THE RED RIPER VOYAGEUR.
OUT and in the river is winding
The links of its long, red chain,
Through belts of dusky pine-land
And gusty leagues of plain.
Only, at times, a smoke-wreath
With the drifting cloud-rack joins,—
The smoke of the hunting-lodges
Of the wild Assiniboins.
Drearily blows the north-wind
From the land of ice and snow;
The eyes that look are weary,
And heavy the hands that row.
And with one foot on the water,
And one upon the shore,
The Angel of Shadow gives warning
That day shall be no more.
Is it the clang of wild-geese?
Is it the Indian's yell,
That lends to the voice of the north-wind
The tones of a far-off bell?
The voyageur smiles as he listens
To the sound that grows apace;
Well he knows the vesper ringing
Of the bells of St. Boniface.
The bells of the Roman Mission,
That call from their turrets twain,
To the boatman on the river,
To the hunter on the plain!
Even so in our mortal journey
The bitter north-winds blow,
And thus upon life's Red River
Our hearts, as oarsmen, row.
And when the Angel of Shadow
Rests his feet on wave and shore,
And our eyes grow dim with watching
And our hearts faint at the oar,
Happy is he who heareth
The signal of his release
In the bells of the Holy City,
The chimes of eternal peace!
1859
The links of its long, red chain,
Through belts of dusky pine-land
And gusty leagues of plain.
Only, at times, a smoke-wreath
With the drifting cloud-rack joins,—
The smoke of the hunting-lodges
Of the wild Assiniboins.
Drearily blows the north-wind
From the land of ice and snow;
The eyes that look are weary,
And heavy the hands that row.
And with one foot on the water,
And one upon the shore,
The Angel of Shadow gives warning
That day shall be no more.
Is it the clang of wild-geese?
Is it the Indian's yell,
That lends to the voice of the north-wind
The tones of a far-off bell?
The voyageur smiles as he listens
To the sound that grows apace;
Well he knows the vesper ringing
Of the bells of St. Boniface.
The bells of the Roman Mission,
That call from their turrets twain,
To the boatman on the river,
To the hunter on the plain!
Even so in our mortal journey
The bitter north-winds blow,
And thus upon life's Red River
Our hearts, as oarsmen, row.
And when the Angel of Shadow
Rests his feet on wave and shore,
And our eyes grow dim with watching
And our hearts faint at the oar,
Happy is he who heareth
The signal of his release
In the bells of the Holy City,
The chimes of eternal peace!
1859
THE PREACHER.
George Whitefield, the celebrated preacher, died at Newburyport in 1770, and was buried under the church which has since borne his name.
ITS windows flashing to the sky,
Beneath a thousand roofs of brown,
Far down the vale, my friend and I
Beheld the old and quiet town;
The ghostly sails that out at sea
Flapped their white wings of mystery;
The beaches glimmering in the sun,
And the low wooded capes that run
Into the sea-mist north and south;
The sand-bluffs at the river's mouth;
The swinging chain-bridge, and, afar,
The foam-line of the harbor-bar.
Over the woods and meadow-lands
A crimson-tinted shadow lay,
Of clouds through which the setting day
Flung a slant glory far away.
It glittered on the wet sea-sands,
It flamed upon the city's panes,
Smote the white sails of ships that wore
Outward or in, and glided o'er
The steeples with their veering vanes!
Awhile my friend with rapid search
O'erran the landscape. "Yonder spire
Over gray roofs, a shaft of fire;
What is it, pray?"—"The Whitefield Church!
Walled about by its basement stones,
There rest the marvellous prophet's bones."
Then as our homeward way we walked,
Of the great preacher's life we talked;
And through the mystery of our theme
The outward glory seemed to stream,
And Nature's self interpreted
The doubtful record of the dead;
And every level beam that smote
The sails upon the dark afloat
A symbol of the light became,
Which touched the shadows of our blame,
With tongues of Pentecostal flame.
Over the roofs of the pioneers
Gathers the moss of a hundred years;
On man and his works has passed the change
Which needs must be in a century's range.
The land lies open and warm in the sun,
Anvils clamor and mill-wheels run,—
Flocks on the hillsides, herds on the plain,
The wilderness gladdened with fruit and grain!
But the living faith of the settlers old
A dead profession their children hold;
To the lust of office and greed of trade
A stepping-stone is the altar made.
The church, to place and power the door,
Rebukes the sin of the world no more,
Nor sees its Lord in the homeless poor.
Everywhere is the grasping hand,
And eager adding of land to land;
And earth, which seemed to the fathers meant
But as a pilgrim's wayside tent,—
A nightly shelter to fold away
When the Lord should call at the break of day,—
Solid and steadfast seems to be,
And Time has forgotten Eternity!
But fresh and green from the rotting roots
Of primal forests the young growth shoots;
From the death of the old the new proceeds,
And the life of truth from the rot of creeds
On the ladder of God, which upward leads,
The steps of progress are human needs.
For His judgments still are a mighty deep,
And the eyes of His providence never sleep
When the night is darkest He gives the morn;
When the famine is sorest, the wine and corn!
In the church of the wilderness Edwards wrought,
Shaping his creed at the forge of thought;
And with Thor's own hammer welded and bent
The iron links of his argument,
Which strove to grasp in its mighty span
The purpose of God and the fate of man
Yet faithful still, in his daily round
To the weak, and the poor, and sin-sick found,
The schoolman's lore and the casuist's art
Drew warmth and life from his fervent heart.
Had he not seen in the solitudes
Of his deep and dark Northampton woods
A vision of love about him fall?
Not the blinding splendor which fell on Saul,
But the tenderer glory that rests on them
Who walk in the New Jerusalem,
Where never the sun nor moon are known,
But the Lord and His love are the light alone
And watching the sweet, still countenance
Of the wife of his bosom rapt in trance,
Had he not treasured each broken word
Of the mystical wonder seen and heard;
And loved the beautiful dreamer more
That thus to the desert of earth she bore
Clusters of Eshcol from Canaan's shore?
As the barley-winnower, holding with pain
Aloft in waiting his chaff and grain,
Joyfully welcomes the far-off breeze
Sounding the pine-tree's slender keys,
So he who had waited long to hear
The sound of the Spirit drawing near,
Like that which the son of Iddo heard
When the feet of angels the myrtles stirred,
Felt the answer of prayer, at last,
As over his church the afflatus passed,
Breaking its sleep as breezes break
To sun-bright ripples a stagnant lake.
At first a tremor of silent fear,
The creep of the flesh at danger near,
A vague foreboding and discontent,
Over the hearts of the people went.
All nature warned in sounds and signs
The wind in the tops of the forest pines
In the name of the Highest called to prayer,
As the muezzin calls from the minaret stair.
Through ceiled chambers of secret sin
Sudden and strong the light shone in;
A guilty sense of his neighbor's needs
Startled the man of title-deeds;
The trembling hand of the worldling shook
The dust of years from the Holy Book;
And the psalms of David, forgotten long,
Took the place of the scoffer's song.
The impulse spread like the outward course
Of waters moved by a central force;
The tide of spiritual life rolled down
From inland mountains to seaboard town.
Prepared and ready the altar stands
Waiting the prophet's outstretched hands
And prayer availing, to downward call
The fiery answer in view of all.
Hearts are like wax in the furnace; who
Shall mould, and shape, and cast them anew?
Lo! by the Merrimac Whitefield stands
In the temple that never was made by hands,—
Curtains of azure, and crystal wall,
And dome of the sunshine over all—
A homeless pilgrim, with dubious name
Blown about on the winds of fame;
Now as an angel of blessing classed,
And now as a mad enthusiast.
Called in his youth to sound and gauge
The moral lapse of his race and age,
And, sharp as truth, the contrast draw
Of human frailty and perfect law;
Possessed by the one dread thought that lent
Its goad to his fiery temperament,
Up and down the world he went,
A John the Baptist crying, Repent!
No perfect whole can our nature make;
Here or there the circle will break;
The orb of life as it takes the light
On one side leaves the other in night.
Never was saint so good and great
As to give no chance at St. Peter's gate
For the plea of the Devil's advocate.
So, incomplete by his being's law,
The marvellous preacher had his flaw;
With step unequal, and lame with faults,
His shade on the path of History halts.
Wisely and well said the Eastern bard
Fear is easy, but love is hard,—
Easy to glow with the Santon's rage,
And walk on the Meccan pilgrimage;
But he is greatest and best who can
Worship Allah by loving man.
Thus he,—to whom, in the painful stress
Of zeal on fire from its own excess,
Heaven seemed so vast and earth so small
That man was nothing, since God was all,—
Forgot, as the best at times have done,
That the love of the Lord and of man are one.
