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Modern Musical Drift

Chapter 21: NOTE
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About This Book

A sequence of critical essays surveys contemporary musical trends by analyzing major works, composers, and genres. The author critiques late Wagnerian drama and orchestration through readings of Parsifal and the Ring, considers questions of ethics and aesthetics, and explores the idea of national and religious drama. Extended essays address Richard Strauss, Italian opera of the day, song writing, and the modern oratorio, combining historical overview, aesthetic argument, and practical criticism to clarify how recent compositional practices and stagecraft reshape musical meaning.

NOTE

The chapters of this volume, except three, appeared originally as articles in the New York Sun in the course of the two years during which I have had the honor to serve that paper. The first half of the chapter on "Strauss and the Song Writers" and the chapter entitled "The Classic of the Unprogressive" were first printed in the New York Times, of which it was my privilege to be musical editor for some years. The first of the four articles on Richard Strauss was previously published in the Atlantic Monthly. My thanks are due to the proprietors and editors of the journals named for permission to incorporate the essays in this book.

W. J. H.