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Old and rare Scottish tartans

Chapter 17: GRANT.
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About This Book

The work offers a systematic survey of historic Scottish tartans, opening with a chronological introduction that compiles, verifies, and corrects references in earlier writings. It documents on-site examinations of portraits, miniatures, relics, and private collections, and reproduces selected setts by weaving fine silk samples to capture original colours and interlacing. Detailed descriptive notices accompany forty-five specimens, while notes review prior publications and manuscript sources. Prefatory material explains selection criteria, reproduction methods, and acknowledgements to the families and institutions that granted access.

GRANT.

Reproduced from a portrait of Robert Grant of Lurg (1678-1777), in the collection at Troup House. This example, as mentioned in the note to Plate VIII., is identical with that now commonly styled the Fraser. It was accepted by some only of the Fraser families in 1842, because it was illustrated under their name in the Vestiarium Scoticum. Of the Laird of Lurg there is another likeness, in the possession of Lady Seafield at Castle Grant, which represents him in the Black Watch tartan. The explanation offered is that he was an officer in the Clan Grant Company of the Black Watch; that since his clan supported the Government the prohibition against the national dress would not be enforced in his case; and that it is but reasonable to suppose he wore the tartan of his clan when not in military uniform. In connection with the Grants occurs one of the earliest descriptions of a distinctive clan design. It is dated 1704. It has been partially, though inaccurately, quoted in Sir William Fraser’s Chiefs of Grant (Edinburgh, 1883), and on account of its interest it is given in the Introduction to this work. The illustration is not in absolute harmony with the description, and appears, indeed, to be a modification of it. Attention may again be directed to the resemblance between the Grant and the Fraser tartans. The wide dissimilarity in the tartans depicted in the Grant family portraits preserved at Castle Grant and elsewhere is referred to in the Introduction.

X. GRANT