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Mrs. Tree's Will

Chapter 34: CHAPTER XIV.
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About This Book

After the death of a generous, eccentric resident, her will ignites lively controversy in a small New England village as neighbors debate how to honor her unusual bequests, including a desired name change. The narrative follows a cast of local characters—ministers, gossipy society women, eccentric poets, shopkeepers, and selectmen—through meetings, letters, and domestic scenes that expose petty rivalries, loyalties, and small‑town pride. Humor arises from manners and misunderstandings, while the plot moves through committees, romantic entanglements, and community negotiations toward a conciliatory resolution that restores social balance and personal connections.

"'Loony and Moony,
Both got spoony,
Dance for Mame when she plays 'em a toony.'

There! I ain't thought o' that for thirty years, I don't believe. There never was a single mite o' harm in Homer that I could see."

"I left school before they come," said Salem. "I was on my fust voyage with Cap'n time they got there. But I ric'llect old Mis' Hollopeter, and the way she used to ride round in that old carryall of her'n. I can see her now, settin' straight as a broomstick, holdin' up that little mite of a green parasol. Covered carryall, too; I remember I used to wonder what on airth she wanted with that parasol."

"Mebbe 'twas charity for the neighbors," said Seth. "She didn't handsome much, old Mis' Hollopeter didn't. I rec'llect the carryall, too. When the boys got big enough, one of them would drive her, and she'd set there and pour poetry into him like corn into a hopper. Home asked me to go one day, and I was so scairt I like t' ha' died. Not but what the old lady meant well, for she did; but what I mean is, them boys never had no chanst to be boys—not like other boys do. Who's this comin'?"

There was a flutter of pink beside the great mallow-bush at the corner of the house; a slender girl appeared, and paused bashfully, with a doubtful smile.

"'Tis Annie Lizzie!" said Salem Rock. "Nice little gal! Come in, Annie Liz, come in! there's no one here only Seth and me. What can we do for ye? Want me to touch up them cheeks with a mite of this red paint? 'Pears to me they ain't quite so rosy as common."

Both men looked approvingly at the girl as she came slowly toward them across the grass. Annie Lizzie never seemed in haste; she was in fact rather slow, but it was a soft, graceful slowness, and her motions were so pretty that one could not wish to hurry them. Everything about the girl was soft, gentle, leisurely; she had little to say, but that little was so pleasantly said, and her soft voice lingered so sweetly over the vowels, that one was sorry when she had done speaking.

She smiled very sweetly on the two middle-aged men. "Good mornin', Mr. Rock," she said. "'Mornin', Mr. Weaver! Ma sent me on an errand to you, Mr. Weaver; I went to the shop fust, and then I thought likely you might be here, so I come along down."

"Yes!" said Seth. "You knew it was about time for all the foolishness there is in Salem Rock to bust out in paint. Look at the figuree he's makin' out of Old Sir there!"

"Yay-us!" said Annie Lizzie, admiringly. "Don't he look nice? I think he's real handsome, Mr. Rock."

Salem Rock nodded, and gave a grunt of satisfaction. "Seth's jealous," he said. "Don't you take no notice of him, Annie Lizzie!"

"She'll hev to take notice of me," said Seth, "or she won't get what she come for. What does your Ma want, little gal?"

"She wanted to know if you was comin' to paint the stairs to-morrow. This festival comin' on and all, she says she's ashamed to have 'em look as they doos."

"The festival ain't goin' up her back stairs, is it?" asked Seth. "I wish it was, and out the back winder and across lots to Tom Fool's Pastur, where it come from."

"Why, Mr. Weaver, how you talk!" said Annie Lizzie, in soft reproach. "I think it'll be elegant. I'm jest as excited about it!"

"Think likely!" grunted Seth. "What kind o' figuree is Pindar goin' to make out of you, young un? Psyche? Wal, it takes all kinds! You tell your Ma them stairs'll have to wait a spell. There's too many folks wantin' the outside o' their cups and platters done up, tell her, for me to 'tend to the insides yet awhile. I'll get round to it bumby, tell her; if ever I get done with this job!" he added, tilting back on his heels, and surveying the white lady. "I s'pose you've got to have three co'ts on her, Sale?"

"That's what!" said Salem. "I'd never skimp Old Marm in her co'ts, not if I had to go in my shirt-sleeves to do it."

"Mr. Rock," said Annie Lizzie, "you promised me you'd tell me some day about those images, and you never. What do they represent, may I ask? They ain't man and wife, be they?"

"I guess not!" said Seth, with a chuckle. "I never heard 'em jaw each other, many times as I've been over 'em. Tell her about 'em, Sale. Annie Lizzie, you set down, and he'll tell the stories now, or, if he won't, I will."

"Sho!" said Salem Rock. "What's the use of rakin' up old stories? These two figgers have set here so long they don't need no stories; they jest belong here, same as the trees doos."

"But I love stories, Mr. Rock!" said Annie Lizzie, in her soft, pleading voice. "Do tell me, Mr. Rock, now please!"

She sat down on the grass, and gathered her pink skirts round her: she might have been a great, soft rose dropped on the green.

"Bile in, Salem!" said Seth Weaver. "You ain't forgot, have ye?"


"'BILE IN, SALEM!' SAID SETH WEAVER, 'YOU AIN'T FORGOT, HAVE YE?'"


CHAPTER XI.

SPINNING YARNS

"No, I ain't forgot," said the older man, slowly; "nor like to forget."

He laid his brush down carefully after a critical glance at "Old Sir's" buttons.

"I guess mebbe I'll let them buttons dry a spell before I put on the last co't," he said. "No, I ain't forgot, Seth; but it takes a kind of a h'ist to get back into things that seems so long ago you kinder think they must have happened to somebodys else beside yourself.

"Wal, little gal, these two figgers is figgerheads, you see: kem off two ships I sailed in long before your two bright eyes opened on to this world of sin and—"

"Deestruction!" said Seth Weaver. "Chirk up a mite, Salem! This ain't a funeral, is it?"

"I dono but 'tis, kind of," said Salem Rock, soberly. "It's amazin' how many folks is dead and buried nowadays. Howsoever, them was two good ships, the Merchant Cap'n and the White Lady. Old Sir here, he come off the Cap'n; they made her over into a barge, and I begged for him, and they let me have him. The builder meant him for a kind of compliment to Cap'n Tree; sing'lar compliment, I used to think. Cap'n Tree was a pictur' of a man, if ever I sot eyes on one, and Old Sir always resembled a wooden image, and no special reason why he shouldn't.

