TO MARCUS
You have been far,
and I
Been farther yet,
Since last, in foul or fair
An impecunious pair,
Below this northern sky
Of ours, we met.
Now winter night shall see
Again us two,
While howls the tempest higher,
Sit warmly by the fire
And dream and plan, as we
Were wont to do.
And, hand in hand, at large
Our thoughts shall walk
While storm and gusty rain,
Again and yet again,
Shall drive their noisy charge
Across the talk.
The pleasant future still
Shall smile to me,
And hope with wooing hands
Wave on to fairy lands
All over dale and hill
And earth and sea.
And you who doubt the sky
And fear the sun—
You—Christian with the pack—
You shall not wander back
For I am Hopeful—I
Will cheer you on.
Come—where the great have trod,
The great shall lead—
Come, elbow through the press,
Pluck Fortune by the dress—
By God, we must—by God,
We shall succeed.
TO OTTILIE
You remember, I
suppose,
How the August sun arose,
And how his face
Woke to trill and carolette
All the cages that were set
About the place.
In the tender morning light
All around lay strange and bright
And still and sweet,
And the gray doves unafraid
Went their morning promenade
Along the street.
THIS GLOOMY NORTHERN DAY
This gloomy northern
day,
Or this yet gloomier night,
Has moved a something high
In my cold heart; and I,
That do not often pray,
Would pray to-night.
And first on Thee I call
For bread, O God of might!
Enough of bread for all,—
That through the famished town
Cold hunger may lie down
With none to-night.
I pray for hope no less,
Strong-sinewed hope, O Lord,
That to the struggling young
May preach with brazen tongue
Stout Labour, high success,
And bright reward.
And last, O Lord, I pray
For hearts resigned and bold
To trudge the dusty way—
Hearts stored with song and
joke
And warmer than a cloak
Against the cold.
If nothing else he had,
He who has this, has all.
This comforts under pain;
This, through the stinging
rain,
Keeps ragamuffin glad
Behind the wall.
This makes the sanded inn
A palace for a Prince,
And this, when griefs begin
And cruel fate annoys,
Can bring to mind the joys
Of ages since.
THE WIND IS WITHOUT THERE AND HOWLS IN THE TREES
The wind is without
there and howls in the trees,
And the rain-flurries drum on the glass:
Alone by the fireside with elbows on knees
I can number the hours as they pass.
Yet now, when to cheer me the crickets begin,
And my pipe is just happily lit,
Believe me, my friend, tho’ the evening draws in,
That not all uncontested I sit.
Alone, did I say? O no, nowise alone
With the Past sitting warm on my knee,
To gossip of days that are over and gone,
But still charming to her and to me.
With much to be glad of and much to deplore,
Yet, as these days with those we compare,
Believe me, my friend, tho’ the sorrows seem more
They are somehow more easy to bear.
And thou, faded Future, uncertain and frail,
As I cherish thy light in each draught,
His lamp is not more to the miner—their sail
Is not more to the crew on the raft.
For Hope can make feeble ones earnest and brave,
And, as forth thro’ the years I look on,
Believe me, my friend, between this and the grave,
I see wonderful things to be done.
To do or to try; and, believe me, my friend,
If the call should come early for me,
I can leave these foundations uprooted, and tend
For some new city over the sea.
To do or to try; and if failure be mine,
And if Fortune go cross to my plan,
Believe me, my friend, tho’ I mourn the design
I shall never lament for the man.
A VALENTINE’S SONG
Motley I count the
only wear
That suits, in this mixed world, the truly wise,
Who boldly smile upon despair
And shake their bells in Grandam Grundy’s
eyes.
Singers should sing with such a goodly cheer
That the bare listening should make strong like
wine,
At this unruly time of year,
The Feast of Valentine.
We do not now parade our
“oughts”
And “shoulds” and motives and beliefs in
God.
Their life lies all indoors; sad thoughts
Must keep the house, while gay thoughts go
abroad,
Within we hold the wake for hopes deceased;
But in the public streets, in wind or sun,
Keep open, at the annual feast,
The puppet-booth of fun.
Our powers, perhaps, are small to please,
But even negro-songs and castanettes,
Old jokes and hackneyed repartees
Are more than the parade of vain regrets.
Let
Jacques stand Wert(h)ering by the wounded deer—
We shall make merry, honest friends of mine,
At this unruly time of year,
The Feast of Valentine.
I know how, day by weary day,
Hope fades, love fades, a thousand pleasures
fade.
I have not trudged in vain that way
On which life’s daylight darkens, shade by
shade.
And still, with hopes decreasing, griefs increased,
Still, with what wit I have shall I, for one,
Keep open, at the annual feast,
The puppet-booth of fun.
I care not if the wit be poor,
The old worn motley stained with rain and tears,
If but the courage still endure
That filled and strengthened hope in earlier
years;
If still, with friends averted, fate severe,
A glad, untainted cheerfulness be mine
To greet the unruly time of year,
The Feast of Valentine.
Priest, I am none of thine, and see
In the perspective of still hopeful youth
That Truth shall triumph over thee—
Truth to one’s self—I know no other
truth.
I see
strange days for thee and thine, O priest,
And how your doctrines, fallen one by one,
Shall furnish at the annual feast
The puppet-booth of fun.
Stand on your putrid ruins—stand,
White neck-clothed bigot, fixedly the same,
Cruel with all things but the hand,
Inquisitor in all things but the name.
