PSYCHE.
"Among these million Suns how shall the strayed Soul find her way back to earth?"
The man was an engine-driver, thick-set and heavy, with a short beard grizzled at the edge, and eyes perpetually screwed up, because his life had run for the most part in the teeth of the wind. The lashes, too, had been scorched off. If you penetrated the mask of oil and coal-dust that was part of his working suit, you found a reddish-brown phlegmatic face, and guessed its age at fifty. He brought the last down train into Lewminster station every night at 9.45, took her on five minutes later, and passed through Lewminster again at noon, on his way back with the Galloper, as the porters called it.
He had reached that point of skill at which a man knows every pound of metal in a locomotive; seemed to feel just what was in his engine the moment he took hold of the levers and started up; and was expecting promotion. While waiting for it, he hit on the idea of studying a more delicate machine, and married a wife. She was the daughter of a woman at whose house he lodged, and her age was less than half of his own. It is to be supposed he loved her.
A year after their marriage she fell into low health, and her husband took her off to Lewminster for fresher air. She was lodging alone at Lewminster, and the man was passing Lewminster station on his engine, twice a day, at the time when this tale begins.
People—especially those who live in the West of England—remember the great fire at the Lewminster Theatre; how, in the second Act of the Colleen Bawn, a tongue of light shot from the wings over the actors' heads; how, even while the actors turned and ran, a sheet of fire swept out on the auditorium with a roaring wind, and the house was full of shrieks and blind death; how men and women were turned to a white ash as they rose from their seats, so fiercely the flames outstripped the smoke. These things were reported in the papers, with narratives and ghastly details, and for a week all England talked of Lewminster.
This engine-driver, as the 9.45 train neared Lewminster, saw the red in the sky. And when he rushed into the station and drew up, he saw that the country porters who stood about were white as corpses.
"What fire is that?" he asked one.
"'Tis the theayter! There's a hundred burnt a'ready, and the rest treadin' each other's lives out while we stand talkin', to get 'pon the roof and pitch theirselves over!"
Now the engine-driver's wife was going to the play that night, and he knew it. She had met him at the station, and told him so, at midday.
But there was nobody to take the train on, if he stepped off the engine; for his fireman was a young hand, and had been learning his trade for less than three weeks.
So when the five minutes were up—or rather, ten, for the porters were bewildered that night—this man went on out of the station into the night. Just beyond the station the theatre was plain to see, above the hill on his left, and the flames were leaping from the roof; and he knew that his wife was there. But the train was never taken down more steadily, nor did a single passenger guess what manner of man was driving it.
At Drakeport, where his run ended, he stepped off the engine, walked from the railway-sheds to his mother-in-law's, where he still lodged, and went up-stairs to his bed without alarming a soul.
In the morning, at the usual hour, he was down at the station again, washed and cleanly dressed. His fireman had the Galloper's engine polished, fired up, and ready to start.
"Mornin'," he nodded, and looking into his driver's eyes, dropped the handful of dirty lint with which he had been polishing. After shuffling from foot to foot for a minute, he ended by climbing down on the far side of the engine.
"Oldster," he said, "'tis mutiny p'raps; but s'help me, if I ride a mile longside that new face o' your'n!"
"Maybe you're right," his superior answered wearily. "You'd best go up to the office, and get somebody sent down i' my place. And while you're there, you might get me a third-class for Lewminster."
So this man travelled up to Lewminster as passenger, and found his young wife's body among the two score stretched in a stable-yard behind the smoking theatre, waiting to be claimed. And the day after the funeral he left the railway company's service. He had saved a bit, enough to rent a small cottage two miles from the cemetery where his wife lay. Here he settled and tilled a small garden beside the high-road.
Nothing seemed to be wrong with the man until the late summer, when he stood before the Lewminster magistrates charged with a violent and curiously wanton assault.
It appeared that one dim evening, late in August, a mild gentleman, with Leghorn hat, spectacles, and a green gauze net, came sauntering by the garden where the ex-engine-driver was pulling a basketful of scarlet runners: that the prisoner had suddenly dropped his beans, dashed out into the road, and catching the mild gentleman by the throat had wrenched the butterfly net from his hand and belaboured him with the handle till it broke.
There was no defence, nor any attempt at explanation. The mild gentleman was a stranger to the neighbourhood. The magistrates marvelled, and gave his assailant two months.
At the end of that time the man came out of gaol and went quietly back to his cottage.
Early in the following April he conceived a wish to build a small greenhouse at the foot of his garden, by the road, and spoke to the local mason about it. One Saturday afternoon the mason came over to look at the ground and discuss plans. It was bright weather, and while the two men talked a white butterfly floated past them—the first of the year.
Immediately the mason broke off his sentence and began to chase the butterfly round the garden: for in the West country there is a superstition that if a body neglect to kill the first butterfly he may see for the season, he will have ill luck throughout the year. So he dashed across the beds, hat in hand.
"I'll hat 'en—I'll hat 'en! No, fay! I'll miss 'en, I b'lieve. Shan't be able to kill 'n if hor's wunce beyond th' gaate—stiddy, my son! Wo-op!"
Thus he yelled, waving his soft hat: and the next minute was lying stunned across a carrot-bed, with eight fingers gripping the back of his neck and two thumbs squeezing on his windpipe.
There was another assault case heard by the Lewminster bench; and this time the ex-engine-driver received four months. As before, he offered no defence: and again the magistrates were possessed with wonder.
Now the explanation is quite simple. This man's wits were sound, save on one point. He believed—why, God alone knows, who enabled him to drive that horrible journey without a tremor of the hand—that his wife's soul haunted him in the form of a white butterfly or moth. The superstition that spirits take this shape is not unknown in the West; and I suppose that as he steered his train out of the station, this fancy, by some odd freak of memory, leaped into his brain, and held it, hour after hour, while he and his engine flew forward and the burning theatre fell further and further behind. The truth was known a fortnight after his return from prison, which happened about the time of barley harvest.
A harvest-thanksgiving was held in the parish where he lived; and he went to it, being always a religious man. There were sheaves and baskets of vegetables in the chancel; fruit and flowers on the communion-table, with twenty-one tall candles burning above them; a processional hymn; and a long sermon. During the sermon, as the weather was hot and close, someone opened the door at the west end.
And when the preacher was just making up his mind to close the discourse, a large white moth fluttered in at the west door.
There was much light throughout the church; but the great blaze came, of course, from the twenty-one candles upon the altar. And towards this the moth slowly drifted, as if the candles sucked her nearer and nearer, up between the pillars of the nave, on a level with their capitals. Few of the congregation noticed her, for the sermon was a stirring one; only one or two children, perhaps, were interested—and the man I write of. He saw her pass over his head and float up into the chancel. He half-rose from his chair.
