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On the Cross: A Romance of the Passion Play at Oberammergau cover

On the Cross: A Romance of the Passion Play at Oberammergau

Chapter 135: THE END.
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About This Book

The narrative follows a mountain village whose annual Passion Play governs social life, tracing how private loves, jealousies, and expulsions among performers ripple into wider communal crises. A central romantic conflict leads to attempts at rescue, separation, poverty, and illness, forcing individuals to reckon with shame and sacrifice. Scenes of rehearsal, pilgrimage, and staged suffering blur the line between theatrical illusion and religious conviction, prompting reflections on conscience, memory, and public judgment. The story closes with returns, reconciliations, and a sober meditation on how ritual, repentance, and human compassion reshape lives toward a deeper truth.




FOOTNOTES:


Footnote 1: "Chips from a German Workshop." Vol. I. "Essays on the Science of Religion."

Footnote 2: A dish made of flour and water fried in hot lard, but so soft that it is necessary to serve and eat it with a spoon.

Footnote 3: A drama. Hamerling is better known in America as the author of his famous novel "Aspasia."

Footnote 4: Part of these lines of Caedmon were put into modern English by Robert Spence Watson.

Footnote 5: Frey is the god of peace. When its Mythological significance was lost, it became an epithet of honor for princes and is found frequently applied to our Lord and God the Father.




THE END.