The Project Gutenberg eBook of Next Door Neighbours: A Comedy; In Three Acts
Title: Next Door Neighbours: A Comedy; In Three Acts
Author: Mrs. Inchbald
Néricault Destouches
Louis-Sébastien Mercier
Release date: February 4, 2012 [eBook #38759]
Language: English
Credits: Produced by Delphine Lettau and the Online Distributed
Proofreading Canada Team at http://www.pgdpcanada.net
NEXT DOOR NEIGHBOURS;
A COMEDY;
I N
THREE ACTS.
FROM THE
French Dramas L'Indigent & Le Dissipateur.
AS PERFORMED AT THE
THEATRE-ROYAL, HAY-MARKET.
BY
MRS. INCHBALD.
LONDON:
Printed for G. G. J. and J. Robinson,
Pater-noster-Row.
M,DCC,XCI.
PROLOGUE,
By T. VAUGHAN, Esq.
SPOKEN BY MR. BANNISTER, JUN.
| To Puff, or not to Puff—that is the Question— Puff by all means, say I, it helps digestion. To prove my maxim true, pray read the Papers— From Quacks of State, to those who cure the Vapours. | |
| You'll find them, one and all, puff high their skill, Tho' nine in ten, are oft'ner found to kill.— Yet Puff's the word, which gives at least a name, And oftener gains the undeserving Fame: Or wherefore read we of Lord Fanny's Taste, Of me—an Actor—wonderfully chaste! And yet so squeamish is our Lady elf, She'd rather die—than paragraph herself; So fix'd on me—the Prologue speaking Hack, To stop, with Puff-direct, the Critic Pack, | |
| Who yelp, and foaming, bark from morn to night, | } |
| And when run hard—turn tail—then snap and bite; | |
| Putting the timid Hare-like-Bard to flight. | |
| To such, the best and only Puff to hit, | } |
| Is that which honest Candour must admit, | |
| A Female Scribbler is an harmless Wit; | |
| And who so harmless as our present Bard, Claiming no greater or distinct reward, Than what from free Translation is her due, Which here in fullest trust she leaves to you: With this remark—Who own their Debts with pride, Are well entitled to the Credit Side. And as for those with whom she makes so free They'll ne'er complain of English Liberty; But glory to behold their Tinsel shine, Through the rich Bullion of the English Line. | |
| Fear then avaunt! Trust to a British Jury— With them, an honest Verdict I'll ensure you: Let Echo catch the sound—'Tis Pratte 1 enacts, You're Judges of the Law, as well as Facts. On this she rests her Cause, and hopes to find, As Friends, and Next Door Neighbours, you'll be kind; At least, this only punishment ensue, A Frown—and that's severe enough, from you. | |
| Thus puff'd—I freely to the Court commit her, Not doubting, as a Woman, you'll acquit her— | |
| And now join issue, Sirs, without delay— | } |
| Judging from written Evidence our Play, | |
| And—send her a good Deliverance, I pray. | |
1 Vide, Earl Camden's celebrated and Constitutional Speech and | |
DRAMATIS PERSONÆ
| MEN. | |
| Sir George Splendorville | Mr. Palmer. |
| Mr. Manly | Mr. Kemble. |
| Mr. Blackman | Mr. Baddeley. |
| Mr. Lucre | Mr. R. Palmer. |
| Lord Hazard | Mr. Evatt. |
| Willford | Mr. Aickin. |
| Henry | Mr. Palmer, Jun. |
| Bluntly | Mr. Bannister, Jun. |
| WOMEN. | |
| Lady Caroline Seymour | Mrs. Brooks. |
| Lady Bridget Squander | Miss Heard. |
| Evans | Mrs. Edwards. |
| Eleanor | Mrs. Kemble. |
| Other Ladies, Gentlemen, Servants, &c. | |
| SCENE——London. | |
NEXT DOOR NEIGHBOURS.
A COMEDY.
ACT I.
SCENE I. An Antichamber at Sir George
Splendorville's, adjoining a Ball-room.