"My brothers," said the preacher, "if two sparrows, that are sold for a farthing, are not too little for the care of this infinite Providence—"
A scream rang out and drowned the sentence. It was followed by a torrent of vile words, shouted by a man who had seen, now for the second time, the form that clothed his wife's soul shrivelled in unthinking flames. All that was left of the white moth lay on the altar-cloth, among the fruit at the base of the tallest candlestick.
And because the man saw nothing but cruelty in the Providence of which the preacher spoke, he screamed and cursed, till they overpowered him and took him forth by the door. He was wholly mad from that hour.
THE COUNTESS OF BELLARMINE.
Few rivers in England are without their "Lovers' Leap"; but the tradition of this one is singular, I believe. It overhangs a dark pool, midway down a west country valley—a sheer escarpment of granite, its lip lying but a stone's throw from the high-road, that here finds its descent broken by a stiff knoll, over which it rises and topples again like a wave.
I had drawn two shining peel out of the pool, and sat eating my lunch on the edge of the Leap, with my back to the road. Forty feet beneath me the water lay black and glossy, behind the dotted foliage of a birch-tree. My rod stuck upright from the turf at my elbow, and, whenever I turned my head, neatly bisected the countenance and upper half of Seth Truscott, an indigenous gentleman of miscellaneous habits and a predatory past, who had followed me that morning to carry the landing-net.
It was he who, after lunch, imparted the story of the rock on which we sat; and as it seemed at the time to gain somewhat by the telling, I will not risk defacing it by meddling with his dialect.
"I reckon, sir," he began, with an upward nod at a belt of larches, the fringe of a great estate, that closed the view at the head of the vale, "you'm too young to mind th' ould Earl o' Bellarmine, that owned Castle Cannick, up yonder, in my growin' days. 'Ould Wounds' he was nick-named—a cribbage-faced, what-the-blazes kind o' varmint, wi' a gossan wig an' a tongue like oil o' vitriol. He'd a-led the fore-half o' his life, I b'lieve, in London church-town, by reason that he an' his father couldn' be left in a room together wi'out comin' to fisticuffs: an' by all accounts was fashion's favourite in the naughty city, doin' his duty in that state o' life an' playing Hamlet's ghost among the Ten Commandments.
"The upshot was that he killed a young gentleman over a game o' whist, an' that was too much even for the Londoners. So he packed up and sailed for furrin' parts, an' didn' show his face in England till th' ould man, his father, was took wi' a seizure an' went dead, bein' palsied down half his face, but workin' away to the end at the most lift-your-hair wickedness wi' the sound side of his mouth.
"Then the new Earl turned up an' settled at Castle Cannick. He was a wifeless man, an', by the look o't, had given up all wish to coax the female eye: for he dressed no better'n a jockey, an' all his diversion was to ride in to Tregarrick Market o' Saturdays, an' hang round the doorway o' the Pack-Horse Inn, by A. Walters, and glower at the men an' women passin' up and down the Fore Street, an' stand drinkin' brandy an' water while the horse-jockeys there my-lord'ed 'en. Two an' twenty glasses, they say, was his quantum' between noon an' nine o'clock; an' then he'd climb into saddle an' ride home to his jewelled four-poster, cursin' an' mutterin', but sittin' his mare like a man of iron.
"But one o' these fine market-days he did a thing that filled the mouths o' the country-side.
"He was loafin' by the Pack-Horse door, just as usual, at two o'clock, rappin' the head o' his crop on the side o' his ridin' boots, drawin' his brows down an' lookin' out curses from under 'em across the street to the saddler's opposite, when two drover-chaps came up the pavement wi' a woman atween 'em.
"The woman—or maid, to call her by her proper title—was a dark-browed slut, wi' eyes like sloes, an' hair dragged over her face till she looked like an owl in an ivy-bush. As for the gown o' her, 'twas no better'n a sack tied round the middle, wi' a brave piece torn away by the shoulder, where one o' the men had clawed her.
"There was a pretty dido goin' on atween the dree, an' all talkin' together—the two men mobbin' each other, an' the girl i' the middle callin' em every name but what they was chris'ened, wi'out distinction o' persons, as the word goes.
"'What's the uproar?' asks Ould Wounds, stoppin' the tap-tap o' his crop, as they comes up.
"'The woman b'longs to me,' says the first. 'I've engaged to make her my lawful wife; an' I won't go from my word under two gallon o' fourpenny.'
"'You agreed to hand her over for one gallon, first along,' says t'other,' an' a bargain's a bargain.'
"Says the woman, 'You're a pair o' hair-splitting shammicks, the pair of 'ee. An' how much beer be I to have for my weddin' portion?' (says she)—'for that's all I care about, one way or t'other.'
"Now Ould Wounds looked at the woman; an' 'tis to be thought he found her eyeable, for he axed up sharp—
"'Would 'ee kick over these two, an' marry me, for a bottle o' gin?'
"'That would I.'
"'An' to be called My Lady—Countess o' Bellarmine?'
"'Better an' better.'
"'I shall whack 'ee.'
"'I don't care.'
"'I shall kick an' cuff an' flog 'ee like a span'el dog,' says he: 'by my body! I shall make 'ee repent.'
"'Give 'ee leave to try,' says she.
"An' that's how th' Earl o' Bellarmine courted his wife. He took her into the bar an' treated her to a bottle o' gin on the spot. At nine o'clock that evenin' she tuk hold of his stirrup-leather an' walked beside 'en, afoot, up to Castle Cannick. Next day, their banns were axed in church, an' in dree weeks she was My Ladyship.
"'Twas a battle-royal that began then. Ould Wounds dressed the woman up to the nines, an' forced all the bettermost folk i' the county to pay their calls an' treat her like one o' the blood; and then, when the proud guests stepped into their chariots an' druv away, he'd fall to, an' lick her across the shoulders wi' his ridin'-whip, to break her sperrit. 'Twas the happiest while o' th' ould curmudgeon's life, I do b'lieve; for he'd found summat he cudn' tame in a hurry. There was a noble pond afore the house, i' those days, wi' urns an' heathen gods around the brim, an' twice he dragged her through it in her night-gown, I've heerd, an' always dined wi' a pistol laid by his plate, alongside the knives an' prongs, to scare her. But not she!
"An' next he tried to burn her in her bed: an' that wasn' no good.
"An' last of all he fell i' love wi' her: an' that broke her."
