle of December, and it's now the third week in January. I don't think we've let much grass grow under our feet."

"I wish this were the night for night life," said Patricia fervently. "I'd stay and watch you begin——"

"No, you wouldn't," said Elinor, promptly. "They don't allow other people in the life-class rooms. You'd have to go home and see that Judith was all right. We can't leave her too much to her own devices, even if she is the best little thing in the world."

"Bless her heart!" cried Patricia, with a laugh. "I'd clean forgot that I had any relatives in the world. It's a good thing I have you to keep me straight, Norn. Mercy, what a jam! I don't believe we'll ever get a place at the wash-stands."

The dressing room was crowded to its limit, paint brushes were being washed and stained hands scrubbed at the line of faucets that occupied two sides of the room; girls were hurrying into their street clothes, while others, coming in for the night life, were getting into aprons and paint dresses; some few who were staying for the night life were curled up on the wide couches, exchanging comments with their friends among the hurrying crowd while they refreshed themselves with crackers or cakes.

Patricia, with her cheeks glowing and twin lights dancing in her big eyes, loitered so over her dressing that they were among the last to leave.

"I hate to go, don't you?" she said, as they came out into the corridor, which was dimmer than ever in the sparsely lit twilight. "I love— Oh, how you made me jump!" she cried, starting back as a figure stepped from the alcove by the street entrance.

The girl, who was unknown to them both, addressed them impartially.

"The Committee on Initiation hereby notify you that your initiation will take place on Friday of this week, and you are instructed to produce the usual initiation fee, or answer to the committee for the failure."

Patricia gasped. "My word!" she cried. "They don't postpone things much around here, do they? What is the fee?"

"Three pounds of candy for the modeling and composition class, four for the head and illustration class, and five for the life," was the prompt response.

Patricia giggled. "You're in for it, Norn. You have to pony up for the head and the night life, too. I'm in luck to be in the mudpie department."

"What is the initiation itself?" asked Elinor, as the girl turned away.

"You'll find out when it happens," she replied, over her shoulder. "They never know themselves till the last moment. The day classes are tame—just a speech when you turn in your candy or some such mild diversion, but the night life is more sporting, and they may put you through a course of sprouts, but they're good-natured idiots on the whole. None of us are as outrageous as we seem."

Elinor looked after her thoughtfully.

"I hope they won't be too hard on me," she said slowly. "I'd be sorry to begin my term with anything that left the least bitter taste. Everything here is so free-spirited and high-minded that I want it to keep on being so for me always."

Patricia's eyes narrowed. "I believe I'll make my candy up in as attractive a way as I possibly can, and I'll spring it on them first thing, so they'll be in too good a humor to want to haze me very hard. Don't you think that might work for you, too?"

"Indeed I do," replied Elinor, heartily. "I'm getting an idea already, and if I can put it through, I don't believe the committee will have so much fun with me as they may think."