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Nat Goodwin's Book

Chapter 2: PREFACE
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The memoir presents the author's life and career in the theater, beginning with his early years and debut, proceeding through collaborations with well-known contemporaries, episodic anecdotes, and reflections on criticism and public perception. It offers candid discussion of marital relationships and divorce, personal philosophy about fame and resilience, and affectionate portraits of friends and colleagues. The narrative alternates reminiscence, commentary on theatrical practice, and humorous asides, aiming to balance frankness with goodwill while emphasizing memory-driven recollection over documentary precision.

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Title: Nat Goodwin's Book

Author: Nat. C. Goodwin

Release date: July 20, 2014 [eBook #46341]
Most recently updated: October 24, 2024

Language: English

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NAT GOODWIN'S BOOK


Nat C. Goodwin


NAT GOODWIN'S
BOOK


BY
NAT C. GOODWIN

ILLUSTRATED




BOSTON
RICHARD G. BADGER
THE GORHAM PRESS
TORONTO: COPP CLARK COMPANY LIMITED


Copyright, 1914
By Nat C. Goodwin and Richard G. Badger
All rights reserved

The Gorham Press, Boston, U.S.A.


PREFACE

In penning memoirs or autobiographing it is extremely difficult to avoid writing impersonally, yet I shall strive to avoid it as much as possible, not so much from a sense of duty as from a standpoint of mercy.

I have never enjoyed reading about myself and I am firmly convinced that there are few who have. Perhaps, if I am tempted during this review to give myself an opinion of myself, it may be received with favor even by those critics who have never agreed with any of my characterizations.

I started this little work with some degree of terror. I had such a poor background to frame my somewhat checkered career upon. I fully realized that a man must be a very great person, or at least imagine himself to be, to write an autobiography. But finally after listening to the advice of friends I approached myself, albeit surprised at my temerity. After having read many autobiographies I discovered that most nearly-great persons who indulge in the dissipation of giving to the world their opinions of themselves were either born in dilapidated garrets or on unproductive farms.

As there were no trees in my garden of youth nor a candle placed in an empty bottle to shed its effulgence upon my future life I wondered how I could diversify and be truthful, yet entertaining. A feeling of apprehension akin to that which always follows the first night of one of my productions took hold of me. I wondered how this little effort of mine would be received.

When reading a criticism the morning following a production I am always fearful of being found out. If I am condemned I know I have been! But after I have fully digested all the unkind criticisms, which are usually written by those who do not fancy me in any serious effort, I am in the end always superlatively happy in knowing that the critic has done his duty.

If I had my way, he would be doing TIME!

Generally he is so blissfully ignorant of what he prates about that I have a silent chuckle all to myself at the expositions of his glaring and blatant incompetency. Yet it has always been a question in my mind whether the public enjoys reading vituperative attacks upon its stage favorites particularly after it has been entertained and amused the previous evening. I think that it is thoroughly satisfied with its own verdict and resents another's antagonistic to it. It much more enjoys reading something of the actor's private life particularly when it can read something which exposes his or her particular vagaries. And the public is prone to believe everything the visionary gentlemen of the press chronicle. The more unwholesome it is the more it believes; the more suggestive, the more palatable.

You have only to put any sort of halo around an actor or a cigar, good or bad, to beget a following or a smoker!

Unfortunately the halo that the public has been kind enough to place above me will not bear minute inspection. It is opaque. However, being unable to escape it I have always been content to smile within and when the haloed one has been supposedly exposed I can do nothing but sit tight and accept the inevitable. At times it has been a bit harrowing to submit, yet it has taught me self-control which I will endeavor to exercise in this little work. If I am tempted to use the personal pronoun more frequently than necessary I shall deflect and command my thoughts, to wander among more agreeable persons. Having lived so long within the confines of my kindly bestowed halo I have become fully aware of my limitations. The agreeable personalities are easily found and I hope my readers will enjoy their companionship as much as I have enjoyed them.

Every reference made to these delightful people is inspired by the kindliest of feelings and if I have judged one or two more harshly than they seemingly deserve the error is of the head, not of the heart; for I loved, liked or admired them all and I am none too poor to do them reverence—even now.

While some may regard my opinions as impertinences none can convincingly deny my right to think, and as all is given impersonally I believe that none will doubt my motives.

