Far up in the hills a man was in danger of bleeding to death. He had cut himself while butchering a pig. The doctor was called.
Richard, making his way through the shouting and singing crowd which surrounded Eve, told her, "I shall have to go for a little while. There's a man hurt. I'll be back in an hour."
She looked down at him with hard eyes. "We are going to ride cross-country—to the Ridge. You might meet us there, if you care to come."
"You know I care."
"I'm not sure. You don't show it. I—I am tired of never having a lover—Dicky."
It was a wonderful afternoon. The heavy frost had chilled the air, the leaves were red, and the sky was blue—and there was green and brown and gold. But Richard as he rode up in the hills had no eyes for the color, no ears for the song beaten out by big Ben's hoofs. The vision which held him was of Eve in the midst of that shouting circle.
The man who had cut himself was black. He was thin and tall and his hair was gray. He had worked hard all of his life, but he had never worked out of himself the spirit of joyous optimism.
"I jes' tole 'um," he said, "to send for Dr. Brooks, and he'd beat the devil gettin' to me."
When Richard reached the Ridge, a flash of scarlet at once caught his eye. On the slope below Eve, far ahead of Meade, in a mad race, was making for a grove at the edge of the Crossroads boundaries. She was a reckless rider, and Richard held his breath as she took fences, leaped hurdles, and cleared the flat wide stream.
As she came to the grove she turned and waved triumphantly to Pip. For a moment she made a vivid and brilliant figure in her scarlet against the green. Then the little wood swallowed her up.
Pip came pounding after, and Richard, spurring his big Ben to unaccustomed efforts, circled the grove to meet them on the other side.
But they did not come. From the point where he finally drew up he could command a view of both sides of the slope. Unless they had turned back, they were still in the grove.
Then out of the woods came Pip, running. He had something in his arms.
"It is Eve," he said, panting; "there was a hole and her horse stumbled. I found her."
Poor honest Pip! As if she were his own, he held her now in his arms. Her golden head, swung up to his shoulder, rested heavily above his heart. Her eyes were shut.
Richard's practiced eye saw at once her state of collapse. He jumped from his horse. "Give her to me, Meade," he said, "and get somebody's car as quickly as you can."
And now the tiger in Pip flashed out. "She's mine," he said, breathing hoarsely. "I love her. You go and get the car."
"Man," the young doctor said steadily, "this isn't the time to quarrel. Lay her down, then, and let me have a look at her."
He had his little case of medicines, and he hunted for something to bring her back to consciousness. Pip, pale and shaken, folded his coat under her head and chafed her hands.
Presently life seemed to sweep through her body. She shivered and moved.
Her eyes came open. "What happened?"
"You fell from your horse. Meade found you."
There were no bones broken, but the shock had been great. She lay very still and white against Pip's arm.
Richard closed his medicine case and rose. He stood looking down at her.
"Better, old lady?"
"Yes, Dicky."
He spoke a little awkwardly. "I'll ride down if you don't mind, and come back for you in Meade's car." His eyes did not meet hers.
As he plunged over the hill on his heavy old horse, her puzzled gaze followed him. Then she gave a queer little laugh. "Is he running away from me, Pip?"
"I told him you were—mine," the big man burst out.
"You told him? Oh, Pip, what did he say?"
"That this was not the time to talk about it."
She lay very still thinking it out. Then she turned on his arm. "Good old Pip," she said. He drew her up to him, and she said it again, with that queer little laugh, "Good old Pip, you're the best ever. And all this time I have been looking straight over your blessed old head at—Dicky."
CHAPTER XXIV
In Which St. Michael Finds Love in a Garden.
The flowers in Marie-Louise's bowl were lilacs. And Marie-Louise, sitting up in bed, writing verses, was in pale mauve. Her windows were wide open, and the air from the river, laden with fragrance, swept through the room.
The big house had been closed all winter. Austin had elected to spend the season in Florida, and had taken all of his household with him, including Anne. He had definitely retired from practice when Richard left him. "I can't carry it on alone, and I don't want to break in anybody else," he had said, and had turned the whole thing over to one of his colleagues.
But April had brought him back to "Rose Acres" in time for the lilacs, and Marie-Louise, uplifted by the fact that Geoffrey Fox was at that very moment finishing his book in the balcony room, had decided that lilacs in the silver bowl should express the ecstatic state of her mind.
Anne, coming in at noon, asked, "What are you writing?"
"Vers libre. This is called, 'To Dr. Dicky, Dinging.'"
"What a subject, and you call it poetry?"
"Why not? Isn't he coming to dinner for the first time since—he left New York, and since he broke off with Eve, and since—a lot of other things—and isn't it an important occasion, Mistress Anne?"
