CHAPTER VII King of the Hollyhocks: Protoparce Celeus
Protoparce Celeus was the companion of Deilephila Lineata in the country garden where I first studied Nature. Why I was taught that Lineata was a bird, and Celeus a moth, it is difficult to understand, for they appear very similar when poising before flowers. They visit the same blooms, and vary but little in size. The distinction that must have made the difference was that while Lineata kept company with the hummingbirds and fed all day, Celeus came forth at dusk, and flew in the evening and at night. But that did not conclusively prove it a moth, for nighthawks and whip-poor-wills did the same; yet unquestionably they were birds.
Anyway, I always knew Celeus was a moth, and that every big, green caterpillar killed on the tomato vines meant one less of its kind among the flowers. I never saw one of these moths close a tomato or potato vine, a jimson weed or ground cherry, but all my life I have seen their eggs on these plants, first of a pale green closely resembling the under side of the leaves, and if they had been laid some time, a yellow colour. The eggs are not dotted along in lines, or closely placed, but are deposited singly, or by twos, at least very sparsely.
The little caterpillars emerge in about a week, and then comes the process of eating until they grow into the large, green tomato or tobacco worms that all of us have seen. When hatched the caterpillars are green, and have grey caudal horns similar to Lineata. After eating for four or five days, they cast their skins. This process is repeated three or four times, when the full-grown caterpillars are over four inches long, exactly the colour of a green tomato, with pale blue and yellow markings of beautiful shades, the horns blue-black; and appearing sharp enough to inflict a severe wound.
Like all sphinx caterpillars Celeus is perfectly harmless; but this horn, in connexion with the habit the creatures have of clinging to the vines with the back feet, raising the head and striking from side to side, makes people very sure they can bite or sting, or inflict some serious hurt. So very vigorous are they in self-defence when disturbed, that robins and cuckoos are the only birds I ever have seen brave enough to pick them until the caterpillars loosen their hold and drop to the ground, where they are eaten with evident relish.
One cuckoo of my experience that nested in an old orchard, adjoining a potato patch, frequently went there caterpillar-hunting, and played havoc with one wherever found. The shy, deep wood habits of the cuckoo prevent it from coming close houses and into gardens, but robins will take these big caterpillars from tomato vines. However, they go about it rather gingerly, and the work of reducing one to non-resistance does not seem to be at all coveted. Most people exhibit symptoms of convulsions at sight of one. Yet it is a matter of education. I have seen women kiss and fondle cats and dogs, one snap from which would result in disfiguration or horrible death, and seem not to be able to get enough of them. But they were quite equal to a genuine faint if contact were suggested with a perfectly harmless caterpillar, a creature lacking all means of defence, save this demonstration of throwing the head.
When full-fed the caterpillars enter the earth to pupate, and on the fifteenth of October, 1906, only the day before I began this chapter, the Deacon, in digging worms for a fishing trip to the river, found a pupa case a yard from the tomato vines, and six inches below the surface. He came to my desk, carrying on a spade a ball of damp earth larger than a quart bowl. With all care we broke this as nearly in halves as possible and found in the centre a firm, oval hole, the size and shape of a hen's egg, and in the opening a fine fresh pupa case.
It was a beautiful red-brown in colour, long and slenderer than a number of others in my box of sand, and had a long tongue case turned under and fastened to the pupa between the wing shields. The sides of the abdomen were pitted; the shape of the head, and the eyes showed through the case, the wing shields were plainly indicated, and the abdominal shield was in round sections so that the pupa could twist from side to sid when touched, proving that the developing moth inside was very much alive and in fine condition.
There were no traces of the cast skin. The caterpillar had been so strong and had pushed so hard against the surrounding earth that the direction from which it had entered was lost. The soil was packed and crowded firmly for such a distance that this large ball was forced together. Trembling with eagerness I hurriedly set up a camera. This phase of moth life often has been described, but I never before heard of any one having been able to reproduce it, so my luck was glorious. A careful study of this ball of earth, the opening in which the case lies, and the pupa, with its blunt head and elaborate tongue shield, will convince any one that when ready to emerge these moths must bore the six inches to the surface with the point of the abdomen, and there burst the case, cling to the first twig and develop and harden the wings. The abdominal point is sharp, surprisingly strong, and the rings of the segments enable it to turn in all directions, while the earth is mellow and moist with spring rains. To force a way head first would be impossible on account of the delicate tongue shield, and for the moth to emerge underground and dig to the surface without displacing a feather of down, either before or after wing expansion, is unthinkable. Yet I always had been in doubt as to precisely how the exit of a pupa case moth took place, until I actually saw the earth move and the sharp abdominal point appear while working in my garden.
Living pupae can be had in the fall, by turning a few shovels of soil close vegetables in any country garden. In the mellow mould, among cabbages and tomato vines, around old log cabins close the Limberlost swamp, they are numerous, and the emerging moths haunt the sweet old-fashioned flowers.
The moth named Celeus, after a king of Eleusis, certainly has kingly qualities to justify the appellation. The colouring is all grey, black, brown, white and yellow, and the combinations are most artistic. It is a relative of Lineata. It flies and feeds by day, has nearly the same length of life, and is much the same in shape.
The head is small and sharp, eyes very much larger than Lineata, and tongue nearly four inches in length. The antennae are not clubbed, but long and hairlike. It has the broad shoulders, the long wings, and the same shape of abdomen. The wings, front and back, are so mottled, lined, and touched with grey, black, brown and white, as to be almost past definite description. The back wings have the black and white markings more clearly defined. The head meets the thorax with a black band. The back is covered with long, grey down, and joins the abdomen, with a band of black about a quarter of an inch wide, and then a white one of equal width. The abdomen is the gaudiest part of the moth. In general it is a soft grey. It is crossed by five narrow white lines the length of the abdomen, and a narrow black one down the middle. Along each side runs a band of white. On this are placed four large yellow spots each circled by a band of black that joins the black band of the spot next to it. The legs and under side of the abdomen and wings are a light grey-tan, with the wing markings showing faintly, and the abdomen below is decorated with two small black dots.
My first Celeus, a very large and beautiful one, was brought to me by Mr. Wallace Hardison, who has been an interested helper with this book. The moth had a wing sweep of fully five and a half inches, and its markings were unusually bright and strong. No other Celeus quite so big and beautiful ever has come to my notice. From four and a half to five inches is the average size.
There was something the matter with this moth. Not a scale of down seemed to be missing, but it was torpid and would not fly. Possibly it had been stung by some parasite before taking flight at all, for it was very fresh. I just had returned from a trip north, and there were some large pieces of birch bark lying on the table on which the moth had been placed. It climbed on one of these, and clung there, so I set up the bark, and made a time exposure. It felt so badly it did not even close them when I took a brush and spread its wings full width. Soon after it became motionless. I had begun photographing moths recently; it was one of my very first, and no thought of using it for natural history purposes occurred at the time. I merely made what I considered a beautiful likeness, and this was so appreciated whenever shown, that I went further and painted it in water colours.