Many will question the various attitudes in this book particularly regarding marriage and divorce. They will advance the theory that the bonds of matrimony must be welded more closely even when the participants find it difficult to live normally. I know that many who are incarcerated in the dungeons of matrimonial thraldom would not stop at murder to burst their bonds. It does not require the philosophy of a Bacon or an Emerson to prove that such incarceration is wrong. Why make martyrs of those forced to live together when hate supplants love, when bodies and thoughts play upon different instruments producing only discords? The laws of our country make it possible for us to file the bars of our unwholesome cells and suppress this monumental mockery. The views I have incorporated in this book, right or wrong, I stand by. All through my life I have never feared criticism for any of my acts. My moral or physical courage has never failed. I have been and always will be willing to stand by my guns and take my medicine.

Before completing this work I unfortunately submitted a few excerpts to a visionary representative of one of the Los Angeles papers. He immediately published broadcast what he had absorbed and very obligingly gave it the title of his own imagination, "Memoirs of Matrimony," thereby creating the impression that my book was to be devoted simply to my marital experiences. Such was never my intention, but as more than thirty years of my life have been devoted to matrimony naturally my autobiography demands mention of the women who have borne my name.

I have been censured sometimes harshly for my versatility in the selection of wives and many have marvelled at my fortunate (or unfortunate) selections. I have always been long on the market of home and wives.

I truly believe that no home is complete without a wife, providing she is of the kind that enjoys the company of intelligent, honest and clever people. Some men only lease their mates and then prate about their respectability. If I have decided at different times to tear down any of the Ephesian domes which I have erected, is the fact of my destroying them enough to warrant my being known, as was Alexander, as the fool that razed (or is it raised?) them?

While autobiography and a round up of memories will necessarily be conspicuous I shall endeavor also to make this book a medium of retrospective thoughts given to the many people, prominent and otherwise, with whom I have come in contact. As I have no notes I shall write purely from memory's tablets. If inaccuracies occur they will be unintentional.

Many of those dear friends have long since passed down the lonely mountain trail, but their sweet memories still linger by the roadside. If they but leave the perfume of their souls to mark the road for me to follow when I arrive at the corral nature has established in the valley I hope that we all shall meet and that they will elect me their callboy, that I may be privileged to ring up the curtain upon perpetual joy.

N. C. G.

Ocean Park, California.


CONTENTS

ChapterPage
ICommencement Day17
IIMy Debut22
IIIStuart Robson26
IVJohn McCullough35
VSir Henry Irving38
VI"Barry" and Jefferson41
VIIA Sunny Son of Sometime49
VIIICharles Hoyt51
IXSir Charles Wyndham54
XCharles R. Thorne, Jr.56
XISol Smith Russell61
XIIRichard Mansfield67
XIIIIn Variety75
XIVEliza Weathersby80
XVSuccessful Failures89
XVIBack in the 'Eighties92
XVIIThe Halcyon Days of Union Square96
XVIIIThe Birth of the Syndicate101
XIXStars109
XXAtmospheric Plays115
XXIActors Past and Present118
XXIIMaude Adams121
XXIIITyrone Power126
XXIVAn Artistic Success!127
XXVThe Skating Rink131
XXVINumber Two134
XXVIIA Fight Won (?)140
XXVIIIJohn Chamberlain148
XXIXW. S. Gilbert152
XXXHenry E. Dixey153
XXXISwagger New Yorkers of Another Day155
XXXIIJames Whitcomb Riley157
XXXIIIDigby Bell and De Wolf Hopper159
XXXIVBlaine and Ingersoll162
XXXVJim Corbett in England164
XXXVIThe Cockney Cabby Comedian166
XXXVIIA Gilded Fool and Other Plays168
XXXVIIIGeorge M. Cohan177
XXXIXThoughts Vaudeville-Born179
XLJohn Drew181
XLIThe Rivals Revival182
XLIIWilton Lackaye185
XLIII"Young" Mansfield187
XLIVDavid Warfield190
XLVA Day at Reno192
XLVILillian Russell197
XLVIIDramatic Schools198
XLVIIINumber Three (Almost)201
XLIXThe Confessional207
LSan Francisco211
LIAntony (?) and Cleopatra216
LIIHonolulu and Samoa223
LIIIPublicity—Its Results230
LIVIn the Land of the Kangaroo233
LVWelcome(!) Home240
LVINumber Three243
LVIIWhen We Were Twenty-One and Other Plays248
LVIIIAt Jackwood254
LIX"Why Do Beautiful Women Marry Nat Goodwin?"262
LXBilly Thompson265
LXIThe Critics266
LXIIJames A. Hearne277
LXIIIEddie Foy279
LXIVWilliam Gillette280
LXVWilliam Brady, Esq.283
LXVIRobert Ford284
LXVIIMore Plays286
LXVIIIWillie Collier288
LXIXHenry Miller290
LXXWhat's in a Name?291
LXXII Try Being a Business Man293
LXXIIThe Five Fateful Fish Cakes and Number Four302
LXXIIISir Beerbohm Tree315
LXXIVThe Origin of the Stage317
LXXVMy Stage-Struck Valet321
LXXVIGeorge C. Tyler324
LXXVIII Find the Very Best Phyllis326
LXXVIIIThe Lambs Club329
LXXIXI "Come Back"332
LXXXI Go Back334
LXXXIDavid Belasco336
LXXXII"Author—Author"337
LXXXIIIMushroom Managers341
LXXXIV"Keep off the Grass"345
LXXXVCalifornia350
LXXXVII Become a Barnstormer352
LXXXVIINumber Five355
LXXXVIIIL'Envoie356
Index359

