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Our Philadelphia

Chapter 4: PREFACE
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The author offers a personal, anecdotal portrait of Philadelphia that mixes childhood memories with later observations, guided by one hundred and five lithographs. Chapters move from early life and schooling through social rituals, religious and civic institutions, and the city's literary and artistic scenes, to chapters on dining and urban change. The narrative interweaves architectural and neighborhood descriptions, portraits of public buildings and parks, and reflections on work, manners, and the ways the city has transformed over a quarter century, combining memoir, topography, and cultural commentary.

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Title: Our Philadelphia

Author: Elizabeth Robins Pennell

Illustrator: Joseph Pennell

Release date: November 21, 2011 [eBook #38076]

Language: English

Credits: Produced by Judith Wirawan, Suzanne Shell, and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK OUR PHILADELPHIA ***

 
LOOKING UP BROAD STREET FROM SPRUCE STREET

OUR PHILADELPHIA

DESCRIBED BY ELIZABETH ROBINS PENNELL
ILLUSTRATED WITH ONE HUNDRED & FIVE
LITHOGRAPHS BY JOSEPH PENNELL

PHILADELPHIA AND LONDON
J. B. LIPPINCOTT COMPANY
MCMXIV


COPYRIGHT, 1914, BY J. B. LIPPINCOTT COMPANY
PUBLISHED OCTOBER, 1914
PRINTED BY J. B. LIPPINCOTT COMPANY
AT THE WASHINGTON SQUARE PRESS
PHILADELPHIA, U. S. A.

PREFACE

To-day, when it is the American born in the Ghetto, or Syria, or some other remote part of the earth, whose recollections are prized, it may seem as if the following pages called for an apology. I have none to make. They were written simply for the pleasure of gathering together my old memories of a town that, as my native place, is dear to me and my new impressions of it after an absence of a quarter of a century. But now I have finished I add to this pleasure in my book the pleasant belief that it will have its value for others, if only for two reasons. In the first place, J.'s drawings which illustrate it are his record of the old Philadelphia that has passed and the new Philadelphia that is passing—a record that in a few years it will be impossible for anybody to make, so continually is Philadelphia changing. In the second, my story of Philadelphia, perfect or imperfect, may in as short a time be equally impossible for anybody to repeat, since I am one of those old-fashioned Americans, American by birth with many generations of American fore-fathers, who are rapidly becoming rare creatures among the hordes of new-fashioned Americans who were anything and everything else no longer than a year or a week or an hour ago.

Elizabeth Robins Pennell

3 Adelphi Terrace House, London
May, 1914


CONTENTS

CHAPTER
 
PAGE
I.An Explanation1
II.A Child in Philadelphia24
III.A Child in Philadelphia (Continued)48
IV.At the Convent72
V.Transitional104
VI.The Social Adventure130
VII.The Social Adventure: The Assembly154
VIII.A Question of Creed175
IX.The First Awakening205
X.The Miracle of Work233
XI.The Romance of Work268
XII.Philadelphia and Literature304
XIII.Philadelphia and Literature (Continued)332
XIV.Philadelphia and Art368
XV.Philadelphia and Art (Continued)390
XVI.Philadelphia at Table413
XVII.Philadelphia at Table (Continued)433
XVIII.Philadelphia after a Quarter of a Century451
XIX.Philadelphia after a Quarter of a Century (Continued)477
XX.Philadelphia after a Quarter of a Century (Continued)509
 Index543