Back, minister of Christ and source of fear—
We cherish freedom—back with thee and thine
From this unruly time of year,
The Feast of Valentine.
Blood thou mayest spare; but what of tears?
But what of riven households, broken faith—
Bywords that cling through all men’s years
And drag them surely down to shame and death?
Stand back, O cruel man, O foe of youth,
And let such men as hearken not thy voice
Press freely up the road to truth,
The King’s highway of choice.
HAIL! CHILDISH SLAVES OF SOCIAL RULES
Hail! Childish
slaves of social rules
You had yourselves a hand in making!
How I could shake your faith, ye fools,
If but I thought it worth the shaking.
I see, and pity you; and then
Go, casting off the idle pity,
In search of better, braver men,
My own way freely through the city.
My own way freely, and not yours;
And, careless of a town’s abusing,
Seek real friendship that endures
Among the friends of my own choosing.
I’ll choose my friends myself, do you hear?
And won’t let Mrs. Grundy do it,
Tho’ all I honour and hold dear
And all I hope should move me to it.
I take my old coat from the shelf—
I am a man of little breeding.
And only dress to please myself—
I own, a very strange proceeding.
I smoke a
pipe abroad, because
To all cigars I much prefer it,
And as I scorn your social laws
My choice has nothing to deter it.
Gladly I trudge the footpath way,
While you and yours roll by in coaches
In all the pride of fine array,
Through all the city’s thronged approaches.
O fine religious, decent folk,
In Virtue’s flaunting gold and scarlet,
I sneer between two puffs of smoke,—
Give me the publican and harlot.
Ye dainty-spoken, stiff, severe
Seed of the migrated Philistian,
One whispered question in your ear—
Pray, what was Christ, if you be Christian?
If Christ were only here just now,
Among the city’s wynds and gables
Teaching the life he taught us, how
Would he be welcome to your tables?
I go and leave your logic-straws,
Your former-friends with face averted,
Your petty ways and narrow laws,
Your Grundy and your God, deserted.
From your
frail ark of lies, I flee
I know not where, like Noah’s raven.
Full to the broad, unsounded sea
I swim from your dishonest haven.
Alone on that unsounded deep,
Poor waif, it may be I shall perish,
Far from the course I thought to keep,
Far from the friends I hoped to cherish.
It may be that I shall sink, and yet
Hear, thro’ all taunt and scornful
laughter,
Through all defeat and all regret,
The stronger swimmers coming after.
SWALLOWS TRAVEL TO AND FRO
Swallows travel to
and fro,
And the great winds come and go,
And the steady breezes blow,
Bearing perfume, bearing love.
Breezes hasten, swallows fly,
Towered clouds forever ply,
And at noonday, you and I
See the same sunshine above.
Dew and rain fall everywhere,
Harvests ripen, flowers are fair,
And the whole round earth is bare
To the moonshine and the sun;
And the
live air, fanned with wings,
Bright with breeze and sunshine, brings
Into contact distant things,
And makes all the countries one.
Let us wander where we will,
Something kindred greets us still;
Something seen on vale or hill
Falls familiar on the heart;
So, at scent or sound or sight,
Severed souls by day and night
Tremble with the same delight—
Tremble, half the world apart.
TO MESDAMES ZASSETSKY AND GARSCHINE
The wind may blaw
the lee-gang way
And aye the lift be mirk an’ gray,
An deep the moss and steigh the brae
Where a’ maun gang—
There’s still an hoor in ilka day
For luve and sang.
And canty hearts are strangely steeled.
By some dikeside they’ll find a bield,
Some couthy neuk by muir or field
They’re sure to hit,
Where, frae the blatherin’ wind concealed,
They’ll rest a bit.
An’ weel for them if kindly fate
Send ower the hills to them a mate;
They’ll crack a while o’ kirk an’ State,
O’ yowes an’ rain:
An’ when it’s time to take the gate,
Tak’ ilk his ain.
—Sic neuk beside the southern sea
I soucht—sic place o’ quiet lee
Frae a’ the winds o’ life. To me,
Fate, rarely fair,
Had set a freendly company
To meet me there.
Kindly by them they gart me sit,
An’ blythe was I to bide a bit.
Licht as o’ some hame fireside lit
My life for me.
—Ower early maun I rise an’ quit
This happy lee.
TO MADAME GARSCHINE
What is the face,
the fairest face, till Care,
Till Care the graver—Care with cunning
hand,
Etches content thereon and makes it fair,
Or constancy, and love, and makes it grand?
MUSIC AT THE VILLA MARINA
For some abiding
central source of power,
Strong-smitten steady chords, ye seem to flow
And, flowing, carry virtue. Far below,
The vain tumultuous passions of the hour
Fleet fast and disappear; and as the sun
Shines on the wake of tempests, there is cast
O’er all the shattered ruins of my past
A strong contentment as of battles won.
And yet I cry in anguish, as I hear
The long drawn pageant of your passage roll
Magnificently forth into the night.
To yon fair land ye come from, to yon sphere
Of strength and love where now ye shape your flight,
O even wings of music, bear my soul!
Ye have the power, if but ye had the will,
Strong-smitten steady chords in sequence grand,
To bear me forth into that tranquil land
Where good is no more ravelled up with ill;
Where she and I, remote upon some hill
Or by some quiet river’s windless strand,
May live, and love, and wander hand in hand,
And follow nature simply, and be still.
