THE GREEN PICTURE
In a cellar in Green Street, Schenectady, there appeared, some years ago, the silhouette of a human form, painted on the floor in mould. It was swept and scrubbed away, but presently it was there again, and month by month, after each removal, it returned: a mass of fluffy mould, always in the shape of a recumbent man. When it was found that the house stood on the site of the old Dutch burial ground, the gossips fitted this and that together and concluded that the mould was planted by a spirit whose mortal part was put to rest a century and more ago, on the spot covered by the house, and that the spirit took this way of apprising people that they were trespassing on its grave. Others held that foul play had been done, and that a corpse, hastily and shallowly buried, was yielding itself back to the damp cellar in vegetable form, before its resolution into simpler elements. But a darker meaning was that it was the outline of a vampire that vainly strove to leave its grave, and could not because a virtuous spell had been worked about the place.
A vampire is a dead man who walks about seeking for those whose blood he can suck, for only by supplying new life to its cold limbs can he keep the privilege of moving about the earth. He fights his way from his coffin, and those who meet his gray and stiffened shape, with fishy eyes and blackened mouth, lurking by open windows, biding his time to steal in and drink up a human life, fly from him in terror and disgust. In northern Rhode Island those who die of consumption are believed to be victims of vampires who work by charm, draining the blood by slow draughts as they lie in their graves. To lay this monster he must be taken up and burned; at least, his heart must be; and he must be disinterred in the daytime when he is asleep and unaware. If he died with blood in his heart he has this power of nightly resurrection. As late as 1892 the ceremony of heart-burning was performed at Exeter, Rhode Island, to save the family of a dead woman that was threatened with the same disease that removed her, namely, consumption. But the Schenectady vampire has yielded up all his substance, and the green picture is no more.
THE NUNS OF CARTHAGE
At Carthage, New York, where the Black River bends gracefully about a point, there was a stanch old house, built in the colonial fashion and designed for the occupancy of some family of hospitality and wealth, but the family died out or moved away, and for some years it remained deserted. During the war of 1812 the village gossips were excited by the appearance of carpenters, painters and upholsterers, and it was evident that the place was to be restored to its manorial dignities; but their curiosity was deepened instead of satisfied when, after the house had been put in order and high walls built around it, the occupants presented themselves as four young women in the garb of nuns. Were they daughters of the family? Were they English sympathizers in disguise, seeking asylum in the days of trouble? Had they registered a vow of celibacy until their lovers should return from the war? Were they on a secret and diplomatic errand? None ever knew, at least in Carthage. The nuns lived in great privacy, but in a luxury before unequalled in that part of the country. They kept a gardener, they received from New York wines and delicacies that others could not afford, and when they took the air, still veiled, it was behind a splendid pair of bays.
One afternoon, just after the close of the war, a couple of young American officers went to the convent, and, contrary to all precedent, were admitted. They remained within all that day, and no one saw them leave, but a sound of wheels passed through the street that evening. Next day there were no signs of life about the place, nor the day following, nor the next. The savage dog was quiet and the garden walks had gone unswept. Some neighbors climbed over the wall and reported that the place had been deserted. Why and by whom no one ever knew, but a cloud remained upon its title until a recent day, for it was thought that at some time the nuns might return.
THE SKULL IN THE WALL
A skull is built into the wall above the door of the court-house at Goshen, New York. It was taken from a coffin unearthed in 1842, when the foundation of the building was laid. People said there was no doubt about it, only Claudius Smith could have worn that skull, and he deserved to be publicly pilloried in that manner. Before the Revolutionary war Smith was a farmer in Monroe, New York, and being prosperous enough to feel the king's taxes no burden, to say nothing of his jealousy of the advantage that an independent government would be to the hopes of his poorer neighbors, he declared for the king. After the declaration of independence had been published, his sympathies were illustrated in an unpleasantly practical manner by gathering a troop of other Tories about him, and, emboldened by the absence of most of the men of his vicinage in the colonial army, he began to harass the country as grievously in foray as the red-coats were doing in open field.
He pillaged houses and barns, then burned them; he insulted women, he drove away cattle and horses, he killed several persons who had undertaken to defend their property. His “campaigns” were managed with such secrecy that nobody knew when or whence to look for him. His murder of Major Nathaniel Strong, of Blooming Grove, roused indignation to such a point that a united effort was made to catch him, a money reward for success acting as a stimulus to the vigilance of the hunters, and at last he was captured on Long Island. He was sent back to Goshen, tried, convicted, and on January 22, 1779, was hanged, with five of his band. The bodies of the culprits were buried in the jail-yard, on the spot where the court-house stands, and old residents identified Smith's skeleton, when it was accidentally exhumed, by its uncommon size. A farmer from an adjacent town made off with a thigh bone, and a mason clapped mortar into the empty skull and cemented it into the wall, where it long remained.