ILLUSTRATIONS

 
PAGE
Looking up Broad Street from Spruce StreetFrontispiece
Delancey Place3
"Portico Row," Spruce Street7
Arch Street Meeting House13
The Schuylkill South from Callowhill Street17
Friends' Graveyard, Germantown21
In Rittenhouse Square25
The Pennsylvania Hospital from the Grounds29
"Eleventh and Spruce"33
Drawing Room at Cliveden37
Back-yards, St. Peter's Spire in the Distance45
Independence Square and the State House51
Christ Church Interior57
Classic Fairmount65
Down Pine Street69
Loudoun, Main Street, Germantown75
Entrance to Fairmount and the Washington Statue83
Main Street, Germantown89
Arch Street Meeting95
The Train Shed, Broad Street Station99
St. Peter's, Interior105
The Pennsylvania Hospital from Pine Street109
Second Street Market115
Fourth and Arch Streets Meeting House121
Johnson House, Germantown127
The Customs House131
Under Broad Street Station at Fifteenth Street135
The Philadelphia Club, Thirteenth and Walnut Streets141
The New Ritz-Carlton; The Finishing Touches; The Walnut Street Addition Has Since Been Made149
The Hall, Stenton155
"Proclaim Liberty Throughout all the Land into all the Inhabitants Thereof"159
Bed Room, Stenton, the Home of James Logan163
The Tunnel in the Park167
The Boat Houses on the Schuylkill171
The Pulpit, St. Peter's179
The Cathedral, Logan Square185
Christ Church, from Second Street189
First Presbyterian Church, Seventh Street and Washington Square195
Old Swedes' Church201
Independence Hall: The Original Desk on Which the Declaration of Independence was Signed and the Chair Used by the President of Congress, John Hancock, in 1776207
Philadelphia from Belmont211
The Dining Room, Stenton217
Down the Aisle at Christ Church223
The Bridge Across Market Street from Broad Street Station229
State House Yard235
The Penitentiary247
On the Reading, at Sixteenth Street251
Locust Street East from Broad Street255
Broad Street, Looking South from above Arch Street261
Clinton Street, with the Pennsylvania Hospital at its End265
The Cherry Street Stairs Near the River269
The Morris House on Eighth Street273
The Old Coaching-Inn Yard279
Franklin's Grave285
Arch Street Meeting291
Cliveden, the Chew House295
Bartram's301
Carpenter's Hall, Interior305
Main Street, Germantown311
Arch Street Meeting—Interior317
Front and Callowhill321
The Elevated at Market Street Wharf327
Dr. Furness's House, West Washington Square, Just Before it was Pulled Down333
The Germantown Academy339
The State House from Independence Square345
"The Little Street of Clubs," Camac Street Above Spruce Street349
Down Sansom Street from Eighth Street. The Low Houses at Seventh Street Have Since Been Torn Down and the Western End of the Curtis Building Now Occupies Their Place353
The Double Stairway in the Pennsylvania Hospital359
Carpenter's Hall, Built 1771365
Independence Hall—Lengthwise View369
Girard College377
Upsala, Germantown383
The Hall at Cliveden, the Chew House387
The Old Water-Works, Fairmount Park391
The Stairway, State House397
Upper Room, Stenton403
Wyck—The Doorway from Within409
The Philadelphia Dispensary from Independence Square415
Morris House, Germantown419
The State House Colonnade425
The Smith Memorial, West Fairmount Park431
The Basin, Old Water-Works435
Girard Street441
The Union League, from Broad and Chestnut Streets415
Broad Street Station453
Wanamaker's457
St. Peter's Churchyard461
City Hall from the Schuylkill465
Chestnut Street Bridge469
The Narrow Street475
The Market Street Elevated at the Delaware End479
The Railroad Bridges at Falls of Schuylkill483
The Parkway Pergolas487
Market Street West of the Schuylkill491
Manheim Cricket Ground497
Dock Street And The Exchange501
The Locomotive Yard, West Philadelphia507
The Girard Trust Company511
Twelfth Street Meeting House515
Wyck519
The Massed Sky-scrapers Above the Housetops523
Sunset. Philadelphia from Across the Delaware527
The Union League Between the Sky-scrapers531
Up Broad Street from League Island535
From Gray's Ferry539

OUR PHILADELPHIA

CHAPTER I: AN EXPLANATION

I

I think I have a right to call myself a Philadelphian, though I am not sure if Philadelphia is of the same opinion. I was born in Philadelphia, as my Father was before me, but my ancestors, having had the sense to emigrate to America in time to make me as American as an American can be, were then so inconsiderate as to waste a couple of centuries in Virginia and Maryland, and my Grandfather was the first of the family to settle in a town where it is important, if you belong at all, to have belonged from the beginning. However, J.'s ancestors, with greater wisdom, became at the earliest available moment not only Philadelphians, but Philadelphia Friends, and how very much more that means Philadelphians know without my telling them. And so, as he does belong from the beginning and as I would have belonged had I had my choice, for I would rather be a Philadelphian than any other sort of American. I do not see why I cannot call myself one despite the blunder of my forefathers in so long calling themselves something else.

I might hope that my affection alone for Philadelphia would give me the right, were I not Philadelphian enough to know that Philadelphia is, as it always was and always will be, cheerfully indifferent to whatever love its citizens may have to offer it. I can hardly suppose my claim for gratitude greater than that of its Founder or the long succession of Philadelphians between his time and mine who have loved it and been snubbed or bullied in return. Indeed, in the face of this Philadelphia indifference, my affection seems so superfluous that I often wonder why it should be so strong. But wise or foolish, there it is, strengthening with the years whether I will or no,—a deeper rooted sentiment than I thought I was capable of for the town with which the happiest memories of my childhood are associated, where the first irresponsible days of my youth were spent, which never ceased to be home to me during the more than a quarter of a century I lived away from it.