"One day—the tale goes—she made up her mind an' ordered a shay an' pair from the Pack-Horse. The postillion was to be waitin' by the gate o' the deer-park—the only gate that hadn't a lodge to it—at ten o'clock that night. 'Twas past nine afore dinner was done, an' she got up from her end o' the table an' walked across to kiss th' ould fellow. He, 'pon his side, smiled on her, pleased as Punch; for 'twas little inore'n a fortni't since he'd discovered she was the yapple of his eye. She said 'Good night' an' went up-stairs to pack a few things in a bag, he openin' the door and shuttin' it upon her. Then he outs wi' his watch, waits a couple o' minutes, an' slips out o' the house.
"At five minutes to ten comes my ladyship, glidin' over the short turf o' the deer-park, an' glancin' over her shoulder at the light in his lordship's libery window. 'Twas burnin' in true watch-an'-fear-nothin' style, an' there, by the gate, was the shay and horses, and postillion, wrapped up and flapping his arms for warmth, who touched his cap and put down the steps for her.
"'Drive through Tregarrick,' says she, 'an' don't spare whip-cord.'
"Slam went the door, up climbed the postillion, an' away they went like a house afire. There was half-a-moon up an' a hoar frost gatherin', an' my lady, lean in' back on the cushions, could see the head and shoulders of the postillion bob-bobbing, till it seemed his head must work loose and tumble out of his collar.
"The road they took, sir, is the same that runs down the valley afore our very eyes. An' 'pon the brow o't, just when it comes in sight, the off horse turned restive. In a minute 'twas as much as the post-boy could ha' done to hold 'en. But he didn' try. Instead, he fell to floggin' harder, workin' his arm up an' down like a steam-engin'.
"'What the jiminy are 'ee doin?' calls out her ladyship—or words to that effec'—clutchin' at the side o' the shay, an' tryin' to stiddy hersel'.
"'I thought I wasn' to spare whip-cord,' calls back the post-boy.
"An' with that he turned i' the saddle; an' 'twas the face o' her own wedded husband, as ghastly white as if 't burned a'ready i' the underground fires.
"Seem' it, her joints were loosed, an' she sat back white as he; an' down over the hill they swung at a breakneck gallop, shay lurchin' and stones flyin'.
"About thirty yards from where we'm sittin', sir, Ould Wounds caught the near rein twice round his wrist an lean't back, slowly pullin' it, till his face was slewed round over his left shoulder an' grinnin' in my lady's face.
"An' that was the last look that passed atween 'em. For now feeling the wheels on grass and the end near, he loosed the rein and fetched the horse he rode a cut atween the ears—an' that's how 'twas," concluded Seth, lamely.
Like most inferior narrators, he shied at the big fence, flinched before the climax. But as he ended, I flung a short glance downward at the birches and black water, and took up my rod again with a shiver.
FROM A COTTAGE IN TROY.
I.—A HAPPY VOYAGE.
The cottage that I have inhabited these six years looks down on the one quiet creek in a harbour full of business. The vessels that enter beneath Battery Point move up past the grey walls and green quay-doors of the port to the jetties where their cargoes lie. All day long I can see them faring up and down past the mouth of my creek; and all the year round I listen to the sounds of them—the dropping or lifting of anchors, the wh-h-ing! of a siren-whistle cutting the air like a twanged bow, the concertina that plays at night, the rush of the clay cargo shot from the jetty into the lading ship. But all this is too far remote to vex me. Only one vessel lies beneath my terrace; and she has lain there for a dozen years. After many voyages she was purchased by the Board of Guardians in our district, dismasted, and anchored up here to serve as a hospital-ship in case the cholera visited us. She has never had a sick man on board from that day to the present. But once upon a time three people spent a very happy night on her deck, as you shall hear. She is called The Gleaner.
I think I was never so much annoyed in my life as on the day when Annie, my only servant, gave me a month's "warning." That was four years ago; and she gave up cooking for me to marry a young watchmaker down at the town—a youth of no mark save for a curious distortion of the left eyebrow (due to much gazing through a circular glass into the bowels of watches), a frantic assortment of religious convictions, a habit of playing the fiddle in hours of ease, and an absurd name—Tubal Cain Bonaday. I noticed that Annie softened it to "Tubey."
Of course I tried to dissuade her, but my arguments were those of a wifeless man, and very weak. She listened to them with much patience, and went off to buy her wedding-frock. She was a plain girl, without a scintilla of humour; and had just that sense of an omelet that is vouchsafed to one woman in a generation.
So she and Tubal Cain were married at the end of the month, and disappeared on their honeymoon, no one quite knew whither. They went on the last day of April.
At half-past eight in the evening of May 6th I had just finished my seventh miserable dinner. My windows were open to the evening, and the scent of the gorse-bushes below the terrace hung heavily underneath the verandah and stole into the room where I sat before the white cloth, in the lamp-light. I had taken a cigarette and was reaching for the match-box when I chanced to look up, and paused to marvel at a singular beauty in the atmosphere outside.
It seemed a final atonement of sky and earth in one sheet of vivid blue. Of form I could see nothing; the heavens, the waters of the creek below, the woods on the opposite shore were simply indistinguishable—blotted out in this one colour. If you can recall certain advertisements of Mr. Reckitt, and can imagine one of these transparent, with a soft light glowing behind it, you will be as near as I can help you to guessing the exact colour. And, but for a solitary star and the red lamp of a steamer lying off the creek's mouth, this blue covered the whole firmament and face of the earth.
I lit my cigarette and stepped out upon the verandah. In a minute or so a sound made me return, fetch a cap from the hall, and descend the terrace softly.
My feet trod on bluebells and red-robins, and now and then crushed the fragrance out of a low-lying spike of gorse. I knew the flowers were there, though in this curious light I could only see them by peering closely. At the foot of the terrace I pulled up and leant over the oak fence that guarded the abrupt drop into the creek.
There was a light just underneath. It came from the deck of the hospital-ship, and showed me two figures standing there—a woman leaning against the bulwarks, and a man beside her. The man had a fiddle under his chin, and was playing "Annie Laurie," rather slowly and with a deal of sweetness.
When the melody ceased, I craned still further over the oak fence and called down, "Tubal Cain!"
The pair gave a start, and there was some whispering before the answer came up to me.
"Is that you, sir?"
"To be sure," said I. "What are you two about on board The
Gleaner?"
Some more whispering followed, and then Tubal Cain spoke again—
"It doesn't matter now, sir. We've lived aboard here for a week, and to-night's the end of our honeymooning. If 'tis no liberty sir, Annie's wishful that you should join us."
Somehow, the invitation, coming through this mysterious atmosphere, seemed at once natural and happy. The fiddle began again as I stepped away from the fence and went down to get my boat out. In three minutes I was afloat, and a stroke or two brought me to the ship's ladder. Annie and Tubal Cain stood at the top to welcome me.