Little to him whose feet unshod
The thorny path of the desert trod,
Careless of pain, so it led to God,
Seemed the hunger-pang and the poor man's wrong,
The weak ones trodden beneath the strong.
Should the worm be chooser?—the clay withstand
The shaping will of the potter's hand?
In the Indian fable Arjoon hears
The scorn of a god rebuke his fears
"Spare thy pity!" Krishna saith;
"Not in thy sword is the power of death!
All is illusion,—loss but seems;
Pleasure and pain are only dreams;
Who deems he slayeth doth not kill;
Who counts as slain is living still.
Strike, nor fear thy blow is crime;
Nothing dies but the cheats of time;
Slain or slayer, small the odds
To each, immortal as Indra's gods!"
So by Savannah's banks of shade,
The stones of his mission the preacher laid
On the heart of the negro crushed and rent,
And made of his blood the wall's cement;
Bade the slave-ship speed from coast to coast,
Fanned by the wings of the Holy Ghost;
And begged, for the love of Christ, the gold
Coined from the hearts in its groaning hold.
What could it matter, more or less
Of stripes, and hunger, and weariness?
Living or dying, bond or free,
What was time to eternity?
Alas for the preacher's cherished schemes!
Mission and church are now but dreams;
Nor prayer nor fasting availed the plan
To honor God through the wrong of man.
Of all his labors no trace remains
Save the bondman lifting his hands in chains.
The woof he wove in the righteous warp
Of freedom-loving Oglethorpe,
Clothes with curses the goodly land,
Changes its greenness and bloom to sand;
And a century's lapse reveals once more
The slave-ship stealing to Georgia's shore.
Father of Light! how blind is he
Who sprinkles the altar he rears to Thee
With the blood and tears of humanity!
He erred: shall we count His gifts as naught?
Was the work of God in him unwrought?
The servant may through his deafness err,
And blind may be God's messenger;
But the Errand is sure they go upon,—
The word is spoken, the deed is done.
Was the Hebrew temple less fair and good
That Solomon bowed to gods of wood?
For his tempted heart and wandering feet,
Were the songs of David less pure and sweet?
So in light and shadow the preacher went,
God's erring and human instrument;
And the hearts of the people where he passed
Swayed as the reeds sway in the blast,
Under the spell of a voice which took
In its compass the flow of Siloa's brook,
And the mystical chime of the bells of gold
On the ephod's hem of the priest of old,—
Now the roll of thunder, and now the awe
Of the trumpet heard in the Mount of Law.
A solemn fear on the listening crowd
Fell like the shadow of a cloud.
The sailor reeling from out the ships
Whose masts stood thick in the river-slips
Felt the jest and the curse die on his lips.
Listened the fisherman rude and hard,
The calker rough from the builder's yard;
The man of the market left his load,
The teamster leaned on his bending goad,
The maiden, and youth beside her, felt
Their hearts in a closer union melt,
And saw the flowers of their love in bloom
Down the endless vistas of life to come.
Old age sat feebly brushing away
From his ears the scanty locks of gray;
And careless boyhood, living the free
Unconscious life of bird and tree,
Suddenly wakened to a sense
Of sin and its guilty consequence.
It was as if an angel's voice
Called the listeners up for their final choice;
As if a strong hand rent apart
The veils of sense from soul and heart,
Showing in light ineffable
The joys of heaven and woes of hell
All about in the misty air
The hills seemed kneeling in silent prayer;
The rustle of leaves, the moaning sedge,
The water's lap on its gravelled edge,
The wailing pines, and, far and faint,
The wood-dove's note of sad complaint,—
To the solemn voice of the preacher lent
An undertone as of low lament;
And the note of the sea from its sand coast,
On the easterly wind, now heard, now lost,
Seemed the murmurous sound of the judgment host.
Yet wise men doubted, and good men wept,
As that storm of passion above them swept,
And, comet-like, adding flame to flame,
The priests of the new Evangel came,—
Davenport, flashing upon the crowd,
Charged like summer's electric cloud,
Now holding the listener still as death
With terrible warnings under breath,
Now shouting for joy, as if he viewed
The vision of Heaven's beatitude!
And Celtic Tennant, his long coat bound
Like a monk's with leathern girdle round,
Wild with the toss of unshorn hair,
And wringing of hands, and, eyes aglare,
Groaning under the world's despair!
Grave pastors, grieving their flocks to lose,
Prophesied to the empty pews
That gourds would wither, and mushrooms die,
And noisiest fountains run soonest dry,
Like the spring that gushed in Newbury Street,
Under the tramp of the earthquake's feet,
A silver shaft in the air and light,
For a single day, then lost in night,
Leaving only, its place to tell,
Sandy fissure and sulphurous smell.
With zeal wing-clipped and white-heat cool,
Moved by the spirit in grooves of rule,
No longer harried, and cropped, and fleeced,
Flogged by sheriff and cursed by priest,
But by wiser counsels left at ease
To settle quietly on his lees,
And, self-concentred, to count as done
The work which his fathers well begun,
In silent protest of letting alone,
The Quaker kept the way of his own,—
A non-conductor among the wires,
With coat of asbestos proof to fires.
And quite unable to mend his pace
To catch the falling manna of grace,
He hugged the closer his little store
Of faith, and silently prayed for more.
And vague of creed and barren of rite,
But holding, as in his Master's sight,
Act and thought to the inner light,
The round of his simple duties walked,
And strove to live what the others talked.
And who shall marvel if evil went
Step by step with the good intent,
And with love and meekness, side by side,
Lust of the flesh and spiritual pride?—
That passionate longings and fancies vain
Set the heart on fire and crazed the brain?
That over the holy oracles
Folly sported with cap and bells?
That goodly women and learned men
Marvelling told with tongue and pen
How unweaned children chirped like birds
Texts of Scripture and solemn words,
Like the infant seers of the rocky glens
In the Puy de Dome of wild Cevennes
Or baby Lamas who pray and preach
From Tartir cradles in Buddha's speech?
In the war which Truth or Freedom wages
With impious fraud and the wrong of ages,
Hate and malice and self-love mar
The notes of triumph with painful jar,
And the helping angels turn aside
Their sorrowing faces the shame to bide.
Never on custom's oiled grooves
The world to a higher level moves,
But grates and grinds with friction hard
On granite boulder and flinty shard.
The heart must bleed before it feels,
The pool be troubled before it heals;
Ever by losses the right must gain,
Every good have its birth of pain;
The active Virtues blush to find
The Vices wearing their badge behind,
And Graces and Charities feel the fire
Wherein the sins of the age expire;
The fiend still rends as of old he rent
The tortured body from which he went.
But Time tests all. In the over-drift
And flow of the Nile, with its annual gift,
Who cares for the Hadji's relics sunk?
Who thinks of the drowned-out Coptic monk?
The tide that loosens the temple's stones,
And scatters the sacred ibis-bones,
Drives away from the valley-land
That Arab robber, the wandering sand,
Moistens the fields that know no rain,
Fringes the desert with belts of grain,
And bread to the sower brings again.
So the flood of emotion deep and strong
Troubled the land as it swept along,
But left a result of holier lives,
Tenderer-mothers and worthier wives.
The husband and father whose children fled
And sad wife wept when his drunken tread
Frightened peace from his roof-tree's shade,
And a rock of offence his hearthstone made,
In a strength that was not his own began
To rise from the brute's to the plane of man.
Old friends embraced, long held apart
By evil counsel and pride of heart;
And penitence saw through misty tears,
In the bow of hope on its cloud of fears,
The promise of Heaven's eternal years,—
The peace of God for the world's annoy,—
Beauty for ashes, and oil of joy
Under the church of Federal Street,
Under the tread of its Sabbath feet,
Walled about by its basement stones,
Lie the marvellous preacher's bones.
No saintly honors to them are shown,
No sign nor miracle have they known;
But he who passes the ancient church
Stops in the shade of its belfry-porch,
And ponders the wonderful life of him
Who lies at rest in that charnel dim.
Long shall the traveller strain his eye
From the railroad car, as it plunges by,
And the vanishing town behind him search
For the slender spire of the Whitefield Church;
And feel for one moment the ghosts of trade,
And fashion, and folly, and pleasure laid,
By the thought of that life of pure intent,
That voice of warning yet eloquent,
Of one on the errands of angels sent.
And if where he labored the flood of sin
Like a tide from the harbor-bar sets in,
And over a life of tune and sense
The church-spires lift their vain defence,
As if to scatter the bolts of God
With the points of Calvin's thunder-rod,—
Still, as the gem of its civic crown,
Precious beyond the world's renown,
His memory hallows the ancient town!