DELANCEY PLACE

Besides, Philadelphia attracts me apart from what it may stand for in memory or from the charm sentiment may lend to it. I love its beauty—the beauty of tranquil streets, of red brick houses with white marble steps, of pleasant green shade, of that peaceful look of the past Philadelphians cross the ocean to rave over in the little old dead towns of England and Holland—a beauty that is now fast disappearing. I love its character—the calm, the dignity, the reticence with which it has kept up through the centuries with the American pace, the airs of a demure country village with which it has done the work and earned the money of a big bustling town, the cloistered seclusion with which it enjoys its luxury and hides its palaces behind its plain brick fronts—a character that also is fast going. I love its history, though I am no historian, for the little I know colours its beauty and accounts for its character.

II

It is not for nothing that I begin with this flourish of my birth certificate and public confession of love. I want to establish my right, first, to call myself a Philadelphian, and then, to talk about Philadelphia as freely as we only can talk about the places and the people and the things we belong to and care for. I would not dare to take such a liberty with Philadelphia if my references were not in order, for, as a Philadelphian, I appreciate the risk. Not that I have any idea of writing the history of Philadelphia. I hope I have the horror, said to be peculiar to all generous minds, of what are commonly called facts, and also the intelligence not to attempt what I know I cannot do. Another good reason is that the history has already been written more than once. Philadelphians, almost from their cave-dwelling period, have seemed conscious of the eye of posterity upon them. They had hardly landed on the banks of the Delaware before they began to write alarmingly long letters which they preserved, and elaborate diaries which they kept with equal care. And the letter-writing, diary-keeping fever was so in the air that strangers in the town caught it: from Richard Castleman to John Adams, from John Adams to Charles Dickens, from Charles Dickens to Henry James, every visitor, with writing for profession or amusement, has had more or less to say about it—usually more. The Historical Society of Pennsylvania has gathered the old material together; our indispensable antiquary, John Watson, has gleaned the odds and ends left by the way; and no end of modern writers in Philadelphia have ransacked their stores of information: Dr. Weir Mitchell making novels out of them, Mr. Sydney Fisher and Miss Agnes Repplier, history; Mr. Hampton Carson using them as the basis of further research; Miss Anne Hollingsworth Wharton resurrecting Colonial life and society and fashions from them, Mr. Eberlein and Mr. Lippincott, the genealogy of Colonial houses; other patriotic citizens helping themselves in one way or another; until, among them all, they have filled a large library and prepared a sufficiently formidable task for the historian of Philadelphia in generations to come without my adding to his burden.

III

It is an amusing library, as Philadelphians may believe now they are getting over the bad habit into which they had fallen of belittling their town, much in their town's fashion of belittling them. I am afraid it was partly their fault if the rest of America fell into the same habit. As I recall my old feelings and attitude, it seems to me that in my day we must have been brought up to look down upon Philadelphia. The town surely cut a poor figure in my school books, and the purplest patches in Colonial history must have been there reserved for New England or New York, Virginia or the Carolinas, for any and every colony rather than the Province of Pennsylvania, or I would not have left school better posted in the legends of Powhatan and Pocahontas than in the life of William Penn, and more edified by the burning of witches and the tracking of Indians than by the struggles of Friends to give every man the liberty to go to Heaven his own way. The amiable contempt in which Philadelphians held William Penn revealed itself in their free-and-easy way of speaking of him, if they spoke of him at all, as Billy Penn, though Penn would have been the last to invite the familiarity. Probably few outside the Society of Friends could have said just what he had done for their town, or just what they owed to him. If I am not mistaken, the prevailing idea was that his chief greatness consisted in the cleverness with which he fooled the land out of the Indians for a handful of beads.

"PORTICO ROW" SPRUCE STREET

The present generation could not be so ignorant if it wanted to. The statue of Penn, in full-skirted coat and broad-brimmed hat, dominating Philadelphia from the ugly tower of the Public Buildings, though it may not be a thing of beauty, at least suggests to Philadelphians that it would not have been put up there, the most conspicuous landmark from the streets and the surrounding country, if Penn had not been somebody, or done something, of some consequence. As for the rest of America, I doubt if it often comes so near to Philadelphia that it can see the statue. The last time I went to New York from London I met on the steamer a man from Michigan who had obviously been but a short time before a man from Cork, and who was so keen to stop in Philadelphia on his way West that I might have been astonished had I not heard so much of the miraculously rapid Americanization of the modern emigrant. Most people do not want to stop in Philadelphia unless they have business there, and he had none, and naturally I could not imagine any other motive except the desire to see the town which is of the greatest historic importance in the United States and which still possesses proofs of it. But the man from Michigan gave me to understand, and pretty quick too, that he did not know Philadelphia had a history and old buildings to prove it, and what was more, he did not care if it had. He guessed history wasn't in his line. What he wanted was to take the next train to Atlantic City; folks he knew had been there and said it was great. And I rather think this is the way most Americans, from America or from Cork, feel about Philadelphia.

