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ΝΕΚΡΟΚΗΔΕΙΑ; Or, the Art of Embalming; / Wherein Is Shewn the Right of Burial, and Funeral Ceremonies, Especially That of Preserving Bodies After the Egyptian Method. Together With an Account of the Egyptian Mummies, Pyramids, Subterranean Vaults and Lamps, and Their Opinion of the Metempsychosis, the Cause of Their Embalming. As Also a Geographical Description of Egypt, the Rise and Course of the Nile, the Temper, Constitution and Physic of the Inhabitants, Their Inventions, Arts, Sciences, Stupendous Works and Sepulchres, and Other Curious Observations Any Ways Relating to the Physiology and Knowledge of This Art. cover

ΝΕΚΡΟΚΗΔΕΙΑ; Or, the Art of Embalming; / Wherein Is Shewn the Right of Burial, and Funeral Ceremonies, Especially That of Preserving Bodies After the Egyptian Method. Together With an Account of the Egyptian Mummies, Pyramids, Subterranean Vaults and Lamps, and Their Opinion of the Metempsychosis, the Cause of Their Embalming. As Also a Geographical Description of Egypt, the Rise and Course of the Nile, the Temper, Constitution and Physic of the Inhabitants, Their Inventions, Arts, Sciences, Stupendous Works and Sepulchres, and Other Curious Observations Any Ways Relating to the Physiology and Knowledge of This Art.

Chapter 7: TO HIS Ingenious Friend Mr. Thomas Greenhill.
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About This Book

A comprehensive survey of burial rites and techniques for preserving human remains, comparing funeral ceremonies from various cultures and focusing on ancient Egyptian mummification, tombs, and beliefs about the soul. It describes anatomical, chemical, and practical procedures for embalming, proposes refinements to established methods, and supplies a pharmacopoeia and recipes for preservative agents. The text situates funerary practices within geographic and environmental observations of Egypt and the Nile, and assembles scholarly letters, citations, maps, and illustrations to support its blend of practical guidance, experiments, and antiquarian description of sepulchral art.

TO HIS
Ingenious Friend Mr. Thomas Greenhill.

’Tis great and worthy of our Praise to lead
The Living thro’ the Dwellings of the Dead;
Death’s grisly Terrours by your Skill to Charm,
And his fell Furies of their Stings disarm:
The Mighty Maker has on you bestow’d
The wond’rous Science for a general Good.
The Labours of your Studies he has crown’d
With Art, alike Important and Profound;
With Death and Time he’s taught you to engage,
And save his best Creation from their Rage.
MAN, the true Image of his heav’nly Form,
Was a rich Prey to the devouring Worm;
Scarce had his Breath it’s Vital Seat forsook
But frozen were his Limbs, and frightful was his Look,
Livid his Lips, his whole Complexion wan,
And Nature loath’d to view the lifeless Man;
A poor Precarious Being he enjoy’d,
And soon the Grave his beauteous Frame destroy’d,
Till you had learn’d by equal Thought and Care
To keep him, as he was created, Fair;
To heal the ghastly Wounds that Death had made,
And give new Beauties which shall never fade:
Heav’n has to you the Sacred Art reveal’d,
Which had for twice ten Ages been conceal’d;
From common Ruine you the Body keep,
And turn the filthiness of Death to Sleep;
Fair as the Slumbers of a Virgin seem,
Who dreams of Joy, and blushes at her Dream,
Youth you preserve, and by your Science save
The living Graces in the rotting Grave.
Sooner the Egyptian King’s aspiring Tomb
May fall, the Marble waste, the Brass consume,
Old Time may sooner run his destin’d Race,
Than the new Wonders of your Art deface:
The Balm and Eastern Odours you employ,
The Noxious Vapours of the Vault destroy;
You reconcile us to the Things we loath,
We feel the Flesh is firm, the Features smooth;
We see, we smell, by e’ry Sense we try
Your Skill, and are no more afraid to Die.
Go on——And may you equal Favour find,
With the vast Service you have done Mankind:
May the vile Quacks, who Heav’ns high Form prophane,
With Practices as infamous as vain.
The base Impostors of the Funeral Trade,
Who cheat at once the Living and the Dead,
Be punish’d and expos’d, and Art restor’d
To her old Honours, and her due Reward:
So late Posterity shall sing your Praise,
And Fame bright Statues to your Glory raise.
J. Oldmixon.