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Personal reminiscences of Henry Irving

Chapter 359: a
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About This Book

A close friend and colleague offers a portrait of a celebrated actor drawn from decades of intimate acquaintance, combining personal anecdotes, stage recollections, and critical reflection. The author traces early memories and theatrical formation, describes management of a major theatre and landmark productions, and examines the subject's approach to Shakespeare, characterization, make-up, and stage effects. Interspersed are behind-the-curtain scenes—rehearsals, collaborations with designers and musicians, touring episodes, and reactions from audiences and critics—and assessments of artistic method, temperament, and relationships with contemporaries. The work balances reminiscence with practical detail to convey both the working life and private qualities of its subject.

HENRY IRVING AND JOHN HARE

The last photograph of Henry Irving taken in John Hare’s garden at Overstrand by Miss Hare, 1905

Irving with his usual discernment and courtesy recognised the right thing to do. He ordered the curtain to go up once more; and stepping in front of the stage said, so soon as the wild roar of renewed strength, stilled on purpose, would allow him:

“Ladies and gentlemen,—We have a little ceremony of our own to take place on the stage to-night. I think, however, it will be the mind of all my friends on the stage that you should join in our little ceremony. So with your permission we will go on with it.”

Another short sharp cheer and then sudden stillness.

The presentation was made in due form and then—the curtain still remaining up, for there was to be no more formal barrier that night—the audience, cheering all the time, melted away.

It was a worthy finish to a lifetime of loving appreciation of the art work of a great man.

This was Irving’s last regular London performance, and with the exception of his playing Waterloo for the benefit of his old friend, Lionel Brough, at His Majesty’s Theatre on 15th June, the last time he ever appeared in London.

XI

The autumn tour of that year, 1905, was fixed for ten weeks and a half, to commence at Sheffield on 2nd October. The tour commenced very well. There were fine houses despite the fact that it was the week of the Musical Festival. On Tuesday, 3rd, the Lord Mayor, Sir Joseph Jonas, gave a great luncheon for him in the Town Hall. Irving was in good form and spoke well. There was nothing noticeable in his playing or regarding his health all that week. On Saturday night there was a big house and much enthusiasm. Irving seemed much touched as he said farewell. From Sheffield we went on to Bradford.

The Monday and Tuesday night at Bradford went all right. Irving did not seem ill or extremely weak. We had by now been accustomed to certain physical feebleness—except when he was on the stage. On Wednesday the Mayor, Mr. Priestley, was giving a big lunch for him in the Town Hall, at which he was to be presented with a Public Address. I joined him at his hotel at a little past one o’clock and we went together to the Town Hall. He seemed very feeble that morning, and as we went slowly up the steep steps he paused several times to get his breath. He had become an adept at concealing his physical weakness on such occasions. He would seize on some point of local or passing interest and make inquiries about it, so that by the time the answer came he would have been rested. There was a party of some fifty gentlemen, all friends, all hearty, all delightful. On the presentation of the Address he spoke well, but looked sadly feeble.

That night we played Louis XI. He got through his work all right, but was very exhausted after it. The bill of the next night was the one we dreaded, The Bells. I had been with him at his hotel for an hour in the morning and we had got through our usual work together. He seemed feeble, but made no complaint. There was a great house that night. When Irving arrived he seemed exceedingly feeble though not ill. In his dressing-room I noticed that he did that which I had never known him do before: sit down in a listless way and delay beginning to dress for his part. He seemed tired, tired; tired not for an hour but for a lifetime. He played, however, just as usual. There was no perceptible diminution of his strength—of his fire. But when the play was over he was absolutely exhausted. Whilst he was dressing I went in and sat with him, having previously given instructions to the Master Machinist to send The Bells back to London. When I told Irving what I had done he acquiesced in it and seemed relieved. He had played The Bells against the strong remonstrances of Loveday and myself. Knowing him as I did, I came to the conclusion that his doing so was to prove himself. He had felt weak but would not yield to the suspicion; he wanted to know.

It may be wondered at or even asked why Henry Irving was allowed to play at all, being in his then state of weakness.

In the first place, Irving was his own master, and took his own course entirely. He was of a very masterful nature and took on his own shoulders the full responsibility of his acts. He would listen to the advice of those whom he trusted naturally, or had learned to trust; but he was, within the limits of possibility, the final arbiter of matters concerning himself in which there was any power of choice. The forces of a strong nature have to be accepted en bloc; these very indomitable forces of resolution and persistence—of the disregard of pain or weariness to himself which had given him his great position—ruled him in weakness as in strength. His will was the controlling power of his later as of his earlier days.

