INDEX
A
- Abnormality in Modern Life, 64
- Accident at Sea, 45
- Adaptation of physical functions, 22
- Adequate training, 9
- Age of Music, 36
- Agitation, 6
- Agitation tranquillized, 41
- American craving for rhythm, 95
- American industry, 8
- American talent, 8
- American type of music, 93
- Animals and musical sound, 27
- Appeal of the work, 14
- Appreciation in music, 33
- Aryan appreciation, 39
- Aryan disturbances, 39
- Aryan talent, 25
- Auber and the social mind, 87
- Austria, 114
- Awakening in Italy, 67
B
- Barbarism and its music, 37
- Barders of Tacitus, 30
- Bavaria, 115
- Belgium, 117
- Bellini and the social mind, 62
- Berlioz and the social mind, 85
- Bibliography, 138
- Boildieu and the social mind, 86
- British emotions, 69
C
- Canada and its type of Music, 50
- Catholicism and the ideo-Motor element, 51
- Characterization in music, 30
- Characteristic Italian composition, 67
- Children and Sound, 29
- Chinese use of music, 24
- Chopin and the social mind, 85
- Church influence and the ballad, 91
- Church Choirs, 54
- Church pressure in the United States, 94
- Civilization and bodily disturbance, 7
- Civilization and rhythm disturbances, 37
- Classes reached by musical schools, 10
- Complexity in social pressure, 93
- Complexity in music, 32-36
- Complications in Orchestration, 85-87
- Concerted volition in music, 34
- Concert Tests in Coney Island, 41
- Concert Tests in England, 41
- Concert Tests in Germany, 41
- Concert Tests in Russia, 41
- Concert Tests in United States, 41
- Concert Tests upon Italian Stone Cutters, 50
- Coney Island response to Musical Stimulus, 43
- Contrasts in French and German re-actions, 84
D
- Dancing a need, 65
- Darwin’s theory of music, 19
- Dawn of musical history, 38
- Deafness and carriage motion, 48
- Deafness and music, 48
- Deafness and the telephone, 48
- Decay of the Gens, 36-37
- Denmark, 118
- Depression and Musical stimulus, 46
- Desire for music, 14
- Development of ideas, 25
- Development of internal integrations, 23
- Disturbance expressions, 24
- Disturbance of bodily rhythm, 6
- Disturbances defined, 32
- Dogmatic emotional need, 51
- Donizetti and the social mind, 62
E
- Economic movements, 5
- Effects of rhythmic stimulus, 42-46
- Emotional forces, 5
- Emotional products in music, 56
- Emotions and sound, 13
- England, 119
- English composition, 69
- English support of musical culture, 70
- Equador, 121
- European recognition of Musical need, 10
- Evolution Stages (a) Appreciation, 33
- (b) Utilization, 33
- (c) Characterization, 33
- (d) Socialization, 33
- Evolution of the Eye, 22
- Ethnic music, 36
- Excitable natures, 48
- Experiments, 43
F
- Fees, 105
- First responses to stimuli, 22
- First inter-change of ideas, 22
- First rhythmic inventions, 23
- Foreign talent, 94
- France, 81-122
- Franck and the social mind, 89
- French intellectualism in music, 56
- French opera, 85
- French re-actions, 81
G
- Gens system and emotionalism, 39
- Gentile family, 36
- German folk spirit, 74
- German grand opera, 49
- German lieder, 49
- Germanic tribal music, 29
- Germany, 71
- Giddings note, 34
- Greek Church type, 50
- Gounod and the social mind, 89
- Group re-action to music, 41
- Group tendency in music, 7
H
- Haeckel’s note, 21
- Heart action and modern stimuli, 29
- Heroic opera, 74
- Hindus and the musical ideal, 24
- Holland, 123
- Human liking for like musical motion, 35
- Hungary, 129-135
- Hylobates syndactylus, 22
- Hymnal music, 92
I
- Ideo emotional groups, 49
- Indebtedness for statistics, 16
- Individual experiments, 47
- Inspiration in Columbia College courses, 17
- Intellectual stimuli of tribal life, 27
- Italian Ideals, 65
- Italian life and papal authority, 62