From this grim world, where, sadly, prisoned,
we
Sit bound with others’ heart-strings as with
chains,
And, if one moves, all suffer,—to that
Goal,
If such a land, if such a sphere, there be,
Thither, from life and all life’s joys and
pains,
O even wings of music, bear my soul!
FEAR NOT, DEAR FRIEND, BUT FREELY LIVE YOUR DAYS
Fear not, dear
friend, but freely live your days
Though lesser lives should suffer. Such am
I,
A lesser life, that what is his of sky
Gladly would give for you, and what of praise.
Step, without trouble, down the sunlit ways.
We that have touched your raiment, are made whole
From all the selfish cankers of man’s soul,
And we
would see you happy, dear, or die.
Therefore be brave, and therefore, dear, be free;
Try all things resolutely, till the best,
Out of all lesser betters, you shall find;
And we, who have learned greatness from you, we,
Your lovers, with a still, contented mind,
See you well anchored in some port of rest.
LET LOVE GO, IF GO SHE WILL
Let love go, if go
she will.
Seek not, O fool, her wanton flight to stay.
Of all she gives and takes away
The best remains behind her still.
The best remains behind; in vain
Joy she may give and take again,
Joy she may take and leave us pain,
If yet she leave behind
The constant mind
To meet all fortunes nobly, to endure
All things with a good heart, and still be pure,
Still to be foremost in the foremost cause,
And still be worthy of the love that was.
Love coming is omnipotent indeed,
But not Love going. Let her go. The seed
Springs in
the favouring Summer air, and grows,
And waxes strong; and when the Summer goes,
Remains, a perfect tree.
Joy she may give and take again,
Joy she may take and leave us pain.
O Love, and what care we?
For one thing thou hast given, O Love, one thing
Is ours that nothing can remove;
And as the King discrowned is still a King,
The unhappy lover still preserves his love.
I DO NOT FEAR TO OWN ME KIN
I do not fear to own
me kin
To the glad clods in which spring flowers begin;
Or to my brothers, the great trees,
That speak with pleasant voices in the breeze,
Loud talkers with the winds that pass;
Or to my sister, the deep grass.
Of such I am, of such my body is,
That thrills to reach its lips to kiss.
That gives and takes with wind and sun and rain
And feels keen pleasure to the point of pain.
Of such are these,
The brotherhood of stalwart trees,
The humble family of flowers,
That make a light of shadowy bowers
Or star the edges of the bent:
They give and take sweet colour and sweet scent;
They joy to shed themselves abroad;
And tree and flower and grass and sod
Thrill and leap and live and sing
With silent voices in the Spring.
Hence I not fear to yield my breath,
Since all is still unchanged by death;
Since in some pleasant valley I may be,
Clod beside clod, or tree by tree,
Long ages hence, with her I love this hour;
And feel a lively joy to share
With her the sun and rain and air,
To taste her quiet neighbourhood
As the dumb things of field and wood,
The clod, the tree, and starry flower,
Alone of all things have the power.
I AM LIKE ONE THAT FOR LONG DAYS HAD SATE
I am like one that
for long days had sate,
With seaward eyes set keen against the gale,
On some lone foreland, watching sail by sail,
The portbound ships for one ship that was late;
And sail by sail, his heart burned up with joy,
And cruelly was quenched, until at last
One ship, the looked-for pennant at its mast,
Bore gaily, and dropt safely past the buoy;
And lo! the loved one was not there—was dead.
Then would he watch no more; no more the sea
With myriad vessels, sail by sail, perplex
His eyes and mock his longing. Weary head,
Take now thy rest; eyes, close; for no more me
Shall hopes untried elate, or ruined vex.
For thus on love I waited; thus for love
Strained all my senses eagerly and long;
Thus for her coming ever trimmed my song;
Till in the far skies coloured as a dove,
A bird gold-coloured flickered far and fled
Over the pathless waterwaste for me;
And with spread hands I watched the bright bird
flee
And
waited, till before me she dropped dead.
O golden bird in these dove-coloured skies
How long I sought, how long with wearied eyes
I sought, O bird, the promise of thy flight!
And now the morn has dawned, the morn has died,
The day has come and gone; and once more night
About my lone life settles, wild and wide.
VOLUNTARY
Here in the quiet
eve
My thankful eyes receive
The quiet light.
I see the trees stand fair
Against the faded air,
And star by star prepare
The perfect night.
And in my bosom, lo!
Content and quiet grow
Toward perfect peace.
And now when day is done,
Brief day of wind and sun,
The pure stars, one by one,
Their troop increase.
Keen pleasure and keen grief
Give place to great relief:
Farewell my tears!
Still sounds toward me float;
I hear the bird’s small note,
Sheep from the far sheepcote,
And lowing steers.
For lo! the war is done,
Lo, now the battle won,
The trumpets still.
The shepherd’s slender strain,
The country sounds again
Awake in wood and plain,
On haugh and hill.
Loud wars and loud loves cease.
I welcome my release;
And hail once more
Free foot and way world-wide.
And oft at eventide
Light love to talk beside
The hostel door.
ON NOW, ALTHOUGH THE YEAR BE DONE
On now, although the
year be done,
Now, although the love be dead,
Dead and gone;
Hear me, O loved and cherished one,
Give me still the hand that led,
Led me on.