Since moth pictures have accumulated, and moth history has engrossed me with its intense interest, I have been very careful in making studies to give each one its proper environment when placing it before my camera. Of all the flowers in our garden, Celeus prefers the hollyhocks. At least it comes to them oftenest and remains at them longest. But it moves continually and flies so late that a picture of it has been a task. After years of fruitless effort, I made one passable snapshot early in July, while the light was sufficiently strong that a printable picture could be had by intensifying the plate, and one good time exposure as a Celeus, with half-folded wings, clambered over a hollyhock, possibly hunting a spot on which to deposit an egg or two. The hollyhock painting of this chapter is from this study. The flowers were easy but it required a second trial to do justice to the complicated markings of the moth.
This evening lover and strong flyer, with its swallow-like sweep of wing, comes into the colour schemes of nature with the otter, that at rare times thrusts a sleek grey head from the river, with the grey-brown cotton-tails that bound across the stubble, and the coots that herald dawn in the marshes. Exactly the shades, and almost the markings of its wings can be found on very old rail fences. This lint shows lighter colour, and even grey when used in the house building of wasps and orioles, but I know places in the country where I could carve an almost perfectly shaded Celeus wing from a weather-beaten old snake fence rail.
Celeus visits many flowers, almost all of the trumpet-shaped ones, in fact, but if I were an artist I scarcely would think it right to paint a hollyhock without putting King Celeus somewhere in the picture, poised on his throne of air before a perfect bloom as he feasts on pollen and honey. The holly-hock is a kingly flower, with its regally lifted heads of bright bloom, and that the king of moths should show his preference for it seems eminently fitting, so we of the Cabin named him King of the Hollyhocks.
CHAPTER VIII Hera of the Corn: Hyperchira Io
At the same time he gave me the Eacles Imperialis moths, Mr. Eisen presented me with a pair of Hyperchiria Io. They were nicely mounted on the black velvet lining of a large case in my room, but I did not care for them in the least. A picture I would use could not be made from dead, dried specimens, and history learned from books is not worth knowing, in comparison with going afield and threshing it out for yourself in your own way. Because the Io was yellow, I wanted it—more than several specimens I had not found as yet, for yellow, be it on the face of a flower, on the breast of a bird, or in the gold of sunshine, always warms the depths of my heart.
One night in June, sitting with a party of friends in the library, a shadow seemed to sweep across a large window in front. I glanced up, and arose with a cry that must have made those present doubt my sanity. A perfect and beautiful Io was walking leisurely across the glass.
"A moth!" I cried. "I have none like it! Deacon, get the net!"
I caught a hat from the couch, and ran to the veranda. The Deacon followed with the net.
"I was afraid to wait," I explained. "Please bring a piece of pasteboard, the size of this brim."
I held the hat while the Deacon brought the board. Then with trembling care we slipped it under, and carefully carried the moth into the conservatory. First we turned on the light, and made sure that every ventilator was closed; then we released the Io for the night. In the morning we found a female clinging to a shelf, dotting it with little top-shaped eggs. I was delighted, for I thought this meant the complete history of a beautiful moth. So exquisite was the living, breathing creature, she put to shame the form and colouring of the mounted specimens. No wonder I had not cared for them!
Her fore-wings were a strong purplish brown in general effect, but on close examination one found the purplish tinge a commingling of every delicate tint of lavender and heliotrope imaginable. They were crossed by escalloped bands of greyish white, and flecked with touches of the same, seeming as if they had been placed with a brush. The back wings were a strong yellow. Each had, for its size, an immense black eye-spot, with a blue pupil covering three-fourths of it, crossed by a perfect comma of white, the heads toward the front wings and the curves bending outward. Each eye-spot was in a yellow field, strongly circled with a sharp black line; then a quarter of an inch band of yellow; next a heliotrope circle of equal width; yellow again twice as wide; then a faint heliotrope line; and last a very narrow edging of white. Both wings joined the body under a covering of long, silky, purple-brown hairs.
She was very busy with egg depositing, and climbed to the twig held before her without offering to fly. The camera was carried to the open, set up and focused on a favourable spot, while Molly-Cotton walked beside me holding a net over the moth in case she took flight in outer air. The twig was placed where she would be in the deepest shade possible while I worked rapidly with the camera.
By this time experience had taught me that these creatures of moonlight and darkness dislike the open glare of day, and if placed in sunlight will take flight in search of shade more quickly than they will move if touched. So until my Io settled where I wanted her with the wings open, she was kept in the shadow. Only when I grasped the bulb and stood ready to snap, was the covering lifted, and for the smallest fraction of a second the full light fell on her; then darkness again.
In three days it began to be apparent there was something wrong with the eggs. In four it was evident, and by five I was not expecting the little caterpillars to emerge, and they did not. The moth had not mated and the eggs were not fertile. Then I saw my mistake. Instead of shutting the female in the conservatory at night, I should have tied a soft cotton string firmly around her body, and fastened it to some of the vines on the veranda. Beyond all doubt, before morning, a male of her kind would have been attracted to her.
One learns almost as much by his mistakes as he profits by his successes in this world. Writing of this piece of stupidity, at a time in my work with moths when a little thought would have taught me better, reminds me of an experience I had with a caterpillar, the first one I ever carried home and tried to feed. I had an order to fill for some swamp pictures, and was working almost waist deep in a pool in the Limberlost, when on a wild grape-vine swinging close to my face, I noticed a big caterpillar placidly eating his way around a grape leaf. The caterpillar was over four inches long, had no horn, and was of a clear red wine colour, that was beautiful in the sunlight. I never before had seen a moth caterpillar that was red and I decided it must be rare. As there was a wild grapevine growing over the east side of the Cabin, and another on the windmill, food of the right kind would be plentiful, so I instantly decided to take the caterpillar home. It was of the specimens that I consider have almost 'thrust themselves upon me.'
When the pictures were finished and my camera carried from the swamp, I returned with the clippers and cut off vine and caterpillar, to carry with me. On arrival I placed it in a large box with sand on the bottom, and every few hours took out the wilted leaves, put in fresh ones, and sprinkled them to insure crispness, and to give a touch of moisture to the atmosphere in the box, that would make it seem more like the swamp.
My specimen was readily identified as Philampelus Pandorus, of which I had no moth, so I took extra care of it in the hope of a new picture in the spring. It had a little flat head that could be drawn inside the body like a turtle, and on the sides were oblique touches of salmon. Something that appeared to be a place for a horn could be seen, and a yellow tubercle was surrounded by a black line. It ate for three days, and then began racing so frantically around the box, I thought confinement must be harmful, so I gave it the freedom of the Cabin, warning all my family to 'look well to their footsteps.' It stopped travelling after a day or two at a screen covering the music-room window, and there I found it one morning lying still, a shrivelled, shrunken thing; only half the former length, so it was carefully picked up, and thrown away!
Of course the caterpillar was in the process of changing into the pupa, and if I had known enough to lay it on the sand in my box, and wait a few days, without doubt a fine pupa would have emerged from that shrunken skin, from which, in the spring, I could have secured an exquisite moth, with shades of olive green, flushed with pink. The thought of it makes me want to hide my head. It was six years before I found a living moth, or saw another caterpillar of that species.
A few days later, while watching with a camera focused on the nest of a blackbird in Mrs. Corson's woods east of town, Raymond, who was assisting me, crept to my side and asked if it would do any harm for him to go specimen hunting. The long waits with set cameras were extremely tedious to the restless spirits of the boy, and the birds were quite tame, the light was under a cloud, and the woods were so deep that after he had gone a few rods he was from sight, and under cover; besides it was great hunting ground, so I gladly told him to go.
