Motion Picture Directing: The Facts and Theories of the Newest Art

A practical handbook and critical survey of motion-picture directing that blends theoretical discussion, practical advice, and interviews with prominent directors. Chapters examine the director's emotional and visual instincts, preparation for production, methods used by directors such as William and Cecil De Mille, D. W. Griffith, Thomas H. Ince, Ernst Lubitsch, Rex Ingram and others, and technical topics like tempo, overshooting, slapstick techniques, art direction, musical considerations, and location work. The author emphasizes experience, visualization, and collaboration among editors, actors, cameramen, and art directors, illustrating how various personal approaches and studio practices shape cinematic outcomes, and offering concrete observations aimed at aspiring professionals and readers interested in film craft.