IN THE GREEN AND GALLANT SPRING
In the green and
gallant Spring,
Love and the lyre I thought to sing,
And kisses sweet to give and take
By the flowery hawthorn brake.
Now is russet Autumn here,
Death and the grave and winter drear,
And I must ponder here aloof
While the rain is on the roof.
DEATH, TO THE DEAD FOR EVERMORE
Death, to the dead
for evermore
A King, a God, the last, the best of friends—
Whene’er this mortal journey ends
Death, like a host, comes smiling to the door;
Smiling, he greets us, on that tranquil shore
Where neither piping bird nor peeping dawn
Disturbs the eternal sleep,
But in the stillness far withdrawn
Our dreamless rest for evermore we keep.
For as from open windows forth we peep
Upon the night-time star beset
And with dews for ever wet;
So from this garish life the spirit peers;
And lo! as a sleeping city death outspread,
Where breathe the sleepers evenly; and lo!
After the loud wars, triumphs, trumpets, tears
And clamour of man’s passion, Death appears,
And we must rise and go.
Soon are eyes tired with sunshine; soon the
ears
Weary of utterance, seeing all is said;
Soon, racked by hopes and fears,
The all-pondering, all-contriving head,
Weary with
all things, wearies of the years;
And our sad spirits turn toward the dead;
And the tired child, the body, longs for bed.
TO CHARLES BAXTER
On the death of their common friend, Mr. John Adam, Clerk of court.
Our Johnie’s
deid. The mair’s the pity!
He’s deid, an’ deid o’ Aqua-vitæ.
O Embro’, you’re a shrunken city,
Noo Johnie’s deid!
Tak hands, an’ sing a burial ditty
Ower Johnie’s heid.
To see him was baith drink an’ meat,
Gaun linkin’ glegly up the street.
He but to rin or tak a seat,
The wee bit body!
Bein’ aye unsicken on his feet
Wi’ whusky toddy.
To be aye tosh was Johnie’s whim,
There’s nane was better teut than him,
Though whiles his gravit-knot wad clim’
Ahint his ear,
An’ whiles he’d buttons oot or in
The less ae mair.
His hair a’ lang about his bree,
His tap-lip lang by inches three—
A slockened sort ‘mon,’ to pree
A’ sensuality—
A droutly glint was in his e’e
An’ personality.
An’ day an’ nicht, frae daw to
daw,
Dink an’ perjink an’ doucely braw,
Wi’ a kind o’ Gospel ower a’,
May or October,
Like Peden, followin’ the Law
An’ no that sober.
Whusky an’ he were pack thegether.
Whate’er the hour, whate’er the weather,
John kept himsel’ wi’ mistened leather
An’ kindled spunk.
Wi’ him, there was nae askin’ whether—
John was aye drunk.
The auncient heroes gash an’ bauld
In the uncanny days of auld,
The task ance fo(u)nd to which th’were called,
Stack stenchly to it.
His life sic noble lives recalled,
Little’s he knew it.
Single an’ straucht, he went his way.
He kept the faith an’ played the play.
Whusky an’ he were man an’ may
Whate’er betided.
Bonny in life—in death—this twae
Were no’ divided.
An’ wow! but John was unco sport.
Whiles he wad smile about the Court
Malvolio-like—whiles snore an’ snort
Was heard afar.
The idle winter lads’ resort
Was aye John’s bar.
What’s merely humorous or bonny
The Worl’ regairds wi’ cauld astony.
Drunk men tak’ aye mair place than ony;
An’ sae, ye see,
The gate was aye ower thrang for Johnie—
Or you an’ me.
John micht hae jingled cap an’ bells,
Been a braw fule in silks an’ pells,
In ane o’ the auld worl’s canty hells
Paris or Sodom.
I wadnae had him naething else
But Johnie Adam.
He suffered—as have a’ that wan
Eternal memory frae man,
Since e’er the weary worl’ began—
Mister or Madam,
Keats or Scots Burns, the Spanish Don
Or Johnie Adam.
We leuch, an’ Johnie deid.
An’ fegs!
Hoo he had keept his stoiterin’ legs
Sae lang’s he did’s a fact that begs
An explanation.
He stachers fifty years—syne plegs
To’s destination.
I WHO ALL THE WINTER THROUGH
I who all the winter through
Cherished other loves than you,
And kept hands with hoary policy in marriage-bed and pew;
Now I know the false and true,
For the earnest sun looks
through,
And my old love comes to meet me in the dawning and the dew.
Now the
hedged meads renew
Rustic odour, smiling hue,
And the clean air shines and tinkles as the world goes wheeling
through;
And my heart springs up anew,
Bright and confident and true,
And my old love comes to meet me in the dawning and the dew.
LOVE, WHAT IS LOVE?
Love—what is
love? A great and aching heart;
Wrung hands; and silence; and a long despair.
Life—what is life? Upon a moorland bare
To see love coming and see love depart.
SOON OUR FRIENDS PERISH
Soon our friends perish,
Soon all we cherish
Fades as days darken—goes as flowers go.
Soon in December
Over an ember,
Lonely we hearken, as loud winds blow.
