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Mr. Punch's "Animal Land"

Chapter 42: The Kortnee
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About This Book

A sequence of humorous, illustrated vignettes transforms well-known public figures into fanciful hybrid animals, each entry pairing a detailed drawing with a short, comic caption. The cartoonist frames the collection with a self-mocking preface and recurring jokes, using playful misspellings and mock-authorial asides to set a satirical tone. Individual plates exaggerate mannerisms, attitudes, and public reputations through visual caricature and brisk explanatory lines. Arranged as a numbered catalog of invented species, the work lampoons political and social life by blending whimsical invention with pointed observation.


The Sullivan

No 25.

(Sir Arthur Sullivan.)

I had the esistents of the leading musickle exspurts in aranging the musick on him


The Skippydan
or
Droorileno

No 26.

(Mr. Dan Leno.)

I have had the nicest complements on this picture from Royal Ecademisians. They say it is so full of "veuve."


The Aird
or
Dammynile

No 27.

(Mr. John Aird.)

The back-rownd seen of this pictture is laid at Filey-the-Bewtifull where the damms is to take place


The Coneydoil
or
Shurlacombs

No 28.

(Dr. Conan Doyle.)

This is a Alpyne seen. Please notise the way I have got the glare off the snow.


The Timm

No 29.

(Mr. Timothy Healy.)

I find profeels ever so much easier—there is only one eye to restle with for one thing.


The Leedabar
or
Dikkiwebbsta

No 30.

(Sir Richard Webster.)

There is few drawings that has rowsed more pubblick inthewsiasum than this one


The Trimmadome
or
Willirich

No 31.

(Sir William Richmond.)

I did enjoy doing his hair. It is done like that Cleo de Merroads!


The Wagg
or
Tommibole

No 32.

(Mr. Gibson Bowles.)

Mr Spielman says "this remarkable work is reddolent of the sea and the droring of the wave-forms is worthy of Hook or Eyrecrow."


The Jingonite
or
Yankiturk

No 33.

(Sir E. Ashmead Bartlett.)

Noboddy wasnt ever so pattriottic about other peoples countries as what he is


The Hyah-Hyah
or
Fisklekrank

No 34.

(Sir C. Howard Vincent.)

He is a grate vollenteer too. He is a mixtcher of Moltky and Prince Ruepert at menoovers


The Kurnle
or
Armaghda

No 35.

(Colonel Saunderson.)

I hear he has had this framed for an air-lewm.


The Yauk
or
Rompyjack

No 36.

(Lord Charles Beresford.)

The criticks say I have "happily renderd the sea-brease bloing through his epithettes."


The Punchiboss
or
EphseeBee

No 37.

(Mr. F. C. Burnand.)

This pickture and the nice ritin had a wonderfull bennyfishle effeckt on his state of helth


The Morl
or
Philopat

No 38.

(Mr. John Morley.)

It is a shame to make such a nice gentleman look so plain. There is no dowt I am not a flattrer.


The Fowla

No 39.

(Sir H. H. Fowler.)

The "Maggasene of Art" thinks very highly of this one—the "Morbydetser" of it is so fine it says. I seppose theyre right


The Kortnee

No 40.

(Mr. Leonard Courtney.)

I wish the riting would not come so long but I'm ackwiring such profishensy that I cant bring myself to short ones.


The Padd

No 41.

(M. Paderewski.)

Isnt it rather a sub-aubern tipe of face—not quite what you would exspeckt considdring the fuss.


The Thrums

No 42.

(Mr. J. M. Barrie.)

I dont mean to say he doesnt bat very nice but he might just as well go for long drives out into the country.


The Tobymp
or
Luciwits

No 43.

(Mr. H. W. Lucy.)

I had to leave the ralings out or else you wouldnt have seen him at all


The Weeda

No 44.

("Ouida.")

I had no idea I could do hair so natcheral as this or I would have done it bifore.


The Tree

No 45.

(Mr. Beerbohm Tree.)

Isnt he nice and willowy. It takes a very clothes study of anattemy to draw pessitions like this.


The Lorryit

No 46.

(Mr. Alfred Austin.)

I meant to have drorn him trying to get over a very rustick stile he's got but I quite forgot. It dosnt matter does it.


The Ellen

No 47.

(Miss Ellen Terry.)

I am told Miss Louie Freer is very much hurt at been passed over for this one but hers is a diffrent stile of luvliness—more like a Wattow.


The Sarabee

No 48.

(Madame S. Bernhardt.)

This one seems to combine the suttle charm of a Rumney with the deckretive effeckt of a "peraffleite".


The Villistanph

No 49

(Mr. Villiers Stanford.)

I havnt done justiss to the quire. I havnt quite caught the look of aggytashen and holy enthewsiasum in there eyes—the mouths took up nearly all the room in the face.


The Octavus

No 50.

(Sir Henry Thompson.)

This is "a studdy of exspreshen worthy of the best peeriads of english art" so "the stewdio" says "The impassetoe is very fine" it says. I should never have thaught of that.


The Phil

No 51.

(Mr. Phil May.)

I exspeckt I shall have to pressent this to the Nashnal Portret Gallry—then I shall be handed down as his "muniffisent dona."


The Wunnudiddit

No 52.

(The Perpetrator, E. T. R.)

I fear this will be a dredfull shock to some but they say I musnt tryfle with peaple's effecktions any longer. It seems a pitty to have to rellinquish my "incoggnetow."



Bradbury, Agnew, & Co. Ld.,
Printers,
London and Tonbridge.