"Wal, I took my fust voyage in the Merchant Cap'n; I was cabin-boy, and Mis' Tree was along; it was the last voyage but one they took together, him and her, and I was along on both. Wal, sir, I tell you 'twas a sight to see them two sail a ship together. He'd taught her navigation, and she took to it like them bees to that rocket yonder. She was as good a navigator as ever I see. We was tradin' round Borneo ways, and had laid in a cargo of spices and truck, and started on the homeward voyage. Come up a hurricane, and blowed us clear'n out of our course; went on blowin', and kep' us hitherin' and thitherin' for three days, till we didn't know where we was, nor hardly whether we was in this world at all, or that part of the next that we wasn't anyways particklar about bein' in. The third night of it was the wust, and, gorry! I tell ye 'twas awful! and then all of a suddin, like takin' off your hat, it fell dead calm. When mornin' broke, 'twas wuss yet, for there was land dead ahead, and the Merchant Cap'n driftin' on to it as fast as tide could take her. Wal, Mis' Tree had jest come up-stairs, and I tumbled up behind her, cur'us as a monkey, same as all boys be. She looks at the land, and then up at Cap'n, that quick way she had, like a bird. 'What is it?' she says; and Cap'n says, 'Solomon Islands!'

"I hadn't no notion what that meant; I thought from the sound it might be some extry fine place, like the Bible, ye know, cedars of Lebanon, and Queens of Sheby, and like that; but Cap'n's voice had a queer sound to it, and I looked at him, and he was the color of her there!" he nodded toward the white image.

"Little Mis' Tree, she never turned a hair, though she knew what I didn't, that them islands was cannibal, the wust sort, and no white man had ever come off 'em inside his own skin. She never turned a hair, only slid her mite of a hand into his, and said, quiet-like: 'We're both here, Ethan!' Cap'n give a kind of groan. 'I'd give my soul, Marshy,' he says, 'if you was safe to home!' She stood up straight—Jerusalem! I can see her now; 'twas like a flame risin', near as I can put it—and looks him in the face. 'I be to home!' she says; that was every word she said.

"Wal, word got round what land it was,—some of the crew had been that way before,—and I tell ye we was a pooty sick-lookin' crew. There warn't a breath o' wind, nor the shadow of a breath; and we kep' on a-driftin', till pooty soon we could see the shore plain, and black savages runnin' up and down, hollerin', and wavin' their arms. They see us, and were all ready for us; and pooty soon we could make out that they was pilin' up logs o' wood, makin' fires—Seth, what in time made you start me in on this yarn? 'Tain't no kind o' thing for this gal to hear."

Annie Lizzie's eyes were like brown stars, her cheeks like Old Sir's carmine stock. "Oh, Mr. Rock!" she cried, "if Mis' Tree could bear it, I guess I can. Please go on! I have to hear the rest. And besides," she added, naïvely, "of course I know you wasn't all—"

She paused.

"No, we wasn't eat," said Salem Rock; "but I tell ye, little gal, we was as near it as a person is anyways desirous to come. We was that near, we see them critters grinnin' their white teeth at us, and heard their devils' screechin' and chatterin'. When it got to that, Cap'n called the crew aft, and told 'em, quiet and easy, how things was.

"'If the wind comes up within ten minutes,' he says, 'we are safe; if not, then we've had our time in this world,' he says, 'and behoves us be ready for another. I see no reason, and Mis' Tree sees no reason, why we should go in that beastly fashion yonder,' he says, pointin' to the yellin' savages; 'and therefore I have give my orders, and before we touch that shore the doctor will serve an extry grog, that will take you through sleep to the presence of your Maker, and may He have mercy on your souls and mine!'

"'Amen!' says Mis' Tree, clear and crisp; and I see she had a little bottle in her hand, holdin' it tight, and the other hand in Cap'n's. Jerusalem! she had grit!

"Wal, there was no words said. 'Twas a good crew, 'most all of 'em Quahaug men; your father was one of 'em, Seth."

Seth nodded gravely.

"But we got together forrard, and watched the shore, and Cap'n and Mis' Tree stood aft and kep' their eye on the wind.

"That shore come nearer; it come nearer than was anyways comfortable. I warn't nothin' but a boy, and I can remember wonderin' whether the folks to home would ever know, and whether Cap'n would write the story and put it in a bottle, same as in books I'd read; and what'd become of the ship, and the little monkey I was tamin' for my sister. And then—then somebody sung out somethin', and I turned round; and there stood Cap'n Tree, with the tears runnin' over his face, and his arm up, p'intin' at the pennon on the masthead.

"'Bout ship!' he says; and that same moment come a puff o' wind from the shore; and then pooty soon another; and then the land-breeze set in good and steady.

"The helmsman put her about, and she come round with a dip and a sweep like a dancin' lady, and went curtseyin' off over the waves—you never see a sight like that, little gal, nor never will see.

"'Let us give thanks to Almighty God!' says Cap'n Tree; and we give 'em, kneelin' on the deck."

Salem Rock drew a long breath, and took up his brush again.

"There!" he said. "You've had your story, Annie Lizzie. I dono as it's a very pooty one, but truth ain't allers pooty, I've noticed."

"Oh, it's a wonderful story, Mr. Rock!" cried little Annie Lizzie. "I thank you a thousand times for tellin' me. But ain't you goin' to tell the other one, too, about the lady? Please, Mr. Rock!"

"I guess not!" said Salem. "I guess I'm jaw-weary for this time."

"No, you ain't," said Seth Weaver. "Take more'n that to jaw-weary you, Sale, with the practice you have," and he cast a cautious glance at the house. "Let the little gal hev the other story if she wants it. Fust thing we know you and me'll be to Kingdom Come, and who's to tell the stories then? The young folks ought to know 'em, too; this one special. Bile in, old hoss!"

Salem Rock drew another long breath. "You tell her about the spar yonder," he said, "while I third-co't these buttons; I've got to give my mind to 'em. I ain't the only man ever was to sea, Annie Lizzie: you sick him on to spin you that yarn, and then we'll see."

"Sho!" said Seth. "Ain't no story to that. All about it, Sale and me was both shipwrecked one time,—'twas after Cap'n Tree was dead,—and us two and that spar was all that come ashore. Now go 'long, and let her hear about the White Lady, and let the buttons go to Tinkham and see the sights."