AS ONE WHO HAVING WANDERED ALL NIGHT LONG
As one who having
wandered all night long
In a perplexed forest, comes at length
In the first hours, about the matin song,
And when the sun uprises in his strength,
To the
fringed margin of the wood, and sees,
Gazing afar before him, many a mile
Of falling country, many fields and trees,
And cities and bright streams and far-off
Ocean’s smile:
I, O Melampus, halting, stand at gaze:
I, liberated, look abroad on life,
Love, and distress, and dusty travelling ways,
The steersman’s helm, the surgeon’s
helpful knife,
On the lone ploughman’s earth-upturning share,
The revelry of cities and the sound
Of seas, and mountain-tops aloof in air,
And of the circling earth the unsupported round:
I, looking, wonder: I, intent, adore;
And, O Melampus, reaching forth my hands
In adoration, cry aloud and soar
In spirit, high above the supine lands
And the low caves of mortal things, and flee
To the last fields of the universe untrod,
Where is no man, nor any earth, nor sea,
And the contented soul is all alone with God.
STRANGE ARE THE WAYS OF MEN
Strange are the ways
of men,
And strange the ways of God!
We tread the mazy paths
That all our fathers trod.
We tread them undismayed,
And undismayed behold
The portents of the sky,
The things that were of old.
The fiery stars pursue
Their course in heav’n on high;
And round the ‘leaguered town,
Crest-tossing heroes cry.
Crest-tossing heroes cry;
And martial fifes declare
How small, to mortal minds,
Is merely mortal care.
And to the clang of steel
And cry of piercing flute
Upon the azure peaks
A God shall plant his foot:
A God in arms shall stand,
And seeing wide and far
The green and golden earth,
The killing tide of war,
He, with uplifted arm,
Shall to the skies proclaim
The gleeful fate of man,
The noble road to fame!
THE WIND BLEW SHRILL AND SMART
The wind blew shrill and smart,
And the wind awoke my heart
Again to go a-sailing o’er the sea,
To hear the cordage moan
And the straining timbers
groan,
And to see the flying pennon lie a-lee.
O sailor of
the fleet,
It is time to stir the feet!
It’s time to man the dingy and to row!
It’s lay your hand in
mine
And it’s empty down the
wine,
And it’s drain a health to death before we go!
To death,
my lads, we sail;
And it’s death that blows
the gale
And death that holds the tiller as we ride.
For he’s the king of all
In the tempest and the squall,
And the ruler of the Ocean wild and wide!
MAN SAILS THE DEEP AWHILE
Man sails the deep
awhile;
Loud runs the roaring tide;
The seas are wild and wide;
O’er many a salt, o’er many a desert mile,
The unchained breakers ride,
The quivering stars beguile.
Hope bears the sole command;
Hope, with unshaken eyes,
Sees flaw and storm arise;
Hope, the good steersman, with unwearying hand,
Steers, under changing skies,
Unchanged toward the land.
O wind that bravely blows!
O hope that sails with all
Where stars and voices call!
O ship undaunted that forever goes
Where God, her admiral,
His battle signal shows!
What though the seas and wind
Far on the deep should whelm
Colours and sails and helm?
There, too, you touch that port that you designed—
There, in the mid-seas’
realm,
Shall you that haven find.
Well hast thou sailed: now die,
To die is not to sleep.
Still your true course you
keep,
O sailor soul, still sailing for the sky;
And fifty fathom deep
Your colours still shall fly.
THE COCK’S CLEAR VOICE INTO THE CLEARER AIR
The cock’s
clear voice into the clearer air
Where westward far I roam,
Mounts with a thrill of hope,
Falls with a sigh of home.
A rural sentry, he from farm and field
The coming morn descries,
And, mankind’s bugler, wakes
The camp of enterprise.
He sings the morn upon the westward hills
Strange and remote and wild;
He sings it in the land
Where once I was a child.
He brings to me dear voices of the past,
The old land and the years:
My father calls for me,
My weeping spirit hears.
Fife, fife, into the golden air, O bird,
And sing the morning in;
For the old days are past
And new days begin.
NOW WHEN THE NUMBER OF MY YEARS
Now when the number
of my years
Is all fulfilled, and I
From sedentary life
Shall rouse me up to die,
Bury me low and let me lie
Under the wide and starry sky.
Joying to live, I joyed to die,
Bury me low and let me lie.
Clear was my soul, my deeds were free,
Honour was called my name,
I fell not back from fear
Nor followed after fame.
Bury me low and let me lie
Under the wide and starry sky.
Joying to live, I joyed to die,
Bury me low and let me lie.
Bury me low in valleys green
And where the milder breeze
Blows fresh along the stream,
Sings roundly in the trees—
Bury me low and let me lie
Under the wide and starry sky.
Joying to live, I joyed to die,
Bury me low and let me lie.
WHAT MAN MAY LEARN, WHAT MAN MAY DO
What man may learn,
what man may do,
Of right or wrong of false or true,
While, skipper-like, his course he steers
Through nine and twenty mingled years,
Half misconceived and half forgot,
So much I know and practise not.
Old are the words of wisdom, old
The counsels of the wise and bold:
To close the ears, to check the tongue,
To keep the pining spirit young;
To act the right, to say the true,
And to be kind whate’er you do.
Thus we across the modern stage
Follow the wise of every age;
And, as oaks grow and rivers run
Unchanged in the unchanging sun,
So the eternal march of man
Goes forth on an eternal plan.
SMALL IS THE TRUST WHEN LOVE IS GREEN
Small is the trust
when love is green
In sap of early years;
A little thing steps in between
And kisses turn to tears.
Awhile—and see how love be grown
In loveliness and power!
Awhile, it loves the sweets alone,
But next it loves the sour.
