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New Method of Horsemanship / Including the Breaking and Training of Horses, with Instructions for Obtaining a Good Seat. cover

New Method of Horsemanship / Including the Breaking and Training of Horses, with Instructions for Obtaining a Good Seat.

Chapter 27: INDEX.
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About This Book

A practical system for breaking and training horses and for obtaining a secure, balanced seat, organized as progressive exercises and principles. The text emphasizes preparatory work to produce suppleness and lightness, prescribing lateral and direct flexions, initially with the snaffle and later with the curb, and explains how the rider must concentrate and employ the horse's forces through subtle rein and leg aids. Chapters treat continuation of supplings, division of labor between rider and mount, and step-by-step application of methods, concluding with a succinct question-and-answer summary and illustrated instructions for achieving obedience, balance, and responsiveness.

INDEX.

  Page
Backing 64-107
Back to, with a halt 111
Bit, false and true, yielding to the 55
"   form of 57
"   pressure, of the 54
Breaking, succinct exposition of the method of 113
Croup, flexions of the 59
Horse, concentration by the rider of the forces of the 78
"    education of the 23
"            "        first lesson 100
"            "        second lesson 101
"            "        third lesson 101
"            "        fourth lesson 102
"            "        fifth lesson 102
"    employment of the forces of the, by the rider 69
"   gathering the 88
"   how to make him come to you 35
"    of the forces of the 25
"    resting his chin on his breast 53
"    education of Partisan, Capitaine Neptune, and
        Buridan
104
Jaw, flexion of the 36
Knees, flexions of the 22
Leaping 94
Leg, flexions of the 21
Neck, depression of the 40
"    direct flexions of the head and 48
"     lateral     "         "    on foot 45
"         "           "         "    horseback 47
Piaffer, the 94
Riding, preparatory lessons for 19
Saddles, exercises in the 19
Seat, new means for obtaining a good 17
"    of the rider 18
Spurs, the use of the 78
Supplings, the head and neck 32-58
    "        Recapitulations 67
Trot, the 74
"      "      backward 109

 

FOOTNOTES

[A] "The commission was composed of Lieutenant-General Oudinot, Col. Carrelet, Commander of the Municipal Guard, the Chef d'Escadrons De Novital, commanding the Cavalry Riding-School, and the Captain-instructors deGues, of the 5th Cuirassiers, and De Mesanges, of the 3d Lancers."   (Return)

[B] I have divided all the flexions into two parts, and, in order to facilitate the understanding of the text, I have added to it plates representing the position of the horse at the moment the flexion is about to commence, and at the moment it is terminated.   (Return)

[C] Ramener means to place the horse's head in a perpendicular position.— Translator.   (Return)

[D] The full meaning of the word rassembler will be understood after reading the chapter, further on in this work, under that head. With regard to the other word, ramener, to avoid the constant circumlocution of saying, "placing the horse's head in a perpendicular position," it will be used in future wherever it occurs.—Translator.   (Return)

[E] This position of the hand at a distance from the saddle and the body will be criticised; but let the rider be reassured, eight or ten lessons will suffice to make the horse change the position of his head, and allow the hand to resume its normal position.   (Return)

[F] The word equilibrium, so often repeated in the course of this work, must be categorically explained. People have never rightly understood what it means, this true equilibrium of a horse, which serves as the basis of his education, and by which he takes instantly, at the rider's will, such a pace, or such a change or direction.

It is not here a question of the equilibrium which prevents the horse from falling down, but of that upon which depends his performance, when it is prompt, graceful and regular, and by means of which his paces are either measured or extended at will.

Equilibrium of Baucher.
Croup————————————————————————Head.