Anne ignored the question. "What have you written?"
"Only the outline. He comes—has caviar, and his eyes are on the queen. He drinks his soup—and dreams. He has fish—and a vision of the future; rhapsodies with the roast," she twinkled; "do you like it?"
"As far as it goes."
"It goes very far, and you know it. And you are blushing."
"I am not."
"You are. Look in the glass. Mistress Anne, aren't you glad that Eve is married?"
"Yes," honestly, "and that she is happy."
"Pip was made for her. I loved him at Palm Beach, adoring her, didn't you?"
"Yes." Anne's mind went back to it. The marriage had followed immediately upon the announcement of the broken engagement. People had pitied poor young Dr. Brooks. But Anne had not. One does not pity a man who, having been bound, is free.
He had written to her a half dozen times during the winter, friendly letters with news of Crossroads, and now that she was again at Rose Acres, he was coming up.
The spring day was bright. Rich with possibilities. "Marie-Louise, don't stay in bed. Nobody has a right to be in the house on such a day as this."
But Marie-Louise wouldn't be moved. "I want to finish my verses."
So Anne went out alone into the garden. It was ablaze with spring bloom, the river was blue, and Pan piped on his reeds. Geoffrey waved to her from his balcony. She waved back, then went for a walk alone. She returned to have tea on the terrace. The day seemed interminable. The hour for dinner astonishingly remote.
At last, however, it was time to dress. The gown that she chose was of pale rose, heavily weighted with silver. It hung straight and slim. Her slippers were of silver, and she still wore her dark hair in the smooth swept-up fashion which so well became her.
Richard, seeing her approach down the length of the big drawing-room where he stood with Austin, was conscious of a sense of shock. It was as if he had expected that she would come to him in her old blue serge, or in the little white gown with the many ruffles. That she came in such elegance made her seem—alien. Like Eve. Oh, where was the Anne of yesterday?
Even when she spoke to him, when her hand was in his, when she walked beside him on the way to the dining-room, he had this sense of strangeness, as if the girl in rose-color was not the girl of whom he had dreamed through all the days since he had known that he was not to marry Eve.
The winter had been a busy one for him, but satisfying in the sense that he was at last in his rightful place. He had come into his own. He had no more doubts that his work was wisely chosen. But his life was as yet unfinished. To complete it, he had felt that he must round out his days with the woman he loved.
But now that he was here, he saw her fitted to her new surroundings as a jewel fitted to a golden setting. And she liked lovely things, she liked excitement, and the nearness of the great metropolis. There were men who had wanted to marry her. Marie-Louise had told him that in a gay little letter which she had sent from the South.
As he reviewed it now disconsolately, he reminded himself that he had never had any real reason to know that Anne cared for him. There had been a flash of the eye, a few grave words, a break in her voice, his answered letters; but a woman might dole out these small favors to a friend.
Thus from caviar to soup, and from soup to roast, he contradicted Marie-Louise's conception of his state of mind. Fear and doubt, discouragement, a touch of despair, these carried him as far as the salad.
And then he heard Austin's voice speaking. "So you are really contented at Crossroads, Brooks?"
"Yes. I wish you would come down and let me show you some of the things I am doing. A bit primitive, perhaps, in the light of your larger experience. But none the less effective, and interesting."
Austin shrugged. "I can't imagine anything but martyrdom in such a life—for me. What do you do with yourself when you are not working—with no theaters—opera—restaurants—excitements?"
"We get along rather well without them—except for an occasional trip to town."
"But you need such things," dogmatically; "a man can't live out of the world and not—degenerate."
"He may live in it, and degenerate." Anne was speaking. Her cheeks were as pink as her gown. She leaned a little forward. "You don't know all that they have at Crossroads, and Dr. Brooks is too polite to tell you how poor New York seems to those of us who—know."
"Poor?" Richard had turned to her, his face illumined.
"Isn't it? Think of the things you have that New York doesn't know of. A singing river—this river doesn't sing, or if it does nobody would have time to listen. And Crossroads has a bell on its school that calls to the countryside. City children are not called by a bell—that's why they are all alike—they ride on trolleys and watch the clocks. My little pupils ran across the fields and down the road, and hurried when I rang for them, and came in—rosy."
She was rosy herself as she recounted it.
"Oh, we have a lot of things—the bridge with the lights—and the road up to the Ridge—and Diogenes. Dr. Austin, you should see Diogenes."
She laughed, and they all laughed with her, but back of Richard's laugh there was an emotion which swept him on and up to heights beyond anything that he had ever hoped or dreamed.