A little love is none at all
That wanders or that fears;
A hearty love dwells still at call
To kisses or to tears.
Such then be mine, my love to give,
And such be yours to take:—
A faith to hold, a life to live,
For lovingkindness’ sake:
Should you be sad, should you be gay,
Or should you prove unkind,
A love to hold the growing way
And keep the helping mind:—
A love to turn the laugh on care
When wrinkled care appears,
And, with an equal will, to share
Your losses and your tears.
KNOW YOU THE RIVER NEAR TO GREZ
Know you the river
near to Grez,
A river deep and clear?
Among the lilies all the way,
That ancient river runs to-day
From snowy weir to weir.
Old as the Rhine of great renown,
She hurries clear and fast,
She runs amain by field and town
From south to north, from up to down,
To present on from past.
The love I hold was borne by her;
And now, though far away,
My lonely spirit hears the stir
Of water round the starling spur
Beside the bridge at Grez.
So may that love forever hold
In life an equal pace;
So may that love grow never old,
But, clear and pure and fountain-cold,
Go on from grace to grace.
IT’S FORTH ACROSS THE ROARING FOAM
It’s forth
across the roaring foam, and on towards the west,
It’s many a lonely league from home, o’er many a
mountain crest,
From where the dogs of Scotland call the sheep around the
fold,
To where the flags are flying beside the Gates of Gold.
Where all the deep-sea galleons ride that come
to bring the corn,
Where falls the fog at eventide and blows the breeze at morn;
It’s
there that I was sick and sad, alone and poor and cold,
In yon distressful city beside the Gates of Gold.
I slept as one that nothing knows; but far
along my way,
Before the morning God rose and planned the coming day;
Afar before me forth he went, as through the sands of old,
And chose the friends to help me beside the Gates of Gold.
I have been near, I have been far, my
back’s been at the wall,
Yet aye and ever shone the star to guide me through it all:
The love of God, the help of man, they both shall make me bold
Against the gates of darkness as beside the Gates of Gold.
AN ENGLISH BREEZE
Up with the sun, the
breeze arose,
Across the talking corn she goes,
And smooth she rustles far and wide
Through all the voiceful countryside.
Through all the land her tale she tells;
She spins, she tosses, she compels
The kites, the clouds, the windmill sails
And all the trees in all the dales.
God calls us, and the day prepares
With nimble, gay and gracious airs:
And from Penzance to Maidenhead
The roads last night He watered.
God calls us from inglorious ease,
Forth and to travel with the breeze
While, swift and singing, smooth and strong
She gallops by the fields along.
AS IN THEIR FLIGHT THE BIRDS OF SONG
As in their flight
the birds of song
Halt here and there in sweet and sunny dales,
But halt not overlong;
The time one rural song to sing
They pause; then following bounteous gales
Steer forward on the wing:
Sun-servers they, from first to last,
Upon the sun they wait
To ride the sailing blast.
So he awhile in our contested state,
Awhile abode, not longer, for his Sun—
Mother we say, no tenderer name we know—
With whose diviner glow
His early days had shone,
Now to withdraw her radiance had begun.
Or lest a wrong I say, not she withdrew,
But the loud stream of men day after day
And great dust columns of the common way
Between them grew and grew:
And he and she for evermore might yearn,
But to the spring the rivulets not return
Nor to the bosom comes the child again.
And he (O may we fancy so!),
He, feeling time forever flow
And flowing bear him forth and far away
From that dear ingle where his life began
And all his treasure lay—
He, waxing into man,
And ever farther, ever closer wound
In this obstreperous world’s ignoble round,
From that poor prospect turned his face away.
THE PIPER
Again I hear you
piping, for I know the tune so well,—
You rouse the heart to wander and be free,
Tho’ where you learned your music, not the God of song can
tell,
For you pipe the open highway and the sea.
O piper, lightly footing, lightly piping on your way,
Tho’ your music thrills and pierces far and
near,
I tell you you had better pipe to someone else to-day,
For you cannot pipe my fancy from my dear.
You sound the note of travel through the hamlet
and the town;
You would lure the holy angels from on high;
And not a man can hear you, but he throws the hammer down
And is off to see the countries ere he die.
But now no
more I wander, now unchanging here I stay;
By my love, you find me safely sitting here:
And pipe you ne’er so sweetly, till you pipe the hills
away,
You can never pipe my fancy from my dear.
TO MRS. MACMARLAND
In Schnee der
Alpen—so it runs
To those divine accords—and here
We dwell in Alpine snows and suns,
A motley crew, for half the year:
A motley crew, we dwell to taste—
A shivering band in hope and fear—
That sun upon the snowy waste,
That Alpine ether cold and clear.
Up from the laboured plains, and up
From low sea-levels, we arise
To drink of that diviner cup
The rarer air, the clearer skies;
For, as the great, old, godly King
From mankind’s turbid valley cries,
So all we mountain-lovers sing:
I to the hills will lift mine eyes.
The bells that ring, the peaks that climb,
The frozen snow’s unbroken curd
Might yet revindicate in rhyme
The pauseless stream, the absent bird.
In vain—for to the deeps of life
You, lady, you my heart have stirred;
And since you say you love my life,
Be sure I love you for the word.
Of kindness, here I nothing say—
Such loveless kindnesses there are
In that grimacing, common way,
That old, unhonoured social war.
