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Peggy on the Road

Chapter 19: Transcriber’s Notes
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About This Book

The narrative follows Peggy Lane, a young actress living in a Manhattan rooming house whose hopes lead her through auditions, backstage life, and encounters with a demanding star and a hard-edged producer. Episodic chapters track friendships, rivalries, comic embarrassments, a determined search that reveals a secret, and tests of perseverance and talent. Practical details of tryouts, rehearsals, and theater superstition mingle with a mystery subplot and eventual performance pressures, portraying the challenges and small triumphs of entering the professional stage world.

“There’s another thing I have to thank you for,” Katherine Nelson said. “Somehow tonight—with Tom—I feel that I’m about to start my career all over again.” She paused and shook her head. “No, that’s not quite it. It’s that I’m about to begin a new phase—a new life for myself....”

“And for me,” Tom said softly.

Before Peggy could answer, Mr. Fox was back. “Curtain going up,” he whispered urgently. “Quiet, please!”

Katherine Nelson detached herself from the shadows, straightened her skirt, and stepped up for her entrance. She turned and looked at Peggy and Tom, gave them a quick wink, and pushed open the door. The applause in the theater thundered out when the audience recognized her.

Peggy hardly remembered the first act. Her lines came automatically and she was too excited to know whether it was going well or badly. By the second act, that feeling had passed and she was beginning to wonder. Her big scene—the one with Tom—was coming up, and as she took her position behind the familiar door, she had the same sensation of nervous fear she had had the day she first tried out for Craig Claiborne.

The lights dimmed and Peggy knew it was time. With a trembling hand she pushed open the door and looked out over the semi-darkened stage. A lone figure was slumped in the chair by the fireplace. Peggy tip-toed into the room, went over to the window, looked out and sighed.

“‘Why did you come in so quietly?’” Tom said. “‘You’re as furtive as a lady burglar tonight. What’s wrong?’”

“‘Oh!’” Peggy gasped. “‘I didn’t know anybody was here.’”

“‘I’ll go if you like,’” came Tom’s reply.

Peggy moved over to him. “‘Oh, no! Please don’t! There’s—there’s something I want to talk to you about....’”

Suddenly all the nervousness, the worry, vanished. It was all right. Peggy could feel it and, even more important, she knew the audience could feel it too.

Completely poised, she sat down on the little footstool beside Tom and stared into his face. He was smiling at her. It was a good smile—strong, yet gentle.

Peggy met his gaze and smiled back. This was the moment she had always known would come. She was glad it had come with Tom Agate.


PEGGY ON THE ROAD

Professional temperament and backstage jealousy confront young Peggy Lane when she lands a bit part in the road company of the hit comedy, Innocent Laughter. Elated over winning the role, the aspiring actress quickly learns that a good play does not necessarily spell success. It takes good people too!

She aids in the search for a character actor to play the male lead, feeling triumphant when she locates Tom Agate, beloved but retired vaudeville trouper, who reluctantly consents to audition. But Katherine Nelson, the prima donna who is to star in the show, throws a temper tantrum, claiming it beneath her dignity to play with a “has-been” comedian, and demanding both Peggy and Tom Agate be thrown out of the show!

The young girl, who all her life has dreamed of her professional debut, is demoralized as she realizes that theatrical rivalry can stifle the joy of creativity.

But she believes in Tom Agate, and her faith is vindicated when she unravels a theatrical mystery which explains the conduct of the arrogant star!

Peggy Lane Theater Stories

Peggy Finds the Theater
Peggy Plays Off-Broadway
Peggy Goes Straw Hat
Peggy on the Road

Transcriber’s Notes

  • Copyright notice provided as in the original—this e-text is public domain in the country of publication.
  • In the text versions, delimited italics text in _underscores_ (the HTML version reproduces the font form of the printed book.)
  • Silently corrected palpable typos; left non-standard spellings and dialect unchanged.