After that, he could hardly wait for the ending of the dinner, hardly wait to get away from them all, and out under the stars.
It was when they were at last alone on the steps above the fountain, with the garden pouring all of its fragrance down upon them, that he said, "I should not have dared ask it if you had not said what you said."
"Oh, St. Michael, St. Michael," she whispered, "where was your courage?"
"But in this gown, this lovely gown, you didn't look like anything that I could—have. I am only a country doctor, Anne."
They clung together, these two who had found Love in the garden. But they had found more than Love. They had found the meaning for all that Richard had done, and for all that Anne would do. And that which they had found they would never give up!
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RUBY M. AYRES' NOVELS
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THE MAN WITHOUT A HEART
Why was Barbara held captive in a deserted hermit's hut for days by a "man without a heart" and in the end how was it that she held the winning cards.
THE ROMANCE OF A ROGUE
Twenty-four hours after his release from prison Bruce Lawn finds himself playing a most surprising role in a drama of human relationships that sweeps on to a wonderfully emotional climax.
THE MATHERSON MARRIAGE
She married for money. With her own hands she had locked the door on happiness and thrown away the key. But read the story which is very interesting and well told.
RICHARD CHATTERTON
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A BACHELOR HUSBAND
Can a woman love two men at the same time?
In its solving of this particular variety of triangle "A Bachelor Husband" will particularly interest, and strangely enough, without one shock to the most conventional minded.
THE SCAR
With fine comprehension and insight the author shows a terrific contrast between the woman whose love was of the flesh and one whose love was of the spirit.
THE MARRIAGE OF BARRY WICKLOW
Here is a man and woman who, marrying for love, yet try to build their wedded life upon a gospel of hate for each other and yet win back to a greater love for each other in the end.
THE UPHILL ROAD
The heroine of this story was a consort of thieves. The man was fine, clean, fresh from the West. It is a story of strength and passion.
WINDS OF THE WORLD
Jill, a poor little typist, marries the great Henry Sturgess and inherits millions, but not happiness. Then at last—but we must leave that to Ruby M. Ayres to tell you as only she can.
THE SECOND HONEYMOON
In this story the author has produced a book which no one who has loved or hopes to love can afford to miss. The story fairly leaps from climax to climax.
THE PHANTOM LOVER
Have you not often heard of someone being in love with love rather than the person they believed the object of their affections? That was Esther! But she passes through the crisis into a deep and profound love.
Grosset & Dunlap, Publishers, New York
STORIES OF RARE CHARM BY
GENE STRATTON-PORTER
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THE WHITE FLAG.
How a young girl, singlehanded, fought against the power of the Morelands who held the town of Ashwater in their grip.
HER FATHER'S DAUGHTER.
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A DAUGHTER OF THE LAND.
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MICHAEL O'HALLORAN.
Michael is a quick-witted little Irish newsboy, living in Northern Indiana. He adopts a deserted little girl, a cripple. He also aspires to lead the entire rural community upward and onward.
LADDIE.
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THE HARVESTER.
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FRECKLES.
Freckles is a nameless waif when the tale opens, but the way in which he takes hold of life; the nature friendships he forms; and his love-story with "The Angel" are full of real sentiment.
A GIRL OF THE LIMBERLOST.
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AT THE FOOT OF THE RAINBOW.
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THE SONG OF THE CARDINAL.
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Grosset & Dunlap, Publishers, New York
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BEST MAN, THE
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LO, MICHAEL!
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CHARLES REX
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THE TOP OF THE WORLD
Tells of the path which leads at last to the "top of the world," which it is given to few seekers to find.
THE LAMP IN THE DESERT
Tells of the lamp of love that continues to shine through all sorts of tribulations to final happiness.
GREATHEART
The story of a cripple whose deformed body conceals a noble soul.
THE HUNDREDTH CHANCE
A hero who worked to win even when there was only "a hundredth chance."
THE SWINDLER
The story of a "bad man's" soul revealed by a woman's faith.
THE TIDAL WAVE
Tales of love and of women who learned to know the true from the false.
THE SAFETY CURTAIN
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JUST DAVID
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THE ROAD TO UNDERSTANDING
A compelling romance of love and marriage.
OH, MONEY! MONEY!
Stanley Fulton, a wealthy bachelor, to test the dispositions of his relatives, sends them each a check for $100,000, and then as plain John Smith comes among them to watch the result of his experiment.
SIX STAR RANCH
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DAWN
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ACROSS THE YEARS
Short stories of our own kind and of our own people. Contains some of the best writing Mrs. Porter has done.