1859.
Beneath a thousand roofs of brown,
Far down the vale, my friend and I
Beheld the old and quiet town;
The ghostly sails that out at sea
Flapped their white wings of mystery;
The beaches glimmering in the sun,
And the low wooded capes that run
Into the sea-mist north and south;
The sand-bluffs at the river's mouth;
The swinging chain-bridge, and, afar,
The foam-line of the harbor-bar.
Over the woods and meadow-lands
A crimson-tinted shadow lay,
Of clouds through which the setting day
Flung a slant glory far away.
It glittered on the wet sea-sands,
It flamed upon the city's panes,
Smote the white sails of ships that wore
Outward or in, and glided o'er
The steeples with their veering vanes!
Awhile my friend with rapid search
O'erran the landscape. "Yonder spire
Over gray roofs, a shaft of fire;
What is it, pray?"—"The Whitefield Church!
Walled about by its basement stones,
There rest the marvellous prophet's bones."
Then as our homeward way we walked,
Of the great preacher's life we talked;
And through the mystery of our theme
The outward glory seemed to stream,
And Nature's self interpreted
The doubtful record of the dead;
And every level beam that smote
The sails upon the dark afloat
A symbol of the light became,
Which touched the shadows of our blame,
With tongues of Pentecostal flame.
Over the roofs of the pioneers
Gathers the moss of a hundred years;
On man and his works has passed the change
Which needs must be in a century's range.
The land lies open and warm in the sun,
Anvils clamor and mill-wheels run,—
Flocks on the hillsides, herds on the plain,
The wilderness gladdened with fruit and grain!
But the living faith of the settlers old
A dead profession their children hold;
To the lust of office and greed of trade
A stepping-stone is the altar made.
The church, to place and power the door,
Rebukes the sin of the world no more,
Nor sees its Lord in the homeless poor.
Everywhere is the grasping hand,
And eager adding of land to land;
And earth, which seemed to the fathers meant
But as a pilgrim's wayside tent,—
A nightly shelter to fold away
When the Lord should call at the break of day,—
Solid and steadfast seems to be,
And Time has forgotten Eternity!
But fresh and green from the rotting roots
Of primal forests the young growth shoots;
From the death of the old the new proceeds,
And the life of truth from the rot of creeds
On the ladder of God, which upward leads,
The steps of progress are human needs.
For His judgments still are a mighty deep,
And the eyes of His providence never sleep
When the night is darkest He gives the morn;
When the famine is sorest, the wine and corn!
In the church of the wilderness Edwards wrought,
Shaping his creed at the forge of thought;
And with Thor's own hammer welded and bent
The iron links of his argument,
Which strove to grasp in its mighty span
The purpose of God and the fate of man
Yet faithful still, in his daily round
To the weak, and the poor, and sin-sick found,
The schoolman's lore and the casuist's art
Drew warmth and life from his fervent heart.
Had he not seen in the solitudes
Of his deep and dark Northampton woods
A vision of love about him fall?
Not the blinding splendor which fell on Saul,
But the tenderer glory that rests on them
Who walk in the New Jerusalem,
Where never the sun nor moon are known,
But the Lord and His love are the light alone
And watching the sweet, still countenance
Of the wife of his bosom rapt in trance,
Had he not treasured each broken word
Of the mystical wonder seen and heard;
And loved the beautiful dreamer more
That thus to the desert of earth she bore
Clusters of Eshcol from Canaan's shore?
As the barley-winnower, holding with pain
Aloft in waiting his chaff and grain,
Joyfully welcomes the far-off breeze
Sounding the pine-tree's slender keys,
So he who had waited long to hear
The sound of the Spirit drawing near,
Like that which the son of Iddo heard
When the feet of angels the myrtles stirred,
Felt the answer of prayer, at last,
As over his church the afflatus passed,
Breaking its sleep as breezes break
To sun-bright ripples a stagnant lake.
At first a tremor of silent fear,
The creep of the flesh at danger near,
A vague foreboding and discontent,
Over the hearts of the people went.
All nature warned in sounds and signs
The wind in the tops of the forest pines
In the name of the Highest called to prayer,
As the muezzin calls from the minaret stair.
Through ceiled chambers of secret sin
Sudden and strong the light shone in;
A guilty sense of his neighbor's needs
Startled the man of title-deeds;
The trembling hand of the worldling shook
The dust of years from the Holy Book;
And the psalms of David, forgotten long,
Took the place of the scoffer's song.
The impulse spread like the outward course
Of waters moved by a central force;
The tide of spiritual life rolled down
From inland mountains to seaboard town.
Prepared and ready the altar stands
Waiting the prophet's outstretched hands
And prayer availing, to downward call
The fiery answer in view of all.
Hearts are like wax in the furnace; who
Shall mould, and shape, and cast them anew?
Lo! by the Merrimac Whitefield stands
In the temple that never was made by hands,—
Curtains of azure, and crystal wall,
And dome of the sunshine over all—
A homeless pilgrim, with dubious name
Blown about on the winds of fame;
Now as an angel of blessing classed,
And now as a mad enthusiast.
Called in his youth to sound and gauge
The moral lapse of his race and age,
And, sharp as truth, the contrast draw
Of human frailty and perfect law;
Possessed by the one dread thought that lent
Its goad to his fiery temperament,
Up and down the world he went,
A John the Baptist crying, Repent!
No perfect whole can our nature make;
Here or there the circle will break;
The orb of life as it takes the light
On one side leaves the other in night.
Never was saint so good and great
As to give no chance at St. Peter's gate
For the plea of the Devil's advocate.
So, incomplete by his being's law,
The marvellous preacher had his flaw;
With step unequal, and lame with faults,
His shade on the path of History halts.
Wisely and well said the Eastern bard
Fear is easy, but love is hard,—
Easy to glow with the Santon's rage,
And walk on the Meccan pilgrimage;
But he is greatest and best who can
Worship Allah by loving man.
Thus he,—to whom, in the painful stress
Of zeal on fire from its own excess,
Heaven seemed so vast and earth so small
That man was nothing, since God was all,—
Forgot, as the best at times have done,
That the love of the Lord and of man are one.
Little to him whose feet unshod
The thorny path of the desert trod,
Careless of pain, so it led to God,
Seemed the hunger-pang and the poor man's wrong,
The weak ones trodden beneath the strong.
Should the worm be chooser?—the clay withstand
The shaping will of the potter's hand?
In the Indian fable Arjoon hears
The scorn of a god rebuke his fears
"Spare thy pity!" Krishna saith;
"Not in thy sword is the power of death!
All is illusion,—loss but seems;
Pleasure and pain are only dreams;
Who deems he slayeth doth not kill;
Who counts as slain is living still.
Strike, nor fear thy blow is crime;
Nothing dies but the cheats of time;
Slain or slayer, small the odds
To each, immortal as Indra's gods!"
So by Savannah's banks of shade,
The stones of his mission the preacher laid
On the heart of the negro crushed and rent,
And made of his blood the wall's cement;
Bade the slave-ship speed from coast to coast,
Fanned by the wings of the Holy Ghost;
And begged, for the love of Christ, the gold
Coined from the hearts in its groaning hold.
What could it matter, more or less
Of stripes, and hunger, and weariness?
Living or dying, bond or free,
What was time to eternity?
Alas for the preacher's cherished schemes!
Mission and church are now but dreams;
Nor prayer nor fasting availed the plan
To honor God through the wrong of man.
Of all his labors no trace remains
Save the bondman lifting his hands in chains.
The woof he wove in the righteous warp
Of freedom-loving Oglethorpe,
Clothes with curses the goodly land,
Changes its greenness and bloom to sand;
And a century's lapse reveals once more
The slave-ship stealing to Georgia's shore.
Father of Light! how blind is he
Who sprinkles the altar he rears to Thee
With the blood and tears of humanity!
He erred: shall we count His gifts as naught?
Was the work of God in him unwrought?
The servant may through his deafness err,
And blind may be God's messenger;
But the Errand is sure they go upon,—
The word is spoken, the deed is done.
Was the Hebrew temple less fair and good
That Solomon bowed to gods of wood?
For his tempted heart and wandering feet,
Were the songs of David less pure and sweet?
So in light and shadow the preacher went,
God's erring and human instrument;
And the hearts of the people where he passed
Swayed as the reeds sway in the blast,
Under the spell of a voice which took
In its compass the flow of Siloa's brook,
And the mystical chime of the bells of gold
On the ephod's hem of the priest of old,—
Now the roll of thunder, and now the awe
Of the trumpet heard in the Mount of Law.
