The Project Gutenberg eBook of New Poems, and Variant Readings
Title: New Poems, and Variant Readings
Author: Robert Louis Stevenson
Author of introduction, etc.: Lloyd Osbourne
Release date: February 1, 1996 [eBook #441]
Most recently updated: February 12, 2013
Language: English
Credits: Transcribed from the 1918 Chatto & Windus edition by David Price
Transcribed from the 1918 Chatto & Windus edition by David Price, email ccx074@pglaf.org
New Poems
AND VARIANT READINGS
BY
ROBERT LOUIS STEVENSON
LONDON
CHATTO & WINDUS
1918
PREFACE
All Stevensonians owe a debt of gratitude to the Bibliophile Society of Boston for having discovered the following poems and given them light in a privately printed edition, thus making them known, in fact, to the world at large. Otherwise they would have remained scattered and hidden indefinitely in the hands of various collectors. They will be found extraordinarily interesting in their self-revelation, and some, indeed, are so intimate and personal that one understands why Stevenson withheld them from all eyes save his own. The love-poems in particular, though they are of very unequal merit, possess in common a really affecting sincerity. That Stevenson should have preserved these poems through all the vicissitudes of his wandering life shows how dearly he must have valued them; and shows, too, I think, beyond any contradiction, that he meant they should be ultimately published.
LLOYD OSBOURNE.
CONTENTS
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PAGE |
PRAYER |
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LO! IN THINE HONEST EYES I READ |
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THOUGH DEEP INDIFFERENCE SHOULD DROWSE |
|
MY HEART, WHEN FIRST THE BLACKBIRD SINGS |
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I DREAMED OF FOREST ALLEYS FAIR |
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ST. MARTIN’S SUMMER |
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DEDICATION |
|
THE OLD CHIMÆRAS, OLD RECEIPTS |
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PRELUDE |
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THE VANQUISHED KNIGHT |
|
TO THE COMMISSIONERS OF NORTHERN LIGHTS |
|
THE RELIC TAKEN, WHAT AVAILS THE SHRINE? |
|
ABOUT THE SHELTERED GARDEN GROUND |
|
AFTER READING “ANTONY AND CLEOPATRA” |
|
I KNOW NOT HOW, BUT AS I COUNT |
|
SPRING SONG |
|
THE SUMMER SUN SHONE ROUND ME |
|
YOU LOOKED SO TEMPTING IN THE PEW |
|
LOVE’S VICISSITUDES |
|
DUDDINGSTONE |
|
STOUT MARCHES LEAD TO CERTAIN ENDS |
|
AWAY WITH FUNERAL MUSIC |
|
TO SYDNEY |
|
HAD I THE POWER THAT HAVE THE WILL |
|
O DULL COLD NORTHERN SKY |
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APOLOGETIC POSTSCRIPT OF A YEAR LATER |
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TO MARCUS |
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TO OTTILIE |
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THIS GLOOMY NORTHERN DAY |
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THE WIND IS WITHOUT THERE AND HOWLS IN THE TREES |
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A VALENTINE’S SONG |
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HAIL! CHILDISH SLAVES OF SOCIAL RULES |
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SWALLOWS TRAVEL TO AND FRO |
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TO MADAME GARSCHINE |
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MUSIC AT THE VILLA MARINA |
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FEAR NOT, DEAR FRIEND, BUT FREELY LIVE YOUR DAYS |
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LET LOVE GO, IF GO SHE WILL |
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I DO NOT FEAR TO OWN ME KIN |
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I AM LIKE ONE THAT FOR LONG DAYS HAD SATE |
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VOLUNTARY |
|
ON NOW, ALTHOUGH THE YEAR BE DONE |
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IN THE GREEN AND GALLANT SPRING |
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DEATH, TO THE DEAD FOR EVERMORE |
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TO CHARLES BAXTER |
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I WHO ALL THE WINTER THROUGH |
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LOVE, WHAT IS LOVE? |
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SOON OUR FRIENDS PERISH |
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AS ONE WHO HAVING WANDERED ALL NIGHT LONG |
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STRANGE ARE THE WAYS OF MEN |
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THE WIND BLEW SHRILL AND SMART |
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MAN SAILS THE DEEP AWHILE |
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THE COCK’S CLEAR VOICE INTO THE CLEARER AIR |
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NOW WHEN THE NUMBER OF MY YEARS |
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WHAT MAN MAY LEARN, WHAT MAN MAY DO |
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SMALL IS THE TRUST WHEN LOVE IS GREEN |
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KNOW YOU THE RIVER NEAR TO GREZ |
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IT’S FORTH ACROSS THE ROARING FOAM |
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AN ENGLISH BREEZE |
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AS IN THEIR FLIGHT THE BIRDS OF SONG |
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THE PIPER |
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TO MRS. MACMARLAND |
