WeRead Powered by ReaderPub
None so deaf as those who won't hear cover

None so deaf as those who won't hear

Chapter 9: SYNOPSIS
Open in WeRead

Explore more books like this:

About This Book

A one-act comedy set in a genteel parlor where a father’s acquired deafness generates farcical misunderstandings that frustrate his young daughter’s social hopes. The daughter’s boredom, a loud-witted servant, incoming letters about potential suitors, and an advertised cure for deafness produce comic readings, misread intentions, and stubborn paternal refusals. Performed with a small cast and domestic stage business, the piece satirizes miscommunication, parental control, and social tedium while relying on situational humor and character-driven exchanges.

Whitwell. Of course I did. Ha, ha, ha! For every Roland of mine you gave me two Olivers at least. Ha, ha, ha!

Coddle. Neither of us deaf, eh? Diamond cut diamond,—ha, ha, ha! Pull dog, pull devil, eh? (Bursting with laughter. All laugh heartily.)

Jane. He, he, he! I never thought I’d live to see this happy day, master.

Coddle. Hold your tongue, you impudent cat! Quit my house. Mollycoddle, indeed!

Jane. O Mr. Coddle, you won’t go for to turn off a faithful servant in this way. (Aside to Whitwell.) That legacy’s lost. (To Coddle.) Ah, master dear! you won’t find nobody else as’ll work their fingers to the bone, and their voice to a thread-paper, as I have: up early and down late, and yelling and screeching from morning till night. Well, the house will go to rack and ruin when I’m gone,—that’s one comfort.

Whitwell (aside to Jane). The money’s yours, cash down, the day of my wedding.

Coddle. Well, well, Jane, I’ll forgive you, for luck. I’m too happy to bear malice. But I wish you knew how to boil spinach.

Jane. I’ll learn right straight off, sir.

Coddle. Well, hang delay, children! I’ll engage Dr. Harrold for a week from to-day, and invite all our friends (to the audience) to witness the wedding. Church of the Holy Cross, remember. No low church for me. All who mean to come will please signify it by clapping their hands, and the harder the better. Not many refusals here. (Curtain falls.)

R. Eglantine. Whitwell. Coddle. Jane. L.


HITTY’S SERVICE FLAG

A Comedy in Two Acts

By Gladys Ruth Bridgham

Eleven female characters. Costumes, modern; scenery, an interior. Plays an hour and a quarter. Hitty, a patriotic spinster, quite alone in the world, nevertheless hangs up a service flag in her window without any right to do so, and opens a Tea Room for the benefit of the Red Cross. She gives shelter to Stella Hassy under circumstances that close other doors against her, and offers refuge to Marjorie Winslow and her little daughter, whose father in France finally gives her the right to the flag. A strong dramatic presentation of a lovable character and an ideal patriotism. Strongly recommended, especially for women’s clubs.

Price, 25 cents

CHARACTERS

  • Mehitable Judson, aged 70.
  • Luella Perkins, aged 40.
  • Stasia Brown, aged 40.
  • Mildred Emerson, aged 16.
  • Marjorie Winslow, aged 25.
  • Barbara Winslow, her daughter, aged 6.
  • Stella Hassy, aged 25, but claims to be younger.
  • Mrs. Irving Winslow, aged 45.
  • Marion Winslow, her daughter, aged 20.
  • Mrs. Esterbrook, aged 45.
  • Mrs. Cobb, anywhere from 40 to 60.

THE KNITTING CLUB MEETS

A Comedy in One Act

By Helen Sherman Griffith

Nine female characters. Costumes, modern; scenery, an interior. Plays half an hour. Eleanor will not forego luxuries nor in other ways “do her bit,” putting herself before her country; but when her old enemy, Jane Rivers, comes to the Knitting Club straight from France to tell the story of her experiences, she is moved to forget her quarrel and leads them all in her sacrifices to the cause. An admirably stimulating piece, ending with a “melting pot” to which the audience may also be asked to contribute. Urged as a decided novelty in patriotic plays.

Price, 25 cents


GETTING THE RANGE

A Comedy in One Act

By Helen Sherman Griffith

Eight female characters. Costumes, modern; scenery, an exterior. Well suited for out-of-door performances. Plays an hour and a quarter. Information of value to the enemy somehow leaks out from a frontier town and the leak cannot be found or stopped. But Captain Brooke, of the Secret Service, finally locates the offender amid a maze of false clues, in the person of a washerwoman who hangs out her clothes day after day in ways and places to give the desired information. A capital play, well recommended.

Price, 25 cents


LUCINDA SPEAKS

A Comedy in Two Acts

By Gladys Ruth Bridgham

Eight women. Scene, an interior; costumes, modern. Plays an hour and a quarter. Isabel Jewett has dropped her homely middle name, Lucinda, and with it many sterling traits of character, and is not a very good mother to the daughter of her husband over in France. But circumstances bring “Lucinda” to life again with wonderful results. A pretty and dramatic contrast that is very effective. Well recommended.

Price, 25 cents

CHARACTERS

  • Isabel Jewett, aged 27.
  • Miriam, her daughter, aged 7.
  • Mrs. McBierney, aged 50.
  • Tessie Flanders, aged 18.
  • Mrs. Douglas Jewett, aged 45.
  • Helen, her daughter, aged 20.
  • Mrs. Fogg, aged 35.
  • Florence Lindsey, aged 25.

SYNOPSIS

Act I.—Dining-room in Isabel Jewett’s tenement, Roxbury, October, 1918.

Act II.—The same—three months later.


