FROM “ITALIAN WITHOUT A MASTER” (1903)
The Home Product
Necessarily we are all fond of murders, scandals, swindles, robberies, explosions, collisions, and all such things, when we know the people, and when they are neighbors and friends, but when they are strangers we do not get any great pleasure out of them, as a rule. Now the trouble with an American paper is that it has no discrimination; it rakes the whole earth for blood and garbage and the result is that you are daily overfed and suffer a surfeit. By habit you stow this muck every day, but you come by and by to take no vital interest in it—indeed, you almost get tired of it. As a rule, forty-nine-fiftieths of it concerns strangers only—people away off yonder, a thousand miles, two thousand miles, ten thousand miles from where you are. Why, when you come to think of it, who cares what becomes of those people? I would not give the assassination of one personal friend for a whole massacre of those others. And, to my mind, one relative or neighbor mixed up in a scandal is more interesting than a whole Sodom and Gomorrah of outlanders gone rotten. Give me the home product every time.
The Charm of Uncertainty
There is a great, a peculiar charm about reading news scraps in a language which you are not acquainted with—the charm that always goes with the mysterious and the uncertain. You can never be absolutely sure of the meaning of anything you read in such circumstances; you are chasing an alert and gamy riddle all the time, and the baffling turns and dodges of the prey make the life of the hunt. A dictionary would soil it. Sometimes a single word of doubtful purport will cast a vale of dreamy and golden uncertainty over a whole paragraph of cold and practical certainties, and leave steeped in a haunting and adorable mystery an incident which had been vulgar and commonplace but for the benefaction. Would you be wise to draw a dictionary on that gracious word? Would you be properly grateful?