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TO MISS CORNISH |
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TALES OF ARABIA |
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BEHOLD, AS GOBLINS DARK OF MIEN |
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STILL I LOVE TO RHYME |
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LONG TIME I LAY IN LITTLE EASE |
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FLOWER GOD, GOD OF THE SPRING |
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COME, MY BELOVED, HEAR FROM ME |
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SINCE YEARS AGO FOR EVERMORE |
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ENVOY FOR “A CHILD’S GARDEN OF VERSES” |
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FOR RICHMOND’S GARDEN WALL |
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LO, NOW, MY GUEST |
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SO LIVE, SO LOVE, SO USE THAT FRAGILE HOUR |
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AD SE IPSUM |
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BEFORE THIS LITTLE GIFT WAS COME |
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GO, LITTLE BOOK—THE ANCIENT PHRASE |
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MY LOVE WAS WARM |
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DEDICATORY POEM FOR “UNDERWOODS” |
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FAREWELL |
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THE FAR-FARERS |
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COME, MY LITTLE CHILDREN, HERE ARE SONGS FOR YOU |
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HOME FROM THE DAISIED MEADOWS |
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EARLY IN THE MORNING I HEAR ON YOUR PIANO |
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FAIR ISLE AT SEA |
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LOUD AND LOW IN THE CHIMNEY |
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I LOVE TO BE WARM BY THE RED FIRESIDE |
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AT LAST SHE COMES |
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MINE EYES WERE SWIFT TO KNOW THEE |
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FIXED IS THE DOOM |
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MEN ARE HEAVEN’S PIERS |
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THE ANGLER ROSE, HE TOOK HIS ROD |
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SPRING CAROL |
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TO WHAT SHALL I COMPARE HER |
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WHEN THE SUN COMES AFTER RAIN |
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LATE, O MILLER |
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TO FRIENDS AT HOME |
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I, WHOM APOLLO SOMETIME VISITED |
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TEMPEST TOSSED AND SORE AFFLICTED |
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VARIANT FORM OF THE PRECEDING POEM |
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I NOW, O FRIEND, WHOM NOISELESSLY THE SNOWS |
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SINCE THOU HAST GIVEN ME THIS GOOD HOPE, O GOD |
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GOD GAVE TO ME A CHILD IN PART |
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OVER THE LAND IS APRIL |
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LIGHT AS THE LINNET ON MY WAY I START |
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COMIC, HERE IS ADIEU TO THE CITY |
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IT BLOWS A SNOWING GALE |
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NE SIT ANCILLÆ TIBI AMOR PUDOR |
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TO ALL THAT LOVE THE FAR AND BLUE |
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THOU STRAINEST THROUGH THE MOUNTAIN FERN |
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NOW BARE TO THE BEHOLDER’S EYE |
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THE BOUR-TREE DEN |
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SONNETS |
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FRAGMENTS |
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AIR OF DIABELLI’S |
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EPITAPHIUM EROTII |
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DE M. ANTONIO |
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AD MAGISTRUM LUDI |
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AD NEPOTEM |
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IN CHARIDEMUM |
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DE LIGURRA |
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IN LUPUM |
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AD QUINTILIANUM |
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DE HORTIS JULII MARTIALIS |
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AD MARTIALEM |
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IN MAXIMUM |
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AD OLUM |
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DE CŒNATIONE MICÆ |
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DE EROTIO PUELLA |
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AD PISCATOREM |
PRAYER
I ask good things
that I detest,
With speeches fair;
Heed not, I pray Thee, Lord, my breast,
But hear my prayer.
