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Old and rare Scottish tartans cover

Old and rare Scottish tartans

Chapter 46: FROM A PORTRAIT OF THE COUNTESS OF LENNOX.
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About This Book

The work offers a systematic survey of historic Scottish tartans, opening with a chronological introduction that compiles, verifies, and corrects references in earlier writings. It documents on-site examinations of portraits, miniatures, relics, and private collections, and reproduces selected setts by weaving fine silk samples to capture original colours and interlacing. Detailed descriptive notices accompany forty-five specimens, while notes review prior publications and manuscript sources. Prefatory material explains selection criteria, reproduction methods, and acknowledgements to the families and institutions that granted access.

FROM A PORTRAIT OF THE COUNTESS OF LENNOX.

The accompanying illustration reproduces a tartan depicted in a sixteenth century painting which existed in Paris between forty and fifty years ago, and was known as a portrait of the Countess of Lennox, mother of Lord Darnley. Two copies of the work are extant. One owned by the family of the late Mr Charles Elphinstone Dalrymple has been kindly lent for the purposes of this volume. The other is in the collection of Mr Henry Burnley Heath, Italian Consul General, London. Mr Heath writes that he searched in vain for the original in Paris some years back; and subsequent inquiries have also failed to trace it. It is suggested by him that the painting may be a portrait of Queen Mary in the tartan of the Lennox district, to which Darnley belonged. Mr Elphinstone Dalrymple, an authority on portraiture careful as eminent, believed in the authenticity and age of the work; but, unfortunately, his papers contain few notes concerning it or its history. It is to be hoped the whereabouts of this interesting portrait may still be ascertained, especially as it is deemed the earliest coloured representation of tartan dress.

XXXIX. From a Portrait of the Countess of Lennox
OF 16TH CENTURY DATE