Salem Rock cast a glance of affectionate comprehension at his companion. It was little less than heroic for Seth Weaver, the best story-teller in Quahaug, thus to break and knot up his favorite yarn, the proper spinning of which took a good half-hour; but it was very rarely that Salem Rock could be brought to tell these two sea tales, and Seth was a good friend and a good listener.

So, when he repeated "Go 'long!" Salem nodded, and laid down his brush again.

"It's easy to see you're doin' this job by the day," he said. "I dono as Mis' Weight'll ever get them stairs done at this rate. Wal, if I've gotter, I've gotter, I s'pose. Up anchor and square away, hey? Wal, her there," he nodded toward the White Lady, "was figgerhead and likeness, fur as I know, to the White Lady of Avenel, full-rigged ship, seven hundred and fifty tons, Ethan Tree master and owner. She was a clipper, the White Lady was, if ever such sailed the seas. Old Marm here is a fine-appearin' woman, fur as she goes,"—he indicated by a wave of his hand the incompleteness which marred the perfect symmetry of the figure,—"but she ain't to be named within a week of the vessel herself. Mis' Tree named her out of a book she'd ben readin',—she was a great reader,—and had her all painted white, not a dark spot on her; I tell ye, she was a sightly vessel. So we sailed for Singapore, and I was second mate then, and prouder than ary peacock ever strutted, because I was young for the berth, ye see, and Cap'n promoted me for efficiency, so he said. Had a good voyage, and discharged our cargo, and loaded up again with coffee and raw silk, and off for home. Wal, sir, all went as it should the fust few weeks, though I was none too well pleased with the make-up of the crew. That is to say, most of 'em was all right, or would have ben if they'd ben let alone; but two of 'em was strangers, picked up at Singapore, where two of our men died of jungle fever; and the fust mate broke his leg, ridin' a fool four-legged hoss, and had to be left in hospital; so we was both short-handed and left-handed, as you might say.

"Still we got on, and mebbe we might have come through all right, but then Cap'n took sick. I think he got some kind o' malaria p'ison ashore, and Mis' Tree thought so, too: anyway, he was terrible sick, and she nussed him, and run the ship, her and me together. She was allers good to me, ever sence she bought my mud pie when I was no more'n a baby; and we had good weather, and so things went from day to day after a fashion.

"But them two strangers, they was ugly, grumble-groan kind of fellers, lookin' for trouble. You mind me, Annie Lizzie; a man that's lookin' for trouble will find it, if he has to break the eggs from under a settin' hen to get at it. The minute these two fellers heard Cap'n was sick, they see their chance, and they commenced workin' on the men, talkin' of 'em round, and makin' 'em think they was abused. You mind this, too, little gal; you tell a man often enough that he's got a crick in his back, and he'll come to think it's broke, and go hollerin' to raise the roof for a plaster to mend it. Same way with our men: some of 'em, that is. There was others that was all right, and stayed all right, but yet, you know how 'tis: when there's two-three bad ones in a crew, it makes trouble all through, someways."

Seth nodded sympathetically. "Same as a drop o' paint'll rile a hull pail o' water; or take it t'other way round, a spoonful o' water'll spile a hull can o' paint."

"That's so!" said Salem Rock, gravely. "Ile and water, good and evil; the Lord can mix 'em so they'll make a good wearin' color, but the hand of man cannot so do. Wal, come one day, Cap'n was so bad, Mis' Tree didn't leave his side all the mornin'; and I was busy with the log, and one thing and another, and, all about it, these fellers thought they see their chance to hatch up a mutiny. There was a big feller in the crew, Bob Moon his name was; a good seaman, but he warn't more'n half there in his upper story. He'd had a block drop on his head, and it kind o' mixed his idees so they never got straight. He was sort o' gormin' and gappin' most of the time, and he'd go anyways any person had a mind to head him, and go hard, for he had the stren'th of a bull and the mule-headedness of a—of a mule. Wal, these fellers—Faulkner and Higgins their names was—they got holt of Bob and two-three others, and give 'em to understand now was their time. Cap'n sick, and her tendin' of him, and me nothin' but second mate; and they allowed they'd ruther stop at the Azores and drop us three there, and go off with the vessel, tradin' on their own account. See? quite a pooty plot they hatched up; might ha' ben a story-book. But they got holt of the wrong stick when they tackled Ben Gray, the ship's carpenter. Ben was a straight stick of white pine timber as ever I see. He give 'em a smooth answer; said he'd think it over, and let 'em know, and he shouldn't be surprised if there was considerable in what they said, and like that; and then he come hotfoot and told me every word, and what should we do? I took him straight down to the cabin, and called Mis' Tree to the door and told her. She looked us right through, as if she was countin' the j'ints in our back-bones. 'Are most of the men straight?' she says. So we told her how 'twas, most of 'em was all right at bottom, but yet they'd got sorter warpled through these fellers workin' on 'em, and we was feared there might be trouble. She studied a bit, still sarchin' us with them black eyes of her'n—gorry! seemed as though I could feel my soul rustlin' round uneasy inside me. Then she give us our orders, quick and quiet, and not too many of 'em; and we went off, and l'itered up on deck separate, and I sot down behind one of the bo'ts, nigh hand to the companion, and coiled rope. It was Bob Moon's watch on deck, and he was hunchin' round, mutterin' and growlin', and I could see he was workin' himself up to somethin'. 'Twarn't a gre't while before up comes Ben Gray, and with him Faulkner, one of the two grumble-groans, talkin' mighty earnest. 'Here!' says Ben. 'Here's Bob Moon this minute. He's safe, ain't he?'

"'Bet yer life,' says Faulkner. 'He's all pie for us!' he says; 'ain't yer, Bob?' and Bob hunches himself and rubs his big hands, and allows he'll fix things to beat creation once he gits started.

"'You tell him, then,' says Ben, 'what you've jest told me, and mebbe we can run it off to-night,' he says.

"Moon was sittin' on the hatchway, with his back to the stairs, and Faulkner squats down beside him and commences dealin' out to him what he proposed; and Gray stood back a leetle mite, and I peeked round the eend of the bo't.