I say ill things I would not say—
Things unaware:
Regard my breast, Lord, in Thy day,
And not my prayer.
My heart is evil in Thy sight:
My good thoughts flee:
O Lord, I cannot wish aright—
Wish Thou for me.
O bend my words and acts to Thee,
However ill,
That I, whate’er I say or be,
May serve Thee still.
O let my thoughts abide in Thee
Lest I should fall:
Show me Thyself in all I see,
Thou Lord of all.
LO! IN THINE HONEST EYES I READ
Lo! in thine honest
eyes I read
The auspicious beacon that shall lead,
After long sailing in deep seas,
To quiet havens in June ease.
Thy voice sings like an inland bird
First by the seaworn sailor heard;
And like road sheltered from life’s sea
Thine honest heart is unto me.
THOUGH DEEP INDIFFERENCE SHOULD DROWSE
Though deep
indifference should drowse
The sluggish life beneath my brows,
And all the external things I see
Grow snow-showers in the street to me,
Yet inmost in my stormy sense
Thy looks shall be an influence.
Though other loves may come and go
And long years sever us below,
Shall the thin ice that grows above
Freeze the deep centre-well of love?
No, still below light amours, thou
Shalt rule me as thou rul’st me now.
Year following year shall only set
Fresh gems upon thy coronet;
And Time, grown lover, shall delight
To beautify thee in my sight;
And thou shalt ever rule in me
Crowned with the light of memory.
MY HEART, WHEN FIRST THE BLACK-BIRD SINGS
My heart, when first
the blackbird sings,
My heart drinks in the song:
Cool pleasure fills my bosom through
And spreads each nerve along.
My bosom eddies quietly,
My heart is stirred and cool
As when a wind-moved briar sweeps
A stone into a pool
But unto thee, when thee I meet,
My pulses thicken fast,
As when the maddened lake grows black
And ruffles in the blast.
I DREAMED OF FOREST ALLEYS FAIR
I.
I dreamed of forest
alleys fair
And fields of gray-flowered grass,
Where by the yellow summer moon
My Jenny seemed to pass.
I dreamed the yellow summer moon,
Behind a cedar wood,
Lay white on fields of rippling grass
Where I and Jenny stood.
I dreamed—but fallen through my dream,
In a rainy land I lie
Where wan wet morning crowns the hills
Of grim reality.
II.
I am as one that keeps awake
All night in the month of June,
That lies awake in bed to watch
The trees and great white moon.
For memories of love are more
Than the white moon there above,
And dearer than quiet moonshine
Are the thoughts of her I love.
III.
Last night I lingered long without
My last of loves to see.
Alas! the moon-white window-panes
Stared blindly back on me.
To-day I hold her very hand,
Her very waist embrace—
Like clouds across a pool, I read
Her thoughts upon her face.
And yet, as now, through her clear eyes
I seek the inner shrine—
I stoop to read her virgin heart
In doubt if it be mine—
O looking long and fondly thus,
What vision should I see?
No vision, but my own white face
That grins and mimics me.
IV.
Once more upon the same old seat
In the same sunshiny weather,
The elm-trees’ shadows at their feet
And foliage move together.
The shadows shift upon the grass,
The dial point creeps on;
The clear sun shines, the loiterers pass,
As then they passed and shone.
But now deep sleep is on my heart,
Deep sleep and perfect rest.
Hope’s flutterings now disturb no more
The quiet of my breast.
ST. MARTIN’S SUMMER
As swallows turning
backward
When half-way o’er the sea,
At one word’s trumpet summons
They came again to me—
The hopes I had forgotten
Came back again to me.
I know not which to credit,
O lady of my heart!
Your eyes that bade me linger,
Your words that bade us part—
I know not which to credit,
My reason or my heart.
But be my hopes rewarded,
Or be they but in vain,
I have dreamed a golden vision,
I have gathered in the grain—
I have dreamed a golden vision,
I have not lived in vain.
