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Old and rare Scottish tartans

Chapter 10: BRODIE.
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About This Book

The work offers a systematic survey of historic Scottish tartans, opening with a chronological introduction that compiles, verifies, and corrects references in earlier writings. It documents on-site examinations of portraits, miniatures, relics, and private collections, and reproduces selected setts by weaving fine silk samples to capture original colours and interlacing. Detailed descriptive notices accompany forty-five specimens, while notes review prior publications and manuscript sources. Prefatory material explains selection criteria, reproduction methods, and acknowledgements to the families and institutions that granted access.

BRODIE.

It is not known when this design was originally adopted; but, though the pattern cannot be traced in early paintings, it nevertheless possesses internal evidence of some antiquity, since many of the oldest tartans are variations of the red and black check, popularly styled the Rob Roy,[105] with the addition of narrower lines of various hues, as in the present instance. The beginning of the century witnessed its use, as it is included in several collections of the hard tartans produced at the time; and since then it has always figured in the pattern-books and the lists both of connoisseurs and of manufacturers. Certainly, it has been regarded as the true Brodie by makers as far back as business records or traditions extend. Of late a green tartan has been sold as undress or hunting Brodie, but it seems unsupported by any remote authority. The pattern illustrated as the Huntly district tartan (Plate X.) was also known as Brodie seventy years ago; it was so called because many Brodies who belonged to the districts occupied by the Gordons, Forbeses, and others wore it in early times as the district tartan, and more recently in some instances adopted it as their family pattern.

III. BRODIE