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Musical Myths and Facts, Volume 2 (of 2)

Chapter 50: Transcriber's Note
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About This Book

This work explores various musical myths and facts, delving into topics such as the lives and contributions of notable composers, the intersection of music and folklore, and the historical context of musical traditions. It includes discussions on figures like Handel and Mattheson, as well as examinations of supernatural themes in music, such as witches and haunted melodies. The text also addresses the relationship between music and medicine, the evolution of musical scales, and the impact of cultural narratives on musical practices. Through essays and anecdotes, it presents a rich tapestry of music's role in society and its enduring legacy.

Transcriber's Note

Apparent printer's errors have been retained, unless stated below.

Punctuation, capitalization, accents and formatting markup have been made consistent in the text. This excludes the footnotes due to several inconsistencies.

Page 2, "Giques" changed to "Gigues". ('Pièces de Clavecin, en deux Volumes, consistant des Ouvertures, Preludes, Fugues, Allemandes, Courentes, Sarabandes, Gigues et Aires, composées par J. Mattheson, Secr.—London, printed for J. D. Fletcher.')

Page 6, "I I" changed to "I". (I am sure if he reads this he will laugh in his sleeve, for outwardly he seldom laughs.)

Page 58, "Quartett for 2 Violins, 2 Tenors, and Violoncello". Although the instruments described constitute a quintett, this is how it appears in the original.

Page 132, "unusally" changed to "unusually". (There remained now nothing for him to do but to take up his jacket and make the best of his way home. But the jacket felt so unusually heavy;)

Page 141, "ecstacy" changed to "ecstasy". (After he had been a while in this state of reflection, he heard heavenly strains of music, and on looking up he saw a little bird which sang with a voice so enchantingly melodious that he arose in ecstasy.

Page 151, "semicircle" changed to "semi-circle" for consistency. (Sometimes they form a semi-circle, assume a bending position, and sing in a subdued tone of voice a soft air;)

Page 158, "Odeinna" changed to "Oodeinna" for consistency. (The following scenes are from a drama commemorating an episode from the life of Oodeinna, King of Kauthambi, a country in India.)

Page 174, "develope" changed to "develop". (The Netherlandish masters institute Schools in Italy and develop the art of music with great success in that country.)

Page 185, "Trojan" changed to "Trajan". (Trajan, Roman Emperor (98).)

Page 204, "Christofali" changed to "Christofori". (About this time, the first Pianofortes were constructed by Christofori, in Italy, and by Schröter, in Germany.)

Page 206, "harpischord" changed to "harpsichord". (many compositions for the organ, clavichord, clavicembalo (harpsichord), and for the orchestra.)

Page 219, "Manheim" changed to "Mannheim". (Weber (Bernhard Anselm), born 1766 at Mannheim, died 1821.)

Footnote 15, "Crysander" changed to "Chrysander" for consistency. (See G. F. Händel, von F. Chrysander, Leipzig, 1858, Vol. I., p. 139.)