A solemn fear on the listening crowd
Fell like the shadow of a cloud.
The sailor reeling from out the ships
Whose masts stood thick in the river-slips
Felt the jest and the curse die on his lips.
Listened the fisherman rude and hard,
The calker rough from the builder's yard;
The man of the market left his load,
The teamster leaned on his bending goad,
The maiden, and youth beside her, felt
Their hearts in a closer union melt,
And saw the flowers of their love in bloom
Down the endless vistas of life to come.
Old age sat feebly brushing away
From his ears the scanty locks of gray;
And careless boyhood, living the free
Unconscious life of bird and tree,
Suddenly wakened to a sense
Of sin and its guilty consequence.
It was as if an angel's voice
Called the listeners up for their final choice;
As if a strong hand rent apart
The veils of sense from soul and heart,
Showing in light ineffable
The joys of heaven and woes of hell
All about in the misty air
The hills seemed kneeling in silent prayer;
The rustle of leaves, the moaning sedge,
The water's lap on its gravelled edge,
The wailing pines, and, far and faint,
The wood-dove's note of sad complaint,—
To the solemn voice of the preacher lent
An undertone as of low lament;
And the note of the sea from its sand coast,
On the easterly wind, now heard, now lost,
Seemed the murmurous sound of the judgment host.
Yet wise men doubted, and good men wept,
As that storm of passion above them swept,
And, comet-like, adding flame to flame,
The priests of the new Evangel came,—
Davenport, flashing upon the crowd,
Charged like summer's electric cloud,
Now holding the listener still as death
With terrible warnings under breath,
Now shouting for joy, as if he viewed
The vision of Heaven's beatitude!
And Celtic Tennant, his long coat bound
Like a monk's with leathern girdle round,
Wild with the toss of unshorn hair,
And wringing of hands, and, eyes aglare,
Groaning under the world's despair!
Grave pastors, grieving their flocks to lose,
Prophesied to the empty pews
That gourds would wither, and mushrooms die,
And noisiest fountains run soonest dry,
Like the spring that gushed in Newbury Street,
Under the tramp of the earthquake's feet,
A silver shaft in the air and light,
For a single day, then lost in night,
Leaving only, its place to tell,
Sandy fissure and sulphurous smell.
With zeal wing-clipped and white-heat cool,
Moved by the spirit in grooves of rule,
No longer harried, and cropped, and fleeced,
Flogged by sheriff and cursed by priest,
But by wiser counsels left at ease
To settle quietly on his lees,
And, self-concentred, to count as done
The work which his fathers well begun,
In silent protest of letting alone,
The Quaker kept the way of his own,—
A non-conductor among the wires,
With coat of asbestos proof to fires.
And quite unable to mend his pace
To catch the falling manna of grace,
He hugged the closer his little store
Of faith, and silently prayed for more.
And vague of creed and barren of rite,
But holding, as in his Master's sight,
Act and thought to the inner light,
The round of his simple duties walked,
And strove to live what the others talked.
And who shall marvel if evil went
Step by step with the good intent,
And with love and meekness, side by side,
Lust of the flesh and spiritual pride?—
That passionate longings and fancies vain
Set the heart on fire and crazed the brain?
That over the holy oracles
Folly sported with cap and bells?
That goodly women and learned men
Marvelling told with tongue and pen
How unweaned children chirped like birds
Texts of Scripture and solemn words,
Like the infant seers of the rocky glens
In the Puy de Dome of wild Cevennes
Or baby Lamas who pray and preach
From Tartir cradles in Buddha's speech?
In the war which Truth or Freedom wages
With impious fraud and the wrong of ages,
Hate and malice and self-love mar
The notes of triumph with painful jar,
And the helping angels turn aside
Their sorrowing faces the shame to bide.
Never on custom's oiled grooves
The world to a higher level moves,
But grates and grinds with friction hard
On granite boulder and flinty shard.
The heart must bleed before it feels,
The pool be troubled before it heals;
Ever by losses the right must gain,
Every good have its birth of pain;
The active Virtues blush to find
The Vices wearing their badge behind,
And Graces and Charities feel the fire
Wherein the sins of the age expire;
The fiend still rends as of old he rent
The tortured body from which he went.
But Time tests all. In the over-drift
And flow of the Nile, with its annual gift,
Who cares for the Hadji's relics sunk?
Who thinks of the drowned-out Coptic monk?
The tide that loosens the temple's stones,
And scatters the sacred ibis-bones,
Drives away from the valley-land
That Arab robber, the wandering sand,
Moistens the fields that know no rain,
Fringes the desert with belts of grain,
And bread to the sower brings again.
So the flood of emotion deep and strong
Troubled the land as it swept along,
But left a result of holier lives,
Tenderer-mothers and worthier wives.
The husband and father whose children fled
And sad wife wept when his drunken tread
Frightened peace from his roof-tree's shade,
And a rock of offence his hearthstone made,
In a strength that was not his own began
To rise from the brute's to the plane of man.
Old friends embraced, long held apart
By evil counsel and pride of heart;
And penitence saw through misty tears,
In the bow of hope on its cloud of fears,
The promise of Heaven's eternal years,—
The peace of God for the world's annoy,—
Beauty for ashes, and oil of joy
Under the church of Federal Street,
Under the tread of its Sabbath feet,
Walled about by its basement stones,
Lie the marvellous preacher's bones.
No saintly honors to them are shown,
No sign nor miracle have they known;
But he who passes the ancient church
Stops in the shade of its belfry-porch,
And ponders the wonderful life of him
Who lies at rest in that charnel dim.
Long shall the traveller strain his eye
From the railroad car, as it plunges by,
And the vanishing town behind him search
For the slender spire of the Whitefield Church;
And feel for one moment the ghosts of trade,
And fashion, and folly, and pleasure laid,
By the thought of that life of pure intent,
That voice of warning yet eloquent,
Of one on the errands of angels sent.
And if where he labored the flood of sin
Like a tide from the harbor-bar sets in,
And over a life of tune and sense
The church-spires lift their vain defence,
As if to scatter the bolts of God
With the points of Calvin's thunder-rod,—
Still, as the gem of its civic crown,
Precious beyond the world's renown,
His memory hallows the ancient town!
1859.
THE TRUCE OF PISCATAQUA.
In the winter of 1675-76, the Eastern Indians, who had been making war upon the New Hampshire settlements, were so reduced in numbers by fighting and famine that they agreed to a peace with Major Waldron at Dover, but the peace was broken in the fall of 1676. The famous chief, Squando, was the principal negotiator on the part of the savages. He had taken up the hatchet to revenge the brutal treatment of his child by drunken white sailors, which caused its death.
It not unfrequently happened during the Border wars that young white children were adopted by their Indian captors, and so kindly treated that they were unwilling to leave the free, wild life of the woods; and in some instances they utterly refused to go back with their parents to their old homes and civilization.
RAZE these long blocks of brick and stone,
These huge mill-monsters overgrown;
Blot out the humbler piles as well,
Where, moved like living shuttles, dwell
The weaving genii of the bell;
Tear from the wild Cocheco's track
The dams that hold its torrents back;
And let the loud-rejoicing fall
Plunge, roaring, down its rocky wall;
And let the Indian's paddle play
On the unbridged Piscataqua!
Wide over hill and valley spread
Once more the forest, dusk and dread,
With here and there a clearing cut
From the walled shadows round it shut;
Each with its farm-house builded rude,
By English yeoman squared and hewed,
And the grim, flankered block-house bound
With bristling palisades around.
So, haply shall before thine eyes
The dusty veil of centuries rise,
The old, strange scenery overlay
The tamer pictures of to-day,
While, like the actors in a play,
Pass in their ancient guise along
The figures of my border song
What time beside Cocheco's flood
The white man and the red man stood,
With words of peace and brotherhood;
When passed the sacred calumet
From lip to lip with fire-draught wet,
And, puffed in scorn, the peace-pipe's smoke
Through the gray beard of Waldron broke,
And Squando's voice, in suppliant plea
For mercy, struck the haughty key
Of one who held, in any fate,
His native pride inviolate!
"Let your ears be opened wide!
He who speaks has never lied.
Waldron of Piscataqua,
Hear what Squando has to say!
"Squando shuts his eyes and sees,
Far off, Saco's hemlock-trees.
In his wigwam, still as stone,
Sits a woman all alone,
"Wampum beads and birchen strands
Dropping from her careless hands,
Listening ever for the fleet
Patter of a dead child's feet!
"When the moon a year ago
Told the flowers the time to blow,
In that lonely wigwam smiled
Menewee, our little child.