DEDICATION
My first gift and my
last, to you
I dedicate this fascicle of songs—
The only wealth I have:
Just as they are, to you.
I speak the truth in soberness, and say
I had rather bring a light to your clear eyes,
Had rather hear you praise
This bosomful of songs
Than that the whole, hard world with one consent,
In one continuous chorus of applause
Poured forth for me and mine
The homage of ripe praise.
I write the finis here against my love,
This is my love’s last epitaph and tomb.
Here the road forks, and I
Go my way, far from yours.
THE OLD CHIMÆRAS, OLD RECEIPTS
The old
Chimæras, old receipts
For making “happy land,”
The old political beliefs
Swam close before my hand.
The grand old communistic myths
In a middle state of grace,
Quite dead, but not yet gone to Hell,
And walking for a space,
Quite dead, and looking it, and yet
All eagerness to show
The Social-Contract forgeries
By Chatterton—Rousseau—
A hundred such as these I tried,
And hundreds after that,
I fitted Social Theories
As one would fit a hat!
Full many a marsh-fire lured me on,
I reached at many a star,
I reached and grasped them and behold—
The stump of a cigar!
All through the sultry sweltering day
The sweat ran down my brow,
The still plains heard my distant strokes
That have been silenced now.
This way and that, now up, now down,
I hailed full many a blow.
Alas! beneath my weary arm
The thicket seemed to grow.
I take the lesson, wipe my brow
And throw my axe aside,
And, sorely wearied, I go home
In the tranquil eventide.
And soon the rising moon, that lights
The eve of my defeat,
Shall see me sitting as of yore
By my old master’s feet.
PRELUDE
By sunny
market-place and street
Wherever I go my drum I beat,
And wherever I go in my coat of red
The ribbons flutter about my head.
I seek recruits for wars to come—
For slaughterless wars I beat the drum,
And the shilling I give to each new ally
Is hope to live and courage to die.
I know that new recruits shall come
Wherever I beat the sounding drum,
Till the roar of the march by country and town
Shall shake the tottering Dagons down.
For I was objectless as they
And loitering idly day by day;
But whenever I heard the recruiters come,
I left my all to follow the drum.
THE VANQUISHED KNIGHT
I have left all upon
the shameful field,
Honour and Hope, my God, and all but life;
Spurless, with sword reversed and dinted shield,
Degraded and disgraced, I leave the strife.
From him that hath not, shall there not be
taken
E’en that he hath, when he deserts the
strife?
Life left by all life’s benefits forsaken,
O keep the promise, Lord, and take the life.
TO THE COMMISSIONERS OF NORTHERN LIGHTS
I send to you,
commissioners,
A paper that may please ye, sirs
(For troth they say it might be worse
An’ I believe’t)
And on your business lay my curse
Before I leav’t.
I thocht I’d serve wi’ you, sirs,
yince,
But I’ve thocht better of it since;
The maitter I will nowise mince,
But tell ye true:
I’ll service wi’ some ither prince,
An’ no wi’ you.
I’ve no been very deep, ye’ll think,
Cam’ delicately to the brink
An’ when the water gart me shrink
Straucht took the rue,
An’ didna stoop my fill to drink—
I own it true.
I kent on cape and isle, a light
Burnt fair an’ clearly ilka night;
But at the service I took fright,
As sune’s I saw,
An’ being still a neophite
Gaed straucht awa’.
Anither course I now begin,
The weeg I’ll cairry for my sin,
The court my voice shall echo in,
An’—wha can
tell?—
Some ither day I may be yin
O’ you mysel’.
THE RELIC TAKEN, WHAT AVAILS THE SHRINE?
The relic taken,
what avails the shrine?
The locket, pictureless? O heart of mine,
Art thou not worse than that,
Still warm, a vacant nest where love once sat?
Her image nestled closer at my heart
Than cherished memories, healed every smart
And warmed it more than wine
Or the full summer sun in noon-day shine.
This was the little weather gleam that lit
The cloudy promontories—the real charm was
That gilded hills and woods
And walked beside me thro’ the solitudes.