LIST OF ILLUSTRATIONS

Facing Page
Nat C. GoodwinFrontispiece
 
William Warren20
The greatest comedian that ever lived
 
Stuart Robson26
The best Shakespearean clown of modern times
 
Tony Hart30
He had the face of an Irish Apollo, did Tony Hart
 
John McCullough and Associate Players in the Dramatic Festival36
"Mr." McCullough and the rest of us
 
Sir Henry Irving40
An extraordinary man
 
Joseph Jefferson46
I firmly believe I improved his morals
 
Sir Charles Wyndham54
A remarkable man
 
Charles R. Thorne, Jr.60
A royal picture to contemplate
 
In the Little Rebel76
One of my first excursions into the legitimate
 
Eliza Weathersby80
The wife who mothered me
 
In Hobbies with Eliza Weathersby84
The play I won at faro
 
Lithograph of Goodwin's Froliques88
 
In Turned Up92
In the days when I was an imitator
 
Lotta98
In the days when work was play
 
Jack Haverly102
The man who conceived the syndicate
 
In the Gold Mine112
My get-up in The Gold Mine
 
Those Were the Happy Days118
 
Coquelin124
Would he have gone in vaudeville? I wonder
 
Nella Baker Pease134
The best amateur piano player I ever heard
 
Nat C. Goodwin, III138
 
Pals150
Richard Carle, Fred G. Stanley, Nat Goodwin, Walter Jones, De Wolf Hopper
 
In Confusion160
Back in the eighties
 
Nat Goodwin and Company in In Mizzoura168
One of the best casts I ever saw
 
Ticket Sale for In Mizzoura176
 
Dick Golden182
We were pals for many years
 
David Warfield and Nat Goodwin190
I'm proud of the company
 
In Mizzoura200
One of the greatest of American plays
 
Mrs. N. C. Goodwin, Sr.210
A dear old lady living in Boston
 
How much a Lamb I was I didn't know—Then!216
 
An Australian Greeting Can't Touch its Farewell!220
 
In An American Citizen232
If we had been associated a few years longer my name would have been up as her leading support!
 
As Bob Acres240
I gave Bob a country dialect
 
Maxine Elliott246
Fate's partner
 
In When We were Twenty-One252
The biggest bit of any play I ever produced
 
In Nathan Hale258
"They hang Nat in the last act"
 
Wm. H. Thompson264
An artist to his finger tips
 
James A. Hearne278
He knew how poor Sol "fell"
 
Robert Ford284
"A cold-blooded, conscienceless murderer"
 
As Cameo Kirby294
I never played a character I liked so well
 
Edna Goodrich304
My young and handsome star
 
As Shylock310
One of my successful failures
 
In Hamlet320
It had always been my desire to appear in Shakespearean roles
 
Margaret Moreland326
The very best Phyllis
 
As Fagin in Oliver Twist330
"Fagin was a comedian"
 
David Belasco336
An intellectual giant
 
Drawn while We were "Barnstorming"344
 
The Ranch at San Jacinto, California350
A scene not equalled in the Austrian Tyrol