"Ere that moon grew thin and old,
He was lying still and cold;
Sent before us, weak and small,
When the Master did not call!
"On his little grave I lay;
Three times went and came the day,
Thrice above me blazed the noon,
Thrice upon me wept the moon.
"In the third night-watch I heard,
Far and low, a spirit-bird;
Very mournful, very wild,
Sang the totem of my child.
"'Menewee, poor Menewee,
Walks a path he cannot see
Let the white man's wigwam light
With its blaze his steps aright.
"'All-uncalled, he dares not show
Empty hands to Manito
Better gifts he cannot bear
Than the scalps his slayers wear.'
"All the while the totem sang,
Lightning blazed and thunder rang;
And a black cloud, reaching high,
Pulled the white moon from the sky.
"I, the medicine-man, whose ear
All that spirits bear can hear,—
I, whose eyes are wide to see
All the things that are to be,—
"Well I knew the dreadful signs
In the whispers of the pines,
In the river roaring loud,
In the mutter of the cloud.
"At the breaking of the day,
From the grave I passed away;
Flowers bloomed round me, birds sang glad,
But my heart was hot and mad.
"There is rust on Squando's knife,
From the warm, red springs of life;
On the funeral hemlock-trees
Many a scalp the totem sees.
"Blood for blood! But evermore
Squando's heart is sad and sore;
And his poor squaw waits at home
For the feet that never come!
"Waldron of Cocheco, hear!
Squando speaks, who laughs at fear;
Take the captives he has ta'en;
Let the land have peace again!"
As the words died on his tongue,
Wide apart his warriors swung;
Parted, at the sign he gave,
Right and left, like Egypt's wave.
And, like Israel passing free
Through the prophet-charmed sea,
Captive mother, wife, and child
Through the dusky terror filed.
One alone, a little maid,
Middleway her steps delayed,
Glancing, with quick, troubled sight,
Round about from red to white.
Then his hand the Indian laid
On the little maiden's head,
Lightly from her forehead fair
Smoothing back her yellow hair.
"Gift or favor ask I none;
What I have is all my own
Never yet the birds have sung,
Squando hath a beggar's tongue.'
"Yet for her who waits at home,
For the dead who cannot come,
Let the little Gold-hair be
In the place of Menewee!
"Mishanock, my little star!
Come to Saco's pines afar;
Where the sad one waits at home,
Wequashim, my moonlight, come!"
"What!" quoth Waldron, "leave a child
Christian-born to heathens wild?
As God lives, from Satan's hand
I will pluck her as a brand!"
"Hear me, white man!" Squando cried;
"Let the little one decide.
Wequashim, my moonlight, say,
Wilt thou go with me, or stay?"
Slowly, sadly, half afraid,
Half regretfully, the maid
Owned the ties of blood and race,—
Turned from Squando's pleading face.
Not a word the Indian spoke,
But his wampum chain he broke,
And the beaded wonder hung
On that neck so fair and young.
Silence-shod, as phantoms seem
In the marches of a dream,
Single-filed, the grim array
Through the pine-trees wound away.
Doubting, trembling, sore amazed,
Through her tears the young child gazed.
"God preserve her!" Waldron said;
"Satan hath bewitched the maid!"
Years went and came. At close of day
Singing came a child from play,
Tossing from her loose-locked head
Gold in sunshine, brown in shade.
Pride was in the mother's look,
But her head she gravely shook,
And with lips that fondly smiled
Feigned to chide her truant child.
Unabashed, the maid began
"Up and down the brook I ran,
Where, beneath the bank so steep,
Lie the spotted trout asleep.
"'Chip!' went squirrel on the wall,
After me I heard him call,
And the cat-bird on the tree
Tried his best to mimic me.
"Where the hemlocks grew so dark
That I stopped to look and hark,
On a log, with feather-hat,
By the path, an Indian sat.
"Then I cried, and ran away;
But he called, and bade me stay;
And his voice was good and mild
As my mother's to her child.
"And he took my wampum chain,
Looked and looked it o'er again;
Gave me berries, and, beside,
On my neck a plaything tied."
Straight the mother stooped to see
What the Indian's gift might be.
On the braid of wampum hung,
Lo! a cross of silver swung.
Well she knew its graven sign,
Squando's bird and totem pine;
And, a mirage of the brain,
Flowed her childhood back again.
Flashed the roof the sunshine through,
Into space the walls outgrew;
On the Indian's wigwam-mat,
Blossom-crowned, again she sat.
Cool she felt the west-wind blow,
In her ear the pines sang low,
And, like links from out a chain,
Dropped the years of care and pain.
From the outward toil and din,
From the griefs that gnaw within,
To the freedom of the woods
Called the birds, and winds, and floods.
Well, O painful minister!
Watch thy flock, but blame not her,
If her ear grew sharp to hear
All their voices whispering near.
Blame her not, as to her soul
All the desert's glamour stole,
That a tear for childhood's loss
Dropped upon the Indian's cross.
When, that night, the Book was read,
And she bowed her widowed head,
And a prayer for each loved name
Rose like incense from a flame,
With a hope the creeds forbid
In her pitying bosom hid,
To the listening ear of Heaven
Lo! the Indian's name was given.
1860.
These huge mill-monsters overgrown;
Blot out the humbler piles as well,
Where, moved like living shuttles, dwell
The weaving genii of the bell;
Tear from the wild Cocheco's track
The dams that hold its torrents back;
And let the loud-rejoicing fall
Plunge, roaring, down its rocky wall;
And let the Indian's paddle play
On the unbridged Piscataqua!
Wide over hill and valley spread
Once more the forest, dusk and dread,
With here and there a clearing cut
From the walled shadows round it shut;
Each with its farm-house builded rude,
By English yeoman squared and hewed,
And the grim, flankered block-house bound
With bristling palisades around.
So, haply shall before thine eyes
The dusty veil of centuries rise,
The old, strange scenery overlay
The tamer pictures of to-day,
While, like the actors in a play,
Pass in their ancient guise along
The figures of my border song
What time beside Cocheco's flood
The white man and the red man stood,
With words of peace and brotherhood;
When passed the sacred calumet
From lip to lip with fire-draught wet,
And, puffed in scorn, the peace-pipe's smoke
Through the gray beard of Waldron broke,
And Squando's voice, in suppliant plea
For mercy, struck the haughty key
Of one who held, in any fate,
His native pride inviolate!
"Let your ears be opened wide!
He who speaks has never lied.
Waldron of Piscataqua,
Hear what Squando has to say!
"Squando shuts his eyes and sees,
Far off, Saco's hemlock-trees.
In his wigwam, still as stone,
Sits a woman all alone,
"Wampum beads and birchen strands
Dropping from her careless hands,
Listening ever for the fleet
Patter of a dead child's feet!
"When the moon a year ago
Told the flowers the time to blow,
In that lonely wigwam smiled
Menewee, our little child.
"Ere that moon grew thin and old,
He was lying still and cold;
Sent before us, weak and small,
When the Master did not call!
"On his little grave I lay;
Three times went and came the day,
Thrice above me blazed the noon,
Thrice upon me wept the moon.
"In the third night-watch I heard,
Far and low, a spirit-bird;
Very mournful, very wild,
Sang the totem of my child.
"'Menewee, poor Menewee,
Walks a path he cannot see
Let the white man's wigwam light
With its blaze his steps aright.
"'All-uncalled, he dares not show
Empty hands to Manito
Better gifts he cannot bear
Than the scalps his slayers wear.'
"All the while the totem sang,
Lightning blazed and thunder rang;
And a black cloud, reaching high,
Pulled the white moon from the sky.
"I, the medicine-man, whose ear
All that spirits bear can hear,—
I, whose eyes are wide to see
All the things that are to be,—
"Well I knew the dreadful signs
In the whispers of the pines,
In the river roaring loud,
In the mutter of the cloud.
"At the breaking of the day,
From the grave I passed away;
Flowers bloomed round me, birds sang glad,
But my heart was hot and mad.
"There is rust on Squando's knife,
From the warm, red springs of life;
On the funeral hemlock-trees
Many a scalp the totem sees.
"Blood for blood! But evermore
Squando's heart is sad and sore;
And his poor squaw waits at home
For the feet that never come!
"Waldron of Cocheco, hear!
Squando speaks, who laughs at fear;
Take the captives he has ta'en;
Let the land have peace again!"
As the words died on his tongue,
Wide apart his warriors swung;
Parted, at the sign he gave,
Right and left, like Egypt's wave.
And, like Israel passing free
Through the prophet-charmed sea,
Captive mother, wife, and child
Through the dusky terror filed.