THE HAUNTED MILL
Among the settlers in the Adirondacks, forty or fifty years ago, was Henry Clymer, from Brooklyn, who went up to Little Black Creek and tried to make a farm out of the gnarly, stumpy land; but being a green hand at that sort of thing, he soon gave it up and put up the place near Northwood, that is locally referred to as the haunted mill. When the first slab was cut, a big party was on hand to cheer and eat pie in honor of the Clymers, for Mr. Clymer, who was a dark, hearty, handsome fellow, and his bright young wife had been liberal in their hospitality. The couple had made some talk, they were so loving before folks—too loving to last; and, besides, it was evident that Mrs. Clymer was used to a better station in life than her husband. It was while the crowd was laughing and chattering at the picnic-table of new boards from the mill that Mrs. Clymer stole away to her modest little house, and a neighbor who had followed her was an accidental witness to a singular episode. Mrs. Clymer was kneeling beside her bed, crying over the picture of a child, when Clymer entered unexpectedly and attempted to take the picture from her.
She faced him defiantly. “You kept that because it looked like him, I reckon,” he said. “You might run back to him. You know what he'd call you and where you'd stand with your aristocracy.”
The woman pointed to the door, and the man left without another word, and so did the listener. Next morning the body of Mrs. Clymer was found hanging to a beam in the mill. At the inquest the husband owned that he had “had a few words” with her on the previous day, and thought that she must have suddenly become insane. The jury took this view. News of the suicide was printed in some of the city papers, and soon after that the gossips had another sensation, for a fair-haired man, also from Brooklyn, arrived at the place and asked where the woman was buried. When he found the grave he sat beside it for some time, his head resting on his hand; then he inquired for Clymer, but Clymer, deadly pale, had gone into the woods as soon as he heard that a stranger had arrived. The new-comer went to Trenton, where he ordered a gravestone bearing the single word “Estella” to be placed where the woman's body had been interred. Clymer quickly sold out and disappeared. The mill never prospered, and has long been in a ruinous condition. People of the neighborhood think that the ghost of Mrs. Clymer—was that her name?—still troubles it, and they pass the place with quickened steps.
OLD INDIAN FACE
On Lower Ausable Pond is a large, ruddy rock showing a huge profile, with another, resembling a pappoose, below it. When the Tahawi ruled this region their sachem lived here at “the Dark Cup,” as they called this lake, a man renowned for virtue and remarkable, in his age, for gentleness. When his children had died and his manly grandson, who was the old man's hope, had followed them to the land of the cloud mountains, Adota's heart withered within him, and standing beneath this rock, he addressed his people, recounting what he had done for them, how he had swept their enemies from the Lakes of the Clustered Stars (the Lower Saranac) and Silver Sky (Upper Saranac) to the Lake of Wandah, gaining a land where they might hunt and fish in peace. The little one, the Star, had been ravished away to crown the brow of the thunder god, who, even now, was advancing across the peaks, bending the woods and lighting the valleys with his jagged torches.
Life was nothing to him longer; he resigned it.
As he spoke these words he fell back, and the breath passed out of him. Then came the thunder god, and with an appalling burst of fire sent the people cowering. The roar that followed seemed to shake the earth, but the medicine-man of the tribe stood still, listening to the speech of the god in the clouds. “Tribe of the Tahawi,” he translated, “Adota treads the star-path to the happy hunting-grounds, and the sun is shining on his heart. He will never walk among you again, but the god loves both him and you, and he will set his face on the mountains. Look!” And, raising their eyes, they beheld the likeness of Adota and of his beloved child, the Star, graven by lightning-stroke on the cliff. There they buried the body of Adota and held their solemn festivals until the white men drove them out of the country.
