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Old English colour prints

Chapter 3: PREFATORY NOTE.
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About This Book

An illustrated study surveys the production, aesthetics, and marketing of eighteenth- and early nineteenth-century English colour-printed engravings, describing techniques such as stipple and mezzotint, the roles of printmakers, publishers and collectors, and the common subjects of portraiture, theatrical scenes, rustic and urban genre pictures including the Cries of London. Prefatory notes and detailed plate descriptions accompany reproductions and technical observations on printing and colouring, emphasizing the prints' visual appeal and their place within collecting and connoisseurship.

PREFATORY NOTE.

The Editor desires to express his thanks to the following Collectors who have kindly lent their prints for reproduction in this volume:—Mrs. Julia Frankau, Mr. Frederick Behrens, Major E. F. Coates, M.P., Mr. Basil Dighton, Mr. J. H. Edwards, and Sir Spencer Ponsonby-Fane, P.C., G.C.B. Also to Mr. Malcolm C. Salaman, who, in addition to contributing the letterpress, has rendered valuable assistance in the preparation of the work.