About This Book
This essay argues that the chief fault of much recent fiction is a literal truth to nature that mistakes photographic fidelity for art; fiction should select and idealize experience to elevate human feeling. The author praises Cervantes and Scott for fusing popular and aristocratic elements while shaping them artistically, and criticizes bourgeois domestic novels for presenting unvarnished, trivial detail. He commends writers who render lower-class life with artistic purity, cites examples like Hardy, and situates contemporary tendencies alongside the aesthetic movement's medieval revival.
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