THE DIVISION OF THE SARANACS
In the middle of the last century a large body of Saranac Indians occupied the forests of the Upper Saranac through which ran the Indian carrying-place, called by them the Eagle Nest Trail. Whenever they raided the Tahawi on the slopes of Mount Tahawus (Sky-splitter), there was a pleasing rivalry between two young athletes, called the Wolf and the Eagle, as to which would carry off the more scalps, and the tribe was divided in admiration of them. There was one who did not share this liking: an old sachem, one of the wizards who had escaped when the Great Spirit locked these workers of evil in the hollow trees that stood beside the trail. In their struggles to escape the less fortunate ones thrust their arms through the closing bark, and they are seen there, as withered trunks and branches, to this day. Oquarah had not been softened by this exhibition of danger nor the qualification of mercy that allowed him still to exist. Rather he was more bitter when he saw, as he fancied, that the tribe thought more of the daring and powerful warriors than it did of the bent and malignant-minded counsellor.
It was in the moon of green leaves that the two young men set off to hunt the moose, and on the next day the Wolf returned alone. He explained that in the hunt they had been separated; he had called for hours for his friend, and had searched so long that he concluded he must have returned ahead of him. But he was not at the camp. Up rose the sachem with visage dark. “I hear a forked tongue,” he cried. “The Wolf was jealous of the Eagle and his teeth have cut into his heart.”
“The Wolf cannot lie,” answered the young man.
“Where is the Eagle?” angrily shouted the sachem, clutching his hatchet.
“The Wolf has said,” replied the other.
The old sachem advanced upon him, but as he raised his axe to strike, the wife of the Wolf threw herself before her husband, and the steel sank into her brain. The sachem fell an instant later with the Wolf's knife in his heart, and instantly the camp was in turmoil. Before the day had passed it had been broken up, and the people were divided into factions, for it was no longer possible to hold it together in peace. The Wolf, with half of the people, went down the Sounding River to new hunting-grounds, and the earth that separated the families was reddened whenever one side met the other.
Years had passed when, one morning, the upper tribe saw a canoe advancing across the Lake of the Silver Sky. An old man stepped from it: he was the Eagle. After the Wolf had left him he had fallen into a cleft in a rock, and had lain helpless until found by hunters who were on their way to Canada. He had joined the British against the French, had married a northern squaw, but had returned to die among the people of his early love. Deep was his sorrow that his friend should have been accused of doing him an injury, and that the once happy tribe should have been divided by that allegation. The warriors and sachems of both branches were summoned to a council, and in his presence they swore a peace, so that in the fulness of time he was able to die content. That peace was always kept.
AN EVENT IN INDIAN PARK
It was during the years when the Saranacs were divided that Howling Wind, one of the young men of Indian Carry, saw and fell in love with a girl of the family on Tupper Lake. He quickly found a way to tell his liking, and the couple met often in the woods and on the shore. He made bold to row her around the quieter bays, and one moonlight evening he took her to Devil's Rock, or Devil's Pulpit, where he told her the story of the place. This was to the effect that the fiend had paddled, on timbers, by means of his tail, to that rock, and had assembled fish and game about him in large numbers by telling them that he was going to preach to them, instead of which moral procedure he pounced upon and ate all that were within his grasp.
As so often happened in Indian history, the return of these lovers was seen by a disappointed rival, who had hurried back to camp and secured the aid of half a dozen men to arrest the favored one as soon as he should land. The capture was made after a struggle, and Howling Wind was dragged to the chief's tent for sentence. That sentence was death, and with a refinement of cruelty that was rare even among the Indians, the girl was ordered to execute it. She begged and wept to no avail. An axe was put into her hands, and she was ordered to despatch the prisoner. She took the weapon; her face grew stern and the tears dried on her cheeks; her lover, bound to a tree, gazed at her in amazement; his rival watched, almost in glee. Slowly the girl crossed the open space to her lover. She raised the tomahawk and at a blow severed the thongs that held him, then, like a flash, she leaped upon his rival, who had sprung forward to interfere, and clove his skull with a single stroke. The lovers fled as only those can fly who run for life. Happily for them, they met a party from the Carry coming to rescue Howling Wind from the danger to which his courtship had exposed him, and it was even said that this party entered the village and by presenting knives and arrows at the breast of the chief obtained his now superfluous consent to the union of the fugitives. The pair reached the Carry in safety and lived a long and happy life together.