The place was almost 'virgin,' much of it impassable and fully half of it was under water that lay in deep, murky pools throughout summer. In the heat of late June everything was steaming; insect life of all kinds was swarming; not far away I could hear sounds of trouble between the crow and hawk tribes; and overhead a pair of black vultures, whose young lay in a big stump in the interior, were searching for signs of food. If ever there was a likely place for specimens it was here; Raymond was an expert at locating them, and fearless to foolhardiness. He had been gone only a short time when I heard a cry, and I knew it must mean something, in his opinion, of more importance than blackbirds.
I answered "Coming," and hastily winding the long hose, I started in the direction Raymond had taken, calling occasionally to make sure I was going the right way. When I found him, the boy was standing beside a stout weed, hat in hand, intently watching something. As I leaned forward I saw that it was a Hyperchiria Io that just had emerged from the cocoon, and as yet was resting with wings untried. It differed so widely from my moth of a few days before, I knew it must be a male.
This was only three-fourths as large as mine, but infinitely surpassed it in beauty. Its front wings were orange-yellow, flushed with red-purple at the base, and had a small irregular brown spot near the costa. Contrary to all precedent, the under side of these wings were the most beautiful, and bore the decorations that, in all previous experience with moths, had been on the upper surface, faintly showing on the under. For instance, this irregular brown marking on the upper side proved to be a good-sized black spot with with white dot in the middle on the under; and there was a curved line of red-purple from the apex of the wing sloping to the lower edge, nearly half an inch from the margin. The space from this line to the base of the wing was covered with red-purple down. The back wings were similar to the female's, only of stronger colour, and more distinct markings; the eye-spot and lining appeared as if they had been tinted with strong fresh paint, while the edges of the wings lying beside the abdomen had the long, silken hairs of a pure, beautiful red their entire length:
A few rods away men were ploughing in the adjoining corn field, and I remembered that the caterpillar of this moth liked to feed on corn blades, and last summer undoubtedly lived in that very field. When I studied Io history in my moth books, I learned these caterpillars ate willow, wild cherry, hickory, plum, oak, sassafras, ash, and poplar. The caterpillar was green, more like the spiny butterfly caterpillars than any moth one I know. It had brown and white bands, brown patches, and was covered with tufts of stiff upstanding spines that pierced like sharp needles. This was not because the caterpillar tried to hurt you, but because the spines were on it, and so arranged that if pressed against, an acid secretion sprang from their base. This spread over the flesh the spines touched, stinging for an hour like smartweed, or nettles.
When I identified this caterpillar in my books, it came to me that I had known and experienced its touch. But it did not forcibly impress me until that instant that I knew it best of all, and that it was my childhood enemy of the corn. Its habit was to feed on the young blades, and cling to them with all its might. If I was playing Indian among the rows, or hunting an ear with especially long, fine 'silk' for a make-believe doll, or helping the cook select ears of Jersey Sweet to boil for dinner, and accidentally brushed one of these caterpillars with cheek or hand, I felt its burning sting long afterward. So I disliked those caterpillars.
For I always had played among the corn. Untold miles I have ridden the plough horses across the spring fields, where mellow mould rolled black from the shining shares, and the perfumed air made me feel so near flying that all I seemed to need was a high start to be able to sail with the sentinel blackbird, that perched on the big oak, and with one sharp 'T'check!' warned his feeding flock, surely and truly, whether a passing man carried a gun or a hoe. Then came the planting, when bare feet loved the cool earth, and trotted over other untold miles, while little fingers carefully counted out seven grains from the store carried in my apron skirt, as I chanted:
"One for the blackbird, one for the crow;
One for the cutworm and four to grow."
Then father covered them to the right depth, and stamped each hill with the flat of the hoe, while we talked of golden corn bread, and slices of mush, fried to a crisp brown that cook would make in the fall. We had to plant enough more to feed all the horses, cattle, pigs, turkeys, geese, and chickens, during the long winter, even if the sun grew uncomfortably warm, and the dinner bell was slow about ringing.
Then there were the Indian days in the field, when a fallen eagle feather stuck in a braid, and some pokeberry juice on the face, transformed me into the Indian Big Foot, and I fled down green aisles of the corn before the wrath of the mighty Adam Poe. At times Big Foot grew tired fleeing, and said so in remarkably distinct English, and then to keep the game going, my sister Ada, who played Adam Poe, had to turn and do the fleeing or be tomahawked with a stick.
When the milk was in the ears, they were delicious steamed over salted water, or better yet roasted before coals at the front of the cooking stove, and eaten with butter and salt, if you have missed the flavour of it in that form, really you never have known corn!
Next came the cutting days. These were after all the caterpillars had climbed down, and travelled across the fence to spin their cocoons among the leaves of the woods; as if some instinct warned them that they would be ploughed up too early to emerge, if they remained in the field. The boys bent four hills, lashed the tassels together for a foundation, and then with one sweep of their knives, they cut a hill at a time, and stacked it in large shocks, that lined the field like rows of sentinels, guarding the gold of pumpkin and squash lying all around. While the shocks were drying, the squirrels, crows, and quail took possession, and fattened their sides against snow time.
Then the gathering days of October—they were the best days of all! Like a bloom-outlined vegetable bed, the goldenrod and ironwort, in gaudy border, filled the fence corners of the big fields. A misty haze hung in the air, because the Indians were burning the prairies to round up game for winter. The cawing of the crows, the chatter of blackbirds, and the piping bob-whites, sounded so close and so natural out there, while the crowing cocks of the barnyard seemed miles away and slightly unreal. Grown up and important, I sat on a board laid across the wagon bed, and guided the team of matched greys between the rows of shocks, and around the 'pie-timber' as my brother Leander called the pumpkins while father and the boys opened the shocks and husked the ears. How the squirrels scampered to the woods and to the business of storing away the hickory nuts that we could hear rattling down every frosty morning! We hurried with the corn; because as soon as the last shock was in, we might take the horses, wagon, and our dinner, and go all day to the woods, where we gathered our winter store of nuts. Leander would take a gun along, and shoot one of those saucy squirrels for the little sick mother.
Last came the November night, when the cold had shut us in. Then selected ears that had been dried in the garret were brought down, white for 'rivel' and to roll things in to fry, and yellow for corn bread and mush. A tub full of each was shelled, and sacked to carry to the mill the following day. I sat on the floor while father and the boys worked, listening to their talk, as I built corncob castles so high they toppled from their many stories. Sometimes father made cornstock fiddles that would play a real tune. Oh! the pity of it that every little child cannot grow, live, learn and love among the corn. For the caterpillars never stopped the fun, even the years when they were most numerous.
The eggs laid by my female never hatched, so I do not know this caterpillar in its early stages from experience, but I had enough experience with it in my early stages, that I do not care if I never raise one. No doubt it attains maturity by the same series of moults as the others, and its life history is quite similar. The full-fed caterpillars spin among the leaves on the ground, and with their spines in mind, I would much prefer finding a cocoon, and producing a moth from that stage of its evolution.