"Then—we never heerd a sound; but, all in a minute, there was Mis' Tree standin' behind them two, close up. They was both men that had hair, Bob with a curl on him like a mattress, and t'other a kind o' thick tousle like a yeller dog's. That little woman never spoke, but she took those two by the hair—twisted her little hands in and got a good holt—and brought their two heads together with a crack—Jerusalem! 'twas like a pistol-shot! Every man on board jumped, and come runnin' to see what was up; but them two never stirred, jest sot there: their wits was clean jarred out of 'em. Then Mis' Tree spoke up, clear and crisp; she never hollered, she no need, her voice carried like a trumpet.

"'Mr. Rock,' she says, 'put this man in irons, and George Higgins the same. Bob Moon, you come with me; I want you to nurse Cap'n for me. The rest go to your quarters.'

"She took holt of Bob's collar—he was nearer seven foot than six, and had the brea'th of an ox—and give a little h'ist, and he come up like he was a rag dolly. 'Come along, Bob,' she says, 'Cap'n wants you,' and she marched him off like Mary had a little lamb, and he nussed Cap'n like his own mother from that hour. Further and moreover, he got his wits back likewise from that hour. Yes, sir, he did so. 'Peared as if one blow had shook his brains one way, and the next shook 'em back the other; I expect there wasn't enough of 'em to fill his head solid, so they wouldn't travel. And that man nussed Cap'n, and follered Mis' Tree like a span'el dog the rest of the voyage."

"But what become of those two mean men, Mr. Rock?" asked Annie Lizzie, who had followed the story with breathless interest. "Did they make any more trouble?"

"Not a mite!" said Salem Rock. "They was put in irons, and so remained till we come to the Azores, and there we left 'em, though not so agreeable to their wishes as the way they had planned. It seemed they belonged there, and was wanted for various causes; so we left 'em in the calaboose and come away. But for Cap'n's bein' so poorly, I'd never ask for a better voyage. The men was like pie, every man Jack of 'em, and if Mis' Tree wanted to wipe her shoes, there warn't ary one but would have ben proud to be her door-mat. Yes, sir; that was a great voyage—till it come to the eend."

He was silent; and Annie Lizzie, thinking the tale was over, made a motion to rise, but Seth checked her with a silent gesture.

"Go on, Sale," he said, quietly. "Finish up, now you're about it."

"There ain't but a little more," said the old sailor, speaking half to himself. "It behoved to be a good voyage, for it was the last. Cap'n fit hard, and she fit for him, but 'twas not so to be. The p'ison, or whatever 'twas, had got too strong a holt on him; he couldn't shake it. But yet for awhile, when we was nearin' home, he seemed to gain up a mite, and would come up on deck, and set and see her take the observation, and pass the time of day with the boys. Looked like his shadow, he did, and white as his shirt under the tan; but his courage was good, and he was allers sayin' he'd get well so soon as he was to home.

"'Home, Marshy!' he'd say. 'We'll be there soon, little woman!'

"And she'd nod and smile, and say they would so, sure enough; and Bob Moon'd go off and cry behind a bo't. I punched his head good every time I co't him at it, fear they'd notice, but I don't think they did, they was wropped up in each other.

"Wal, at last and finally, sure enough we sighted Quahaug P'int. It was a fine day, I ric'llect, south by west, clear and warm; pretty a day as ever I see. Cap'n was on deck, and he was mighty weak that day. His voice was no more'n a whisper, but yet cheerful, you understand, and he had a word for every one that come by, and we all made out to come by, one errant or another. She was sittin' beside him, fannin' him, and talkin' away easy and pleasant, tellin' how that they'd be in soon now, and Lucy—that was Mis' Blyth, their daughter, Arthur's mother—would be comin' from the West to visit 'em, and all; and Cap'n listened, and seemed real pleased, and put in a word now and again.

"I was standin' close by, makin' believe tinker somethin',—I was allers nigh hand them days, case o' need,—when the lookout says, 'Quahaug P'int in sight, Cap'n! 'and we looked, and there it was, sure enough, and the sun goin' down behind it, and the water all the likeness of gold in between. Cap'n raised his head, and begun to talk sudden and quick. 'Marshy,' he says, 'I couldn't find a pineapple this mornin',' he says; 'but here's custard-apples and turtles' eggs; we'll manage to make out a breakfast,' he says. I looked up at him, and his eyes were bright as lamps, and his cheeks like fire. Mis' Tree put her hand on his arm, quiet like. 'That's just as good, Ethan,' she says. 'Them's beautiful,' she says; 'I was gettin' kinder tired of pineapples.' Then he goes on, sort o' like talkin' to himself. 'True blue, little Marshy!' he says. 'True blue, little wife! we'll get home yet; safe home, safe home!'

"Then all of a suddent he riz up to his feet, stood up every inch of him,—he was a tall man,—and stands lookin' out forrard. 'Sail ho!' he says, 'sail ho! we'll see home again, home!' and he dropped back in her arms, and his sperit passed."


CHAPTER XII.

MISS WAX AT HOME

Miss Bethia Wax was at work one afternoon, bending over her little round table, busily plaiting a hair chain, when she heard her front door open. She looked up in some disturbance, for Phœbe, the little maid, was out, and there were few visitors, since Mrs. Stedman died, with whom she was on "run-in" terms: her disturbance was not lessened when the billowy form of Mrs. Malvina Weight appeared in the doorway.

"Good afternoon, Malvina," said Miss Wax, rather coldly. "I heard no knock; I trust you have not been kept waiting. My domestic is out."

"Yes, I see her go past the house," said the visitor, "and I thought I'd jest make a run-in. How are you feelin', Bethia? You're lookin' re'l poorly. I noticed it in meetin' last Sabbath. I said to myself, 'That woman is goin' jest the way all her fam'ly has, and she the last of 'em. As a friend of the fam'ly,' I said, 'it's my dooty to warn her'; and so I do."

Mrs. Weight sat down, and fanned herself with a small and rather dingy pocket-handkerchief.

"I am much obliged to you," said Miss Bethia. "I am in my usual health, Malvina, though I am never very robust. I was always delicate, as you may say, but yet I don't know but I have held my own with others of my age. Flesh isn't always a sign of health," she added, not without a touch of gentle malice.

"I expect I am aware of that!" cried Mrs. Weight. "I expect there's few knows the frailness that comes with layin' on flesh. What I suffer nights is beyond the power of tongue to tell. But all the more it behoves me, as the widder of a sainted man and deacon of this parish, to do my dooty by others; and I ask you, Bethia Wax, if you are doctorin' any."