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THE TIE THAT BINDS
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THE WHITE LADIES OF WORCESTER
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THE UPAS TREE
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THROUGH THE POSTERN GATE
The story of a seven day courtship, in which the discrepancy in ages vanished into insignificance before the convincing demonstration of abiding love.
THE ROSARY
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THE MISTRESS OF SHENSTONE
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THE BROKEN HALO
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THE FOLLOWING OF THE STAR
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PENROD.
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THE TURMOIL.
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Bibbs Sheridan is a dreamy, imaginative youth, who revolts against his father's plans for him to be a servitor of big business. The love of a fine girl turns Bibb's life from failure to success.
THE GENTLEMAN FROM INDIANA.
Frontispiece.
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THE FLIRT.
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The "Flirt," the younger of two sisters, breaks one girl's engagement, drives one man to suicide, causes the murder of another, leads another to lose his fortune, and in the end marries a stupid and unpromising suitor, leaving the really worthy one to marry her sister.
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SISTERS.
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The California Redwoods furnish the background for this beautiful story of sisterly devotion and sacrifice.
POOR, DEAR, MARGARET KIRBY.
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A collection of delightful stories, including "Bridging the Years" and "The Tide-Marsh." This story is now shown in moving pictures.
JOSSELYN'S WIFE.
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The story of a beautiful woman who fought a bitter fight for happiness and love.
MARTIE, THE UNCONQUERED.
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The triumph of a dauntless spirit over adverse conditions.
THE HEART OF RACHAEL.
Frontispiece by Charles E. Chambers.
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THE STORY OF JULIA PAGE.
Frontispiece by C. Allan Gilbert.
A sympathetic portrayal of the quest of a normal girl, obscure and lonely, for the happiness of life.
SATURDAY'S CHILD.
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MOTHER.
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THE COVERED WAGON
NORTH OF 36
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THE GIRL AT THE HALFWAY HOUSE
THE WAY OUT
THE MAN NEXT DOOR
THE MAGNIFICENT ADVENTURE
THE BROKEN GATE
THE STORY OF THE COWBOY
THE WAY TO THE WEST
54-40 OR FIGHT
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THE PURCHASE PRICE
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THE BARON OF DIAMOND TAIL
The Elk Mountain Cattle Co. had not paid a dividend in years; so Edgar Barrett, fresh from the navy, was sent West to see what was wrong at the ranch. The tale of this tenderfoot outwitting the buckaroos at their own play will sweep you into the action of this salient western novel.
THE BONDBOY
Joe Newbolt, bound out by force of family conditions to work for a number of years, is accused of murder and circumstances are against him. His mouth is sealed; he cannot, as a gentleman, utter the words that would clear him. A dramatic, romantic tale of intense interest.
CLAIM NUMBER ONE
Dr. Warren Slavens drew claim number one, which entitled him to first choice of rich lands on an Indian reservation in Wyoming. It meant a fortune; but before he established his ownership he had a hard battle with crooks and politicians.
THE DUKE OF CHIMNEY BUTTE
When Jerry Lambert, "the Duke," attempts to safeguard the cattle ranch of Vesta Philbrook from thieving neighbors, his work is appallingly handicapped because of Grace Kerr, one of the chief agitators, and a deadly enemy of Vesta's. A stirring tale of brave deeds, gun-play and a love that shines above all.
THE FLOCKMASTER OF POISON CREEK
John Mackenzie trod the trail from Jasper to the great sheep country where fortunes were being made by the flock-masters. Shepherding was not a peaceful pursuit in those bygone days. Adventure met him at every turn—there is a girl of course—men fight their best fights for a woman—it is an epic of the sheeplands.
THE LAND OF LAST CHANCE
Jim Timberlake and Capt. David Scott waited with restless thousands on the Oklahoma line for the signal to dash across the border. How the city of Victory arose overnight on the plains, how people savagely defended their claims against the "sooners;" how good men and bad played politics, makes a strong story of growth and American initiative.
TRAIL'S END
Ascalon was the end of the trail for thirsty cowboys who gave vent to their pent-up feelings without restraint. Calvin Morgan was not concerned with its wickedness until Seth Craddock's malevolence directed itself against him. He did not emerge from the maelstrom until he had obliterated every vestige of lawlessness, and assured himself of the safety of a certain dark-eyed girl.
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THE PRIDE OF PALOMAR
When two strong men clash and the under-dog has Irish blood in his veins—there's a tale that Kyne can tell! And "the girl" is also very much in evidence.
KINDRED OF THE DUST
Donald McKay, son of Hector McKay, millionaire lumber king, falls in love with "Nan of the Sawdust Pile," a charming girl who has been ostracized by her townsfolk.
