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Molière - Œuvres complètes, Tome 4

Chapter 7: TABLE
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About This Book

The play stages a comic case of mistaken identity when a deity adopts a mortal husband's appearance to gain access to his wife, while the god's messenger assumes the form of the husband's servant, producing doubled characters, confusion, and competing claims to identity. Scenes mix witty exchanges and farce with moments of moral reflection on power, consent, and reputation as servants and masters attempt to establish who is who and who is to blame. Drawing on an ancient Roman model, the piece balances slapstick situations with pointed satire of authority and sexual privilege, questioning how rank and sovereign power can override ordinary notions of marital fidelity.

TABLE

CINQUIÈME ÉPOQUE (1668-1669).
XXIII. 1668. Amphitryon, comédie. 1
XXIV. 1668. Georges Dandin, ou le Mari confondu, comédie. 80
XXV. 1668. L’Avare, comédie. 136
XXVI. 1669. Monsieur de Pourceaugnac, comédie-ballet. 234
SIXIÈME ÉPOQUE (1670-1673).
XXVII. 1670. Les Amans magnifiques, comédie-ballet. 302

FIN DE LA TABLE DU QUATRIÈME VOLUME.