Love but my dog and love my love,
Adore with me a common star—
I value not the rest above
The ashes of a bad cigar.
TO MISS CORNISH
They tell me, lady,
that to-day
On that unknown Australian strand—
Some time ago, so far away—
Another lady joined the band.
She joined
the company of those
Lovelily dowered, nobly planned,
Who, smiling, still forgive their foes
And keep their friends in close command.
She, lady, as I learn, was one
Among the many rarely good;
And destined still to be a sun
Through every dark and rainy mood:—
She, as they told me, far had come,
By sea and land, o’er many a rood:—
Admired by all, beloved by some,
She was yourself, I understood.
But, compliment apart and free
From all constraint of verses, may
Goodness and honour, grace and glee,
Attend you ever on your way—
Up to the measure of your will,
Beyond all power of mine to say—
As she and I desire you still,
Miss Cornish, on your natal day.
TALES OF ARABIA
Yes, friend, I own
these tales of Arabia
Smile not, as smiled their flawless originals,
Age-old but yet untamed, for ages
Pass and the magic is undiminished.
Thus, friend, the tales of the old
Camaralzaman,
Ayoub, the Slave of Love, or the Calendars,
Blind-eyed and ill-starred royal scions,
Charm us in age as they charmed in childhood.
Fair ones, beyond all numerability,
Beam from the palace, beam on humanity,
Bright-eyed, in truth, yet soul-less houris
Offering pleasure and only pleasure.
Thus they, the venal Muses Arabian,
Unlike, indeed, the nobler divinities,
Greek Gods or old time-honoured muses,
Easily proffer unloved caresses.
Lost, lost, the man who mindeth the
minstrelsy;
Since still, in sandy, glittering pleasances,
Cold, stony fruits, gem-like but quite in-
Edible, flatter and wholly starve him.
BEHOLD, AS GOBLINS DARK OF MIEN
Behold, as goblins
dark of mien
And portly tyrants dyed with crime
Change, in the transformation scene,
At Christmas, in the pantomime,
Instanter, at the prompter’s cough,
The fairy bonnets them, and they
Throw their abhorred carbuncles off
And blossom like the flowers in May.
—So mankind, to angelic eyes,
So, through the scenes of life below,
In life’s ironical disguise,
A travesty of man, ye go:
But fear not: ere the curtain fall,
Death in the transformation scene
Steps forward from her pedestal,
Apparent, as the fairy Queen;
And coming, frees you in a trice
From all your lendings—lust of fame,
Ungainly virtue, ugly vice,
Terror and tyranny and shame.
So each, at last himself, for good
In that dear country lays him down,
At last beloved and understood
And pure in feature and renown.
STILL I LOVE TO RHYME
Still I love to
rhyme, and still more, rhyming, to wander
Far from the commoner way;
Old-time trills and falls by the brook-side still do I ponder,
Dreaming to-morrow to-day.
Come here, come, revive me, Sun-God, teach me,
Apollo,
Measures descanted before;
Since I ancient verses, I emulous follow,
Prints in the marbles of yore.
Still strange, strange, they sound in old-young
raiment invested,
Songs for the brain to forget—
Young song-birds elate to grave old temples benested
Piping and chirruping yet.
Thoughts? No thought has yet unskilled attempted
to flutter
Trammelled so vilely in verse;
He who writes but aims at fame and his bread and his butter,
Won with a groan and a curse.
LONG TIME I LAY IN LITTLE EASE
Long time I lay in
little ease
Where, placed by the Turanian,
Marseilles, the many-masted, sees
The blue Mediterranean.
Now songful in the hour of sport,
Now riotous for wages,
She camps around her ancient port,
As ancient of the ages.
Algerian airs through all the place
Unconquerably sally;
Incomparable women pace
The shadows of the alley.
And high o’er dark and graving yard
And where the sky is paler,
The golden virgin of the guard
Shines, beckoning the sailor.
She hears the city roar on high,
Thief, prostitute, and banker;
She sees the masted vessels lie
Immovably at anchor.
She sees the snowy islets dot
The sea’s immortal azure,
And If, that castellated spot,
Tower, turret, and embrasure.
FLOWER GOD, GOD OF THE SPRING
Flower god, god of
the spring, beautiful, bountiful,
Cold-dyed shield in the sky, lover of versicles,
Here I wander in April
Cold, grey-headed; and still to my
Heart, Spring comes with a bound, Spring the deliverer,
Spring, song-leader in woods, chorally resonant;
Spring, flower-planter in meadows,
Child-conductor in willowy
Fields deep dotted with bloom, daisies and crocuses:
Here that child from his heart drinks of eternity:
O child, happy are children!
She still smiles on their innocence,
She, dear mother in God, fostering violets,
Fills earth full of her scents, voices and violins:
Thus one cunning in music
Wakes old chords in the memory:
Thus fair earth in the Spring leads her performances.
One more touch of the bow, smell of the virginal
Green—one more, and my bosom
Feels new life with an ecstasy.
COME, MY BELOVED, HEAR FROM ME
Come, my beloved,
hear from me
Tales of the woods or open sea.
Let our aspiring fancy rise
A wren’s flight higher toward the skies;
Or far from cities, brown and bare,
Play at the least in open air.
In all the tales men hear us tell
Still let the unfathomed ocean swell,
Or shallower forest sound abroad
Below the lonely stars of God;
In all, let something still be done,
Still in a corner shine the sun,
Slim-ankled maids be fleet of foot,
Nor man disown the rural flute.