"I am not," said Miss Bethia, dryly.

"Well, you ought so to do," said Mrs. Weight, impressively. "It come to me right in meetin', when I ought to have ben listenin' to the sermon,—though the land knows I have hard work to listen sometimes, the sort o' talk Elder Bliss gives us: Gospel's well enough, but a person wants some doctrine, and it don't set good, any way, shape, or manner, for a man of his years to be the everlastin' time tellin' them as might be his mothers that they'd oughter do thus and so. I was leadin' in prayer when Elder Bliss was a bottle-baby, at least he looks it if ever I see one. But what I started in to say was, it come over me all of a suddent that what you wanted was a bottle of my spring med'cine, and so I brought you one."

She produced a bottle from under her shawl, and set it on the table with a defiant air.

"I am much obliged to you, Malvina," Miss Wax began; but Mrs. Weight went on impressively.

"Now you want to take that med'cine, Bethia Wax! You want to take a gre't spoonful with your victuals, and in between your victuals. You take three bottles of that remedy, and you won't know yourself for the same woman. If you're a mind to pay me fifty cents for this bottle and sixty for the next two (that's thirty cents apiece, three spoonfuls for a cent, less than half what you'd pay for any boughten stuff), you may, and, if not, it's all ekal to me; the Lord will provide. He feeds the ravens when they call, and I've never had no doubts of bein' one, far as I'm concerned."

Mrs. Weight here drew a long and deep breath, settled herself deeper in her chair, and took a fresh start.

"So now that's off my mind, and my dooty done, whether it's ordered that you should remain, or pass away same as your folks has done. Now, there's another thing I come to speak about. Be you goin' to march in this procession?"

Miss Wax colored painfully. "I have not decided, Malvina," she said. "I am considering the matter. Mr. Pindar Hollopeter has invited me to appear as—as Minerva—"

"There!" exclaimed Mrs. Weight. "I knew it. I felt it in these bones!" She indicated the spaces which veiled her anatomy. "I felt certing to my inwards that this would end in pagan blasphemy, and so it has. Oh, that I should live to see jedgment on this village, as I've lived in, and my fathers before me, sence—"

"I do not understand you, Malvina," Miss Wax interrupted, with some warmth. "The Mr. Hollopeters are Christian men, I believe; at least, I know Homer is, and I've never heard anything to the contrary about Pindar."

"Have you ever heard anything about Pindar, anyway?" cried Mrs. Weight, her little eyes gleaming. "Do you, or doos any one in this village know, how or where that man has ben livin' these thirty years past? He never was one to hide his light under a booshel, if he had any to hide. Don't tell me, Bethia Wax! For thirty years Pindar Hollopeter has ben livin' let them know how as he serves, and never a cent, nor so much as a breathin' word for the place that give him birth. But direckly he hears that Mis' Tree has passed away, and left her money to Homer, and Satan's own words and works in regards to changin' the name of this—"

Miss Bethia interrupted her again, promptly. "Malvina," she said, firmly, "I have told you before, and I tell you again, that no word disrespectful to Mrs. Tree shall be spoken in this house. There is no need of bringing her into this matter at all; but I should like to know why you call the Festival Procession pagan."

"And ain't it pagan?" cried Mrs. Weight, leaning forward, her hands on her knees. "Ain't you jest told me with your own lips, Bethia Wax, that he asked you, a church-member in reg'lar standin', to strut and stomp as a heathen goddess, in heathen clo'es? Ain't that enough? Hasn't he got all the girls in this village takin' their Mas' best sheets and table-cloths and sewin' of 'em up to make toonics for muses and graces and all sich pagan trollops? Ain't that enough? Do you think sheets is fit and suitable clo'es for church-members? or table-cloths? And 'tain't as if he hadn't ben shown a better path. 'Pindar,' I said, when he come to see about Annie Lizzie, 'you get up an Old Folks' Concert,' I says, 'and I'll be the Goddess of Liberty for ye,' I says. I had that red, white, and blue buntin', you know, that we hired for the Centennial. Some of it was damaged, and the man wouldn't take it back, and it's ben in my attic ever sence; and I thought 'twould be a good way to use it up, and help him out at the same time. Why, Bethia, that man looked at me—why, I believe he's ravin' distracted; he poured out a string o' stuff that hadn't no sense or meanin' in it; and then said, 'Shakespeare,' as if that made it any better. Deacon never would have Shakespeare's works in the house; he said they was real vulgar, and that was enough for me. So he see I was real indignant, and he blinked his eyes and spoke up and said I might be a Roman matron if I was a mind to. But I says, 'No, sir!' I says. 'I am an American lady, and the widder of a sainted man, and I am not goin' travellin' and traipsin' in heathen and publican clo'es, whatever others may do!' and so I come away, and left him flappin' there on the door-steps. He's ravin' crazy, Pindar Hollopeter is; he'd oughter be shut up. And I told Annie Lizzie she shouldn't have anything to do with it in any way, shape, or manner. She's ben bawlin' all day about it, but I tell her I didn't take her out of the street to have her rigged out with wings. If she'd think of her end, I tell her, and how she can aim a pair to walk the golden streets with, it would set her better. Well, I must be goin', Bethia; I only run in jest for a minute. Now I hope you'll take that med'cine reg'lar, and benefit by it. I couldn't answer to Deacon when I meet him in glory if I hadn't done my dooty to them as is neighbors to me, specially when they look as gashly as you do, Bethia; but I'm in hopes we've taken it in time, and you may be spared. Good day!"

The visitor gone, Miss Wax heaved a sigh of relief, and tried to settle to her work again; but it would not do. Her mind had been disturbed, and, as she often said, her profession required calm. The hand must be steady, the nerves tranquil, or the delicate strands would twist and knot; and now her long, slim fingers were trembling, and the silken threads danced before her eyes. "I must give it up for to-day," said Miss Bethia, sadly; and she put away the little table, and took out a clean silk duster.

A parlor must be dusted twice in the day, according to Miss Wax's theory: once in the morning, to remove the night's accumulation of dust, and again toward evening, to take up such particles of the evil thing as had settled during the day on chair or table, book or ornament. The morning task was an anxious one, and apt to be complicated by fears of the coffee's boiling over; but the afternoon dusting was one of the good lady's pleasures, and she took her time over it. She loved to linger over the glass cases, polishing them, admiring the treasures they protected, and recalling the circumstances of their making. It was pleasant to accompany her, as one was sometimes permitted to do, on one of these friendly rounds.