One alone, a little maid,
Middleway her steps delayed,
Glancing, with quick, troubled sight,
Round about from red to white.
Then his hand the Indian laid
On the little maiden's head,
Lightly from her forehead fair
Smoothing back her yellow hair.
"Gift or favor ask I none;
What I have is all my own
Never yet the birds have sung,
Squando hath a beggar's tongue.'
"Yet for her who waits at home,
For the dead who cannot come,
Let the little Gold-hair be
In the place of Menewee!
"Mishanock, my little star!
Come to Saco's pines afar;
Where the sad one waits at home,
Wequashim, my moonlight, come!"
"What!" quoth Waldron, "leave a child
Christian-born to heathens wild?
As God lives, from Satan's hand
I will pluck her as a brand!"
"Hear me, white man!" Squando cried;
"Let the little one decide.
Wequashim, my moonlight, say,
Wilt thou go with me, or stay?"
Slowly, sadly, half afraid,
Half regretfully, the maid
Owned the ties of blood and race,—
Turned from Squando's pleading face.
Not a word the Indian spoke,
But his wampum chain he broke,
And the beaded wonder hung
On that neck so fair and young.
Silence-shod, as phantoms seem
In the marches of a dream,
Single-filed, the grim array
Through the pine-trees wound away.
Doubting, trembling, sore amazed,
Through her tears the young child gazed.
"God preserve her!" Waldron said;
"Satan hath bewitched the maid!"
Years went and came. At close of day
Singing came a child from play,
Tossing from her loose-locked head
Gold in sunshine, brown in shade.
Pride was in the mother's look,
But her head she gravely shook,
And with lips that fondly smiled
Feigned to chide her truant child.
Unabashed, the maid began
"Up and down the brook I ran,
Where, beneath the bank so steep,
Lie the spotted trout asleep.
"'Chip!' went squirrel on the wall,
After me I heard him call,
And the cat-bird on the tree
Tried his best to mimic me.
"Where the hemlocks grew so dark
That I stopped to look and hark,
On a log, with feather-hat,
By the path, an Indian sat.
"Then I cried, and ran away;
But he called, and bade me stay;
And his voice was good and mild
As my mother's to her child.
"And he took my wampum chain,
Looked and looked it o'er again;
Gave me berries, and, beside,
On my neck a plaything tied."
Straight the mother stooped to see
What the Indian's gift might be.
On the braid of wampum hung,
Lo! a cross of silver swung.
Well she knew its graven sign,
Squando's bird and totem pine;
And, a mirage of the brain,
Flowed her childhood back again.
Flashed the roof the sunshine through,
Into space the walls outgrew;
On the Indian's wigwam-mat,
Blossom-crowned, again she sat.
Cool she felt the west-wind blow,
In her ear the pines sang low,
And, like links from out a chain,
Dropped the years of care and pain.
From the outward toil and din,
From the griefs that gnaw within,
To the freedom of the woods
Called the birds, and winds, and floods.
Well, O painful minister!
Watch thy flock, but blame not her,
If her ear grew sharp to hear
All their voices whispering near.
Blame her not, as to her soul
All the desert's glamour stole,
That a tear for childhood's loss
Dropped upon the Indian's cross.
When, that night, the Book was read,
And she bowed her widowed head,
And a prayer for each loved name
Rose like incense from a flame,
With a hope the creeds forbid
In her pitying bosom hid,
To the listening ear of Heaven
Lo! the Indian's name was given.
1860.
MY PLAYMATE.
THE pines were dark on Ramoth hill,
Their song was soft and low;
The blossoms in the sweet May wind
Were falling like the snow.
The blossoms drifted at our feet,
The orchard birds sang clear;
The sweetest and the saddest day
It seemed of all the year.
For, more to me than birds or flowers,
My playmate left her home,
And took with her the laughing spring,
The music and the bloom.
She kissed the lips of kith and kin,
She laid her hand in mine
What more could ask the bashful boy
Who fed her father's kine?
She left us in the bloom of May
The constant years told o'er
Their seasons with as sweet May morns,
But she came back no more.
I walk, with noiseless feet, the round
Of uneventful years;
Still o'er and o'er I sow the spring
And reap the autumn ears.
She lives where all the golden year
Her summer roses blow;
The dusky children of the sun
Before her come and go.
There haply with her jewelled hands
She smooths her silken gown,—
No more the homespun lap wherein
I shook the walnuts down.
The wild grapes wait us by the brook,
The brown nuts on the hill,
And still the May-day flowers make sweet
The woods of Follymill.
The lilies blossom in the pond,
The bird builds in the tree,
The dark pines sing on Ramoth hill
The slow song of the sea.
I wonder if she thinks of them,
And how the old time seems,—
If ever the pines of Ramoth wood
Are sounding in her dreams.
I see her face, I hear her voice;
Does she remember mine?
And what to her is now the boy
Who fed her father's kine?
What cares she that the orioles build
For other eyes than ours,—
That other hands with nuts are filled,
And other laps with flowers?
O playmate in the golden time!
Our mossy seat is green,
Its fringing violets blossom yet,
The old trees o'er it lean.
The winds so sweet with birch and fern
A sweeter memory blow;
And there in spring the veeries sing
The song of long ago.
And still the pines of Ramoth wood
Are moaning like the sea,—
The moaning of the sea of change
Between myself and thee!
1860.
Their song was soft and low;
The blossoms in the sweet May wind
Were falling like the snow.
The blossoms drifted at our feet,
The orchard birds sang clear;
The sweetest and the saddest day
It seemed of all the year.
For, more to me than birds or flowers,
My playmate left her home,
And took with her the laughing spring,
The music and the bloom.
She kissed the lips of kith and kin,
She laid her hand in mine
What more could ask the bashful boy
Who fed her father's kine?
She left us in the bloom of May
The constant years told o'er
Their seasons with as sweet May morns,
But she came back no more.
I walk, with noiseless feet, the round
Of uneventful years;
Still o'er and o'er I sow the spring
And reap the autumn ears.
She lives where all the golden year
Her summer roses blow;
The dusky children of the sun
Before her come and go.
There haply with her jewelled hands
She smooths her silken gown,—
No more the homespun lap wherein
I shook the walnuts down.
The wild grapes wait us by the brook,
The brown nuts on the hill,
And still the May-day flowers make sweet
The woods of Follymill.
The lilies blossom in the pond,
The bird builds in the tree,
The dark pines sing on Ramoth hill
The slow song of the sea.
I wonder if she thinks of them,
And how the old time seems,—
If ever the pines of Ramoth wood
Are sounding in her dreams.
I see her face, I hear her voice;
Does she remember mine?
And what to her is now the boy
Who fed her father's kine?
What cares she that the orioles build
For other eyes than ours,—
That other hands with nuts are filled,
And other laps with flowers?
O playmate in the golden time!
Our mossy seat is green,
Its fringing violets blossom yet,
The old trees o'er it lean.
The winds so sweet with birch and fern
A sweeter memory blow;
And there in spring the veeries sing
The song of long ago.
And still the pines of Ramoth wood
Are moaning like the sea,—
The moaning of the sea of change
Between myself and thee!
1860.
COBBLER KEEZAR'S VISION.
This ballad was written on the occasion of a Horticultural Festival. Cobbler Keezar was a noted character among the first settlers in the valley of the Merrimac.
The beaver cut his timber
With patient teeth that day,
The minks were fish-wards, and the crows
Surveyors of highway,—
When Keezar sat on the hillside
Upon his cobbler's form,
With a pan of coals on either hand
To keep his waxed-ends warm.
And there, in the golden weather,
He stitched and hammered and sung;
In the brook he moistened his leather,
In the pewter mug his tongue.
Well knew the tough old Teuton
Who brewed the stoutest ale,
And he paid the goodwife's reckoning
In the coin of song and tale.
The songs they still are singing
Who dress the hills of vine,
The tales that haunt the Brocken
And whisper down the Rhine.
Woodsy and wild and lonesome,
The swift stream wound away,
Through birches and scarlet maples
Flashing in foam and spray,—
Down on the sharp-horned ledges
Plunging in steep cascade,
Tossing its white-maned waters
Against the hemlock's shade.
Woodsy and wild and lonesome,
East and west and north and south;
Only the village of fishers
Down at the river's mouth;
Only here and there a clearing,
With its farm-house rude and new,
And tree-stumps, swart as Indians,
Where the scanty harvest grew.
No shout of home-bound reapers,
No vintage-song he heard,
And on the green no dancing feet
The merry violin stirred.