THE INDIAN PLUME
Brightest flower that grows beside the brooks is the scarlet blossom of the Indian plume: the blood of Lenawee. Hundreds of years ago she lived happily among her brother and sister Saranacs beside Stony Creek, the Stream of the Snake, and was soon to marry the comely youth who, for the speed of his foot, was called the Arrow. But one summer the Quick Death came on the people, and as the viewless devil stalked through the village young and old fell before him. The Arrow was the first to die. In vain the Prophet smoked the Great Calumet: its smoke ascending took no shape that he could read. In vain was the white dog killed to take aloft the people's sins. But at last the Great Spirit himself came down to the mountain called the Storm Darer, splendid in lightning, awful in his thunder voice and robe of cloud. “My wrath is against you for your sins,” he cried, “and naught but human blood will appease it.”
In the morning the Prophet told his message, and all sat silent for a time. Then Lenawee entered the circle. “Lenawee is a blighted flower,” she sobbed. “Let her blood flow for her people.” And catching a knife from the Prophet's belt, she ran with it to the stream on which she and the Arrow had so often floated in their canoe. In another moment her blood had bedewed the earth. “Lay me with the Arrow,” she murmured, and, smiling in their sad faces, breathed her last. The demon of the quick death shrank from the spot, and the Great Spirit smiled once more on the tribe that could produce such heroism. Lenawee's body was placed beside her lover's, and next morning, where her blood had spilt, the ground was pure, and on it grew in slender spires a new flower,—the Indian plume: the transformed blood of sacrifice. The people loved that flower in all years after. They decked their hair and dresses with it and made a feast in its honor. When parents taught their children the beauty of unselfishness they used as its emblem a stalk of Indian plume.
BIRTH OF THE WATER-LILY
Back from his war against the Tahawi comes the Sun, chief of the Lower Saranacs,—back to the Lake of the Clustered Stars, afterward called, by dullards, Tupper's Lake. Tall and invincible he comes among his people, boasting of his victories, Indian fashion, and stirring the scalps that hang at his breast. “The Eagle screams,” he cries. “He greets the chief, the Blazing Sun. Wayotah has made the Tahawi tremble. They fly from him. Hooh, hooh! He is the chief.” Standing apart with wistful glance stands Oseetah, the Bird. She loves the strong young chief, but she knows that another has his promise, and she dares not hope; yet the chief loves her, and when the feasting is over he follows her footprints to the shore, where he sees her canoe turning the point of an island. He silently pursues and comes upon her as she sits waving and moaning. He tries to embrace her, but she draws apart. He asks her to sing to him; she bids him begone.
He takes a more imperious tone and orders her to listen to her chief. She moves away. He darts toward her. Turning on him a face of sorrow, she runs to the edge of a steep rock and waves him back. He hastens after. Then she springs and disappears in the deep water. The Sun plunges after her and swims with mad strength here and there. He calls. There is no answer. Slowly he returns to the village and tells the people what has happened. The Bird's parents are stricken and the Sun moans in his sleep. At noon a hunter comes in with strange tidings: flowers are growing on the water! The people go to their canoes and row to the Island of Elms. There, in a cove, the still water is enamelled with flowers, some as white as snow, filling the air with perfume, others strong and yellow, like the lake at sunset.
“Explain to us,” they cry, turning to the old Medicine of his tribe, “for this was not so yesterday.”
“It is our daughter,” he answered. “These flowers are the form she takes. The white is her purity, the yellow her love. You shall see that her heart will close when the sun sets, and will reopen at his coming.” And the young chief went apart and bowed his head.
ROGERS'S SLIDE
The shores of Lakes George and Champlain were ravaged by war. Up and down those lovely waters swept the barges of French and English, and the green hills rang to the shrill of bugles, the boom of cannon, and the yell of savages. Fiction and history have been weft across the woods and the memory of deeds still echoes among the heights. It was at Glen's Falls, in the cave on the rock in the middle of the river, that the brave Uncas held the watch with Hawkeye. Bloody Defile and Bloody Pond, between there and Lake George, take their names from the “Bloody morning scout” sent out by Sir William Johnson on a September day in 1755 to check Dieskau until Fort William Henry could be completed. In the action that ensued, Colonel Williams, founder of Williams College, and Captain Grant, of the Connecticut line, great-grandfather of the President who bore that name, were killed. The victims, dead and wounded alike, having been flung into Bloody Pond, it was thick and red for days, and tradition said that in after years it resumed its hue of crimson at sunset and held it until dawn. The captured, who were delivered to the Indians, had little to hope, for their white allies could not stay their savagery. Blind Rock was so called because the Indians brought a white man there, and tearing his eyes out, flung them into embers at the foot of the stone. Captives were habitually tortured, blazing splinters of pine being thrust into their flesh, their nails torn out, and their bodies slashed with knives before they went to the stake. An English prisoner was allowed to run the gauntlet here. They had already begun to strike at him as he sped between the lines, when he seized a pappoose, flung it on a fire, and, in the instant of confusion that followed, snatched an axe, cut the bonds of a comrade who had been doomed to die, and both escaped.