"These pond-lilies," she would say, "were a wedding present to my cousin Cilissa Vinton, deceased. They were admired by some; Cilissa thought they were real, and wished to wear them in her hair. After her lamented death (of spasms), the family returned them to me as a memento. That spray of roses is made of feathers, the breast-feathers of the domestic goose. I never allowed them to be plucked from the living bird, my dear! I used to wear them in my hair; some thought the contrast pretty." And Miss Bethia would sigh gently, and glance at the long mirror, which reflected her tall and angular gentility.

But this afternoon the good lady's thoughts were not reminiscent. As she stood before the rosewood "what-not," lifting each article, wiping it, and replacing it with delicate nicety (I can see them all: the two mandarins, the china baby in the bath-tub,—you could take him out! the whole thing would go into a walnut-shell,—the pink-and-gold Dresden shepherd and shepherdess, the Chinese puzzles, and all the other quaint pleasantnesses), it was of to-day rather than yesterday that Miss Bethia was thinking. Should she—could she—walk in a public procession attired as Minerva? She put aside with an inward shudder Mrs. Weight's characterization of the possible performance. She, Bethia Wax, could not "strut and stomp" if she tried. Her walk was graceful, as she was well aware; in her youth she had been said to glide.

"As a swan o'er the water,
Quahaug's fairy daughter
In majesty maiden doth glide;
May the day Wax and wane
When the sighs of her swain
May waft her to bliss as a bride!"

Homer Hollopeter had written that in her album at a time when she and Pindar were—oh, no! not engaged, certainly not; only very good friends. Homer, she was aware, had regarded her as a sister, had wished—but she never laid it up against Mary; no, indeed! Who could wonder at any one's falling in love with Mary?

And now, after all the years, Pindar had come back; still an elegant man, Miss Wax thought, though nervous, to be sure, sadly nervous. "But perhaps it is his emotions," she said. "No doubt he feels it, coming back after thirty years, and all so changed." And he had pressed her hand, and murmured, "Ye gods!" which was almost profane, Miss Bethia feared,—yet not quite, she hoped; and had asked her to represent Minerva, goddess of wisdom, in the Festival Procession. He was coming this very evening for her answer; what should it be?

Miss Bethia glanced again at the long mirror. The angular, yet not ungraceful, figure, the long, oval face with its delicate features and arched eyebrows, the glossy bands of hair, still jet-black,—the whole reflection was familiar, friendly, not—Miss Wax modestly hoped—not wholly unpleasing. She tried to imagine the figure clad in flowing draperies; there was a rose-colored slip under the spare room spread; sateen always draped prettily; pink was her color, and she could not somehow feel that sheets would be quite—quite what she would wish to be seen in. And—on her head, now! Would a helmet be necessary? There was not such an article in the village, but she presumed with silver paper—and yet, a wreath would be so much more becoming; the feather-work roses, for example! She took them from under their round glass case, and laid them against her hair, then put them back with a sigh. The contrast certainly used to be thought becoming, but somehow—and after all was it suitable? What would Phœbe and Vesta Blyth—what would Mrs. Tree have said?

With the thought, a vision rose before Miss Wax's eyes: a little figure seated in a high-backed chair, leaning on an ebony crutch-stick; black eyes gleaming with merriment, lips curving in a shrewd yet kindly smile—

Miss Wax glanced at the trophy of silver coffee-spoons which still adorned the mantelpiece; sighed again, and turned away from the glass. "After all," murmured dear Miss Bethia, and this time she smiled, though it was a rather wan smile; "after all, Minerva was the goddess of wisdom!"


CHAPTER XIII.

THE SORROWS OF MR. PINDAR

It must not be supposed that Mr. Pindar Hollopeter's path was altogether set with roses at this time; on the contrary, many a thorn and bramble arrested his progress, and the poor gentleman's enthusiasm received many a prickly wound. He had been able to wave Mrs. Weight away with a lofty, "Off, woman, off! this hour is mine!" but there were others who could not be so dismissed. Mrs. Ware had gently but firmly declined to lead the band of Roman Matrons; and Salem Rock, when approached in regard to leading the Village Elders, had expressed his mind with massive finality.

"Pindar," he said, "I don't exactly know what you mean by robes, but my gen'al idee of 'em is somethin' white and flappin'. Now I wore a christenin' robe when I was a baby, and I expect to wear a burial robe when I'm laid out; but, betwixt them two, I expect co't and pants will have to do me. Jest as much obleeged to you," he added, kindly, seeing Mr. Pindar's look of disappointment.

Again, Mr. Pindar was amazed and distressed by the lack of youth and beauty in the village. It did seem unfortunate that Sophy Willow and the three pretty Benton girls were away, and that Villa Nudd's mother was ill and could not spare her. Beautiful Lily Jaquith could not leave her new baby, and Vesta Strong wrote that she should have been delighted to be Juno, but all the children had just come down with chicken-pox. On the other hand, Mr. Pindar found to his dismay that the line between youth and middle age was less closely drawn in the village than in the theatres of the metropolis. That very morning, Miss Luella Slocum had come simpering up to him in the street, and had given him to understand that she would have no objection to taking the part of Psyche "to accommodate," as she heard that Annie Lizzie Weight was not to be allowed to walk in the Procession. Now Miss Luella would never see forty-five again, and her eyes, as has already been intimated, took widely divergent views of things in general; but she had always had a "theatrical turn," she informed Mr. Pindar, and had taken the part of Mrs. Jarley when they had the Wax Works.

"And I do love to accommodate!" said Miss Luella, blandly. "I know what it is to have folks set back and keep out of things, Mr. Hollopeter. I don't know but Mis' Weight is right about Annie Lizzie; she's too young to be dressin' up and comin' forward in public, and besides, she's had no experience, as you may say. You couldn't expect her to have the air, like a person that's had experience. That's what I always say; you have to have the air, or you can't do it as it should be done. Don't say a word, Mr. Hollopeter; I shall be real pleased to help out, and I have a flowered Cretan that I'd like to have you call and see if 'twill do."

