INDEX
- Æsthetes, School of, 32
- Alexander, John W., 217-8
- Aman-Jean, 218-20
- Angelo, Michael, 23
- Art, emancipation of, 16-22
- “—— for art’s sake,” criticism of, 1-5, 12-5
- ——, future of, 27-9
- ——, prettiness in, 227-9
- ——, religious, 296-7
- ——, utilitarianism in, 11-2
- Artist, psychology of the, 5-9
- Artists, influence of the Byzantine, 59
- Balzac Memorial, 285-8
- Barbizon, School of, 97-8
- Bartholdi, 299
- Bartholomé, 294-307
- Baudelaire, 162
- Besnard, Albert, 220-3
- Böcklin, 326
- Boilly, 81
- Boldini, Jean, 154, 223-5
- Bonheur, Rosa, 92-3
- Botticelli, 220, 275
- Bouchot, Henri, 57
- Bouguereau, William, 225-30
- Bourdichon, 58
- Brangwyn, Frank, 230-6, 274
- Bruniquel, 4
- Caillebotte Room, 93
- Carpeaux, 278
- Carrière, Eugène, 166-84
- Carriès, Jean, 308-19
- Castiglione’s “Cortegiano,” 24
- Catholics, New, 307
- Cellini, Benvenuto, 23, 33
- Century Exhibition, 70-81, 93-4
- Cézanne, Paul, 236-9, 259
- Charonton, Enguerrand, 67
- Chassériau, 83-4
- Chauchard, 91
- Chauvinism, 11
- Chavannes, Puvis de, 185-200, 343
- Cimabue, 60, 121, 339
- Clouet, 67-8
- Cone, Jacques, 67
- Conti, 145
- Corneille of Lyons, 67
- Corot, 100-3, 131
- Cottet, Charles, 201-16
- Courbet, 91-2
- Couture, 122
- Criticism, opportunism in, 336-9
- Dante, 18
- Daubigny, 104
- Daumier, 88-9, 265
- Degas, 119
- Delacroix, 84-6, 104-5
- Delisle, Leopold, 57
- Della Robbia, 319
- Donner, 299
- Drolling, 79
- Dupré, 340
- Dürer, Albrecht, 188
- Enamels, Carriès’, 318
- Exhibition, the Century, 70-95
- Fountains, 298-9
- Fouquet, Jehan, 67-8
- Fragonard, 74-5
- Frédéric, Léon, 239-244
- Froment, Nicolas, 64
- Genre painting, 16-7
- Gérard, 79
- Géricault, 98
- Giotto, 60, 121, 339
- Girard of Orleans, 60
- Gleyre, 148
- Gorki, Maxim, 261
- Gretchen, 193
- Greuze, 74-6
- Gross, Baron, 98
- Hals, Franz, 209
- Hebbel, Friedrich, 144
- Höllen-Breughel, 265-6
- Huddleston, Judge, 150
- Hundred Years’ War, Effects of, 56
- Icons, Russian, 59
- Inferno, Dante’s, 277
- John of Orleans, 63-4
- Kipling, Rudyard, 93
- Lafenestre, George, 57
- La Tours, 168
- Landscape, literary, 136-7
- ——, lyrical, 137-9
- ——, optical, 139-40
- Laurens, Jean Paul, 244-6
- Leempoels, Jef, 246-50
- Leonardo, 188
- Lessing, a remark of, 145
- Lieberman, Max, 120
- Lorrain, Claude, 327
- Maeterlinck, 109
- Mallarmé, 275
- Malouel, Jean, 67
- Manet, Eduard, 105, 108, 112, 121, 123, 327-8
- Mantegna, 15
- Martin, Henri, 250-6
- Meissonier, 105
- Meunier, Constantin, 33, 34-40
- Mignot, Jean, 67
- Millet, 89-91, 103-4, 333
- Monet, Claude, 105-8, 112, 115-9, 121, 123
- Montenard, 256
- Moreau, Gustave, 93-4, 155-65
- Mouthe, caves of, 3
- Museum, the Luxembourg, 110-1
- Nietzsche, 275
- “Open Air” movement, 93, 100, 102
- Palissy, Bernard de, 319
- Pavilion de Marsan, 56
- Père Lachaise, “Resurrection” at, 300-7
- Perréal, Jean, 66-7
- Pissarro, Camille, 132-144
- Plane, mediæval, 49-51
- Poussin, 132
- Præ-Raphaelites, 324
- Prudhon, 77
- Raffaelli, Jean, 114, 119, 256-8
- Redon, Odilon, 258
- Renaissance, 15, 23-4, 297-9
- Renoir, Pierre Auguste, 120-1, 259
- Renouard, 123
- Reuter, Fritz, 290
- Ribera, 209
- Ribot, 209
- Riesener, 79
- Rodin, Auguste, 275-93
- Roll, Alfred, 260-2
- Rops, Félicien, 154, 266
- Rubens, 268
- Rude, 278
- Ruskin, 149-50
- Scheffer, Ary, 86
- Sculpture in early Middle Ages, 65
- “Secession,” 334
- Simon, Lucien, 262-4
- Sisley, Alfred, 123-30
- Sluter, 299
- Solutré, 4
- Stuck, Prof. Franz, 320-1
- Sweden, rock pictures in, 4
- Thiéry, 96-7
- —— Salon, 101
- Thoma, Hans, 326
- Trutat, 81-3
- Van Eyck, the brothers, 60-2
- Veber, Jean, 264-8
- Velasquez, 209
- Vernet, Horace, 87
- Vigée-Lebrun, 74, 76-7
- Watteau, 74-5, 261
- Wéry, Emil, 269
- Whistler, James, 144-54
- Wierz, 155
- Wilczek, Count, 68
- Worms, Jules, 272
- Zorn, Anders, 120, 154, 270-1
- Zuloaga, Ignacio, 270-4
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