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Orchard and Vineyard

Chapter 61: COLOUR
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About This Book

A sequence of lyric poems shifts between close rural observation and mythic or classical allusion, pairing orchard and coastal imagery with meditations on memory, loss, and desire. Many pieces dwell on domestic seasons and landscape detail, while elegiac poems consider vanished youth, failed loves, and the passage of time. Interludes of masque, song, and maritime portraiture expand formal variety from short lyrics to longer meditative fragments. The voice balances ornamental diction with plain feeling, repeatedly examining how solitude, beauty, and remembrance shape emotional reflection and moral awareness.

YOUR caravel was loosely moored,
—So lightly moored, so slightly moored,—
It ranged with every passing swell,
Your gipsy-hearted caravel
That only silken ropes secured.
I dreamt that you might slip away,
—Might slide away, might glide away,—
When I was absent, on a breeze
Enticing you to other seas
With whispers of a lovelier day.
The sirens underneath the stars,
—The flaunting stars, the haunting stars,—
Would cast adrift your mooring-rope
(Farewell, my heart! farewell, my hope!)
And stretch the sails upon your spars,
And you would sail before the wind,
—Elusive wind, delusive wind,—
All radiant on your moonlit deck,
And not a moment would you reck
Of me whom you had left behind.

SONGS OF FANCY: II

SONGS OF FANCY: III

SWEET TIME

A CYPRESS AVENUE

MIRAGE

THERE travelled north from Kurdistan along the lone Siberian trails
A merchant with his caravan and Eastern barter in his bales.
He rode ahead, he rode apart, the city of Irkutsk his goal,
Upon his lean Circassian foal, and after came the lumbering cart
With creaking wheel, deliberate spoke, and water-bullocks in the yoke;
And after these in single string the boorish camels following,
Slouching with high unwieldy packs like howdahs piled upon their backs;
With slaver hanging from their lips and hatred worming in their brain
They slouched beneath their drivers’ whips across the white and mournful plain.
I know a Room where tulips tall
And almond-blossom pale
Are coloured on the frescoed wall.
I know a River where the ships
Drift by with ghostly sail
And dead men chant with merry lips.
I know the Garden by the sea
Where birds with painted wings
Mottle the dark magnolia Tree.
I know the never-failing Source,
I know the Bush that sings,
The Vale of Gems, the flying Horse.
I know the Dog that was a Prince,
The talking Nightingale,
The Hill of glass, the magic Quince.
I know the lovely Lake of Van;
Yet, knowing all these things,
I wander with a Caravan,
I wander with a Caravan!

CHINOISERIE

(Villanelle). For B. M.

COLOUR

SAILING

SAILING SHIPS

LYING on Downs above the wrinkling bay
I with the kestrels shared the cleanly day,
The candid day; wind-shaven, brindled turf;
Tall cliffs; and long sea-line of marbled surf
From Cornish Lizard to the Kentish Nore
Lipping the bulwarks of the English shore,
While many a lovely ship below sailed by
On unknown errand, kempt and leisurely;
And after each, oh, after each, my heart
Fled forth, as, watching from the Downs apart,
I shared with ships good joys and fortunes wide
That might befall their beauty and their pride;

PHANTOM

GENOESE MERCHANTS

EVENING

WHEN little lights in little ports come out,
Quivering down through water with the stars,
And all the fishing fleet of slender spars
Range at their moorings, veer with tide about;
When race of wind is stilled and sails are furled,
And underneath our single riding-light
The curve of black-ribbed deck gleams palely white,
And slumbrous waters pool a slumbrous world,
—Then, and then only, have I thought how sweet
Old age might sink upon a windy youth,
Quiet beneath the riding-light of truth,
Weathered through storms, and gracious in retreat.

Sumurun,”
Cornwall, 1920.


BY THE SAME AUTHOR

POEMS OF WEST
AND EAST

Second Edition. Demy 8vo. 3s. 6d. net

Morning Post.—“The poems in her first volume reveal a personality both charming and courageous; they have all been lived, not merely written.”

Observer.—“There are rare strokes of force and colour, and some whole poems which stand out for complete expression, glowing in impulse, decisive in form.”

JOHN LANE: THE BODLEY HEAD LTD. VIGO ST. W. 1

BY THE SAME AUTHOR

THE DRAGON
IN SHALLOW WATERS

“A strong and eminent achievement. Miss Sackville-West is established by her new book as a woman of mark in contemporary literature.”—Observer.

“There is vigour, simplicity, beauty, and even greatness on every page of this book.”—Daily Express.

HERITAGE

“A vigorous novel, full of English air, and rich in English character.”—Times Literary Supplement.

“Writing with a distinction, a sincerity, and a command of vivid imagery rarely lavished on modern English prose.”—Westminster Gazette.

PUBLISHED BY COLLINS, 48 PALL MALL