"I wonder if he is a little wantin'," said Miss Luella, in telling Miss Eliza Goby of the incident afterward. "He didn't hardly say a word, only give a kind of groan, and flapped his cloak, and begun walkin' off backwards in the most sing'lar way. I'm goin' to take this Cretan in to Prudence this afternoon, and see if she can make it over; it's Princess shape, and that's always stylish, I think; and I thought put on pink silk reveres would kind of liven it up: Psyche wants to look kind of youthful, I presume. The sleeves are a mite snug, but I don't know as that matters; I sha'n't have to raise my arms. What are you goin' to wear, Eliza?"

"White muslin," said Miss Eliza Goby, "and a blue sash, or green, I haven't decided which; green is my color, but I have that blue Roman sash, you know. I think Pindar is queer, Luella. One thing, he doesn't seem to have hardly any knowledge about this village; I don't know as he takes the paper even. Why, he thought I was married, and wanted I should walk with the married ladies; matrons, he called 'em; the idea! I told him I'd never ben married, and didn't hardly know as I should; anyways, I warn't thinking of it at present, and I'd go with the rest of the girls."

"And what did he say?" asked Miss Slocum.

"I don't believe that man is well," said Miss Goby, gravely. "He made pretty much the same answer as he did you, sort of groaned and flapped. I think he had a pain in—in his digestion, and didn't like to speak of it. He's a perfect gentleman, if he is a mite flighty. That man had ought to have him a home, and some one to look after him, that's the fact; him and Homer, too."

"That's so!" said Miss Slocum.

But the unkindest cut of all was administered by the hand of Miss Prudence Pardon. It was Mrs. Bliss who advised him to take counsel with Miss Prudence in regard to costumes in general, and the little lady was smitten with remorse afterward for having done so.

"It was base of me, John, I know," she said; "but I simply could not tell him myself; he was so hopeful and confiding, and so—so pitiful, somehow, John. I don't think he is a bit more crazy than other people,—I believe I am a little cracked myself on some subjects, and I know you are,—only his craziness is in a different line, that we know nothing about. And when he blinks at me with his nice brown doggy eyes, and flaps his little bat-cloak, and says, 'The Dramatic Moment, Mrs. Bliss!' I want to be a Roman Matron, and a Village Elder, and everything else, just to please him. I would, too, if you would let me, John. I don't believe that man had enough to eat before he came here; he's a perfect skeleton."

"I do not precisely see the connection, Marietta, my dear," said the Reverend John, mildly.

"You never do, dear!" replied his wife. "Talk of bats! but—well, so I just told him that I should have loved to if I hadn't been a minister's wife, but that you were a cruel tyrant and wouldn't let me; and then I advised him to go to Miss Prudence, because she would know all about tunics and togas and everything else. I knew, you see, that she was all ready to give him a piece of her mind, because she gave me just a scrap the other day, when I was trying on my blue dimity. It's going to be perfectly sweet, John. Oh, I do hope she will not hurt his poor dear funny feelings too much: she can be frightfully severe."

But even while Mrs. Bliss was speaking, Miss Prudence Pardon, Rhadamanthus in a black alpaca apron, was laying down the law to Mr. Pindar, and emphasizing her points with a stiffly extended pair of shears. Miss Prudence had sat on the same bench at school with the Hollopeter boys, and saw no reason for mincing matters.

"Pindar," she said, "if you hadn't have come to me, I should have held my peace; but seeing as you have come, and asked my opinion, you shall have it, without fear or favor. I think this whole thing is ridic'lous nonsense; and I think if you go on with it as you've begun, you will prove yourself, if I must use such an expression, what I call a gonoph."

Mr. Pindar shrank for an instant before the epithet, but gathered himself together with a protesting wave.

"Madam!" he cried, "you fail to comprehend—"

"Excuse me!" said Miss Prudence, waving the shears in return. "I expect if there's any one in this village as ought to comprehend, it's me, with all I've ben through this week. Do you see that pile of truck?" She pointed stiffly with the shears at a mass of drapery piled high on the haircloth sofa. "There's thirty whole dresses there, let alone odd skirts and polonays. There's full sleeves and snug sleeves, and gored skirts and full skirts, and ruffles and box-plaits, and more styles than ever you heard of in your life, and every material from more antique to sarsnet cambric. I am expected to make all them over into toonics and togas, and the hens only know what other foolery; and I tell you, Pindar, it can't be done, nor I ain't going to try to do it."

She paused for a moment, for Mr. Pindar was waving his arms and flapping his cloak in fervid assent.

"My dear madam," he cried; "my dear Prudence, if I may take the liberty of an old schoolmate, I agree with you fully, entirely. I have endeavored to point out to the ladies with whom I have conversed, that a harmony of costume is absolutely imperative; that flowing drapery—the classic, Prudence, the classic!—is what the occasion demands. A glance at statuary will readily convince you—"

Miss Prudence pointed the shears rigidly. "Pindar Hollopeter," she said, "I have seen considerable statuary in the course of my life, both Parian and wax, and I say this to you: I never see a statue yet with clothes that I would say fitted,—where there was any!" she added, grimly, and compressed her lips. "As to hanging sheets and the like of that on human beings, as if they was clo'es-horses," she went on, "it's no part of the trade I was brought up to, and I've no idee of beginning at my time of life, and so I tell you. Now my advice to you is this: give up all this foolishness of a procession, and have a reception at the house, or the museum, or whatever it is to be called from now on. Have it a pink tea, if you like, and I'll get up some real tasty dresses for the girls, the few there is, and the ladies can receive. That'll part the cats from the kittens, and I dunno's there's anything else will. The idea of 'Lize Goby in white muslin! She'd look like lobster and white of egg, and so I told her.

"The fact is, Pindar," Miss Prudence went on, more gently, laying down the shears for an instant, "you and Homer was both brought up real peculiar, and you're feeling it now. I don't mean to set in jedgment on your Ma, far from it; but look at the way it has worked out. Homer is a poet; well, luckily for him, he got into the post-office, where it didn't do a mite of harm. Homer is well liked and respected by all in this village," she added, benevolently, "and there was no one but rejoiced at his being left well off. But you, Pindar, took to the Drayma. Well, I've nothing to say against the Drayma, either, because I've had no experience of it, nor wished to have, only this: it never had any holt in this village, and when you try to bring it here, you make a big mistake. What is it, P'nel'pe?"