IV

It is not my affair to enlighten them or anybody else. I have a more personal object in view. Philadelphia may mean to other people nothing at all—that is their loss; I am concerned entirely with what it means to me. In those wonderful Eighteen-Nineties, now written about with awe by the younger generation as if no less prehistoric than the period of the Renaissance, until it makes me feel a new Methusaleh to own that I lived and worked through them, we were always being told that art should be the artist's record of nature seen through a temperament, criticism the critic's story of his adventures among the world's masterpieces, and though I am neither artist nor critic, though I am not sure what a temperament is, much less if I have one, still I fancy this expresses in a way the end I have set myself in writing about Philadelphia. For I should like, if I can, to record my personal impressions of the town I love and to give my adventures among the beautiful things, the humorous things, the tragic things it contains in more than ample measure. My interest is in my personal experiences, but these have been coloured by the history of Philadelphia since I have dabbled in it, and have become richer and more amusing. I have learned, with age and reading and travelling, that Philadelphia as it is cannot really be known without some knowledge of Philadelphia as it was: also that Philadelphia, both as it is and as it was, is worth knowing. Americans will wander to the ends of the earth to study the psychology—as they call it of people they never could understand however hard they tried; they will shut themselves up in a remote town of Italy or Spain to master the secrets of its prehistoric past; they will squander months in the Bibliothèque Nationale or the British Museum to get at the true atmosphere of Paris or London; when, had they only stopped their journey at Broad Street Station in Philadelphia or, if they were Philadelphians, never taken the train out of it, they could have had all the psychology and secrets and atmosphere they could ask for, with much less trouble and expense.

I have never been to any town anywhere, and I have been to many in my time, that has more decided character than Philadelphia, or to any where this character is more difficult to understand if the clue is not got from the past. For instance, people talk about Philadelphia as if its one talent was for sleep, while the truth is, taking the sum of its achievements, no other American town has done so much hard work, no other has accomplished so much for the country. Impressed as we are by the fact, it would be impossible to account for the reputation if it were not known that the people who made Philadelphia presented the same puzzling contradiction in their own lives—the only people who ever understood how to be in the world and not of it.

ARCH STREET MEETING HOUSE

The usual alternative to not being of the world is to be in a cloister or to live like a hermit, to accept a role in common or to renounce social intercourse. But the Friends did not have to shut themselves up to conquer worldliness, they did not have to renounce the world's work and its rewards. For "affluence of the world's goods," Isaac Norris, writing from Philadelphia, could felicitate Jonathan Dickinson, "knowing both thyself and dear wife have hearts and souls fit to use them." That was better than shirking temptation in a monk's cell or a philosopher's tub. If George Fox wore a leather suit, it was because he found it convenient, but William Penn, for whom it would have been highly inconvenient, had no scruple in dressing like other men of his position and wearing the blue ribbon of office. Nor because religion was freed from all unessential ornament, was the house stripped of comfort and luxury. I write about Friends with hesitation. I have been married to one now for many years and can realize the better therefore that none save Friends can write of themselves with authority. But I hope I am right in thinking, as I always have thought since I read Thomas Elwood's Memoirs, that their attitude is excellently explained in his account of his first visit to the Penningtons "after they were become Quakers" when, though he was astonished at the new gravity of their look and behaviour, he found Guli Springett amusing herself in the garden and the dinner "handsome." For the world's goods never being the end they were to the World's People, Friends were as undisturbed by their possession as by their absence and, as a consequence, could meet and accept life, whether its gifts were wealth and power or poverty and obscurity, with the serenity few other men have found outside the cloister. Moreover, they could speak the truth, calling a spade a spade, or their enemy the scabbed sheep, or smooth silly man, or vile fellow, or inhuman monster, or villain infecting the air with a hellish stench, he no doubt was, and never for a moment lose their tempers. This serenity—this "still strength"—is as the poles apart from the phlegmatic, constitutional slowness of the Dutch in New York or, on the other hand, from the tranquillity Henry James traces in progressive descent from taste, tradition, and history, even from the philosopher's calm of achieved indifference, and Friends, having carried it to perfection in their own conduct, left it as a legacy to their town.