But if I had felt no incongruity in paying this respectful visit to my ex-cook and her lover, I own that her appearance made me stare. For, if you please, she was dressed out like a lady, in a gown of pale blue satin trimmed with swansdown—a low-necked gown, too, though she had flung a white shawl over her shoulders. Imagine this and the flood of blue light around us, and you will hardly wonder that, half-way up the ladder, I paused to take breath. Tubal Cain was dressed as usual, and tucking his fiddle under his arm, led me up to shake hands with his bride as if she were a queen. I cannot say if she blushed. Certainly she received me with dignity: and then, inverting a bucket that lay on the deck, seated herself; while Tubal Cain and I sat down on the deck facing her, with our backs against the bulwarks.
"It's just this, sir," explained the bridegroom, laying his fiddle across his lap, and speaking as if in answer to a question: "it's just this:—by trade you know me for a watchmaker, and for a Plymouth Brother by conviction. All the week I'm bending over a counter, and every Sabbath-day I speak in prayer-meeting what I hold, that life's a dull pilgrimage to a better world. If you ask me, sir, to-night, I ought to say the same. But a man may break out for once; and when so well as on his honeymoon? For a week I've been a free heathen: for a week I've been hiding here, living with the woman I love in the open air; and night after night for a week Annie here has clothed herself like a woman of fashion. Oh, my God! it has been a beautiful time—a happy beautiful time that ends to-night!"
He set down the fiddle, crooked up a knee and clasped his hands round it, looking at Annie.
"Annie, girl, what is it that we believe till to-morrow morning? You believe—eh?—that 'tis a rare world, full of delights, and with no ugliness in it?"
Annie nodded.
"And you love every soul—the painted woman in the streets no less than your own mother?"
Annie nodded again. "I'd nurse 'em both if they were sick," she said.
"One like the other?"
"And there's nothing shames you?" Here he rose and took her hand.
"You wouldn't blush to kiss me before master here?"
"Why should I?" She gave him a sober kiss, and let her hand rest in his.
I looked at her. She was just as quiet as in the old days when she used to lay my table. It was like gazing at a play.
I should be ashamed to repeat the nonsense that Tubal Cain thereupon began to talk; for it was mere midsummer madness. But I smoked four pipes contentedly while the sound of his voice continued, and am convinced that he never performed so well at prayer-meeting. Down at the town I heard the church-clock striking midnight, and then one o'clock; and was only aroused when the youth started up and grasped his fiddle.
"And now, sir, if you would consent to one thing, 'twould make us very happy. You can't play the violin, worse luck; but you might take a step or two round the deck with Annie, if I strike up a waltz-tune for you to move to."
It was ridiculous, but as he began to play I moved up to Annie, put my arm around her, and we began to glide round and round on the deck. Her face was turned away from mine, and looked over my shoulder; if our eyes had met, I am convinced I must have laughed or wept. It was half farce, half deadly earnest, and for me as near to hysterics as a sane man can go. Tubal Cain, that inspired young Plymouth Brother, was solemn as a judge. As for Annie, I would give a considerable amount, at this moment, to know what she thought of it. But she stepped very lightly and easily, and I am not sure I ever enjoyed a waltz so much. The blue light—that bewitching, intoxicating blue light—paled on us as we danced. The grey conquered it, and I felt that when we looked at each other the whole absurdity would strike us, and I should never be able to face these lovers again without a furious blush. As the day crept on, I stole a glance at Tubal Cain. He was scraping away desperately—with his eyes shut. For us the dance had become weariness, but we went on and on. We were afraid to halt.
Suddenly a string of the violin snapped. We stopped, and I saw Tubal Cain's hand pointing eastward. A golden ripple came dancing down the creek, and, at the head of the combe beyond, the sun's edge was mounting.
"Morning!" said the bridegroom.
"It's all done," said Annie, holding out a hand to me, without looking up. "And thank you, sir."
"We danced through the grey," I answered; and that was all I could find to say, as I stepped towards the ladder.
Half an hour later as I looked out of the window before getting into bed
I saw in the sunlight a boat moving down the creek towards the town.
Tubal Cain was rowing, and Annie sat in the stern. She had changed
her gown.
They have been just an ordinary couple ever since, and attend their chapel regularly. Sometimes Annie comes over to make me an omelet; and, as a matter of fact, she is now in the kitchen. But not a word has ever been spoken between us about her honeymoon.
II.—THESE-AN'-THAT'S WIFE.
In the matter of These-an'-That himself, public opinion in Troy is divided. To the great majority he appears scandalously careless of his honour; while there are just six or seven who fight with a suspicion that there dwells something divine in the man.
To reach the town from my cottage I have to cross the Passage Ferry, either in the smaller boat which Eli pulls single-handed, or (if a market-cart or donkey, or drove of cattle be waiting on the slip) I must hang about till Eli summons his boy to help him with the horse-boat. Then the gangway is lowered, the beasts are driven on board, the passengers follow at a convenient distance, and the long sweeps take us slowly across the tide. It was on such a voyage, a few weeks after I settled in the neighbourhood, that I first met These-an'-That.
I was leaning back against the chain, with my cap tilted forward to keep off the dazzle of the June sunshine on the water, and lazily watching Eli as he pushed his sweep. Suddenly I grew aware that by frequent winks and jerks of the head he wished to direct my attention to a passenger on my right—a short, round man in black, with a basket of eggs on his arm.
There was quite a remarkable dearth of feature on this passenger's face, which was large, soft, and unhealthy in colour: but what surprised me was to see, as he blinked in the sunlight, a couple of big tears trickle down his cheeks and splash among the eggs in his basket.
"There's trouble agen, up at Kit's," remarked Eli, finishing his stroke with a jerk, and speaking for the general benefit, though the words were particularly addressed to a drover opposite.
"Ho?" said the drover: "that woman agen?"
The passengers, one and all, bent their eyes on the man in black, who smeared his face with his cuff, and began weeping afresh, silently.
"Beat en blue las' night, an' turned en to doors—the dirty trollop."
"Eli, don't 'ee—" put in the poor man, in a low, deprecating voice.
"Iss, an' no need to tell what for," exclaimed a red-faced woman who stood by the drover, with two baskets of poultry at her feet. "She's a low lot; a low trapesin' baggage. If These-an'-That, there, wasn' but a poor, ha'f-baked shammick, he'd ha' killed that wife o' his afore this."
"Naybours, I'd as lief you didn't mention it," appealed
These-an'-That, huskily.
"I'm afeard you'm o' no account, These-an'-That: but sam-sodden, if I may say so," the drover observed.
"Put in wi' the bread, an' took out wi' the cakes," suggested Eli.
"Wife!—a pretty loitch, she an' the whole kit, up there!" went on the market-woman. "If you durstn't lay finger 'pon your wedded wife, These-an'-That, but let her an' that long-legged gamekeeper turn'ee to doors, you must be no better'n a worm,—that's all I say."