Enter Bluntly, meeting a Servant in Livery.
| BLUNTLY. |
Come, come, is not every thing ready? |
| SERVANT. |
We have only to fix up the new chandelier. |
| BLUNTLY. |
I'll have no new chandelier. |
| SERVANT. |
My master said the last ball he gave, the company |
| BLUNTLY. |
And if you blind them with too much light, |
| SERVANT. |
The musicians, sir, wish for some wine. |
| BLUNTLY. |
What, before the ball begins? No, tell them |
| SERVANT. |
You are always so cross, Mr. Bluntly, when |
| BLUNTLY. |
Have not I a right to be cross? For while |
| SHOPMAN. |
Yes, sir. |
| BLUNTLY. |
Then please to take it back again—We don't |
| SHOPMAN. |
What is your objection to it, sir? |
| BLUNTLY. |
It will cost too much. |
| SHOPMAN. |
Mr. Bluntly, all the trades-people are more |
| BLUNTLY. |
That is, because he never cares whether he |
| SHOPMAN. |
Certainly, sir. |
| BLUNTLY. |
Then why will they force so many unnecessary |
| Enter Evans:——The Tradesman goes off at the opposite Door. |
| BLUNTLY. |
How do you do, Mrs. Evans? [Sullenly. |
| EVANS. |
What makes you sigh, Mr. Bluntly? |
| BLUNTLY. |
What makes you smile? |
| EVANS. |
To see all the grand preparations for the ball |
| BLUNTLY. |
And I sigh for my master.—I foresee all the |
| EVANS. |
But consider, Mr. Bluntly, your master has |
| BLUNTLY. |
Yes, but I consider he has your lady to take |
| EVANS. |
For shame.—My lady, I have no doubt, will |
| BLUNTLY. |
It will then be by taking away the means.— |
| EVANS. |
You are mistaken.—She never gives routs, |
| BLUNTLY. |
But she constantly goes to them whenever she |
| EVANS. |
That, I call but a slight imprudence.—She |
| BLUNTLY. |
No, but she takes a lavish present, as readily |
| EVANS. |
And surely you cannot call that imprudence? |
| BLUNTLY. |
No, I call it something worse. |
| EVANS. |
Then, although she loves gaming to distraction, |
| BLUNTLY. |
No, but she always wins—and that I call |
| [A loud rapping at the street-door. |
| EVANS. |
Here's the company. Will you permit me, |
| BLUNTLY. |
If you please. (Rapping again.) What spirit |
| [Exit. |
| Enter Lady Caroline. |
| LADY CAROLINE. |
Here, the first of the company. I am sorry |
| EVANS. |
I came, my lady, to see the preparations making |
| LADY CAROLINE. |
Why, I do flatter myself it is.—But where |
| EVANS. |
Ah, my lady, what a charming thing to have |
| LADY CAROLINE. |
And yet my father wishes to break off the |
| EVANS. |
But then, Madam, so does every body else. |
| LADY CAROLINE. |
But Sir George ought undoubtedly to change |
| EVANS. |
And there are people malicious enough to |
| LADY CAROLINE. |
As a treaty of marriage is so nearly concluded |
| [Exit Evans. |
| Enter two Ladies and a Gentleman, who curtsy and bow to Lady Caroline.—Sir George enters at the opposite door, magnificently dressed. |
| SIR GEORGE. |
Ladies, I entreat your pardon; dear Lady |
| [Another rapping. |
| Enter Mr. Lucre, Lord Hazard, Lady Bridget Squander, &c. |
| SIR GEORGE. |
Dear Lucre, I am glad to see you. |
| MR. LUCRE. |
My dear Sir George, I had above ten engagements |
| SIR GEORGE. |
Thank you.—My dear Lady Bridget— |
| LADY BRIDGET. |
It is impossible to resist an invitation from the |
| MR. LUCRE. |
| [After speaking apart with Sir George. |
No, I am not in a state to take any part at |
| SIR GEORGE. |
Yes, I believed it long ago. |
| MR. LUCRE. |
Now we are on that subject—could you lend |