Moreover, he could not stop. To do so would have been final extinction. His affairs were such that it was necessary to go on for the sake of himself in such span of life as might be left to him, and for the sake of others. The carrying out of his purpose of going through his farewell tours would mean the realisation of a fortune; without such he would begin the unproductive period of age in poverty. Accustomed as he had been now for many years to carry out his wishes in his own way: to do whatever he had set his heart on and to help his many friends and comrades, to be powerless in such matters would have been to him a never-ending pain of chagrin. All this, of course over and above the ties and duties of his family and his own personal needs. He was a very proud man, and the inevitable blows to his pride would have been to him worse than death—especially when such might be obviated by labour, howsoever arduous or dangerous the same might be. We who knew him well recognised all this. All that we could do was to keep our own counsel, and to help him to the best of our respective powers.

XII

The next morning, 13th October, I went to Irving at half-past twelve. Loveday as had been arranged came at one o’clock. We three discussed matters ahead of us fully. We decided on the changes to be made in the bill for the following week when we were to play in Birmingham. Irving seemed quite calm, and, under the circumstances, cheerful. He endorsed the decision of the previous evening as to leaving The Bells out of the répertoire for the remainder of the tour; he seemed pleased at not having to play the piece for the present. We then decided on such other arrangements as were consequently necessary. During our conversation Irving said:

“Of course the American tour is absolutely impossible! It will have to be abandoned! But time enough for that; we can see to it later.”

That morning he was undoubtedly feeble. He was so unusually amenable in accepting the changes of his plans that when we were walking back I commented on it to Loveday, saying:

“He acquiesced too easily; I never knew him so meek before. I don’t like it!”

When he came down to the theatre that night Irving seemed much better and stronger, and was more cheerful than he had been for some time. He played well; and though he was somewhat exhausted, was infinitely less so than he had been on the previous evening. There was no speech that night, so that the last words he spoke on the stage were Becket’s last words in the play:

“Into Thy hands, O Lord! into Thy hands!”

I sat in his room with him while he dressed. He was quite cheerful, and we chatted freely. I thought that he had turned the corner and was already, with that marvellous recuperative power of his, on the way to get strong again. I told him that it was my opinion that now he was rid of the apprehension of having to play The Bells he would be himself soon:

“You have been feeling the taking up of your work again after an absence from it of four months, the longest time of rest in your life. Now you have got into your stride again, and work will be easy!”

He thought for a moment and then said quietly:

“I really think that is so!” Then he seemed to get quite cheery.

Percy Burton, who arranged our advance matters, had in answer to my telegram come over from Birmingham, so that he might be fully told of our prospective changes. He was coming home to supper with me before he got the train back to Birmingham. I had asked Irving if he wanted to see him; but he said he did not, as Burton quite knew what to do. Then, always thoughtful of others, he added:

“But if he is going by the one o’clock train you must not wait here. He will want time to take his supper.” I stood up to go and he held out his hand to say good-night. Afterwards, the remembrance of that affectionate movement came back to me with gratitude, for it was not usual; when men meet every day and every night, hand-shaking is not a part of the routine of friendly life. As I went out he said to me:

“Muffle up your throat, old chap. It is bitterly cold to-night and you have a cold. Take care of yourself! Good-night! God bless you!”

Those were the last words that I heard Henry Irving speak!

Burton and I were at supper when a carriage drove rapidly up to the door of my lodging. I suspected that it was something for me and opened the door myself at once. Mr. Sheppard, one of my assistants who always attended to Irving’s private matters, stepped in, saying quickly:

“I think you had better come down to the Midland Hotel at once. Sir Henry is ill. He fainted in the hall just as he did at Wolverhampton. When the doctor came I rushed off for you!” We all jumped into the carriage and hurried as fast as we could go to the hotel.

In the hall were some twenty men grouped round Irving who lay at full length on the floor. One of the doctors, there were three of them there then, told me quietly that he was dead. He had died just two minutes before. The clock in the hall showed the time then as eight minutes to twelve. So that he died at ten minutes to twelve.

It was almost impossible to believe, as he lay there with his eyes open, that he was really dead. I knelt down by him and felt his heart to know for myself if it was indeed death. But all was sadly still. His body was quite warm. Walter Collinson, his faithful valet, was sitting on the floor beside him, crying. He said to me through his sobs:

“He died in my arms!”

His face looked very thin and the features sharp as he lay there with his chest high and his head fallen back; but there was none of the usual ungracefulness of death. The long iron-grey hair had fallen back, showing the great height of his rounded forehead. The bridge of his nose stood out sharp and high. I closed his eyes myself; but as I had no experience in such a matter I asked one of the doctors, who kindly with deft fingers straightened the eyelids. Then we carried him upstairs to his room and laid him on his bed.