I saw the man's face twitch as she spoke of the gamekeeper. But he only answered in the same dull way.
"I'd as lief you didn' mention it, friends,—if 'tis all the same."
His real name was Tom Warne, as I learnt from Eli afterwards; and he lived at St. Kit's, a small fruit-growing hamlet two miles up the river, where his misery was the scandal of the place. The very children knew it, and would follow him in a crowd sometimes, pelting him with horrible taunts as he slouched along the road to the kitchen garden out of which he made his living. He never struck one; never even answered; but avoided the school-house as he would a plague; and if he saw the Parson coming would turn a mile out of his road.
The Parson had called at the cottage a score of times at least: for the business was quite intolerable. Two evenings out of the six, the long-legged gamekeeper, who was just a big, drunken bully, would swagger easily into These-an'-That's kitchen and sit himself down without so much as "by your leave." "Good evenin', gamekeeper," the husband would say in his dull, nerveless voice. Mostly he only got a jeer in reply. The fellow would sit drinking These-an'-That's cider and laughing with These-an'-That's wife, until the pair, very likely, took too much, and the woman without any cause broke into a passion, flew at the little man, and drove him out of doors, with broomstick or talons, while the gamekeeper hammered on the table and roared at the sport. His employer was an absentee who hated the Parson, so the Parson groaned in vain over the scandal.
Well, one Fair-day I crossed in Eli's boat with the pair. The woman—a dark gipsy creature—was tricked out in violet and yellow, with a sham gold watch-chain and great aluminium earrings: and the gamekeeper had driven her down in his spring-cart. As Eli pushed off, I saw a small boat coming down the river across our course. It was These-an'-That, pulling down with vegetables for the fair. I cannot say if the two saw him: but he glanced up for a moment at the sound of their laughter, then bent his head and rowed past us a trifle more quickly. The distance was too great to let me see his face.
I was the last to step ashore. As I waited for Eli to change my sixpence, he nodded after the couple, who by this time had reached the top of the landing-stage, arm in arm.
"A bad day's work for her, I reckon."
It struck me at the moment as a moral reflection of Eli's, and no more. Late in the afternoon, however, I was enlightened.
In the midst of the Fair, about four o'clock, a din of horns, beaten kettles, and hideous yelling, broke out in Troy. I met the crowd in the main street, and for a moment felt afraid of it. They had seized the woman in the taproom of the "Man-o'-War"—where the gamekeeper was lying in a drunken sleep—and were hauling her along in a Ram Riding. There is nothing so cruel as a crowd, and I have seen nothing in my life like the face of These-an'-That's wife. It was bleeding; it was framed in tangles of black, dishevelled hair; it was livid; but, above all, it was possessed with an awful fear—a horror it turned a man white to look on. Now and then she bit and fought like a cat: but the men around held her tight, and mostly had to drag her, her feet trailing, and the horns and kettles dinning in her wake.
There lay a rusty old ducking-cage among the lumber up at the town-hall; and some fellows had fetched this down, with the poles and chain, and planted it on the edge of the Town Quay, between the American Shooting Gallery and the World-Renowned Swing Boats. To this they dragged her, and strapped her fast.
There is no heed to describe what followed. Even the virtuous women who stood and applauded would like to forget it, perhaps. At the third souse, the rusty pivot of the ducking-pole broke, and the cage, with the woman in it, plunged under water.
They dragged her ashore at the end of the pole in something less than a minute. They unstrapped and laid her gently down, and began to feel over her heart, to learn if it were still beating. And then the crowd parted, and These-an'-That came through it. His face wore no more expression than usual, but his lips were working in a queer way.
He went up to his wife, took off his hat, and producing an old red handkerchief from the crown, wiped away some froth and green weed that hung about her mouth. Then he lifted her limp hand, and patting the back of it gently, turned on the crowd. His lips were still working. It was evident he was trying to say something.
"Naybours," the words came at last, in the old dull tone; "I'd as lief you hadn' thought o' this."
He paused for a moment, gulped down something in his throat, and went on—
"I wudn' say you didn' mean it for the best, an' thankin' you kindly. But you didn' know her. Roughness, if I may say, was never no good wi' her. It must ha' been very hard for her to die like this, axin your parden, for she wasn' one to bear pain."
Another long pause.
"No, she cudn' bear pain. P'raps he might ha' stood it better— though o' course you acted for the best, an' thankin' you kindly. I'd as lief take her home now, naybours, if 'tis all the same."
He lifted the body in his arms, and carried it pretty steadily down the quay steps to his market-boat, that was moored below. Two minutes later he had pushed off and was rowing it quietly homewards.
There is no more to say, except that the woman recovered. She had fainted, I suppose, as they pulled her out. Anyhow, These-an'-That restored her to life—and she ran away the very next week with the gamekeeper.
III—"DOUBLES" AND QUITS.
Here is a story from Troy, containing two ghosts and a moral. I found it, only last week, in front of a hump-backed cottage that the masons are pulling down to make room for the new Bank. Simon Hancock, the outgoing tenant, had fetched an empty cider-cask, and set it down on the opposite side of the road; and from this Spartan seat watched the work of demolition for three days, without exhaustion and without emotion. In the interval between two avalanches of dusty masonry, he spoke to this effect:—
Once upon a time the cottage was inhabited by a man and his wife. The man was noticeable for the extreme length of his upper lip and gloom of his religious opinions. He had been a mate in the coasting trade, but settled down, soon after his marriage, and earned his living as one of the four pilots in the port. The woman was unlovely, with a hard eye and a temper as stubborn as one of St. Nicholas's horns. How she had picked up with a man was a mystery, until you looked at him.
After six years of wedlock they quarrelled one day, about nothing at all: at least, Simon Hancock, though unable to state the exact cause of strife, felt himself ready to swear it was nothing more serious than the cooking of the day's dinner. From that date, however, the pair lived in the house together and never spoke. The man happened to be of the home-keeping sort—possessed no friends and never put foot inside a public-house. Through the long evenings he would sit beside his own fender, with his wife facing him, and never a word flung across the space between them, only now and then a look of cold hate. The few that saw them thus said it was like looking on a pair of ugly statues. And this lasted for four years.
Of course the matter came to their minister's ears—he was a "Brianite"—and the minister spoke to them after prayer-meeting, one Wednesday night, and called at the cottage early next morning, to reconcile them. He stayed fifteen minutes and came away, down the street, with a look on his face such as Moses might have worn on his way down from Mount Sinai, if only Moses had seen the devil there, instead of God.
