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Mythology in Marble

Chapter 135: ART.
By Louie M. Bell
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About This Book

A concise guide that pairs brief retellings of classical myths with descriptive analyses of the marble sculptures inspired by them, offering readers accessible explanations of how narrative themes inform pose, expression, and iconography. Each entry includes notes on artistic features and provenance alongside poetic quotations and illustrations to reinforce popular interpretations. Practical tools such as a table of Greek and Roman deity equivalents and a suggested reading list are appended to aid further study. The overall aim is to equip museumgoers and general readers with the background needed to appreciate mythological sculpture without requiring specialized art-historical training.

The Genius of Death.

“This hour
Thou art the shadow of life, and as the tree
Stands in the sun and shadows all beneath,
So in the light of great eternity
Life eminent creates the shadow of death;
The shadow passeth when the tree shall fall,
But I shall reign forever over all.”
—Tennyson.

STORY.
THANATOS.

Thanatos, or Mors, the god of Death and twin brother of Sleep dwelt in a dark cavern near the entrance to Tartarus. His office was to introduce all men to the subterranean abode and reveal to them its secrets. Occasionally he was followed with meekness and submission, but more often his approach was regarded with fear. He performed his task with such relentless severity that at the sight of his gloomy figure men’s hearts trembled and their minds were filled with awful thoughts.

ART.

The god of death has often been represented in art as a hideous, cadaverous looking deity, clad in a winding sheet and holding an hour glass and a scythe. We have a more attractive personification in Canova’s “Genius of Death,” a detail of the tomb of Clement XIII., in St. Peter’s, Rome.

The beautiful, pensive youth is sitting in a quiet, restful attitude holding an extinguished torch. The sleeping lion at his feet adds to the general air of repose.