The following season I had the good fortune to secure a male and female Io at the same time and by persistence induced them to pose for me on an apple branch. There was no trouble in securing the male as I desired him, with wings folded showing the spots, lining and flushing of colour. But the female was a perverse little body and though I tried patiently and repeatedly she would not lower her wings full width. She climbed around with them three-fourths spread, producing the most beautiful effect of life, but failing to display her striking markings. This is the one disadvantage in photographing moths from life. You secure lifelike effects but sometimes you are forced to sacrifice their wonderful decorations.
CHAPTER IX The Sweetheart and the Bride: Catocala Amatyix—Catocala Neogama
There are no moths so common with us as these, for throughout their season, at any time one is wanted, it is sure to be found either on the sweetbrier clambering over the back wall, among the morning-glories on one side, the wistaria and wild grape on the other, or in the shade of the wild clematis in front. On very sunny days, they leave the shelter of the vines, and rest on the logs of the Cabin close the roof of the verandas. Clinging there they appear like large grey flies, for they are of peculiar shape, and the front wings completely cover the back when in repose. A third or a half of the back wings show as they are lifted to balance the the moths when walking over vines and uncertain footing. They are quite conspicuous on our Cabin, because it is built of the red cedar of Wisconsin; were it of the timber used by our grandfathers, these moths with folded wings would be almost indistinguishable from their surroundings.
Few moths can boast greater beauty. The largest specimen of the 'Sweetheart' that homes with us would measure three and one half inches if it would spread its wings full width as do the moths of other species. No moth is more difficult to describe, because of the delicate blending of so many intangible shades. The front wings are a pale, brownish grey, with irregular markings of tan, and dark splotches outlined with fine deep brown lines. The edges are fluted and escalloped, each raised place being touched with a small spot of tan, and above it a narrow escalloped line of brown. The back wings are bright red, crossed by a circular band of brownish black, three-fourths of an inch from the base, a secondary wider band of the same, and edged with pale yellow.
There is no greater surprise in store for a student of moths than to locate a first Catocala Amatrix, and see the softly blended grey front wings suddenly lift, and the vivid red of the back ones flash out. The under sides of the front wings are a warm creamy tan, crossed by wide bands of dark brown and grey-brown, ending in a delicate grey mist at the edges. The back wings are the same tan shade, with red next the abdomen, and crossed by brown bands of deeper shade than the fore-wings. The shoulders are covered with long silky hair like the front wings. This is so delicate that it becomes detached at the slightest touch of vine or leaf. The abdomen is slightly lighter in colour on top, and a creamy tan beneath. The legs are grey, and the feet to the first joint tan, crossed by faint lines of brown.
The head is small, with big prominent eyes that see better by day than most night moths; for Catocala takes precipitate flight at the merest shadow. The antennae are long, delicate and threadlike, and must be broken very easily in the flight of the moth. It is nothing unusual to see them with one antenna shorter than the other, half, or entirely gone; and a perfect specimen with both antennae, and all the haif on its shoulders, is rare. They have a long tongue that uncoils like Lineata, and Celeus, so they are feeders, but not of day, for they never take flight until evening, except when disturbed. The male is smaller than the female, his fore-wings deeply flushed with darker colour and the back brighter red with more black in the bands.
Neogama, another member of this family, is a degree smaller than Amatrix, but of the same shape. The fore-wings are covered with broken lines of different colours, the groundwork grey, with gold flushings, the lines and dots of the border very like the Sweetheart's. The back wings are pure gold, almost reddish, with dark brownish black bands, and yellow borders. The top of the abdomen is a grey-gold colour. Underneath, the markings are nearly the same as Amatrix, but a gold flush suffuses the moth.
There are numbers of these Catocala moths running the colour scheme of-yellow, from pale chrome to umber. Many shade from light pink through the reds to a dark blood colour. Then there is a smaller number having brown back wings and with others they are white.
The only way I know to photograph them is to focus on some favourable spot, mark the place your plate covers in length and width, and then do your best to coax your subjects in range. If they can be persuaded to walk, they will open their wings to a greater or less degree. A reproduction would do them no sort of justice unless the markings of the back wings show. It is on account of the gorgeous colourings of these that scientists call the species 'afterwings.'
One would suppose that with so many specimens of this beautiful species living with us and swarming the swamp close by, I would be prepared to give their complete life history; but I know less concerning them than any other moths common with us, and all the scientific works I can buy afford little help. Professional lepidopterists dismiss them with few words. One would-be authority disposes of the species with half a dozen lines. You can find at least a hundred Catocala reproduced from museum specimens and their habitat given, in the Holland "Moth Book", but I fail to learn what I most desire to know: what these moths feed on; how late they live; how their eggs appear; where they are deposited; which is their caterpillar; what does it eat; and where and how does it pupate.
Packard, in his "Guide to the Study of Insects", offers in substance this much help upon the subject: "The genus is beautiful, the species numerous, of large size, often three-inch expansion, and in repose form a flat roof. The larva is elongate, slender, flattened beneath and spotted with black, attenuated at each end, with fleshy filaments on the sides above the legs, while the head is flattened and rather forked above. It feeds on trees and rests attached to the trunks. The pupa is covered with a bluish efflorescence, enclosed in a slight cocoon of silk, spun amongst leaves or bark."
This will tend to bear out my contention that scientific works are not the help they should be to the Nature Lover. Heaven save me from starting to locate Catocala moths, eggs, caterpillars or pupae on the strength of this information. I might find moths by accident; nothing on the subject of eggs; neither colour of body, characteristics nor food, to help identify caterpillars; for the statement, 'it feeds on trees,' cannot be considered exactly illuminating when we remember the world full of trees on which caterpillars are feeding; and should one search for cocoon encased pupae among the leaves and bark of tree-tops or earth?
The most reliable information I have had, concerning these moths of which I know least, comes from Professor Rowley. He is the only lepidopterist of four to whom I applied, who could tell me any of the things I am interested in knowing. He writes in substance: "The Bride and Sweetheart are common northern species, as are most of the other members of the group. The Amatrix, with its red wings, is called the Sweetheart because amor means love, and red is love's own colour. The caterpillar feeds on willow. The Catocala of the yellow "after-wings" is commonly called the Bride, because Neogama, its scientific name, means recently wedded. Its caterpillar feeds on walnut leaves.
"If you will examine the under side of the body of a Catocala moth you will find near the junction of the thorax and abdomen on either side, large open organs reminding one of the ears of a grasshopper, which are on the sides of the first abdominal segment. Examine the bodies of Sphinges and other moths for these same openings. They appear to be ears. Catocala moths feed on juices, and live most of the summer season. Numbers of them have been found sipping sap at a tree freshly cut and you know we take them at night with bait.
"New Orleans sugar and cider or sugar and stale beer are the usual baits. This 'concoction'is put on the bodies of trees with a brush, between eight and ten o'clock at night. During good Catocala years, great numbers of these moths may be taken as they feed at the sweet syrup. So it is proved that their food is sap, honeydew, and other sugary liquids. Mr. George Dodge assures me that he has taken Catocala abbreviatella at milk-weed blooms about eight o'clock of early July evenings. Other species also feed on flowers."
You will observe that in his remarks about the "open organs on the side of the abdominal segment," Professor Rowley may have settled the 'ear' question. I am going to keep sharp watch for these organs, hereafter. I am led to wonder if one could close them in some way and detect any difference in the moth's sense of hearing after having done so.