But the best-known history of this region is that of Rogers's Rock, or Rogers's Slide, a lofty precipice at the lower end of Lake George. Major Rogers did not toboggan down this rock in leather trousers, but his escape was no less remarkable than if he had. On March 13, 1758, while reconnoitring near Ticonderoga with two hundred rangers, he was surprised by a force of French and Indians. But seventeen of his men escaped death or capture, and he was pursued nearly to the brink of this cliff. During a brief delay among the red men, arising from the loss of his trail, he had time to throw his pack down the slide, reverse his snow-shoes, and go back over his own track to the head of a ravine before they emerged from the woods, and, seeing that his shoe-marks led to the rock, while none pointed back, they concluded that he had flung himself off and committed suicide to avoid capture. Great was their disappointment when they saw the major on the frozen surface of the lake beneath going at a lively rate toward Fort William Henry. He had gained the ice by way of the cleft in the rocks, but the savages, believing that he had leaped over the precipice, attributed his preservation to the Great Spirit and forbore to fire on him. Unconsciously, he had chosen the best possible place to disappear from, for the Indians held it in superstitious regard, believing that spirits haunted the wood and hurled bad souls down the cliff, drowning them in the lake, instead of allowing them to go to the happy hunting grounds. The major reached his quarters in safety, and lived to take up arms against the land of his birth when the colonies revolted, seventeen years later.
THE FALLS AT COHOES
When Occuna, a young Seneca, fell in love with a girl whose cabin was near the present town of Cohoes, he behaved very much as Americans of a later date have done. He picked wild flowers for her; he played on the bone pipe and sang sentimental songs in the twilight; he roamed the hills with her, gathering the loose quartz crystals that the Indians believed to be the tears of stricken deer, save on Diamond Rock, in Lansingburgh, where they are the tears of Moneta, a bereaved mother and wife; and in fine weather they went boating on the Mohawk above the rapids. They liked to drift idly on the current, because it gave them time to gaze into each other's eyes, and to build air castles that they would live in in the future. They were suddenly called to a realization of danger one evening, for the stream had been subtly drawing them on and on until it had them in its power. The stroke of the paddle failed and the air castles fell in dismal ruin. Sitting erect they began their death-song in this wise:
Occuna: “Daughter of a mighty warrior, the Manitou calls me hence. I hear the roaring of his voice; I see the lightning of his glance along the river; he walks in clouds and spray upon the waters.”
The Maiden: “Thou art thyself a warrior, O Occuna. Hath not thine axe been often bathed in blood? Hath the deer ever escaped thine arrow or the beaver avoided thy chase? Thou wilt not fear to go into the presence of Manitou.”
Occuna: “Manitou, indeed, respects the strong. When I chose thee from the women of our tribe I promised that we should live and die together. The Thunderer calls us now. Welcome, O ghost of Oriska, chief of the invincible Senecas! A warrior and the daughter of a warrior come to join you in the feast of the blessed!”
The boat leaped over the falls, and Occuna, striking on the rocks below, was killed at once; but, as by a miracle, the girl fell clear of them and was whirled on the seething current to shoal water, where she made her escape. For his strength and his virtues the dead man was canonized. His tribe raised him above the regions of the moon, whence he looked down on the scenes of his youth with pleasure, and in times of war gave pleasant dreams and promises to his friends, while he confused the enemy with evil omens. Whenever his tribe passed the falls they halted and with brief ceremonials commemorated the death of Occuna.
FRANCIS WOOLCOTT'S NIGHT-RIDERS
In Copake, New York, among the Berkshire Hills, less than a century ago, lived Francis Woolcott, a dark, tall man, with protruding teeth, whose sinister laugh used to give his neighbors a creep along their spines. He had no obvious trade or calling, but the farmers feared him so that he had no trouble in making levies: pork, flour, meal, cider, he could have what he chose for the asking, for had he not halted horses at the plow so that neither blows nor commands could move them for two hours? Had he not set farmer Raught's pigs to walking on their hind legs and trying to talk? When he shouted “Hup! hup! hup!” to farmer Williams's children, had they not leaped to the moulding of the parlor wainscot,—a yard above the floor and only an inch wide,—and walked around it, afterward skipping like birds from chair-back to chair-back, while the furniture stood as if nailed to the floor? And was he not the chief of thirteen night-riders, whose faces no man had seen, nor wanted to see, and whom he sent about the country on errands of mischief every night when the moon was growing old? As to moons, had he not found a mystic message from our satellite on Mount Riga, graven on a meteor?