Miss Penny, kindest soul in the village where so many are kind, had been hovering uneasily about the door during this interview. She respected Sister Prudence's judgment highly, and her own cheerful common sense forced her to agree with it in this instance; and yet her heart ached to see Mr. Pindar—such an elegant man!—sitting forlorn and dejected, with drooping head and wings, he who had entered with so jaunty a stride, Importance throned on his brow and the Dramatic Moment flapping in his cloak. She did wish Sister Prudence had not been quite so severe.

But now Miss Penny looked in, with anxious eyes and heightened color. "Excuse me," she said. "I see some of the ladies comin', Sister, and I thought likely they was comin' to try on. I didn't know but Mr. Hollopeter would wish—" She paused to listen, and then hurried back, for already the little shop was full of voices.

"Is Prudence in, Penny? Has she got that polonay ready to try on, think?"

"Penny, I want to know if you've got any linin's to match this pink cheese-cloth; it don't hardly show over white."

"Penny, I found this up attic, and I've come to show it to Prudence. See here! don't you think it'll make an elegant toonic, take and piecen it out with a Spanish flounce, and cut off this postilion? Shall I go—"

Mr. Pindar sprang to his feet and looked wildly about him. Miss Prudence spoke no word, but, raising the shears, pointed toward the red-curtained glass door that opened into the little back garden.

"—right in?" The door from the shop opened, and admitted Mrs. Pottle, her massive arms filled with polka-dotted purple merino.

"How are you, Prudence?" said Mrs. Pottle. "You look feverish."

"I'm as well as common, thank you," said Miss Prudence, grimly. "Won't you be seated?"


CHAPTER XIV.

THE DRAMATIC MOMENT

Mr. Pindar, as has already been said, was to call on Miss Wax that evening for her answer; but Mr. Homer was before him, for this was Friday evening, which the little gentleman invariably spent with his life-long friend. Punctually at a quarter before eight he appeared, and found Miss Wax ready for him, sitting under the portrait, with her elbow resting on the little table. Her silk dress, of the kind called chiné, displayed bunches of apple-blossoms on a pale purple ground; she wore a scarf of rose-colored crape, and a profusion of hair jewelry. Mr. Homer, as he advanced to greet her, made his usual mental comment that she was an elegant female, and pressed her hand cordially; Miss Bethia returned the pressure, and inquired anxiously for his health. "I trust you are feeling better, Homer," she said, kindly; "all this excitement is very disturbing to you, I am sure. But it will soon be over now."

Mr. Homer sighed, as he took his accustomed seat. "Either it or I must soon be over, Miss Bethia," he said, mournfully. "I feel that I cannot much longer cope with—a—the present circumstances. I am aware that I should have more fortitude; more—a—longanimity; but—as the lamented Keats has it, 'Misery most drowningly doth sing in my lone ear.' The cup of joy, Miss Bethia, has become a poisoned chalice. The firmament outblackens Erebus; the brooks utter a gorgon voice. Many phrases which I have formerly considered as mere poetical ebullitions,—a—wafts of the Wings of Poesy, if I may so express myself,—now seem to me the fit expression,—a—realization,—a—I may say concretion,—of my present state of mind. I thought I appreciated the great Keats before, but—" He waved his hands and shook his head in speechless emotion.

"Can you not dismiss the subject from your mind for a time, Homer?" asked Miss Bethia, soothingly. "Your studies have always sustained you, and have been of great benefit, I am sure, to your friends as well as yourself. Have you written any more of the Epic, the 'Death of Heliogabalus'? I was in hopes you might have another scene to read to me this evening."

Mr. Homer shook his head. "I have not touched the Epic," he said, "since—since the events which have recently concatenated, if I may so express myself. I sometimes think that I shall never touch it again, Miss Bethia."

"Oh, don't say that, Homer!" Miss Wax protested; but the little gentleman went on, with an agitated wave.

"I sometimes feel as if the Muse had deserted me; had—a—ceased to gild with her smile the—shall I say the peaks of my fancy? I have endeavored to woo her back. My brother Pindar is most anxious that I should write an—an ode—for this celebration which he is planning; but the numbers in which I have been in the habit of lisping, and which—I may say to you, my valued friend—were wont in happier days to flow,—to—a—meander,—to—a—babble o'er Pirene's sands, with ease and—and alacrity, now hesitate;—a—reluctate;—a—refuse the meed of melody which—which the occasion demands. My brother Pindar,—you have seen him, Miss Bethia?"

"Oh, yes!" said Miss Wax, softly. "He was here yesterday. He asked—he was so good as to invite me to appear in the Festival Procession as—as Minerva."

Mr. Homer looked up eagerly. "And you replied?" he asked.

"I asked for time to consider," said Miss Wax, looking down. "I need not say to you, Homer, that it is not easy to refuse Pindar's first request, after so many years of absence;" she sighed gently; "but—but reflection has convinced me that it would not be altogether—shall I say suitable? I have never appeared in public, Homer, and I hardly feel—"

She paused, for Mr. Homer was waving his hands and opening and shutting his mouth in great agitation.

"Precisely so!" he cried. "Oh, very much so indeed, my dear friend. It is an unspeakable consolation to find that you share my sentiments on this subject. May I, Miss Bethia,—with friendship's key,—unlock, so to speak, the counsels of my—my bleeding breast? We are old friends: we twa—if I may quote Burns in this connection—ha' paidl't i' the burn,—I speak metaphorically, my dear lady, as I need not assure you,—frae mornin' sun till dine; the poets refuse occasionally the bonds of grammar, and both rhyme and metre require the verb in this instance, as you will readily perceive, even though—"

Mr. Homer waved the subject to its conclusion, and hurried on: "You have also known Pindar from childhood, and have always felt—may I not say kindly, toward the wayward but high-souled lad?"

"Oh, yes!" murmured Miss Bethia, softly, with another gentle sigh.

"This being so," Mr. Homer went on, "I may say to you without hesitation that this whole matter of the celebration is a—is a nightmare to me! I have led a secluded life, Bethia, as befits a votary of the Muse. Blest with a limited but sufficient number of congenial friends, principally ladies,—though William Jaquith and Thomas Candy have been as sons to me of late, as sons,—I have kept, Miss Bethia, the noiseless tenor of my way,—the expression is Gray's, as you are well aware, and is commonly misquoted, even tenor being the customary, though wholly incorrect version;—a—where was I? Oh, yes, as I was about to say, I have kept the noiseless tenor of my way, in peace and pleasantness, hitherto.

"'For indeed,' as the lamented Keats observes in an early poem which is too little known: