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On the Laws of Japanese Painting: An Introduction to the Study of the Art of Japan

Chapter 23: Footnotes
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About This Book

A practical and analytical study that opens with the author's personal experiences learning traditional Japanese painting and then lays out systematic rules for brush use, materials, and methods of applying color. It examines principles governing conception and execution, presents aesthetic canons and recommended subjects, and explains signatures and seals. Numerous plates and step-by-step demonstrations illustrate strokes, dotting patterns, tree and rock construction, water forms, proportion, and varied color techniques, making the work both a handbook of technique and a concise guide to underlying artistic theory.


Footnotes

1.

This is a translation from the original manuscript of Iwaya Sho Ha, or Iwaya Sazanami, one of the most widely known and popular writers on Japanese folk-lore.

2.

Translated from the original manuscript of Hirai Kinza, noted scholar, lecturer and author.

3.

Preparer's Note: The only editions available to me have these plates in black-and-white.