Horses' tails were tied, hogs foamed at the mouth and walked like men, cows gave blood for milk. These night-riders met Woolcott in a grove of ash and chestnut trees, each furnished with a stolen bundle of oat straw, and these bundles Woolcott changed to black horses when the night had grown dark enough not to let the way of the change be seen. These horses could not cross streams of water, and on the stroke of midnight they fell to pieces and were oaten sheaves once more, but during their time of action they rushed through woods, bearing their riders safely, and tore like hurricanes across the fields, leaping bushes, fences, even trees, without effort. Never could traces be found of them the next day. At last the devil came to claim his own. Woolcott, who was ninety years old, lay sick and helpless in his cabin. Clergymen refused to see him, but two or three of his neighbors stifled their fears and went to the wizard's house to soothe his dying moments. With the night came storm, and with its outbreak the old man's face took on such a strange and horrible look that the watchers fell back in alarm. There was a burst of purple flame at the window, a frightful peal, a smell of sulphur, and Woolcott was dead. When the watchers went out the roads were dry, and none in the village had heard wind, rain, or thunder. It was the coming of the fiend.
POLLY'S LOVER
In about the middle of this century a withered woman of ninety was buried from a now deserted house in White Plains, New York, Polly Carter the name of her, but “Crazy Polly” was what the neighbors called her, for she was eccentric and not fond of company. Among the belongings of her house was a tall clock, such as relic hunters prize, that ticked solemnly in a landing on the stairs.
For a time, during the Revolution, the house stood within the British lines, and as her father was a colonel in Washington's army she was left almost alone in it. The British officers respected her sex, but they had an unpleasant way of running in unannounced and demanding entertainment, in the king's name, which she felt forced to grant. One rainy afternoon the door was flung open, then locked on the inside, and she found herself in the arms of a stalwart, handsome lieutenant, who wore the blue. It was her cousin and fiance. Their glad talk had not been going long when there came a rousing summons at the door. Three English officers were awaiting admittance.
Perhaps they had seen Lawrence Carter go into the house, and if caught he would be killed as a spy. He must be hidden, but in some place where they would not think of looking. The clock! That was the place. With a laugh and a kiss the young man submitted to be shut in this narrow quarter, and throwing his coat and hat behind some furniture the girl admitted the officers, who were wet and surly and demanded dinner. They tramped about the best room in their muddy boots, talking loudly, and in order to break the effect of the chill weather they passed the brandy bottle freely. Polly served them with a dinner as quickly as possible, for she wanted to get them out of the house, but they were in no mood to go, and the bottle passed so often that before the dinner was over they were noisy and tipsy and were using language that drove Polly from the room.
At last, to her relief, she heard them preparing to leave the house, but as they were about to go the senior officer, looking up at the landing, now dim in the paling light, said to one of the others, “See what time it is.” The officer addressed, who happened to be the drunkest of the party, staggered up the stair and exclaimed, “The d—-d thing's stopped.” Then, as if he thought it a good joke, he added, “It'll never go again.” Drawing his sabre he gave the clock a careless cut and ran the blade through the panel of the door; after this the three passed out. When their voices had died in distant brawling, Polly ran to release her lover. Something thick and dark was creeping from beneath the clock-case. With trembling fingers she pulled open the door, and Lawrence, her lover, fell heavily forward into her arms, dead. The officer was right: the clock never went again.
CROSBY, THE PATRIOT SPY
It was at the Jay house, in Westchester, New York, that Enoch Crosby met Washington and offered his services to the patriot army. Crosby was a cobbler, and not a very thriving one, but after the outbreak of hostilities he took a peddler's outfit on his back and, as a non-combatant, of Tory sympathies, he obtained admission through the British lines. After his first visit to head quarters it is certain that he always carried Sir Henry Clinton's passport in the middle of his pack, and so sure were his neighbors that he was in the service of the British that they captured him and took him to General Washington, but while his case was up for debate he managed to slip his handcuffs, which were not secure, and made off. Clinton, on the other hand, was puzzled by the unaccountable foresight of the Americans, for every blow that he prepared to strike was met, and he lost time and chance and temper. As if the suspicion of both armies and the hatred of his neighbors were not enough to contend against, Crosby now became an object of interest to the Skinners and Cowboys, who were convinced that he was making money, somehow, and resolved to have it.