At the end of four years, the neighbours remarked that for two days no smoke had issued from the chimney of this cottage, nor had anyone seen the front door opened. There grew a surmise that the quarrel had flared out at last, and the wedded pair were lying within, in their blood. The anticipated excitement of finding the bodies was qualified, however, by a very present sense of the manner in which the bodies had resented intrusion during life. It was not until sunset on the second day that the constable took heart to break in the door.
There were no corpses. The kitchen was tidy, the hearth swept, and the house empty. On the table lay a folded note, addressed, in the man's handwriting, to the minister.
"Dear Friend in Grace," it began, "we have been married ten years, and neither has broken the other; until which happens, it must be hell between us. We see no way out but to part for ten years more, going our paths without news of each other. When that time's up, we promise to meet here, by our door, on the morning of the first Monday in October month, and try again. And to this we set our names."—here the two names followed.
They must have set out by night; for an extinguished candle stood by the letter, with ink-pot and pen. Probably they had parted just outside the house, the one going inland up the hill, the other down the street towards the harbour. Nothing more was heard of them. Their furniture went to pay the quarter's rent due to the Squire, and the cottage, six months later, passed into the occupation of Simon Hancock, waterman.
At this point Simon shall take up the narrative:—
"I'd been tenant over there"—with a nod towards the ruin—"nine year an' goin' on for the tenth, when, on a Monday mornin', about this time o' year, I gets out o' bed at five o'clock an' down to the quay to have a look at my boat; for 'twas the fag-end of the Equinox, and ther'd been a 'nation gale blowin' all Sunday and all Sunday night, an' I thought she might have broke loose from her moorin's.
"The street was dark as your hat and the wind comin' up it like gas in a pipe, with a brave deal o' rain. But down 'pon the quay day was breakin'—a sort of blind man's holiday, but enough to see the boat by; and there she held all right. You know there's two posts 'pon the town-quay, and another slap opposite the door o' the 'Fifteen Balls'? Well, just as I turned back home-long, I see a man leanin' against thicky post like as if he was thinkin', wi' his back to me and his front to the 'Fifteen Balls' (that was shut, o' course, at that hour). I must ha' passed within a yard of en, an' couldn' figure it up how I'd a-missed seein' en. Hows'ever, 'Good-mornin'!' I calls out, in my well-known hearty manner. But he didn' speak nor turn. 'Mornin'!' I says again. 'Can 'ee tell me what time 'tis? for my watch is stopped'—which was a lie; but you must lie now and then, to be properly sociable.
"Well, he didn' answer; so I went on to say that the 'Fifteen Balls' wudn' be open for another dree hour; and then I walked slap up to en, and says what the Wicked Man said to the black pig. 'You'm a queer Christian,' I says, 'not to speak. What's your name at all? And let's see your ugly face.'
"With that he turned his face; an' by the man! I wished mysel' further. 'Twas a great white face, all parboiled, like a woman's hands on washin' day. An' there was bits o' sticks an' chips o' sea-weed stuck in his whiskers, and a crust o' salt i' the chinks of his mouth; an' his eyes, too, glarin' abroad from great rims o' salt.
"Off I sheered, not azackly runnin', but walkin' pretty much like a Torpointer; an' sure 'nough the fellow stood up straight and began to follow close behind me. I heard the water go squish-squash in his shoon, every step he took. By this, I was fairly leakin' wi' sweat. After a bit, hows'ever, at the corner o' Higman's store, he dropped off; an' lookin' back after twenty yards more, I saw him standin' there in the dismal grey light like a dog that can't make up his mind whether to follow or no. For 'twas near day now, an' his face plain at that distance. Fearin' he'd come on again, I pulled hot foot the few steps between me an' home. But when I came to the door, I went cold as a flounder.
"The fellow had got there afore me. There he was, standin' 'pon my door-step—wi' the same gashly stare on his face, and his lips a lead-colour in the light.
"The sweat boiled out o' me now. I quavered like a leaf, and my hat rose 'pon my head. 'For the Lord's sake, stand o' one side,' I prayed en; 'do'ee now, that's a dear!' But he wudn' budge; no, not though I said several holy words out of the Mornin' Service.
"'Drabbet it!' says I, 'let's try the back door. Why didn' I think 'pon that afore?' And around I runs.
"There 'pon the back door-step was a woman!—an' pretty well as gashly as the man. She was just a 'natomy of a woman, wi' the lines of her ribs showin' under the gown, an' a hot red spot 'pon either cheek-bone, where the skin was stretched tight as a drum. She looked not to ha' fed for a year; an', if you please, she'd a needle and strip o' calico in her hands, sewin' away all the while her eyes were glarin' down into mine.
"But there was a trick I minded in the way she worked her mouth, an' says I, 'Missus Polwarne, your husband's a-waitin' for 'ee, round by the front door.'
"'Aw, is he indeed?' she answers, holdin' her needle for a moment— an' her voice was all hollow, like as if she pumped it up from a fathom or two. 'Then, if he knows what's due to his wife, I'll trouble en to come round,' she says; 'for this here's the door I mean to go in by.'"
But at this point Simon asserts very plausibly that he swooned off; so it is not known how they settled it.
[This story is true, as anyone who cares may assure himself by referring to Robert Hunt's "Drolls of the West of England," p. 357.]
IV.—THE BOY BY THE BEACH.
There are in this small history some gaps that can never be filled up; but as much as I know I will tell you.
The cottage where Kit lived until he was five years old stands at the head of a little beach of white shingle, just inside the harbour's mouth, so that all day long Kit could see the merchant-ships trailing in from sea, and passing up to the little town, or dropping down to the music of the capstan-song, and the calls and the creaking, as their crews hauled up the sails. Some came and went under bare poles in the wake of panting tugs; but those that carried canvas pleased Kit more. For a narrow coombe wound up behind the cottage, and down this coombe came not only the brook that splashed by the garden gate, but a small breeze, always blowing, so that you might count on seeing the white sails take it, and curve out majestically as soon as ever they came opposite the cottage, and hold it until under the lee of the Battery Point.
Besides these delights, the cottage had a plantation of ash and hazel above it, that climbed straight to the smooth turf and the four guns of the Battery; and a garden with a tamarisk hedge, and a bed of white violets, the earliest for miles around, and a fuchsia tree three times as tall as Kit, and a pink climbing rose that looked in at Kit's window and blossomed till late in November. Here the child lived alone with his mother. For there was a vagueness of popular opinion respecting Kit's father; while about his mother, unhappily, there was no vagueness at all. She was a handsome, low-browed woman, with a loud laugh, a defiant manner, and a dress of violent hues. Decent wives clutched their skirts in passing her: but, as a set-off, she was on excellent terms with every sea-captain and mate that put into the port.