I had to send a host of telegrams at once to inform the various members of his family and the press. The latter had to go with what speed we could, for the hour of his death was such that there was no local information. Loveday arrived at the hotel after we had carried him to his room. He was indeed greatly distressed and in bitter sorrow.

The actual cause of Irving’s death was physical weakness; he lost a breath, and had not strength to recover it.

Sheppard told me that when Irving was leaving the theatre he had said to him that he had better come to the hotel with him, as was sometimes his duty. When he got into the carriage he had sat with his back to the horses—this being his usual custom by which he avoided a draught. He was quite silent during the short journey. When he got out of the carriage he seemed very feeble, and as he passed through the outer hall of the hotel seemed uncertain of step. He stumbled slightly and Sheppard held him up. Then when he got as far as the inner hall he sat down on a bench for an instant.

That instant was the fatal one. In the previous February at Wolverhampton, when he had suffered from a similar attack of weakness, he had fallen down flat. In that attitude Nature asserted herself, and the lungs being in their easiest position allowed him to breathe mechanically. Now the seated attitude did not give the opportunity for automatic effort. The syncope grew worse; he slipped on the ground. But it was then too late. By the time the doctor arrived, after only a few minutes in all, he had passed too far into the World of Shadows to be drawn back by any effort of man or science. The heart beat faintly, and more faintly still. And then came the end.

Before I left the hotel in the grey of the morning I went into the bedroom. It wrung my heart to see my dear old friend lie there so cold and white and still. It was all so desolate and lonely, as so much of his life had been. So lonely that in the midst of my own sorrow I could not but rejoice at one thing: for him there was now Peace and Rest.

I was at the hotel again at 7.30, and then went to meet his eldest son, H. B. Irving, at the Great Northern Station at 9.35. He had received my telegram in time to start by the newspaper train. His other son, Laurence, with his wife, arrived later in the day; my telegram to him had not arrived in time to allow his coming till the morning train. The undertaker had come in the morning at nine, and the embalming done before Irving’s sons had arrived.

That afternoon all the Company, including the workmen, came to see him. It was a very touching and harrowing time for all, for he was much beloved by every one.

At seven o’clock in the evening the body was laid in the lead coffin. I was present alone with the undertakers and saw the lead coffin sealed. This was then placed in the great oak coffin—which an hour later was taken privately through the yard of the Midland Hotel by a devious way to the Great Northern Station so as to avoid publicity; for the streets were thronged with waiting crowds. At Bradford, Saturday is a half-day, and large numbers of people are abroad. The ex-mayor, Mr. Lupton, who had entertained Irving in the Town Hall at his previous visit, kindly arranged with the Chief Constable that all should be in order in the streets. All day throughout the City the flags had been at half-mast, and there was everywhere a remarkable silence through which came the mournful sound of the minute-bells from seemingly all the churches.

At half-past nine we left the hotel to drive to the railway station. The appearance of the streets and the demeanour of the crowd I shall never forget; and I never want to. Everywhere was a sea of faces, all the more marked as all hats were off as we drove slowly along. Street after street of silent humanity; and in all that crowd nothing but grief and respect. One hardly realised its completeness till when, now and then, a sob broke the stillness. To say that it was moving would convey but a poor idea of that attitude of the crowd; it was poignant—harrowing—overwhelming. In silence the crowd stood back; in silence, without hurry or pushing or stress of any kind, closed around us and followed on. It was the same at the railway station; everywhere the silent crowd, holding back respectfully, uncovered.

For a quarter of a century I had been accustomed when travelling with Irving to see the rushing crowd closing in with cheers and waving of hats and kerchiefs; to watch the moving sea of hands thrust forward for him to shake, to hear the roar of the cheering crowd kept up till the train began to move, and then to hear it dying away from our ears not from cessation but from mere distance. And now this silence! No nobler or more loving tribute than the silence of that mighty crowd could ever be paid to the memory of one who has passed away. Were I a Yorkshireman I should have been proud of Bradford on that day. It moves me strangely to think of it yet.

XIII

The Dean and Chapter of Westminster Abbey were memorialised by a number of persons of importance to have a Public Funeral with burial in the Abbey. So important were the signatories that no difficulty was experienced. The only condition made was that the body should be cremated, as a rule had been established that henceforth no actual body should be buried in the Abbey. The ground had in the past been so broken that for new graves it would be necessary to go down into the concrete, which might injure the structure. The Abbey authorities were most kind in all ways. Dean Armitage Robinson gave from his sick-bed his approval, and Sub-Dean Duckworth and Archdeacon Wilberforce made all arrangements. Indeed the Dean on the day of the funeral got up in order to perform the burial service.