| SIR GEORGE. |
| [Taking out his pocket-book. |
I have about me, only this bill for two hundred. |
| MR. LUCRE. |
That will do as well—I am not circumstantial. |
| SIR GEORGE. |
I thank you. |
| MR. LUCRE. |
Nay, though I have no money of my own, |
| SIR GEORGE. |
I sincerely thank you. |
| MR. LUCRE. |
And one can better ask a favour for one's |
| SIR GEORGE. |
I can't say I did. |
| MR. LUCRE. |
But you must have observed I hesitated, and |
| SIR GEORGE. |
I thought for my part, that I looked as foolish. |
| MR. LUCRE. |
Nor ever will, when a friend applys to you, |
| LORD HAZARD. |
| [Taking Sir George aside. |
The obligations I am under to you for extricating |
| SIR GEORGE. |
Never name it. |
| LORD HAZARD. |
Not only name it, Sir George, but shortly I |
| SIR GEORGE. |
| [To the company. |
Permit me to conduct you to the next apartment. |
| LADY CAROLINE. |
Most willingly, Sir George. I was the first |
| SIR GEORGE. |
| [Aside to her. |
But let me hope, passion for dancing was not |
| [As the company move towards the ball-room, Mr. Lucre and Lord Hazard come forward. |
| MR. LUCRE. |
Oh! there never was such a man in the world |
| [The company Exeunt, and the music is heard to begin. |
SCENE II. An Apartment, which denotes |
| ELEANOR. |
It is very late and very cold too, brother; |
| HENRY. |
No—beds were made for rest. |
| ELEANOR. |
And that noise of carriages and link-boys at |
| HENRY. |
The poor have still more to complain of, |
| ELEANOR. |
—If they should not have good sense enough |
| HENRY. |
What do you call it then? |
| ELEANOR. |
A trial; sent to make us patient. |
| HENRY. |
It may make you so, but cannot me. Good |
| [Going. |
| ELEANOR. |
Nay, it is night yet. Where are you going? |
| HENRY. |
I don't know.—To take a walk.—The streets |
| ELEANOR. |
Oh, my dear brother! I cannot express half |
| HENRY. |
Why? |
| ELEANOR. |
Because I know your temper; you are impatient |
| HENRY. |
What do you mean? |
| ELEANOR. |
Nay, do not be angry; but every time you |
| HENRY. |
And if I did, you would despise and desert |
| ELEANOR. |
No: not desert you; for I am convinced you |
| HENRY. |
Not want?—Nor does my father? |
| ELEANOR. |
Scarcely, while we visit him. Every time he |
| HENRY. |
What! banish us from a prison? |
| ELEANOR. |
And although it is a prison, you could not |
| HENRY. |
Happy!—When was I happy last? |
| ELEANOR. |
Yesterday, when your father thanked you for |
| HENRY. |
It was—nor will I give up such satisfaction, |
| ELEANOR. |
Then do not ever trust yourself away, at least |
| HENRY. |
Dear sister! do you imagine that your power |
| [Exit. |
| ELEANOR. |
If before him I am cheerful, yet to myself I |
[A rapping at the door of her chamber, on the |
| ELEANOR. |
Who's there? |
| MR. BLACKMAN. |
Open the door. [Without. |
| ELEANOR. |
The voice of our landlord. [Goes to the door. |
| BLACKMAN. |
Yes, open the door. [Rapping louder. |
| [She opens it: Blackman enters, followed by Bluntly.] |
| BLACKMAN. |
What a time have you made me wait!—And |
| [Eleanor retires to the back of the Stage. |
| BLUNTLY. |
Is this the chamber? |
| BLACKMAN. |
Yes, Sir, yes, Mr. Bluntly, this is it. |
| [Blackman assumes a very different tone of voice in speaking to Bluntly and Eleanor; to the one he is all submissive humility, to the other all harshness.] |
| BLUNTLY. |
This! [Contemptuously. |
| BLACKMAN. |
Why yes, sir,—this is the only place I have |