All of us are enthusiasts about these moths with their modest fore-wings and the gaudy brilliance of the wonderful 'after-wings,' that are so bright as to give common name to the species. We are studying them constantly and hope soon to learn all we care to know of any moths, for our experience with them is quite limited when compared with other visitors from the swamp. But think of the poetry of adding to the long list of birds, animals and insects that temporarily reside with us, a Sweetheart and a Bride!
CHAPTER X The Giant Gamin: Telea Polyphemus
Time cannot be used to tell of making the acquaintance of this moth until how well worth knowing it is has been explained. That it is a big birdlike fellow, with a six inch sweep of wing, is indicated by the fact that it is named in honour of the giant Polyphemus. Telea means 'the end,' and as scientists fail to explain the appropriateness of this, I am at liberty to indulge a theory of my own. Nature made this handsome moth last, and as it was the end, surpassed herself as a finishing touch on creatures that are, no doubt, her frailest and most exquisite creation.
Polyphemus is rich in shadings of many subdued colours, that so blend and contrast as to give it no superior in the family of short-lived lovers of moonlight. Its front wings are a complicated study of many colours, for some of which it would be difficult to find a name. Really, it is the one moth that must be seen and studied in minutest detail to gain an idea of its beauty. The nearest I can come to the general groundwork of the wing is a rich brown-yellow. The costa is grey, this colour spreading in a widening line from the base of the wing to more than a quarter of an inch at the tip, and closely peppered with black. At the base, the wing is covered with silky yellow-brown hairs. As if to outline the extent of these, comes a line of pinkish white, and then one of rich golden brown, shading into the prevailing colour.
Close the middle of the length of the wing, and half an inch from the costa, is a transparent spot like isinglass, so clear that fine print can be read through it. This spot is outlined with a canary yellow band, and that with a narrow, but sharp circle of black. Then comes a cloudlike rift of golden brown, drifting from the costa across the wing, but, growing fainter until it merges with the general colour near the abdomen. Then half an inch of the yellow-brown colour is peppered with black, similar to the costa; this grows darker until it terminates in a quarter of an inch wide band of almost grey-black crossing the wing. Next this comes a narrower band of pinkish white. The edge begins with a quarter of an inch band of clear yellow-brown, and widens as the wing curves until it is half an inch at the point. It is the lightest colour of rotten apple. The only thing I ever have seen in nature exactly similar was the palest shade of 'mother' found in barrels of vinegar. A very light liver colour comes close it. On the extreme tip is a velvety oval, half black and half pale pink.
The back wings are the merest trifle stronger in this yellow-brown colour, and with the exception of the brown rift are the same in marking, only that all colour, similar to the brown, is a shade deeper.
The 'piece de resistance' of the back wing, is the eyespot. The transparent oval is a little smaller. The canary band is wider, and of stronger colour. The black band around the lower half is yet wider, and of long velvety hairs. It extends in an oval above the transparent spot fully half an inch, then shades through peacock blue, and grey to the hairlike black line enclosing the spot.
The under sides of the wings are pure tan, clouded and lined with shades of rich brown. The transparent spots are outlined with canary, and show a faint line drawn across the middle the long way.
The face is a tiny brown patch with small eyes, for the size of the moth, and large brown antennae, shaped like those of Cecropia. The grey band of the costa crosses the top of the head. The shoulders are covered with pinkish, yellow-brown hair. The top and sides of the abdomen are a lighter shade of the same.
The under side of the abdomen is darker brown, and the legs brown with very dark brown feet. These descriptions do the harmonizing colours of the moth no sort of justice, but are the best I can offer. In some lights it is a rich YELLOW-BROWN, and again a pink flush pervades body and wings.
My first experience with a living Polyphemis (I know Telea is shorter, but it is not suitable, while a giant among moths it is, so that name is best) occurred several years ago. A man brought me a living Polyphemus battered to rags and fringes, antennae broken and three feet missing. He had found a woman trying to beat the clinging creature loose from a door screen, with a towel, before the wings were hardened for flight, and he rescued the remains. There was nothing to say; some people are not happy unless they are killing helpless, harmless creatures; and there was nothing to do.
The moth was useless for a study, while its broken antennae set it crazy, and it shook and trembled continually, going out without depositing any eggs. One thing I did get was complete identification, and another, to attribute the experience to Mrs. Comstock in "A Girl of the Limberlost", when I wished to make her do something particularly disagreeable. In learning a moth I study its eggs, caterpillars, and cocoons, so that fall Raymond and I began searching for Polyphemus. I found our first cocoon hanging by a few threads of silk, from a willow twig overhanging a stream in the limberlost.
A queer little cocoon it was. The body was tan colour, and thickly covered with a white sprinkling like lime. A small thorn tree close the cabin yielded Raymond two more; but these were darker in colour, and each was spun inside three thorn leaves so firmly that it appeared triangular in shape. The winds had blown the cocoons against the limbs and worn away the projecting edges of the leaves, but the midribs and veins showed plainly. In all we had half a dozen of these cocoons gathered from different parts of the swamp, and we found them dangling from a twig of willow or hawthorn, by a small piece of spinning. During the winter these occupied the place of state in the conservatory, and were watched every day. They were kept in the coolest spot, but where the sun reached them at times. Always in watering the flowers, the hose was turned on them, because they would have been in the rain if they had been left out of doors, and conditions should be kept as natural as possible.
Close time for emergence I became very uneasy, because the conservatory was warm; so I moved them to my sleeping room, the coolest in the cabin, where a fireplace, two big windows and an outside door, always open, provide natural atmospheric conditions, and where I would be sure to see them every day. I hung the twigs over a twine stretched from my dresser to the window-sill. One day in May, when the trees were in full bloom, I was working on a tulip bed under an apple tree in the garden, when Molly-Cotton said to me, "How did you get that cocoon in your room wet?"
"I did not water any of the cocoons," I answered. "I have done no sprinkling today. If they are wet, it has come from the inside."
Molly-Cotton dropped her trowel. "One of them was damp on the top before lunch," she cried. "I just now thought of it. The moths are coming!" She started on a run and I followed, but stopped to wash my hands, so she reached them first, and her shout told the news.
"Hurry!" she cried. "Hurry! One is out, and another is just struggling through!" Quickly as I could I stood beside her. One Polyphemus female, a giant indeed, was clinging to a twig with her feet, and from her shoulders depended her wings, wet, and wrinkled as they had been cramped in the pupa case. Even then she had expanded in body until it seemed impossible that she had emerged from the opening of the vacant cocoon. The second one had its front feet and head out, and was struggling frantically to free its shoulders. A fresh wet spot on the top of another cocoon, where the moth had ejected the acid with which it is provided to soften the spinning, was heaving with the pushing head of the third.
Molly-Cotton was in sympathy with the imprisoned moths.
"Why don't you get something sharp, and split the cocoons so they can get out?" she demanded. "Just look at them struggle! They will kill themselves!"
Then I explained to her that if we wanted big, perfect moths we must not touch them. That the evolution of species was complete to the minutest detail. The providence that supplied the acid, required that the moths make the fight necessary to emerge alone, in order to strengthen them so they would be able to walk and cling with their feet, while the wings drooped and dried properly. That if I cut a case, and took out a moth with no effort on its part, it would be too weak to walk, or bear its weight, and so would fall to the floor. Then because of not being in the right position, the wings would harden half spread, or have broken membranes and never develop fully. So instead of doing a kindness I really would work ruination.