"Why should folk be glum," said Keezar,
"When Nature herself is glad,
And the painted woods are laughing
At the faces so sour and sad?"
Small heed had the careless cobbler
What sorrow of heart was theirs
Who travailed in pain with the births of God,
And planted a state with prayers,—
Hunting of witches and warlocks,
Smiting the heathen horde,—
One hand on the mason's trowel,
And one on the soldier's sword.
But give him his ale and cider,
Give him his pipe and song,
Little he cared for Church or State,
Or the balance of right and wrong.
"T is work, work, work," he muttered,—
"And for rest a snuffle of psalms!"
He smote on his leathern apron
With his brown and waxen palms.
"Oh for the purple harvests
Of the days when I was young
For the merry grape-stained maidens,
And the pleasant songs they sung!
"Oh for the breath of vineyards,
Of apples and nuts and wine
For an oar to row and a breeze to blow
Down the grand old river Rhine!"
A tear in his blue eye glistened,
And dropped on his beard so gray.
"Old, old am I," said Keezar,
"And the Rhine flows far away!"
But a cunning man was the cobbler;
He could call the birds from the trees,
Charm the black snake out of the ledges,
And bring back the swarming bees.
All the virtues of herbs and metals,
All the lore of the woods, he knew,
And the arts of the Old World mingle
With the marvels of the New.
Well he knew the tricks of magic,
And the lapstone on his knee
Had the gift of the Mormon's goggles
Or the stone of Doctor Dee.
For the mighty master Agrippa
Wrought it with spell and rhyme
From a fragment of mystic moonstone
In the tower of Nettesheim.
To a cobbler Minnesinger
The marvellous stone gave he,—
And he gave it, in turn, to Keezar,
Who brought it over the sea.
He held up that mystic lapstone,
He held it up like a lens,
And he counted the long years coming
Ey twenties and by tens.
"One hundred years," quoth Keezar,
"And fifty have I told
Now open the new before me,
And shut me out the old!"
Like a cloud of mist, the blackness
Rolled from the magic stone,
And a marvellous picture mingled
The unknown and the known.
Still ran the stream to the river,
And river and ocean joined;
And there were the bluffs and the blue sea-line,
And cold north hills behind.
But—the mighty forest was broken
By many a steepled town,
By many a white-walled farm-house,
And many a garner brown.
Turning a score of mill-wheels,
The stream no more ran free;
White sails on the winding river,
White sails on the far-off sea.
Below in the noisy village
The flags were floating gay,
And shone on a thousand faces
The light of a holiday.
Swiftly the rival ploughmen
Turned the brown earth from their shares;
Here were the farmer's treasures,
There were the craftsman's wares.
Golden the goodwife's butter,
Ruby her currant-wine;
Grand were the strutting turkeys,
Fat were the beeves and swine.
Yellow and red were the apples,
And the ripe pears russet-brown,
And the peaches had stolen blushes
From the girls who shook them down.
And with blooms of hill and wildwood,
That shame the toil of art,
Mingled the gorgeous blossoms
Of the garden's tropic heart.
"What is it I see?" said Keezar
"Am I here, or am I there?
Is it a fete at Bingen?
Do I look on Frankfort fair?
"But where are the clowns and puppets,
And imps with horns and tail?
And where are the Rhenish flagons?
And where is the foaming ale?
"Strange things, I know, will happen,—
Strange things the Lord permits;
But that droughty folk should be jolly
Puzzles my poor old wits.
"Here are smiling manly faces,
And the maiden's step is gay;
Nor sad by thinking, nor mad by drinking,
Nor mopes, nor fools, are they.
"Here's pleasure without regretting,
And good without abuse,
The holiday and the bridal
Of beauty and of use.
"Here's a priest and there is a Quaker,
Do the cat and dog agree?
Have they burned the stocks for ovenwood?
Have they cut down the gallows-tree?
"Would the old folk know their children?
Would they own the graceless town,
With never a ranter to worry
And never a witch to drown?"
With patient teeth that day,
The minks were fish-wards, and the crows
Surveyors of highway,—
When Keezar sat on the hillside
Upon his cobbler's form,
With a pan of coals on either hand
To keep his waxed-ends warm.
And there, in the golden weather,
He stitched and hammered and sung;
In the brook he moistened his leather,
In the pewter mug his tongue.
Well knew the tough old Teuton
Who brewed the stoutest ale,
And he paid the goodwife's reckoning
In the coin of song and tale.
The songs they still are singing
Who dress the hills of vine,
The tales that haunt the Brocken
And whisper down the Rhine.
Woodsy and wild and lonesome,
The swift stream wound away,
Through birches and scarlet maples
Flashing in foam and spray,—
Down on the sharp-horned ledges
Plunging in steep cascade,
Tossing its white-maned waters
Against the hemlock's shade.
Woodsy and wild and lonesome,
East and west and north and south;
Only the village of fishers
Down at the river's mouth;
Only here and there a clearing,
With its farm-house rude and new,
And tree-stumps, swart as Indians,
Where the scanty harvest grew.
No shout of home-bound reapers,
No vintage-song he heard,
And on the green no dancing feet
The merry violin stirred.
"Why should folk be glum," said Keezar,
"When Nature herself is glad,
And the painted woods are laughing
At the faces so sour and sad?"
Small heed had the careless cobbler
What sorrow of heart was theirs
Who travailed in pain with the births of God,
And planted a state with prayers,—
Hunting of witches and warlocks,
Smiting the heathen horde,—
One hand on the mason's trowel,
And one on the soldier's sword.
But give him his ale and cider,
Give him his pipe and song,
Little he cared for Church or State,
Or the balance of right and wrong.
"T is work, work, work," he muttered,—
"And for rest a snuffle of psalms!"
He smote on his leathern apron
With his brown and waxen palms.
"Oh for the purple harvests
Of the days when I was young
For the merry grape-stained maidens,
And the pleasant songs they sung!
"Oh for the breath of vineyards,
Of apples and nuts and wine
For an oar to row and a breeze to blow
Down the grand old river Rhine!"
A tear in his blue eye glistened,
And dropped on his beard so gray.
"Old, old am I," said Keezar,
"And the Rhine flows far away!"
But a cunning man was the cobbler;
He could call the birds from the trees,
Charm the black snake out of the ledges,
And bring back the swarming bees.
All the virtues of herbs and metals,
All the lore of the woods, he knew,
And the arts of the Old World mingle
With the marvels of the New.
Well he knew the tricks of magic,
And the lapstone on his knee
Had the gift of the Mormon's goggles
Or the stone of Doctor Dee.
For the mighty master Agrippa
Wrought it with spell and rhyme
From a fragment of mystic moonstone
In the tower of Nettesheim.
To a cobbler Minnesinger
The marvellous stone gave he,—
And he gave it, in turn, to Keezar,
Who brought it over the sea.
He held up that mystic lapstone,
He held it up like a lens,
And he counted the long years coming
Ey twenties and by tens.
"One hundred years," quoth Keezar,
"And fifty have I told
Now open the new before me,
And shut me out the old!"
Like a cloud of mist, the blackness
Rolled from the magic stone,
And a marvellous picture mingled
The unknown and the known.
Still ran the stream to the river,
And river and ocean joined;
And there were the bluffs and the blue sea-line,
And cold north hills behind.
But—the mighty forest was broken
By many a steepled town,
By many a white-walled farm-house,
And many a garner brown.
Turning a score of mill-wheels,
The stream no more ran free;
White sails on the winding river,
White sails on the far-off sea.
Below in the noisy village
The flags were floating gay,
And shone on a thousand faces
The light of a holiday.
Swiftly the rival ploughmen
Turned the brown earth from their shares;
Here were the farmer's treasures,
There were the craftsman's wares.
Golden the goodwife's butter,
Ruby her currant-wine;
Grand were the strutting turkeys,
Fat were the beeves and swine.
Yellow and red were the apples,
And the ripe pears russet-brown,
And the peaches had stolen blushes
From the girls who shook them down.
And with blooms of hill and wildwood,
That shame the toil of art,
Mingled the gorgeous blossoms
Of the garden's tropic heart.
"What is it I see?" said Keezar
"Am I here, or am I there?
Is it a fete at Bingen?
Do I look on Frankfort fair?
"But where are the clowns and puppets,
And imps with horns and tail?
And where are the Rhenish flagons?
And where is the foaming ale?
"Strange things, I know, will happen,—
Strange things the Lord permits;
But that droughty folk should be jolly
Puzzles my poor old wits.
"Here are smiling manly faces,
And the maiden's step is gay;
Nor sad by thinking, nor mad by drinking,
Nor mopes, nor fools, are they.