| BLUNTLY. |
And if you do put yourself to a little inconvenience, |
| BLACKMAN. |
Your master, Mr. Bluntly, is a very good man |
| BLUNTLY. |
I know it. I know also that you have lost |
| BLACKMAN. |
We'll drop the subject.—And in regard to |
| BLUNTLY. |
No, for I feel the cold wind blow through |
| BLACKMAN. |
But suppose I was to have it put a little into |
| BLUNTLY. |
And why has not this been done before? |
| BLACKMAN. |
Would you have me be laying out my money, |
| BLUNTLY. |
Is that the situation of your lodgers at present? |
| BLACKMAN. |
Yes.—But they made a better appearance |
| BLUNTLY. |
That girl (looking at Eleanor) seems very |
| BLACKMAN. |
Pshaw, pshaw—she is a poor creature—she is |
| BLUNTLY. |
I feel quite charmed with misery.—Who belongs |
| BLACKMAN. |
A young man who says he is her brother— |
| BLUNTLY. |
Hush, Mr. Blackman—if you speak so loud, |
| BLACKMAN. |
And if they did, do you think it would spoil |
| ELEANOR. |
| [Coming to him. |
Dear sir, have but patience a little while |
| BLACKMAN. |
I won't lose any thing. [Going. |
| ELEANOR. |
| [Following him. |
Sir, I would speak a single word to you, if |
| BLUNTLY. |
Ay, stay and hear her. |
| ELEANOR. |
| [Looking at Bluntly. |
But I wish to speak to him by ourselves. |
| BLUNTLY. |
Then I'll withdraw. |
| BLACKMAN. |
What have you to say? [In anger. |
| BLUNTLY. |
Hear her, Mr. Blackman—or may none of |
| [Exit. |
| BLACKMAN. |
If it is only to entreat me to let you continue |
| ELEANOR. |
But are you resolved to have no pity? You |
| [Weeping. |
| BLACKMAN. |
Ay, I thought what you had to say—farewel, |
| ELEANOR. |
| [Laying hold of him. |
Oh! do not plunge us into more distress |
| BLACKMAN. |
I can't——'tis a thing I never did in my life. |
| [Going, he meets Bluntly, who stops him. |
| BLUNTLY. |
Well, have you granted her request? |
| BLACKMAN. |
I would do a great deal to oblige you, Mr. |
| BLUNTLY. |
Well, well,—I will give my word. |
| BLACKMAN. |
But remember, it is not to be put down to |
| ELEANOR. |
Nor am I to lay my brother under an obligation |
| BLACKMAN. |
| [In extreme anger. |
What do you mean by that? |
| BLUNTLY. |
Perhaps she is right. |
| ELEANOR. |
My brother would resent my acceptance of a |
| BLACKMAN. |
Your brother resent! A poor man resent! |
| ELEANOR. |
No—nor a poor woman's prayers. |
| BLACKMAN. |
Yes, I will regard your prayers, if you will |
| ELEANOR. |
Any acquaintance of your's, Mr. Blackman, |
| BLACKMAN. |
Do you hear with what contempt she treats |
| BLUNTLY. |
But perhaps she is right—at least, in treating |
| Enter Henry: he starts at seeing Blackman and Bluntly. |
| HENRY. |
Who are these? |
| BLACKMAN. |
"Who are these?" Did you ever hear such |
| HENRY. |
I am a man. |
| BLACKMAN. |
Yes—but I am a lawyer. |
| HENRY. |
Whatever you are, this apartment is mine, |
| BLACKMAN. |
But to-morrow it will be mine, and then I |
| HENRY. |
Eleanor, retire to the other chamber; I am |
| [Leads her off. |
| BLACKMAN. |
And I am sorry that I and my friend should |
| BLUNTLY. |
Mr. Blackman, I won't be called names. |
| BLACKMAN. |
Names, sir! What names did I call you? |
| BLUNTLY. |
Did not you call me your friend? I assure |
| BLACKMAN. |
Why, you blockhead, does not your master |
| BLUNTLY. |
Yes, my master is a great man, and he can |
| [Exit (in great anger), Blackman following. |
| END OF THE FIRST ACT. |