The sun is set. My heart is widowed
now
Of that companion-thought. Alone I plough
The seas of life, and trace
A separate furrow far from her and grace.
ABOUT THE SHELTERED GARDEN GROUND
About the sheltered
garden ground
The trees stand strangely still.
The vale ne’er seemed so deep before,
Nor yet so high the hill.
An awful sense of quietness,
A fulness of repose,
Breathes from the dewy garden-lawns,
The silent garden rows.
As the hoof-beats of a troop of horse
Heard far across a plain,
A nearer knowledge of great thoughts
Thrills vaguely through my brain.
I lean my head upon my arm,
My heart’s too full to think;
Like the roar of seas, upon my heart
Doth the morning stillness sink.
AFTER READING “ANTONY AND CLEOPATRA”
As when the hunt by
holt and field
Drives on with horn and strife,
Hunger of hopeless things pursues
Our spirits throughout life.
The sea’s roar fills us aching full
Of objectless desire—
The sea’s roar, and the white moon-shine,
And the reddening of the fire.
Who talks to me of reason now?
It would be more delight
To have died in Cleopatra’s arms
Than be alive to-night.
I KNOW NOT HOW, BUT AS I COUNT
I know not how, but
as I count
The beads of former years,
Old laughter catches in my throat
With the very feel of tears.
SPRING SONG
The air was full of
sun and birds,
The fresh air sparkled clearly.
Remembrance wakened in my heart
And I knew I loved her dearly.
The fallows and the leafless trees
And all my spirit tingled.
My earliest thought of love, and Spring’s
First puff of perfume mingled.
In my still heart the thoughts awoke,
Came lone by lone together—
Say, birds and Sun and Spring, is Love
A mere affair of weather?
THE SUMMER SUN SHONE ROUND ME
The summer sun shone
round me,
The folded valley lay
In a stream of sun and odour,
That sultry summer day.
The tall trees stood in the sunlight
As still as still could be,
But the deep grass sighed and rustled
And bowed and beckoned me.
The deep grass moved and whispered
And bowed and brushed my face.
It whispered in the sunshine:
“The winter comes apace.”
YOU LOOKED SO TEMPTING IN THE PEW
You looked so
tempting in the pew,
You looked so sly and calm—
My trembling fingers played with yours
As both looked out the Psalm.
Your heart beat hard against my arm,
My foot to yours was set,
Your loosened ringlet burned my cheek
Whenever they two met.
O little, little we hearkened, dear,
And little, little cared,
Although the parson sermonised,
The congregation stared.
LOVE’S VICISSITUDES
As Love and Hope
together
Walk by me for a while,
Link-armed the ways they travel
For many a pleasant mile—
Link-armed and dumb they travel,
They sing not, but they smile.
Hope leaving, Love commences
To practise on the lute;
And as he sings and travels
With lingering, laggard foot,
Despair plays obligato
The sentimental flute.
Until in singing garments
Comes royally, at call—
Comes limber-hipped Indiff’rence
Free stepping, straight and tall—
Comes singing and lamenting,
The sweetest pipe of all.
DUDDINGSTONE
With caws and
chirrupings, the woods
In this thin sun rejoice.
The Psalm seems but the little kirk
That sings with its own voice.
The cloud-rifts share their amber light
With the surface of the mere—
I think the very stones are glad
To feel each other near.
Once more my whole heart leaps and swells
And gushes o’er with glee;
The fingers of the sun and shade
Touch music stops in me.
Now fancy paints that bygone day
When you were here, my fair—
The whole lake rang with rapid skates
In the windless winter air.
You leaned to me, I leaned to you,
Our course was smooth as flight—
We steered—a heel-touch to the left,
A heel-touch to the right.
We swung our way through flying men,
Your hand lay fast in mine:
We saw the shifting crowd dispart,
The level ice-reach shine.
I swear by yon swan-travelled lake,
By yon calm hill above,
I swear had we been drowned that day
We had been drowned in love.
STOUT MARCHES LEAD TO CERTAIN ENDS
Stout marches lead
to certain ends,
We seek no Holy Grail, my friends—
That dawn should find us every day
Some fraction farther on our way.
