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Music and bad manners

Chapter 12: Transcriber’s Note
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About This Book

This work explores the intersection of music and social behavior, particularly focusing on the notorious bad manners exhibited by musicians and audiences alike. It discusses various historical anecdotes about famous composers and performers, highlighting their temperamental natures and the contrast between their public personas and private behaviors. The text also reflects on the evolving role of music in cinema, suggesting that as film continues to develop, the creation of scores for movies will become as significant as traditional compositions. Through a blend of humor and critique, the author examines the complexities of artistic temperament and its impact on both performers and their audiences.

Transcriber’s Note

New original cover art included with this eBook is granted to the public domain.

Minor punctuation errors have been changed without notice. Hyphenation was standardized.

Spelling was retained as in the original except for the following changes:

Page 44: “Greig’s Peer Gynt “Grieg’s Peer Gynt
Page 73: “l’Heure Espagnole L’heure Espagnole
Page 77: “colour of Zurburan” “colour of Zurbaran”
Page 77: “Juan de Juares” “Juan de Juarez”
Page 84: “Fantasy of Farrega” Fantasy of Tárrega”
Page 136: “oder Der misverstandene” “oder Der missverstandene”
Page 178: “is a pointe de depart “is a point de départ