All these captains and mates knew Kit and made a pet of him: and indeed there was a curious charm in the great serious eyes and reddish curls of this child whom other children shunned. No one can tell if he felt his isolation; but of course it drove him to return the men's friendship, and to wear a man's solemnity and habit of speech. The woman dressed him carefully, in glaring colours, out of her means: and as for his manners, they would no doubt have become false and absurd, as time went and knowledge came; but at the age of four they were those of a prince.
"My father was a ship's captain, too," he would tell a new acquaintance, "but he was drowned at sea—oh, a long while ago; years and years before I was born."
The beginning of this speech he had learned from his mother; and the misty antiquity of the loss his own childish imagination suggested. The captains, hearing it, would wink at each other, swallow down their grins, and gravely inform him of the sights he would see and the lands he would visit when the time came for him, too, to be a ship's captain. Often and often I have seen him perched, with his small legs dangling, on one of the green posts on the quay, and drinking in their talk of green icebergs, and flaming parrots, and pig-tailed Chinamen; of coral reefs of all marvellous colours, and suns that burnt men black, and monkeys that hung by their tails to the branches and pelted the passers-by with coco-nuts; and the rest of it. And the child would go back to the cottage in a waking dream, treading bright clouds of fancy, with perhaps a little carved box or knick-knack in his hand, the gift of some bearded, tender-hearted ruffian. It was pitiful.
Of course he picked up their talk, and very soon could swear with equal and appalling freedom in English, French, Swedish, German, and Italian. But the words were words to him and no more, as he had no morals. Nice distinctions between good and evil never entered the little room where he slept to the sound only of the waves that curved round Battery Point and tumbled on the beach below. And I know that, one summer evening, when the scandalised townsmen and their wedded wives assembled, and marched down to the cottage with intent to lead the woman in a "Ramriding," the sight of Kit playing in the garden, and his look of innocent delight as he ran in to call his mother out, took the courage out of them and sent them home, up the hill, like sheep.
Of course the truth must have come to him soon. But it never did: for when he was just five, the woman took a chill and died in a week. She had left a little money; and the Vicar, rather than let Kit go to the workhouse, spent it to buy the child admission to an Orphanage in the Midlands, a hundred miles away.
So Kit hung the rose-tree with little scraps of crape, and was put, dazed and white, into a train and whisked a hundred miles off. And everybody forgot him.
Kit spent two years at the Orphanage in an antique, preposterous suit—snuff-coloured coat with lappels, canary waistcoat, and corduroy small-clothes. And they gave him his meals regularly. There were ninety-nine other boys who all throve on the food: but Kit pined. And the ninety-nine, being full of food, made a racket at times; but Kit found it quiet—deathly quiet; and his eyes wore a listening look.
For the truth was, he missed the noise of the beach, and was listening for it. And deep down in his small heart the sea was piping and calling to him. And the world had grown dumb; and he yearned always: until they had to get him a new canary waistcoat, for the old one had grown too big.
At night, from his dormitory window, he could see a rosy light in the sky. At first he thought this must be a pillar of fire put there to guide him home; but it was only the glare of furnaces in a manufacturing town, not far away. When he found this out his heart came near to break; and afterwards he pined still faster.
One evening a lecture was given in the dining-room of the Orphanage. The subject was "The Holy Land," and the lecturer illustrated it with views from the magic-lantern.
Kit, who sat in one of the back rows, was moderately excited at first. But the views of barren hills, and sands, and ruins, and palm-trees, and cedars, wearied him after a while. He had closed his eyes, and the lecturer's voice became a sing-song in which his heart searched, as it always searched, for the music of the beach; when, by way of variety—for it had little to do with the subject—the lecturer slipped in a slide that was supposed to depict an incident on the homeward voyage—a squall in the Mediterranean.
It was a stirring picture, with an inky sky, and the squall bursting from it, and driving a small ship heeling over white crested waves. Of course the boys drew their breath.
And then something like a strangling sob broke out on the stillness, frightening the lecturer; and a shrill cry—
"Don't go—oh, damn it all! don't go! Take me—take me home!"
And there at the back of the room a small boy stood up on his form, and stretched out both hands to the painted ship, and shrieked and panted.
There was a blank silence, and then the matron hurried up, took him firmly in her arms, and carried him out.
"Don't go—oh, for the Lord A'mighty's sake, don't go!"
And as he was borne down the passages his cry sounded among the audience like the wail of a little lost soul.
The matron carried Kit to the sick-room and put him to bed. After quieting the child a bit she left him, taking away the candle. Now the sick-room was on the ground floor, and Kit lay still a very short while. Then he got out of bed, groped for his clothes, managed to dress himself, and, opening the window, escaped on to the quiet lawn. Then he turned his face south-west, towards home and the sea— and ran.
How could he tell where they lay? God knows. Ask the swallow how she can tell, when in autumn the warm south is a fire in her brain. I believe that the sea's breath was in the face of this child of seven, and its scent in his nostrils, and its voice in his ears, calling, summoning all the way. I only know that he ran straight towards his home, a hundred miles off, and that next morning they found his canary waistcoat and snuff-coloured coat in a ditch, two miles from the Orphanage, due south-west.
Of his adventures on the road the story is equally silent, as I warned you. But the small figure comes into view again, a week later, on the hillside of the coombe above his home. And when he saw the sea and the white beach glittering beneath him, he did not stop, even for a moment, but reeled down the hill. The child was just a living skeleton; he had neither hat, coat, nor waistcoat; one foot only was shod, the other had worn through the stocking, and ugly red blisters showed on the sole as he ran. His face was far whiter than his shirt, save for a blue welt or two and some ugly red scratches; and his gaunt eyes were full of hunger and yearning, and his lips happily babbling the curses that the ships' captains had taught him.
He reeled down the hill to the cottage. The tenant was a newcomer to the town, and had lately been appointed musketry-instructor to the battery above. He was in the garden pruning the rose-tree, but did not particularly notice the boy. And the boy passed without turning his head.
The tide on the beach was far out and just beginning to flow. There was the same dull plash on the pebbles, the same twinkle as the sun struck across the ripples. The sun was sinking; in ten minutes it would be behind the hill.
No one knows what the waves said to Kit. But he flung himself among them with a choking cry, and drank the brine and tossed it over his head, and shoulders and chest, and lay down and let the small waves play over him, and cried and laughed aloud till the sun went down.
Then he clambered on to a rock, some way above them, and lay down to watch the water rise; and watching it, fell asleep; and sleeping, had his wish, and went out to the wide seas.
OLD AESON.
Judge between me and my guest, the stranger within my gates, the man whom in his extremity I clothed and fed.