"Oh, I see!" cried the wondering girl, and her eyes were large enough to have seen anything, while her brain was racing. If you want to awaken a child and teach it to think, give object lessons such as these, in natural history and study with it, so that every miraculous point is grasped when reached. We left the emerging moths long enough to set up a camera outside, and focus on old tree. Then we hurried back, almost praying that the second moth would be a male, and dry soon enough that the two could be pictured together, before the first one would be strong enough to fly.
The following three hours were spent with them, and every minute enjoyed to the fullest. The first to emerge was dry, and pumping her wings to strengthen them for flight; the second was in condition to pose, but a disappointment, for it was another female. The third was out, and by its smaller size, brighter markings and broad antennae we knew it was a male. His 'antlers' were much wider than those of the first two, and where their markings were pink, his were so vivid as to be almost red, and he was very furry. He had, in fact, almost twice as much long hair as the others, so he undoubtedly was a male, but he was not sufficiently advanced to pose with the females, and I was in doubt as to the wisest course to pursue.
"Hurry him up!" suggested Molly-Cotton. "Tie a string across the window and hang him in the sunshine. I'll bring a fan, and stir the air gently."
This plan seemed feasible, and when the twine was ready, I lifted his twig to place it in the new location. The instant I touched his resting-place and lifted its weight from the twine both females began ejecting a creamy liquid. They ruined the frescoing behind them, as my first Cecropia soiled the lace curtain when I was smaller than Molly-Cotton at that time. We tacked a paper against the wall to prevent further damage. A point to remember in moth culture, is to be ready for this occurrence before they emerge, if you do not want stained frescoing, floors, and hangings.
In the sunshine and fresh air the male began to dry rapidly, and no doubt he understood the presence of his kind, for he was much more active than the females. He climbed the twig, walked the twine body pendent, and was so energetic that we thought we dared not trust him out of doors; but when at every effort to walk or fly he only attempted to reach the females, we concluded that he would not take wing if at liberty. By this time he was fully developed, and so perfect he would serve for a study.
I polished the lenses, focused anew on the tree, marked the limits of exposure, inserted a plate, and had everything ready. Then I brought out the female, Molly-Cotton walking beside me hovering her with a net. The moth climbed from the twig to the tree, and clung there, her wings spread flat, at times setting them quivering in a fluttering motion, or raising them. While Molly-Cotton guarded her I returned for the male, and found him with wings so hardened that could raise them above his back, and lower them full width.
I wanted my study to dignify the term, so I planned it to show the under wings of one moth, the upper of the other. Then the smaller antennae and large abdomen of the female were of interest. I also thought it would be best to secure the male with wings widespread if possible, because his colour was stronger, his markings more pronounced. So I helped the female on a small branch facing the trunk of the tree, and she rested with raised wings as I fervently hoped she would. The male I placed on the trunk, and with wide wings he immediately started toward the female, while she advanced in his direction. This showed his large antennae and all markings and points especially note worthy; being good composition as well, for it centred interest; but there was one objection. It gave the male the conspicuous place and made him appear the larger because of his nearness to the lens and his wing spread; while as a matter of fact, the female had almost an inch more sweep than he, and was bigger at every point save the antennae.
The light was full and strong, the lens the best money could buy, the plate seven by nine inches. By this time long practice had made me rather expert in using my cameras. When the advancing pair were fully inside my circle of focus, I made the first exposure. Then I told Molly-Cotton to keep them as nearly as possible where they were, while I took one breathless peep at the ground glass.
Talk about exciting work! No better focus could be had on them, so I shoved in another plate with all speed, and made a second exposure, which was no better than the first. Had there been time, I would have made a third to be sure, for plates are no object when a study is at all worth while. As a rule each succeeding effort enables you to make some small change for the better, and you must figure on always having enough to lose one through a defective plate or ill luck in development, and yet end with a picture that will serve your purpose.
Then we closed the ventilators and released the moths in the conservatory. The female I placed on a lemon tree in a shady spot, and the male at the extreme far side to see how soon he would find her. We had supposed it would be dark, but they were well acquainted by dusk. The next morning she was dotting eggs over the plants.
The other cocoons produced mostly female living moths, save one that was lost in emergence. I tried to help when it was too late; but cutting open the cocoon afterward proved the moth defective. The wings on one side were only about half size, and on the other little patches no larger than my thumb nail. The body was shrunken and weakly.
At this time, as I remember, Cecropia eggs were the largest I had seen, but these were larger; the same shape and of a white colour with a brown band. The moth dotted them on the under and upper sides of leaves, on sashes and flower pots, tubs and buckets. They turned brown as the days passed. The little caterpillars that emerged from them were reddish brown, and a quarter of an inch long.
I could not see my way to release a small army of two or three hundred of these among my plants, so when they emerged I held a leaf before fifty, that seemed liveliest, and transferred them to a big box. The remainder I placed with less ceremony, over mulberry, elm, maple, wild cherry, grape, rose, apple, and pear, around the Cabin, and gave the ones kept in confinement the same diet.
The leaves given them always were dipped in water to keep them fresh longer, and furnish moisture for the feeders. They grew by a series of moults, like all the others I had raised or seen, and were full size in forty-eight days, but travelled a day or two before beginning the pupa stage of their existence. The caterpillars were big fellows; the segments deeply cut; the bodies yellow-green, with a few sparse scattering hairs, and on the edge of each segment, from a triple row of dots arose a tiny, sharp spine. Each side had series of black touches and the head could be drawn inside the thorax. They were the largest in circumference of any I had raised, but only a little over three inches long.
I arranged both leaves and twigs in the boxes, but they spun among the leaves, and not dangling from twigs, as all the cocoons I had found outdoors were placed previous to that time. Since, I have found them spun lengthwise of twigs in a brush heap. The cocoons of these I had raised were whiter than those of the free caterpillars, and did not have the leaves fastened on the outside, but were woven in a nest of leaves, fastened together by threads.
Polyphemus moths are night flyers, and do not feed. I have tried to tell how beautiful they are, with indifferent success, and they are common with me. Since I learned them, find their cocoons easiest to discover. Through the fall and winter, when riding on trains, I see them dangling from wayside thorn bushes. Once, while taking a walk with Raymond in late November, he located one on a thorn tree in a field beside the road, but he has the eyes of an Indian.
These are the moths that city people can cultivate, for in Indianapolis, in early December, I saw fully one half as many Polyphemus cocoons on the trees as there were Cecropia, and I could have gathered a bushel of them. They have emerged in perfection for me always, with one exception. Personally, I have found more Polyphemus than Cecropia.
These moths are the gamins of their family, and love the streets and lights at night.
Under an arc light at Wabash, Indiana, I once picked up as beautiful a specimen of Polyphemus as I ever saw, and the following day a friend told me that several had been captured the night before in the heart of town.
CHAPTER XI The Garden Fly: Protoparce Carolina
Protoparce Carolina is a 'cousin' of Celeus, and so nearly its double that the caterpillars and moths must be seen together to be differentiated by amateurs; while it is doubtful if skilled scientists can always identify the pupa cases with certainty. Carolina is more common in the south, but it is frequent throughout the north. Its caterpillars eat the same food as Celeus, and are the same size. They are a dull green, while Celeus is shining, and during the succession of moults, they show slight variations in colour.