The Skinners were camp-followers of the American troops and the Cowboys a band of Tories and renegade British. Both factions were employed, ostensibly, in foraging for their respective armies, but, in reality, for themselves, and the farmers and citizens occupying the neutral belt north of Manhattan Island had reason to curse them both impartially. While these fellows were daring thieves, they occasionally got the worst of it, even in the encounters with the farmers, as on the Neperan, near Tarrytown, where the Cowboys chased a woman to death, but were afterward cut to pieces by the enraged neighbors. Hers is but one of the many ghosts that haunt the neutral ground, and the croaking of the birds of ill luck that nest at Raven rock is blended with the cries of her dim figure. Still, graceless as these fellows were, they affected a loyalty to their respective sides, and were usually willing to fight each other when they met, especially for the plunder that was to be got by fighting.
In October, 1780, Claudius Smith, “king of the Cowboys,” and three scalawag sons came to the conclusion that it was time for Crosby's money to revert to the crown, and they set off toward his little house one evening, sure of finding him in, for his father was seriously ill. The Smiths arrived there to find that the Skinners had preceded them on the same errand, and they recognized through the windows, in the leader of the band, a noted brigand on whose head a price was laid. He was searching every crack and cranny of the room, while Crosby, stripped to shirt and trousers, stood before the empty fireplace and begged for that night to be left alone with his dying father.
“To hell with the old man!” roared the Skinner. “Give up your gold, or we'll put you to the torture,” and he significantly whirled the end of a rope that he carried about his waist. At that moment the faint voice of the old man was heard calling from another room.
“Take all that I have and let me go!” cried Crosby, and turning up a brick in the fire-place he disclosed a handful of gold, his life savings. The leader still tried to oppose his exit, but Crosby flung him to the floor and rushed away to his father, while the brigand, deeming it well to delay rising, dug his fingers into the hollow and began to extract the sovereigns. At that instant four muskets were discharged from without: there was a crash of glass, a yell of pain, and four of the Skinners rolled bleeding on the floor; two others ran into the darkness and escaped; their leader, trying to follow, was met at the threshold by the Smiths, who clutched the gold out of his hand and pinioned his elbows in a twinkling.
“I thought ye'd like to know who's got ye,” said old Smith, peering into the face of the astonished and crestfallen robber, “for I've told ye many a time to keep out of my way, and now ye've got to swing for getting into it.”
Within five minutes of the time that he had got his clutch on Crosby's money the bandit was choking to death at the end of his own rope, hung from the limb of an apple-tree, and, having secured the gold, the Cowboys went their way into the darkness. Crosby soon made his appearance in the ranks of the Continentals, and, though they looked askant at him for a time, they soon discovered the truth and hailed him as a hero, for the information he had carried to Washington from Clinton's camp had often saved them from disaster. He had survived attack in his own house through the falling out of rogues, and he survived the work and hazard of war through luck and a sturdy frame. Congress afterwards gave him a sum of money larger than had been taken from him, for his chief had commended him in these lines: “Circumstances of political importance, which involved the lives and fortunes of many, have hitherto kept secret what this paper now reveals. Enoch Crosby has for years been a faithful and unrequited servant of his country. Though man does not, God may reward him for his conduct. GEORGE WASHINGTON.”
Associated with Crosby in his work of getting information from the enemy was a man named Gainos, who kept an inn on the neutral ground, that was often raided. Being assailed by Cowboys once, Gainos, with his tenant and stable-boys, fired at the bandits together, just as the latter had forced his front door, then stepping quickly forward he slashed off the head of the leader with a cutlass. The retreating crew dumped the body into a well on the premises, and there it sits on the crumbling curb o' nights looking disconsolately for its head.
It may also be mentioned that the Skinners had a chance to revenge themselves on the Cowboys for their defeat at the Crosby house. They fell upon the latter at the tent-shaped cave in Yonkers,—it is called Washington's Cave, because the general napped there on bivouac,—and not only routed them, but secured so much of their treasure that they were able to be honest for several years after.