I remember well the time of his coming, for it happened at the end of five days and nights during which the year passed from strength to age; in the interval between the swallow's departure and the redwing's coming; when the tortoise in my garden crept into his winter quarters, and the equinox was on us, with an east wind that parched the blood in the trees, so that their leaves for once knew no gradations of red and yellow, but turned at a stroke to brown, and crackled like tin-foil.
At five o'clock in the morning of the sixth day I looked out. The wind still whistled across the sky, but now without the obstruction of any cloud. Full in front of my window Sirius flashed with a whiteness that pierced the eye. A little to the right, the whole constellation of Orion was suspended clear over a wedge-like gap in the coast, wherein the sea could be guessed rather than seen. And, travelling yet further, the eye fell on two brilliant lights, the one set high above the other—the one steady and a fiery red, the other yellow and blazing intermittently—the one Aldebaran, the other revolving on the lighthouse top, fifteen miles away.
Half-way up the east, the moon, now in her last quarter and decrepit, climbed with the dawn close at her heels. And at this hour they brought in the Stranger, asking if my pleasure were to give him clothing and hospitality.
Nobody knew whence he came—except that it was from the wind and the night—seeing that he spoke in a strange tongue, moaning and making a sound like the twittering of birds in a chimney. But his journey must have been long and painful; for his legs bent under him, and he could not stand when they lifted him. So, finding it useless to question him for the time, I learnt from the servants all they had to tell—namely, that they had come upon him, but a few minutes before, lying on his face within my grounds, without staff or scrip, bareheaded, spent, and crying feebly for succour in his foreign tongue; and that in pity they had carried him in and brought him to me.
Now for the look of this man, he seemed a century old, being bald, extremely wrinkled, with wide hollows where the teeth should be, and the flesh hanging loose and flaccid on his cheek-bones; and what colour he had could have come only from exposure to that bitter night. But his eyes chiefly spoke of his extreme age. They were blue and deep, and filled with the wisdom of years; and when he turned them in my direction they appeared to look through me, beyond me, and back upon centuries of sorrow and the slow endurance of man, as if his immediate misfortune were but an inconsiderable item in a long list. They frightened me. Perhaps they conveyed a warning of that which I was to endure at their owner's hands. From compassion, I ordered the servants to take him to my wife, with word that I wished her to set food before him, and see that it passed his lips.
So much I did for this Stranger. Now learn how he rewarded me.
He has taken my youth from me, and the most of my substance, and the love of my wife.
From the hour when he tasted food in my house, he sat there without hint of going. Whether from design, or because age and his sufferings had really palsied him, he came back tediously to life and warmth, nor for many days professed himself able to stand erect. Meanwhile he lived on the best of our hospitality. My wife tended him, and my servants ran at his bidding; for he managed early to make them understand scraps of his language, though slow in acquiring ours—I believe out of calculation, lest someone should inquire his business (which was a mystery) or hint at his departure. I myself often visited the room he had appropriated, and would sit for an hour watching those fathomless eyes while I tried to make head or tail of his discourse. When we were alone, my wife and I used to speculate at times on his probable profession. Was he a merchant?—an aged mariner?—a tinker, tailor, beggarman, thief? We could never decide, and he never disclosed.
Then the awakening came. I sat one day in the chair beside his, wondering as usual. I had felt heavy of late, with a soreness and languor in my bones, as if a dead weight hung continually on my shoulders, and another rested on my heart. A warmer colour in the Stranger's cheek caught my attention; and I bent forward, peering under the pendulous lids. His eyes were livelier and less profound. The melancholy was passing from them as breath fades off a pane of glass. He was growing younger. Starting up, I ran across the room, to the mirror.
There were two white hairs in my fore-lock; and, at the corner of either eye, half a dozen radiating lines. I was an old man.
Turning, I regarded the Stranger. He sat phlegmatic as an Indian idol; and in my fancy I felt the young blood draining from my own heart, and saw it mantling in his cheeks. Minute by minute I watched the slow miracle—the old man beautified. As buds unfold, he put on a lovely youthfulness; and, drop by drop, left me winter.
I hurried from the room, and seeking my wife, laid the case before her. "This is a ghoul," I said, "that we harbour: he is sucking my best blood, and the household is clean bewitched." She laid aside the book in which she read, and laughed at me. Now my wife was well-looking, and her eyes were the light of my soul. Consider, then, how I felt as she laughed, taking the Stranger's part against me. When I left her, it was with a new suspicion in my heart. "How shall it be," I thought, "if after stealing my youth, he go on to take the one thing that is better?"
In my room, day by day, I brooded upon this—hating my own alteration, and fearing worse. With the Stranger there was no longer any disguise. His head blossomed in curls; white teeth filled the hollows of his mouth; the pits in his cheeks were heaped full with roses, glowing under a transparent skin. It was Aeson renewed and thankless; and he sat on, devouring my substance.
Now having probed my weakness, and being satisfied that I no longer dared to turn him out, he, who had half-imposed his native tongue upon us, constraining the household to a hideous jargon, the bastard growth of two languages, condescended to jerk us back rudely into our own speech once more, mastering it with a readiness that proved his former dissimulation, and using it henceforward as the sole vehicle of his wishes. On his past life he remained silent; but took occasion to confide in me that he proposed embracing a military career, as soon as he should tire of the shelter of my roof.
And I groaned in my chamber; for that which I feared had come to pass. He was making open love to my wife. And the eyes with which he looked at her, and the lips with which he coaxed her, had been mine; and I was an old man. Judge now between me and this guest.
One morning I went to my wife; for the burden was past bearing, and I must satisfy myself. I found her tending the plants on her window-ledge; and when she turned, I saw that years had not taken from her comeliness one jot. And I was old.
So I taxed her on the matter of this Stranger, saying this and that, and how I had cause to believe he loved her.
"That is beyond doubt," she answered, and smiled.
"By my head, I believe his fancy is returned!" I blurted out.
And her smile grew radiant, as, looking me in the face, she answered,
"By my soul, husband, it is."
Then I went from her, down into my garden, where the day grew hot and the flowers were beginning to droop. I stared upon them and could find no solution to the problem that worked in my heart. And then I glanced up, eastward, to the sun above the privet-hedge, and saw him coming across the flower beds, treading them down in wantonness. He came with a light step and a smile, and I waited for him, leaning heavily on my stick.
"Give me your watch!" he called out, as he drew near.
"Why should I give you my watch?" I asked, while something worked in my throat.
"Because I wish it; because it is gold; because you are too old, and won't want it much longer."
"Take it," I cried, pulling the watch out and thrusting it into his hand. "Take it—you who have taken all that is better! Strip me, spoil me—"
A soft laugh sounded above, and I turned. My wife was looking down on us from the window, and her eyes were both moist and glad.
"Pardon me," she said, "it is you who are spoiling the child."