THE VALLEY OF THE GIANTS
The fight of the Cardigans, father and son, to hold the Valley of the Giants against treachery. The reader finishes with a sense of having lived with big men and women in a big country.
CAPPY RICKS
The story of old Cappy Ricks and of Matt Peasley, the boy he tried to break because he knew the acid test was good for his soul.
WEBSTER: MAN'S MAN
In a little Jim Crow Republic in Central America, a man and a woman, hailing from the "States," met up with a revolution and for a while adventures and excitement came so thick and fast that their love affair had to wait for a lull in the game.
CAPTAIN SCRAGGS
This sea yarn recounts the adventures of three rapscallion sea-faring men—a Captain Scraggs, owner of the green vegetable freighter Maggie, Gibney the mate and McGuffney the engineer.
THE LONG CHANCE
A story fresh from the heart of the West, of San Pasqual, a sun-baked desert town, of Harley P. Hennage, the best gambler, the best and worst man of San Pasqual and of lovely Donna.
Grosset & Dunlap, Publishers, New York
JACKSON GREGORY'S NOVELS
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DAUGHTER OF THE SUN
A tale of Aztec treasure—of American adventurers, who seek it—of Zoraida, who hides it.
TIMBER-WOLF
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THE EVERLASTING WHISPER
The story of a strong man's struggle against savage nature and humanity, and of a beautiful girl's regeneration from a spoiled child of wealth into a courageous strong-willed woman.
DESERT VALLEY
A college professor sets out with his daughter to find gold. They meet a rancher who loses his heart, and becomes involved in a feud.
MAN TO MAN
How Steve won his game and the girl he loved, is a story filled with breathless situations.
THE BELLS OF SAN JUAN
Dr. Virginia Page is forced to go with the sheriff on a night journey into the strongholds of a lawless band.
JUDITH OF BLUE LAKE RANCH
Judith Sanford part owner of a cattle ranch realizes she is being robbed by her foreman. With the help of Bud Lee, she checkmates Trevor's scheme.
THE SHORT CUT
Wayne is suspected of killing his brother after a quarrel. Financial complications, a horse-race and beautiful Wanda, make up a thrilling romance.
THE JOYOUS TROUBLE MAKER
A reporter sets up housekeeping close to Beatrice's Ranch much to her chagrin. There is "another man" who complicates matters.
SIX FEET FOUR
Beatrice Waverly is robbed of $5,000 and suspicion fastens upon Buck Thornton, but she soon realizes he is not guilty.
WOLF BREED
No Luck Drennan, a woman hater and sharp of tongue, finds a match in Ygerne whose clever fencing wins the admiration and love of the "Lone Wolf."
Grosset & Dunlap, Publishers, New York
ZANE GREY'S NOVELS
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TO THE LAST MAN
THE MYSTERIOUS RIDER
THE MAN OF THE FOREST
THE DESERT OF WHEAT
THE U. P. TRAIL
WILDFIRE
THE BORDER LEGION
THE RAINBOW TRAIL
THE HERITAGE OF THE DESERT
RIDERS OF THE PURPLE SAGE
THE LIGHT OF WESTERN STARS
THE LAST OF THE PLAINSMEN
THE LONE STAR RANGER
DESERT GOLD
BETTY ZANE
LAST OF THE GREAT SCOUTS
The life story of "Buffalo Bill" by his sister Helen Cody Wetmore, with Foreword and conclusion by Zane Grey.
ZANE GREY'S BOOKS FOR BOYS
KEN WARD IN THE JUNGLE
THE YOUNG LION HUNTER
THE YOUNG FORESTER
THE YOUNG PITCHER
THE SHORT STOP
THE RED-HEADED OUTFIELD AND OTHER
BASEBALL STORIES
Grosset & Dunlap, Publishers, New York
JAMES OLIVER CURWOOD'S
STORIES OF ADVENTURE
May be had wherever books are sold. Ask for Grosset and Dunlap's list.
THE COUNTRY BEYOND
THE FLAMING FOREST
THE VALLEY OF SILENT MEN
THE RIVER'S END
THE GOLDEN SNARE
NOMADS OF THE NORTH
KAZAN
BAREE, SON OF KAZAN
THE COURAGE OF CAPTAIN PLUM
THE DANGER TRAIL
THE HUNTED WOMAN
THE FLOWER OF THE NORTH
THE GRIZZLY KING
ISOBEL
THE WOLF HUNTERS
THE GOLD HUNTERS
THE COURAGE OF MARGE O'DOONE
BACK TO GOD'S COUNTRY
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Grosset & Dunlap, Publishers, New York
Transcriber's Notes
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