"Here's pleasure without regretting,
And good without abuse,
The holiday and the bridal
Of beauty and of use.
"Here's a priest and there is a Quaker,
Do the cat and dog agree?
Have they burned the stocks for ovenwood?
Have they cut down the gallows-tree?
"Would the old folk know their children?
Would they own the graceless town,
With never a ranter to worry
And never a witch to drown?"
Loud laughed the cobbler Keezar,
Laughed like a school-boy gay;
Tossing his arms above him,
The lapstone rolled away.
It rolled down the rugged hillside,
It spun like a wheel bewitched,
It plunged through the leaning willows,
And into the river pitched.
There, in the deep, dark water,
The magic stone lies still,
Under the leaning willows
In the shadow of the hill.
But oft the idle fisher
Sits on the shadowy bank,
And his dreams make marvellous pictures
Where the wizard's lapstone sank.
And still, in the summer twilights,
When the river seems to run
Out from the inner glory,
Warm with the melted sun,
The weary mill-girl lingers
Beside the charmed stream,
And the sky and the golden water
Shape and color her dream.
Air wave the sunset gardens,
The rosy signals fly;
Her homestead beckons from the cloud,
And love goes sailing by.
1861.
Laughed like a school-boy gay;
Tossing his arms above him,
The lapstone rolled away.
It rolled down the rugged hillside,
It spun like a wheel bewitched,
It plunged through the leaning willows,
And into the river pitched.
There, in the deep, dark water,
The magic stone lies still,
Under the leaning willows
In the shadow of the hill.
But oft the idle fisher
Sits on the shadowy bank,
And his dreams make marvellous pictures
Where the wizard's lapstone sank.
And still, in the summer twilights,
When the river seems to run
Out from the inner glory,
Warm with the melted sun,
The weary mill-girl lingers
Beside the charmed stream,
And the sky and the golden water
Shape and color her dream.
Air wave the sunset gardens,
The rosy signals fly;
Her homestead beckons from the cloud,
And love goes sailing by.
1861.
AMY WENTWORTH
TO WILLIAM BRADFORD.
As they who watch by sick-beds find relief
Unwittingly from the great stress of grief
And anxious care, in fantasies outwrought
From the hearth's embers flickering low, or caught
From whispering wind, or tread of passing feet,
Or vagrant memory calling up some sweet
Snatch of old song or romance, whence or why
They scarcely know or ask,—so, thou and I,
Nursed in the faith that Truth alone is strong
In the endurance which outwearies Wrong,
With meek persistence baffling brutal force,
And trusting God against the universe,—
We, doomed to watch a strife we may not share
With other weapons than the patriot's prayer,
Yet owning, with full hearts and moistened eyes,
The awful beauty of self-sacrifice,
And wrung by keenest sympathy for all
Who give their loved ones for the living wall
'Twixt law and treason,—in this evil day
May haply find, through automatic play
Of pen and pencil, solace to our pain,
And hearten others with the strength we gain.
I know it has been said our times require
No play of art, nor dalliance with the lyre,
No weak essay with Fancy's chloroform
To calm the hot, mad pulses of the storm,
But the stern war-blast rather, such as sets
The battle's teeth of serried bayonets,
And pictures grim as Vernet's. Yet with these
Some softer tints may blend, and milder keys
Relieve the storm-stunned ear. Let us keep sweet,
If so we may, our hearts, even while we eat
The bitter harvest of our own device
And half a century's moral cowardice.
As Nurnberg sang while Wittenberg defied,
And Kranach painted by his Luther's side,
And through the war-march of the Puritan
The silver stream of Marvell's music ran,
So let the household melodies be sung,
The pleasant pictures on the wall be hung—
So let us hold against the hosts of night
And slavery all our vantage-ground of light.
Let Treason boast its savagery, and shake
From its flag-folds its symbol rattlesnake,
Nurse its fine arts, lay human skins in tan,
And carve its pipe-bowls from the bones of man,
And make the tale of Fijian banquets dull
By drinking whiskey from a loyal skull,—
But let us guard, till this sad war shall cease,
(God grant it soon!) the graceful arts of peace
No foes are conquered who the victors teach
Their vandal manners and barbaric speech.
And while, with hearts of thankfulness, we bear
Of the great common burden our full share,
Let none upbraid us that the waves entice
Thy sea-dipped pencil, or some quaint device,
Rhythmic, and sweet, beguiles my pen away
From the sharp strifes and sorrows of to-day.
Thus, while the east-wind keen from Labrador
Sings it the leafless elms, and from the shore
Of the great sea comes the monotonous roar
Of the long-breaking surf, and all the sky
Is gray with cloud, home-bound and dull, I try
To time a simple legend to the sounds
Of winds in the woods, and waves on pebbled bounds,—
A song for oars to chime with, such as might
Be sung by tired sea-painters, who at night
Look from their hemlock camps, by quiet cove
Or beach, moon-lighted, on the waves they love.
(So hast thou looked, when level sunset lay
On the calm bosom of some Eastern bay,
And all the spray-moist rocks and waves that rolled
Up the white sand-slopes flashed with ruddy gold.)
Something it has—a flavor of the sea,
And the sea's freedom—which reminds of thee.
Its faded picture, dimly smiling down
From the blurred fresco of the ancient town,
I have not touched with warmer tints in vain,
If, in this dark, sad year, it steals one thought
from pain.
. . . . . . . . . . . .
Unwittingly from the great stress of grief
And anxious care, in fantasies outwrought
From the hearth's embers flickering low, or caught
From whispering wind, or tread of passing feet,
Or vagrant memory calling up some sweet
Snatch of old song or romance, whence or why
They scarcely know or ask,—so, thou and I,
Nursed in the faith that Truth alone is strong
In the endurance which outwearies Wrong,
With meek persistence baffling brutal force,
And trusting God against the universe,—
We, doomed to watch a strife we may not share
With other weapons than the patriot's prayer,
Yet owning, with full hearts and moistened eyes,
The awful beauty of self-sacrifice,
And wrung by keenest sympathy for all
Who give their loved ones for the living wall
'Twixt law and treason,—in this evil day
May haply find, through automatic play
Of pen and pencil, solace to our pain,
And hearten others with the strength we gain.
I know it has been said our times require
No play of art, nor dalliance with the lyre,
No weak essay with Fancy's chloroform
To calm the hot, mad pulses of the storm,
But the stern war-blast rather, such as sets
The battle's teeth of serried bayonets,
And pictures grim as Vernet's. Yet with these
Some softer tints may blend, and milder keys
Relieve the storm-stunned ear. Let us keep sweet,
If so we may, our hearts, even while we eat
The bitter harvest of our own device
And half a century's moral cowardice.
As Nurnberg sang while Wittenberg defied,
And Kranach painted by his Luther's side,
And through the war-march of the Puritan
The silver stream of Marvell's music ran,
So let the household melodies be sung,
The pleasant pictures on the wall be hung—
So let us hold against the hosts of night
And slavery all our vantage-ground of light.
Let Treason boast its savagery, and shake
From its flag-folds its symbol rattlesnake,
Nurse its fine arts, lay human skins in tan,
And carve its pipe-bowls from the bones of man,
And make the tale of Fijian banquets dull
By drinking whiskey from a loyal skull,—
But let us guard, till this sad war shall cease,
(God grant it soon!) the graceful arts of peace
No foes are conquered who the victors teach
Their vandal manners and barbaric speech.
And while, with hearts of thankfulness, we bear
Of the great common burden our full share,
Let none upbraid us that the waves entice
Thy sea-dipped pencil, or some quaint device,
Rhythmic, and sweet, beguiles my pen away
From the sharp strifes and sorrows of to-day.
Thus, while the east-wind keen from Labrador
Sings it the leafless elms, and from the shore
Of the great sea comes the monotonous roar
Of the long-breaking surf, and all the sky
Is gray with cloud, home-bound and dull, I try
To time a simple legend to the sounds
Of winds in the woods, and waves on pebbled bounds,—
A song for oars to chime with, such as might
Be sung by tired sea-painters, who at night
Look from their hemlock camps, by quiet cove
Or beach, moon-lighted, on the waves they love.
(So hast thou looked, when level sunset lay
On the calm bosom of some Eastern bay,
And all the spray-moist rocks and waves that rolled
Up the white sand-slopes flashed with ruddy gold.)
Something it has—a flavor of the sea,
And the sea's freedom—which reminds of thee.
Its faded picture, dimly smiling down
From the blurred fresco of the ancient town,
I have not touched with warmer tints in vain,
If, in this dark, sad year, it steals one thought
from pain.
. . . . . . . . . . . .