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Oberon and Puck

Chapter 52: AN IVORY MINIATURE.
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About This Book

A lyrical volume of poems alternating serious and playful tones, presented in two complementary groupings that range from meditative pieces steeped in faery and classical allusion to lighter, sprightly verse about nature, music, and childhood. Rich natural imagery—woods, flowers, birds, and seasonal change—permeates many lyrics, while occasional elegies and critical tributes honor other artists. Short ballads and children’s songs add narrative and comic sketches, and several occasional pieces contemplate rites of passage and parting. The poems employ varied stanza forms to balance romantic imagination, attentive observation, and gentle humor.

AN IVORY MINIATURE.

When State Street homes were stately still;
When out of town was Murray Hill;
In late-deceased “old times”
Of vast, embowering bonnet-shapes,
And creamy-crinkled Canton crapes,
And florid annual-rhymes,
He owned a small suburban seat
Where now you see a modern street,
A monochrome of brown;
The sad “brown-brown” of Dante’s dreams,
A twilight turned to stone, that seems
To weight our city down.
Through leafy chestnuts whitely showed
The pillared front of his abode:
A garden girt it ’round,
Where pungent box did trim enclose
The marigold and cabbage-rose,
And “pi’ny” heavy-crowned.
Yea, whatso sweets, the changing year’s,
He most affected. Gone: but here’s
His face who loved them so.
Old eyes like sherry, warm and mild;
A cheek clear-hued as cheek of child;
Sleek head, a sphere of snow.
His mouth was pious, and his nose
Patrician; with which mould there goes
A disaffected view.
In those sublime, be-oratored,
Spread-eagle days, his soul deplored
So much red-white-and-blue!
In umber ink, with S’s long,
He left behind him censure strong
In stiffest phrases clothed;
But Time—a pleasant jest enough!—
Has turned the tory leaves to buff,
The liberal hue he loathed.
Of many a gentle deed he made
Brief simple record. Never fade
Those everlasting-flowers
That spring up wild by good men’s walks;
Opinions wither on their stalks,
And sere grow Fashion’s bowers.
Erect, be-frilled, in neckcloth tall,
His semblance sits, removed from all
Our needs and noises new;
Released from all the rent we pay
As tenants of the large To-day,
Cool, in a background blue.
And he, beneath a cherub chipped,
Plump, squamous-pinioned, pouting-lipped,
Sleeps calm where Trinity
Points finger dark to clouds that fleet;
A warning, seen from surging street,
A welcome, seen from sea.
There fall, ghosts glorified of tears
Shed for the dead in buried years,
The silver notes of chimes;
And there, with not unreverent hand
Though light, I lay this “greene garlànd,”
This woven wreath of rhymes.