- Italy, 125
J
- Japan’s use of music, 24
K
- Knightly ballad taste, 72
L
- Laws of motion and the body, 58
- Laws of need, 42
- Lectures with music, 45
- Lectures without music, 45
- Life preservation and music, 58
- Live force in musical vibrations, 26
M
- Massenet and the social mind, 89
- Mascagni and the social mind, 67
- Mean rhythm of aggregates, 31
- Measurement of musical effects, 26
- Mental attitude of 1821, 74
- Mendelssohn and the social pressure, 76
- Meyerbeer and the social mind, 87
- Milder stimuli and musical expression, 80
- Mission of music, 13
- Music and Motion, 31
- Music as a health measure, 55
- Music as a national need, 28
- Music and national disturbances, 60
- Music as an incident force, 59
- Music and social control, 16
- Music for rhythm maintenance, 31
- Music as an industry, 9
- Music in Colleges, 10
- Music taxation, 11
- Music of birds, 27
- Music in carriage motion, 48
- Musical employment field, 8-94
- Musical madness, 89
- Musical statistics, 12
- Musical tone in railway motions, 48
- Musical tone in telephones, 48
- Musical tone in wash of waves, 48
- Musical tone in winds, 48
- Musical valves for American emotionalism, 95
N
- Napoleon’s influence on music, 83
- National control of music, 7
- National stimuli, 60
- National type of music, 10-55
- Nature and music, 19
- New combination of tone and nerve, 59
- New organs for new stimuli, 37
- Normal pulse action, 56
- Normalizing effect of music, 48
- Northern immigration, 92
- Norway, 124
O
P
- Paleolithic man and percussion, 36
- Panic calmed by National songs, 46
- Partially deaf re-actions to music, 27
- Passion for homogeneity, 36
- Peace and Parsifal, 80
- Peace and religious agitation, 88
- Periodic Motions, 39
- Phlegmatic natures, 48
- Pioneer life and social pressure, 91
- Popular waves of feeling, 6
- Primitive man’s rhythmic life, 21
- Primitive speech as rhythmic disturber, 23
- Proper study of music, 15
- Prussia, 127
- Public emotionalism, 6
- Public school musical instruction, 94
R
- Rational thinking and Gidding’s definition, 40
- Rationalistic group, 52
- Rationalistic music, 52
- Real elements of music, 22
- Rebellious fanaticism, 83
- Recent absurdities in musical form, 62
- Recent immigration, 93
- Realm of musical need, 53
- Reflective Sympathy and music, 35
- Response of the masses, 5
- Registration of rhythm, 39
- Religious atmosphere in U. S., 92
- Revolutionary character of Tristan 1865, 78
- Rise of industrial complications, 92
- Rossini and the social mind, 62-86
- Russia, 130
- Russian audiences, 49
S
- Saint-Saens and the social mind, 89
- Savagery and its music, 37
- Saxony, 131
- Schumann and the social mind, 49
- Science and musical study, 15
- Schubert and the social mind, 72
- Separation of church and state, 89
- Social want, 10
- Social welfare, 15
- Social mind in France, 82
- Sociological terminology in music, 35
- Sources of conclusions, 41
- Sources of statistics, 74-99
- Spencer’s theory of music, 20
- Spontini and the Napoleonic regime, 86
- State and Municipal expenditure, 10
- Strenuous years 1848 to 1860, 65
T
- Tension in strikes, 46
- Tests among revolutionary elements, 54
- Tendency toward musical equality, 36
- Theory of rhythm, 12
- Thesis, 7
- Toneurology, 56
- Tragedy element in Italian life, 61
- Tribal life and rhythmic disturbances, 23
U
- United States, 91-133
- Untalented citizens, 15
- Universal craving for music, 53
- Utility aspect of music, 33
V
- Value of New York expenditures, 10
- Value of percussion, 23
- Value of music with the dance, 64
- Verdi and the social mind, 65
- Vibratory impulse, 30
- Vita, 143
- Vocalism extraordinary, 62
- Von Weber and the social mind, 74
W