Still let the hero from the start
In honest sweat and beats of heart
Push on along the untrodden road
For some inviolate abode.
Still, O
beloved, let me hear
The great bell beating far and near—
The odd, unknown, enchanted gong
That on the road hales men along,
That from the mountain calls afar,
That lures a vessel from a star,
And with a still, aerial sound
Makes all the earth enchanted ground.
Love, and the love of life and act
Dance, live and sing through all our furrowed tract;
Till the great God enamoured gives
To him who reads, to him who lives,
That rare and fair romantic strain
That whoso hears must hear again.
SINCE YEARS AGO FOR EVERMORE
Since years ago for
evermore
My cedar ship I drew to shore;
And to the road and riverbed
And the green, nodding reeds, I said
Mine ignorant and last farewell:
Now with content at home I dwell,
And now divide my sluggish life
Betwixt my verses and my wife:
In vain;
for when the lamp is lit
And by the laughing fire I sit,
Still with the tattered atlas spread
Interminable roads I tread.
ENVOY FOR “A CHILD’S GARDEN OF VERSES”
Whether upon the
garden seat
You lounge with your uplifted feet
Under the May’s whole Heaven of blue;
Or whether on the sofa you,
No grown up person being by,
Do some soft corner occupy;
Take you this volume in your hands
And enter into other lands,
For lo! (as children feign) suppose
You, hunting in the garden rows,
Or in the lumbered attic, or
The cellar—a nail-studded door
And dark, descending stairway found
That led to kingdoms underground:
There standing, you should hear with ease
Strange birds a-singing, or the trees
Swing in big robber woods, or bells
On many fairy citadels:
There passing through (a step or so—
Neither mamma nor nurse need know!)
From your nice nurseries you would pass,
Like Alice through the Looking-Glass
Or Gerda following Little Ray,
To wondrous countries far away.
Well, and just so this volume can
Transport each little maid or man
Presto from where they live away
Where other children used to play.
As from the house your mother sees
You playing round the garden trees,
So you may see if you but look
Through the windows of this book
Another child far, far away
And in another garden play.
But do not think you can at all,
By knocking on the window, call
That child to hear you. He intent
Is still on his play-business bent.
He does not hear, he will not look,
Nor yet be lured out of this book.
For long ago, the truth to say,
He has grown up and gone away;
And it is but a child of air
That lingers in the garden there.
FOR RICHMOND’S GARDEN WALL
When Thomas set this
tablet here,
Time laughed at the vain chanticleer;
And ere the moss had dimmed the stone,
Time had defaced that garrison.
Now I in turn keep watch and ward
In my red house, in my walled yard
Of sunflowers, sitting here at ease
With friends and my bright canvases.
But hark, and you may hear quite plain
Time’s chuckled laughter in the lane.
HAIL, GUEST, AND ENTER FREELY!
Hail, guest, and
enter freely! All you see
Is, for your momentary visit, yours; and we
Who welcome you are but the guests of God,
And know not our departure.
LO, NOW, MY GUEST
Lo, now, my guest,
if aught amiss were said,
Forgive it and dismiss it from your head.
For me, for you, for all, to close the date,
Pass now the ev’ning sponge across the slate;
And to that spirit of forgiveness keep
Which is the parent and the child of sleep.
SO LIVE, SO LOVE, SO USE THAT FRAGILE HOUR
So live, so love, so
use that fragile hour,
That when the dark hand of the shining power
Shall one from other, wife or husband, take,
The poor survivor may not weep and wake.
AD SE IPSUM
Dear sir,
good-morrow! Five years back,
When you first girded for this arduous track,
And under various whimsical pretexts
Endowed another with your damned defects,
Could you have dreamed in your despondent vein
That the kind God would make your path so plain?
Non nobis, domine! O, may He still
Support my stumbling footsteps on the hill!
BEFORE THIS LITTLE GIFT WAS COME
Before this little
gift was come
The little owner had made haste for home;
And from the door of where the eternal dwell,
Looked back on human things and smiled farewell.
O may this grief remain the only one!
O may our house be still a garrison
Of smiling children, and for evermore
The tune of little feet be heard along the floor!
GO, LITTLE BOOK—THE ANCIENT PHRASE
Go, little
book—the ancient phrase
And still the daintiest—go your ways,
My Otto, over sea and land,
Till you shall come to Nelly’s hand.
How shall I your Nelly know?
By her blue eyes and her black brow,
By her fierce and slender look,
And by her goodness, little book!
What shall I say when I come there?
You shall speak her soft and fair:
See—you shall say—the love they send
To greet their unforgotten friend!
Giant Adulpho you shall sing
The next, and then the cradled king:
And the four corners of the roof
Then kindly bless; and to your perch aloof,
Where Balzac all in yellow dressed
And the dear Webster of the west
Encircle the prepotent throne
Of Shakespeare and of Calderon,
Shall climb an upstart.
There with these
You shall give ear to breaking seas
And windmills turning in the breeze,
A distant undetermined din
Without; and you shall hear within
The blazing and the bickering logs,
The crowing child, the yawning dogs,
And ever agile, high and low,
Our Nelly going to and fro.
There shall you all silent sit,
Till, when perchance the lamp is lit
And the day’s labour done, she takes
Poor Otto down, and, warming for our sakes,
Perchance beholds, alive and near,
Our distant faces reappear.