The dumb lands sleep from east to west,
They stretch and turn and take their rest.
The cock has crown in the steading-yard,
But priest and people slumber hard.
We two are early forth, and hear
The nations snoring far and near.
So peacefully their rest they take,
It seems we are the first awake!
—Strong heart! this is no royal way,
A thousand cross-roads seek the day;
And, hid from us, to left and right,
A thousand seekers seek the light.
AWAY WITH FUNERAL MUSIC
Away with funeral
music—set
The pipe to powerful lips—
The cup of life’s for him that drinks
And not for him that sips.
TO SYDNEY
Not thine where
marble-still and white
Old statues share the tempered light
And mock the uneven modern flight,
But in the stream
Of daily sorrow and delight
To seek a theme.
I too, O friend, have steeled my heart
Boldly to choose the better part,
To leave the beaten ways of art,
And wholly free
To dare, beyond the scanty chart,
The deeper sea.
All vain restrictions left behind,
Frail bark! I loose my anchored mind
And large, before the prosperous wind
Desert the strand—
A new Columbus sworn to find
The morning land.
Nor too ambitious, friend. To thee
I own my weakness. Not for me
To sing the enfranchised nations’ glee,
Or count the cost
Of warships foundered far at sea
And battles lost.
High on the far-seen, sunny hills,
Morning-content my bosom fills;
Well-pleased, I trace the wandering rills
And learn their birth.
Far off, the clash of sovereign wills
May shake the earth.
The nimble circuit of the wheel,
The uncertain poise of merchant weal,
Heaven of famine, fire and steel
When nations fall;
These, heedful, from afar I feel—
I mark them all.
But not, my friend, not these I sing,
My voice shall fill a narrower ring.
Tired souls, that flag upon the wing,
I seek to cheer:
Brave wines to strengthen hope I bring,
Life’s cantineer!
Some song that shall be suppling oil
To weary muscles strained with toil,
Shall hearten for the daily moil,
Or widely read
Make sweet for him that tills the soil
His daily bread.
Such songs in my flushed hours I dream
(High thought) instead of armour gleam
Or warrior cantos ream by ream
To load the shelves—
Songs with a lilt of words, that seem
To sing themselves.
HAD I THE POWER THAT HAVE THE WILL
Had I the power that
have the will,
The enfeebled will—a modern curse—
This book of mine should blossom still
A perfect garden-ground of verse.
White placid marble gods should keep
Good watch in every shadowy lawn;
And from clean, easy-breathing sleep
The birds should waken me at dawn.
—A fairy garden;—none the less
Throughout these gracious paths of mine
All day there should be free access
For stricken hearts and lives that pine;
And by the folded lawns all day—
No idle gods for such a land—
All active Love should take its way
With active Labour hand in hand.
O DULL COLD NORTHERN SKY
O dull cold northern
sky,
O brawling sabbath bells,
O feebly twittering Autumn bird that tells
The year is like to die!
O still, spoiled trees, O city ways,
O sun desired in vain,
O dread presentiment of coming rain
That cloys the sullen days!
Thee, heart of mine, I greet.
In what hard mountain pass
Striv’st thou? In what importunate morass
Sink now thy weary feet?
Thou run’st a hopeless race
To win despair. No crown
Awaits success, but leaden gods look down
On thee, with evil face.
And those that would befriend
And cherish thy defeat,
With angry welcome shall turn sour the sweet
Home-coming of the end.
Yea, those that offer praise
To idleness, shall yet
Insult thee, coming glorious in the sweat
Of honourable ways.
APOLOGETIC POSTSCRIPT OF A YEAR LATER
If you see this
song, my dear,
And last year’s toast,
I’m confoundedly in fear
You’ll be serious and severe
About the boast.
Blame not that I sought such aid
To cure regret.
I was then so lowly laid
I used all the Gasconnade
That I could get.
Being snubbed is somewhat smart,
Believe, my sweet;
And I needed all my art
To restore my broken heart
To its conceit.
Come and smile, dear, and forget
I boasted so,
I apologise—regret—
It was all a jest;—and—yet—
I do not know.