The Baroness and Mr. Burdett-Coutts, knowing that Irving’s flat in 17 Stratton Street was not suited to receive the crowds who would wish to pay their respects, kindly placed at the disposal of his family their spacious house in Piccadilly and Stratton Street. Here on Thursday, the 19th, he lay in state. The great dining-room was made a Chapelle ardente, and here were placed the many, many flowers that were sent. There was a veritable sea of them—wreaths, crosses, symbolic forms of all kinds. On the coffin over the heart lay the floral cross sent by the Queen. Attached to it was a broad ribbon on which she had written as her tribute to the dead the last words he had spoken on the stage:

“Into Thy hands, O Lord! into Thy hands!”

On a little table in front of the coffin lay the wreath sent by Ellen Terry. Behind, hung high along the end wall of the lofty room, was the pall—“sent anonymously,” as the card on it declared. Surely such a pall was never before seen. It was entirely wrought of leaves of fresh laurel. Thousands upon thousands of them went to its making up. It was so large that at the funeral when fourteen pall-bearers marched with the coffin it covered all the space and hung to the ground, before, behind, and on either side.

Through that room all day long passed a silent and mournful crowd of all classes and degrees; and at any moment of the time a single glance at their faces would have shown what love and sorrow had brought them there.

XIV

a

The Public Funeral took place on Friday, 20th October. It would be impossible in a book of this size to give details of it, even if such belonged to the scope of my work. Suffice it that all the honours which can be paid to the illustrious dead were observed. The King had sent to represent him, according to the custom of such ceremonies, Irving’s old and dear friend, General the Right Hon. Sir Dighton Probyn, V.C. The Queen’s formal representative was Earl Howe; but her personal tribute was the beautiful cross of flowers which lay on the actor’s coffin. The Prince and Princess of Wales were also represented. Others were there also whom men call “great”—chiefs of all great endeavours. Ministers and soldiers, ambassadors and judges, peers and great merchants, and many sorrowing exponents of all the Arts. To name them would be impossible; to try to describe the ceremony unavailing. But the place for all this is not here; it belongs now to the history of the Age and Nation.

b

All the previous night the coffin had lain in the little chapel of St. Faith between the South Transept—wherein is the Poet’s Corner where Irving was to be laid—and the Chapter House, where the mourners were to assemble. The funeral had been arranged for noon, but hours before that time every approach to the Abbey was thronged with silent crowds. There was a hush in the air through which the roar of the traffic in the streets seemed to come modified, as though it had been intercepted by that belt of silence. Slowly, imperceptibly, like shadows in their silence, the crowds gathered; a sombre mass closing as if with a black ring the whole precincts of the Cathedral.

Noon found the interior of the edifice a solid mass of people, save where the passage-way up the Nave and Choir was marked with masses of white flowers. Wreaths and crosses and bunches of flowers must have been sent in hundreds—thousands, for in addition to those within, both sides of the Cloister walks were banked with them.

Who could adequately describe that passing from the Chapter House, whence the funeral procession took its way through the South and West Cloister Walk, down the South Aisle and up the Nave and Choir till the coffin was rested before the Sanctuary; the touching music, in which now and again the sweet childish treble—the purest sound on earth—seemed to rend the mourners’ very hearts; the mighty crowd, silent, with bowed heads; everywhere white faces with eyes that wept.

Oh that crowd! Never in the world was greater tribute to any man. The silence! The majestic silence, for it transcended negation and became positive from its dormant force. “Not dead silence, but living silence!” as the dead man’s old companion, Sir Edward Russell, said in words that should become immortal. All thoughts of self were forgotten; the lesser feelings of life seemed to have passed away in that glory of triumphant sorrow. Eye and heart and brain and memory went with the Dead as to the solemn music the mournful procession passed along. Surely a lifetime of devotion must have gone to the crowning of those long-drawn seconds. To one moving through that divine alley-way of sympathetic sorrow it seemed as though the serried ranks on either hand, seen in the dimness of that October day, went back and back to the very bounds of the thinking world.

As from the steps of the Sanctuary came the first words of the Service for the Burial of the Dead, a bright gleam of winter sunshine burst through the storied window of the South Transept and lit up the laurel pall till it glistened like gold.

And then for a little while few could see anything except dimly through their tears.

When the last words of the Benediction had been spoken over his grave, there came from the Organ-loft the first solemn notes of Handel’s noble Dead March. The great organ had been supplemented by military instruments, and as the mournful notes of the trumpets rose they seemed to cling to the arches and dim corners of the great Cathedral, tearing open our hearts with endless echoes. And then the solemn booming of the muffled drums seemed to recall us to the life that has to be lived on, howsoever lonely or desolate it may be.

“The song of woe
Is after all an earthly song.”

The trumpets summon us, and the drums beat the time of the onward march—quick or slow as Duty calls.

March! March!