THE LOST GRAVE OF PAINE
Failure to mark the resting-places of great men and to indicate the scenes of their deeds has led to misunderstanding and confusion among those who discover a regard for history and tradition in this practical age. Robert Fulton, who made steam navigation possible, lies in an unmarked tomb in the yard of Trinity Church—the richest church in America. The stone erected to show where Andre was hanged was destroyed by a cheap patriot, who thought it represented a compliment to the spy. The spot where Alexander Hamilton was shot in the duel by Aaron Burr is known to few and will soon be forgotten. It was not until a century of obloquy had been heaped on the memory of Thomas Paine that his once enemies were brought to know him as a statesman of integrity, a philanthropist, and philosopher. His deistic religion, proclaimed in “The Age of Reason,” is unfortunately no whit more independent than is preached in dozens of pulpits to-day. He died ripe in honors, despite his want of creed, and his mortal part was buried in New Rochelle, New York, under a large walnut-tree in a hay-field. Some years later his friends removed the body to a new grave in higher ground, and placed over it a monument that the opponents of his principles quickly hacked to pieces. Around the original grave there still remains a part of the old inclosure, and it was proposed to erect a suitable memorial—the Hudson and its Hills the spot, but the owner of the tract would neither give nor sell an inch of his land for the purpose of doing honor to the man. Some doubt has already been expressed as to whether the grave is beneath the monument or in the inclosure; and it is also asserted that Paine's ghost appears at intervals, hovering in the air between the two burial-places, or flitting back and forth from one to the other, lamenting the forgetfulness of men and wailing, “Where is my grave? I have lost my grave!”
THE RISING OF GOUVERNEUR MORRIS
Gouverneur Morris, American minister to the court of Louis XVI, was considerably enriched, at the close of the reign of terror, by plate, jewels, furniture, paintings, coaches, and so on, left in his charge by members of the French nobility, that they might not be confiscated in the sack of the city by the sans culottes; for so many of the aristocracy were killed and so many went into exile or disguised their names, that it was impossible to find heirs or owners for these effects. Some of the people who found France a good country to be out of came to America, where adventurers had found prosperity and refugees found peace so many times before. Marshal Ney and Bernadotte are alleged to have served in the American army during the Revolution, and at Hogansburg, New York, the Reverend Eleazer Williams, an Episcopal missionary, who lies buried in the church-yard there, was declared to be the missing son of Louis XVI. The question, “Have we a Bourbon among us?” was frequently canvassed; but he avoided publicity and went quietly on with his pastoral work.
All property left in Mr. Morris's hands that had not been claimed was removed to his mansion at Port Morris, when he returned from his ministry, and he gained in the esteem and envy of his neighbors when the extent of these riches was seen. Once, at the wine, he touched glasses with his wife, and said that if she bore a male child that son should be heir to his wealth. Two relatives who sat at the table exchanged looks at this and cast a glance of no gentle regard on his lady. A year went by. The son was born, but Gouverneur Morris was dead.
It is the first night of the year 1817, the servants are asleep, and the widow sits late before the fire, her baby in her arms, listening betimes to the wind in the chimney, the beat of hail on the shutters, the brawling of the Bronx and the clash of moving ice upon it; yet thinking of her husband and the sinister look his promise had brought to the faces of his cousins, when a tramp of horses is heard without, and anon a summons at the door. The panels are beaten by loaded riding-whips, and a man's voice cries, “Anne Morris, fetch us our cousin's will, or we'll break into the house and take it.” The woman clutches the infant to her breast, but makes no answer. Again the clatter of the whips; but now a mist is gathering in the room, and a strange enchantment comes over her, for are not the lions breathing on the coat of arms above the door, and are not the portraits stirring in their frames?
They are, indeed. There is a rustle of robes and clink of steel and one old warrior leaps down, his armor sounding as he alights, and striking thrice his sword and shield together he calls on Gouverneur Morris to come forth. Somebody moves in the room where Morris died; there is a measured footfall in the corridor, with the clank of a scabbard keeping time; the door is opened, and on the blast that enters the widow hears a cry, then a double gallop, passing swiftly into distance. As she gazes, her husband appears, apparelled as in life, and with a smile he takes a candelabrum from the mantel and, beckoning her to follow, moves from room to room. Then, for the first time, the widow knows to what wealth her baby has been born, for the ghost discloses secret drawers in escritoires where money, title deeds, and gems are hidden, turns pictures and wainscots on unsuspected hinges, revealing shelves heaped with fabrics, plate, and lace; then, returning to the fireside, he stoops as if to kiss his wife and boy, but a bell strikes the first hour of morning and he vanishes into his portrait on the wall.