They pupate in a hole in the ground. The moths on close examination show quite a difference from Celeus. They are darker in colour. The fore-wings lack the effect of being laid off in lines. The colour is a mottling of almost black, darkest grey, lighter grey, brown, and white. The back wings are crossed by wavy bands of brownish grey, black, and tan colour, and the yellow markings on the abdomen are larger.
In repose, these moths fold the front wings over the back like large flies. In fact, in the south they are called the 'Tobacco Fly'; and we of the north should add the 'Tomato and Potato Fly.' Because I thought such a picture would be of interest, I reproduced a pair—-the male as he clung to a piece of pasteboard in the 'fly' attitude.
Celeus and Carolina caterpillars come the nearest being pests of those of any large moths, because they feed on tomato, potato, and tobacco, but they also eat jimson weed, ground cherry, and several vines that are of no use to average folk.
The Carolina moths come from their pupa cases as featherweights step into the sparring. They feed partially by day, and their big eyes surely see more than those of most other moths, that seem small and deepset in comparison. Their legs are long, and not so hairy as is the rule. They have none of the blind, aimless, helpless appearance of moths that do not feed. They exercise violently in the pupa cases before they burst the shields, and when they emerge their eyes glow and dilate. They step with firmness and assurance, as if they knew where they wanted to go, and how to arrive. They are of direct swift flight, and much experience and dexterity are required to take them on wing.
Both my Carolina moths emerged in late afternoon, about four o'clock, near the time their kind take flight to hunt for food. The light was poor in the Cabin, so I set up my camera and focused on a sweetbrier climbing over the back door.
The newly emerged moth was travelling briskly in that first exercise it takes, while I arranged my camera; so by the time I was ready, it had reached the place to rest quietly until its wings developed. Carolina climbed on my finger with all assurance, walked briskly from it to the roses, and clung there firmly.
The wet wings dropped into position, and the sun dried them rapidly. I fell in love with my subject. He stepped around so jauntily in comparison with most moths. The picture he made while clinging to the roses during the first exposure was lovely.
His slender, trim legs seemed to have three long joints, and two short in the feet. In his sidewise position toward the lens, the abdomen showed silver-white beneath, silvery grey on the sides, and large patches of orange surrounded by black, with touches of white on top. His wings were folded together on his back as they drooped, showing only the under sides, and on these the markings were more clearly defined than on top. In the sunlight the fore pair were a warm tan grey, exquisitely lined and shaded. They were a little more than half covered by the back pair, that folded over them. These were a darker grey, with tan and almost black shadings, and crossed by sharply zig-zagging lines of black. The grey legs were banded by lines of white. The first pair clung to the stamens of the rose, the second to the petals, and the third stretched out and rested on a leaf.
There were beautiful markings of very dark colour and white on the thorax, head, shoulders, and back wings next the body. The big eyes, quite the largest of any moth I remember, reminded me of owl eyes in the light. The antennae, dark, grey-brown on top, and white on the under side, turned back and drooped beside the costa, no doubt in the position they occupied in the pupa case.
The location was so warm, and the moth dried so rapidly, that by the time two good studies were made of him in this position, he felt able to step to some leaves, and with no warning whatever, reversed his wings to the 'fly' position, so that only the top side of the front pair showed. The colour was very rich and beautiful, but so broken in small patches and lines, as to be difficult to describe. With the reversal of the wings the antennae flared a little higher, and the exercise of the sucking tube began. The moth would expose the whole length of the tube in a coil, which it would make larger and contract by turns, at times drawing it from sight. When it was uncoiled the farthest, a cleft in the face where it fitted could be seen.
The next day my second Carolina case produced a beautiful female. The history of her emergence was exactly similar to that of the male. Her head, shoulders, and abdomen seemed nearly twice the size of his, while her wings but a trifle, if any larger.
As these moths are feeders, and live for weeks, I presume when the female has deposited her eggs, the abdomen contracts, and loses its weight so that she does not require the large wings of the females that only deposit their eggs and die. They are very heavy, and if forced to flight must have big wings to support them. I was so interested in this that I slightly chloroformed the female, and made a study of the pair. The male was fully alive and alert, but they had not mated, and he would not take wing. He clung in his natural position, so that he resembled a big fly, on the smooth side of the sheet of corrugated paper on which I placed the female. His wings folded over each other. The abdomen and the antennae were invisible, because they were laid flat on the costa of each wing.
The female clung to the board, in any position in which she was placed. Her tongue readily uncoiled, showing its extreme length, and curled around a pin. With a camel'shair brush I gently spread her wings to show how near they were the size of the male's, and how much larger her body was.
Her fore-wings were a trifle lighter in colour than the male's, and not so broken with small markings. The back wings were very similar. Her antennae stood straight out from the head on each side, of their own volition and differed from the male's. It has been my observation that in repose these moths fold the antennae as shown by the male. The position of the female was unnatural. In flight, or when feeding, the antennae are raised, and used as a guide in finding food flowers. A moth with broken antennae seems dazed and helpless, and in great distress.
I have learned by experience in handling moths, that when I induce one to climb upon bark, branch, or flower for a study, they seldom place their wings as I want them. Often it takes long and patient coaxing, and they are sensitive to touch. If I try to force a fore-wing with my fingers to secure a wider sweep, so that the markings of the back wings show, the moths resent it by closing them closer than before, climbing to a different location or often taking flight.
But if I use a fine camel's-hair brush, that lacks the pulsation of circulation, and gently stroke the wing, and sides of the abdomen, the moths seems to like the sensation and grow sleepy or hypnotized. By using the brush I never fail to get wing extension that will show markings, and at the same time the feet and body are in a natural position. After all is said there is to say, and done there is to do, the final summing up and judgment of any work on Natural History will depend upon whether it is true to nature. It is for this reason I often have waited for days and searched over untold miles to find the right location, even the exact leaf, twig or branch on which a subject should be placed.
I plead guilty to the use of an anesthetic in this chapter only to show the tongue extension of Carolina, because it is the extremest with which I am acquainted; and to coaxing wide wing sweep with the camel'shair brush; otherwise either the fact that my subjects are too close emergence ever to have taken flight, or sex attraction alone holds them.
If you do not discover love running through every line of this text and see it shining from the face of each study and painting, you do not read aright and your eyes need attention. Again and again to the protests of my family, I have made answer—
"To work we love we rise betimes, and go to it with delight."
From the middle of May to the end of June of the year I was most occupied with this book, my room was filled with cocoons and pupa cases. The encased moths I had reason to believe were on the point of appearing lay on a chair beside my bed or a tray close my pillow. That month I did not average two hours of sleep in a night, and had less in the daytime. I not only arose 'betimes,' but at any time I heard a scratching and tugging moth working to enter the world, and when its head was out, I was up and ready with note-book and camera. Day helped the matter but slightly, for any moth emerging in the night had to be provided a location, and pictured before ten o'clock or it was not safe to take it outside. Then I had literally 'to fly' to develop the plate, make my print and secure exact colour reproduction while the moth was fresh.
For this is a point to remember in photographing a moth. A FREE LIVING MOTH NEVER RAISES ITS WINGS HIGHER THAN A STRAIGHT LINE FROM THE BASES CROSSING THE TOP OF THE THORAX. It requires expert and adept coaxing to get them horizontal with their bases. If you do, you show all markings required; and preserve natural values, quite the most important things to be considered.