WRONG NUMBERS

A Triologue Without a Moral

By Essex Dane

Three women. Scene, an interior; unimportant. Costumes, modern. Plays twenty minutes. Royalty, $5.00. An intensely dramatic episode between two shop-lifters in a department store, in which “diamond cuts diamond” in a vividly exciting and absorbingly interesting battle of wits. A great success in the author’s hands in War Camp work, and recommended in the strongest terms. A really powerful little play.

Price, 25 cents


FLEURETTE & CO.

A Duologue in One Act

By Essex Dane

Two women. Scene, an interior; costumes, modern. Plays twenty minutes. Royalty, $5.00. Mrs. Paynter, a society lady who does not pay her bills, by a mischance puts it into the power of a struggling dressmaker, professionally known as “Fleurette & Co.,” to teach her a valuable lesson and, incidentally, to collect her bill. A strikingly ingenious and entertaining little piece of strong dramatic interest, strongly recommended.

Price, 25 cents


Plays for Junior High Schools

  Males Females Time Price
Sally Lunn  3  4 1½  hrs. 25c
Mr. Bob  3  4 1½  25c
The Man from Brandos  3  4  ½  25c
A Box of Monkeys  2  3 1¼  25c
A Rice Pudding  2  3 1¼  25c
Class Day  4  3  ¾  25c
Chums  3  2  ¾  25c
An Easy Mark  5  2  ½  25c
Pa’s New Housekeeper  3  2 25c
Not On the Program  3  3  ¾  25c
The Cool Collegians  3  4 1½  25c
The Elopement of Ellen  4  3 35c
Tommy’s Wife  3  5 1½  35c
Johnny’s New Suit  2  5  ¾  25c
Thirty Minutes for Refreshments  4  3  ½  25c
West of Omaha  4  3  ¾  25c
The Flying Wedge  3  5  ¾  25c
My Brother’s Keeper  5  3 1½  25c
The Private Tutor  5  3 35c
Me an’ Otis  5  4 25c
Up to Freddie  3  6 1¼  25c
My Cousin Timmy  2  8 25c
Aunt Abigail and the Boys  9  2 25c
Caught Out  9  2 1½  25c
Constantine Pueblo Jones 10  4 35c
The Cricket On the Hearth  6  7 1½  25c
The Deacon’s Second Wife  6  6 35c
Five Feet of Love  5  6 1½  25c
The Hurdy Gurdy Girl  9  9 35c
Camp Fidelity Girls  1 11 35c
Carroty Nell   15 25c
A Case for Sherlock Holmes   10 1½  35c
The Clancey Kids   14 25c
The Happy Day    7  ½  25c
I Grant You Three Wishes   14  ½  25c
Just a Little Mistake  1  5  ¾  25c
The Land of Night   18 1¼  25c
Local and Long Distance  1  6  ½  25c
The Original Two Bits    7  ½  25c
An Outsider    7  ½  25c
Oysters    6  ½  25c
A Pan of Fudge    6  ½  25c
A Peck of Trouble    5  ½  25c
A Precious Pickle    7  ½  25c
The First National Boot  7  2 25c
His Father’s Son 14   1¾  35c
The Turn In the Road  9   1½  25c
A Half Back’s Interference 10    ¾  25c
The Revolving Wedge  5  3 25c
Mose 11 10 1½  25c

BAKER, Hamilton Place, Boston, Mass.


Plays and Novelties That Have Been “Winners”

  Males Females Time Price Royalty
Camp Fidelity Girls   11 2½  hrs. 35c None
Anita’s Trial   11 35c
The Farmerette    7 35c
Behind the Scenes   12 1½  35c
The Camp Fire Girls   15 35c
A Case for Sherlock Holmes   10 1½  35c
The House in Laurel Lane    6 1½  25c
Her First Assignment   10 25c
I Grant You Three Wishes   14  ½  25c
Joint Owners in Spain    4  ½  35c $5.00
Marrying Money    4  ½  25c None
The Original Two Bits    7  ½  25c
The Over-Alls Club   10  ½  25c
Leave it to Polly   11 1½  35c
The Rev. Peter Brice, Bachelor    7  ½  25c
Miss Fearless & Co.   10 35c
A Modern Cinderella   16 1½  35c
Theodore, Jr.    7  ½  25c
Rebecca’s Triumph   16 35c
Aboard a Slow Train In Mizzoury  8 14 2½  35c
Twelve Old Maids   15 25c
An Awkward Squad  8    ¼  25c
The Blow-Up of Algernon Blow  8    ½  25c
The Boy Scouts 20   35c
A Close Shave  6    ½  25c
The First National Boot  7  8 25c
A Half-Back’s Interference 10    ¾  25c
His Father’s Son 14   1¾  35c
The Man With the Nose  8    ¾  25c
On the Quiet 12   1½  35c
The People’s Money 11   1¾  25c
A Regular Rah! Rah! Boy 14   1¾  35c
A Regular Scream 11   1¾  35c
Schmerecase in School  9   25c
The Scoutmaster 10   35c
The Tramps’ Convention 17   1½  25c
The Turn in the Road  9   1½  25c
Wanted—a Pitcher 11    ½  25c
What They Did for Jenkins 14   25c
Aunt Jerusha’s Quilting Party  4 12 1¼  25c
The District School at Blueberry Corners 12 17 25c
The Emigrants’ Party 24 10 25c
Miss Prim’s Kindergarten 10 11 1½  25c
A Pageant of History Any number 35c
The Revel of the Year  ¾  25c
Scenes in the Union Depot 25c
Taking the Census In Bingville 14  8 1½  25c
The Village Post-Office 22 20 35c
O’Keefe’s Circuit 12  8 1½  35c

BAKER, Hamilton Place, Boston, Mass.