Here the weight and the forces are equally distributed. By means of this just distribution the different positions, the different paces, and the equilibriums that belong to them, are obtained without effort on the part of man or horse.   (Return)

[G] The bars are the continuations of the two bones of the lower jaw between the masticating and the front teeth. It is on these that the bit rests.   (Return)

[H] The mouth-piece of the bit consists of three parts: the port, to give freedom to the tongue, and the two canons, which are the parts that come in contact with the bars.—Translator.   (Return)

[I] See note, page 63.   (Return)

[J] "La piste is an imaginary line upon which the horse is made to walk. When the hind legs follow the same line as the fore ones, the horse is said to go d'une piste, or on one line. He goes de deux pistes, or on two lines, when his hind legs pass along a line parallel to that traced by the fore legs."—Baucher's Dictionnaire d'Equitation.   (Return)

[K] "The pirouette is executed on the fore or hind legs, by making the horse turn round upon himself, in such a way, that the leg on the side he is going, acts as a pivot, and is the principal support around which the other three legs move."—Baucher's Dictionnaire d'Equitation.   (Return)

[L] These displacements of the croup mean sideway displacements, or the horse's croup not being in a line with the shoulders.—Translator.   (Return)

[M] It must not be forgotten that the hand and legs have their vocabulary also; and a very concise one. This mute, laconic language consists of these few words. You are doing badly; this is what you should do; you do well now. It is sufficient for the rider to be able to translate, by his mechanism, the meaning of these three remarks, to possess all the equestrian erudition, and share his intelligence with his horse.   (Return)

[N] I am not of the opinion of those connoisseurs who imagine that the qualities of the horse, as well as his speed in trotting, depend principally on the height of his withers. I think, that for the horse to be stylish and regular in his movements, the croup should be on a level with the withers; such was the construction of the old English horses. A certain kind of horses, very much à la mode, called steppers, are constructed after an entirely different fashion; they strike out with their fore legs, and drag their hind-parts after them. Horses with a low croup, or withers very high in proportion to their croup, were preferred by horsemen of the old school, and are still in favor now-a-days among amateur horsemen. The German horsemen have an equally marked predilection for this sort of formation, although it is contrary to strength of the croup, to the equilibrium of the horse, and to the regular play of his feet and legs. This fault of construction (for it is one) has been scarcely noticed till now; nevertheless, it is a great one, and really retards the horse's education. In fact, we are obliged, in order to render his movements uniform, to lower his neck, so that the kind of lever it represents, may serve to lighten his hind-parts of the weight with which they are overburdened. I ought also to say, that this change of position, or of equilibrium, is only obtained by the aid of my principles. I explain the cause and effect, and I point out the remedies. Is this not the proper way for an author to proceed?   (Return)

[O] Previously explained.   (Return)

[P] I have often proved that horses that were considered dull, or unable to move their shoulders freely, have not the defect that is supposed; in other words, that it is very rare that they are paralyzed in their shoulders so as to injure the regularity and speed of their paces, principally as regards trotting. The shoulders of the horse, if I may use the comparison, resemble the wings of a wind-mill; the impulse given by the hocks replaces the motive force. There undoubtedly exist some local complaints that affect the shoulders; but this is very rare; the defect, if there is one, has its origin in the hind-parts. For my part, I have been able to make all such horses very free in their movements, and that after fifteen days of exercise, half an hour a day. The means, like all I employ, are very simple. They consist in suppling the neck to get the horse in hand, and then, by the aid of the legs, and afterwards slight use of the spurs, in bringing his haunches nearer the centre. Then the hocks will obtain a leverage, by which they can propel the mass forward, and give the shoulders a freedom that people would not expect.   (Return)

[Q] I would never have thought that this means, which serves as a corrective to the processes used by all horsemen, would have aroused the sensibility of some amateurs. These latter have preferred to be affected by exaggerated or erroneous reports, rather than satisfy themselves by observation, that this pretended cruelty is in fact the most innocent thing in the world. Must we not teach the horse to respond to the spur as well as to the legs and the hand? Is it not by this spurring, judiciously applied, that we bring in at will the hind legs more or less near the centre of gravity? Is not this the only way of increasing or diminishing the leverage of the hocks, whether for extending or raising them in motion, or for the purpose of halting?   (Return)

[R] "The piaffer is the horse's raising his legs diagonally, as in the trot, but without advancing or receding."—Baucher's "Dictionnaire d'Equitation."   (Return)

[S] The use of the spurs.   (Return)

[T] Acculement and reculer have been previously explained; one is the horse backing falsely, the other backing correctly.—Translator.   (Return)

[U] Much in this chapter, though written for France, applies with great appropriateness to our own country.   (Return)