I made a discovery with Carolina. Moths having digestive organs and that are feeders are susceptible to anaesthetics in a far higher degree than those that do not feed. Many scientific workers confess to having poured full strength chloroform directly on nonfeeders, mounted them as pinned specimens and later found them living; so that sensitive lepidopterists have abandoned its use for the cyanide or gasoline jar. I intended to give only a whiff of chloroform to this moth, just enough that she would allow her tongue to remain uncoiled until I could snap its fullest extent, but I could not revive her. The same amount would have had no effect whatever on a non-feeder.
CHAPTER XII Bloody-nose of Sunshine Hill: Hemaris Thysbe
John Brown lives a mile north of our village, in the little hamlet of Ceylon. Like his illustrious predecessor of the same name he is willing to do something for other people. Mr. Brown owns a large farm, that for a long distance borders the Wabash River where it is at its best, and always the cameras and I have the freedom of his premises.
On the east side of the village, about half its length, swings a big gate, that opens into a long country lane. It leads between fields of wheat and corn to a stretch of woods pasture, lying on a hillside, that ends at the river. This covers many acres, most of the trees have been cut; the land rises gradually to a crest, that is crowned by a straggling old snake fence, velvety black in places, grey with lint in others, and liberally decorated its entire length with lichens, in every shade of grey and green. Its corners are filled with wild flowers, ferns, gooseberries, raspberries, black and red haw, papaw, wild grapevines, and trees of all varieties. Across the fence a sumac covered embankment falls precipitately to the Wabash, where it sweeps around a great curve at Horseshoe Bend. The bed is stone and gravel, the water flows shallow and pure in the sunlight, and mallows and willows fringe the banks.
Beside this stretch of river most of one summer was spent, because there were two broods of cardinals, whose acquaintance I was cultivating, raised in those sumacs. The place was very secluded, as the water was not deep enough for fishing or swimming. On days when the cardinals were contrary, or to do the birds justice, when they had experiences with an owl the previous night, or with a hawk in the morning, and were restless or unduly excited, much grist for my camera could be found on the river banks.
These were the most beautiful anywhere in my locality. The hum of busy life was incessant. From the top twig of the giant sycamore in Rainbow Bottom, the father of the cardinal flock hourly challenged all creation to contest his right to one particular sumac. The cardinals were the attraction there; across the fence where the hill sloped the length of the pasture to the lane, lures were many and imperative. Despite a few large trees, compelling right to life by their majesty, that hillside was open pasture, where the sunshine streamed all day long. Wild roses clambered over stumps of fallen monarchs, and scrub oak sheltered resting sheep. As it swept to the crest, the hillside was thickly dotted with mullein, its pale yellow-green leaves spreading over the grass, and its spiral of canary-coloured bloom stiffly upstanding. There were thistles, the big, rank, richly growing, kind, that browsing cattle and sheep circled widely.
Very beautiful were these frosted thistles, with their large, widespreading base leaves, each spine needle-tipped, their uplifted heads of delicate purple bloom, and their floating globes of silken down, with a seed in their hearts. No wonder artists have painted them, decorators conventionalized them; even potters could not pass by their artistic merit, for I remembered that in a china closet at home there were Belleck cups moulded in the shape of a thistle head.
Experience had taught me how the appreciate this plant. There was a chewink in the Stanley woods, that brought off a brood of four, under the safe shelter of a rank thistle leaf, in the midst of trampling herds of cattle driven wild by flies. There was a ground sparrow near the Hale sand pit, covered by a base leaf of another thistle, and beneath a third on Bob's lease, I had made a study of an exquisite nest. Protection from the rank leaves was not all the birds sought of these plants, for goldfinches were darting around inviting all creation to "See me?" as they gathered the silken down for nest lining. Over the sweetly perfumed purple heads, the humming-birds held high carnival on Sunshine Hillside all the day. The honey and bumble bees fled at the birds' approach, but what were these others, numerous everywhere, that clung to the blooms, greedily thrusting their red noses between the petals, and giving place to nothing else?
For days as I passed among them, I thought them huge bees. The bright colouring of their golden olive-green, and red-wine striped bodies had attracted me in passing. Then one of them approached a thistle head opposite me in such a way its antennae and the long tongue it thrust into the bloom could be seen. That proved it was not a bee, and punishment did not await any one who touched it.
There were so many that with one sweep of the net two were captured. They were examined to my satisfaction and astonishment. They were moths! Truly moths, feeding in the brilliant sunshine all the day; bearing a degree of light and heat I never had known any other moth to endure. Talk about exquisite creatures! These little day moths, not much larger than the largest bumble bees, had some of their gaudiest competitors of moonlight and darkness outdone.
The head was small and pointed, with big eyes, a long tongue, clubbed antennae, and a blood-red nose. The thorax above was covered with long, silky, olive-green hair; the top of the abdomen had half an inch band of warm tan colour, then a quarter of an inch band of velvety red wine, then a band nearer the olive of the shoulders. The males had claspers covered with small red-wine feathers tan tipped. The thorax was cream-coloured below and the under side of the abdomen red wine crossed with cream-coloured lines at each segment.
The front wings had the usual long, silky hairs. They were of olive-green shading into red, at the base, the costa was red, and an escalloped band of red bordered them. The intervening space was transparent like thinnest isinglass, and crossed with fine red veins. The back wings were the same, only the hairs at the base were lighter red, and the band at the edge deeper in colour.
The head of the male seemed sharper, the shoulders stronger olive, the wings more pointed at the apex, where the female's were a little rounded. The top of the abdomen had the middle band of such strong red that it threw the same colour over the bands above and below it; giving to the whole moth a strong red appearance when on wing. They, were so fascinating the birds were forgotten, and the hillside hunted for them until a pair were secured to carry home for identification, before the whistle of the cardinal from Rainbow Bottom rang so sharply that I remembered this was the day I had hoped to secure his likeness; and here I was allowing a little red-nosed moth so to thrust itself upon my attention, that my cameras were not even set up and focused on the sumac.
This tiny sunshine moth, Hemaris Thysbe, was easy of identification, and its whole life history before me on the hillside. I was too busy with the birds to raise many caterpillars, so reference to several books taught me that they all agreed on the main points of Hemaris history.
Hemaris means 'bloody nose.' 'Bloody nose' on account of the red first noticed on the face, though some writers called them 'Clear wings,' because of the transparent spaces on the wings. Certainly 'clear wings' is a most appropriate and poetic name for this moth. Fastidious people will undoubtedly prefer it for common usage. For myself, I always think of the delicate, gaudy little creature, greedily thrusting its blood-red nose into the purple thistle blooms; so to my thought it returns as 'bloody nose.'
The pairs mate early after emerging, and lay about two hundred small eggs to the female, from which the caterpillars soon hatch, and begin their succession of moults. One writer gave black haw and snowball as their favourite foods, and the length of the caterpillar when full grown nearly two inches. They are either a light brown with yellow markings, or green with yellow; all of them have white granules on the body, and a blue-black horn with a yellow base. They spin among the leaves on the ground, and the pupa, while small, is shaped like Regalis, except that it has a sharper point at each end, and more prominent wing shields. It has no raised tongue case, although it belongs to the family of 'long tongues.'